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There were three United Kingdom Copyright Acts in the twentieth century. It is now 26 years since the Copyright, Designs and Patents Act 1988 was passed. The major thesis of this lecture is that it is time for a new Copyright Act. The minor thesis is that we need to re-think our approach to copyright law reform. Both theses are illustrated by the history of UK copyright legislation over the last 140 years.

  • INTRODUCTION
  • MODELS AND METHODS OF LAW REFORM

Before I turn to consider that history, I want to say a few general words about models and methods of law reform. It seems to me that, speaking very broadly, there are two main models of law reform. The first is incremental and the second is holistic. The incremental approach proceeds a stage at a time. Typically, the stages involve different aspects of the field in question. Changes are introduced successively over a period of time. The holistic approach considers the field as a whole and makes changes in one go. Both approaches have their advantages and disadvantages. For example, incremental reform means that each measure can address a manageable amount of subject matter and the effects of individual measures are easier to assess, whereas holistic reform makes it easier to balance different aspects which interact with each other. These advantages and disadvantages are well illustrated by the field of copyright.

As for methods of law reform, a variety of methods have been adopted by the UK at different times and for different purposes. I would like to draw particular attention to three kinds of bodies which are asked to consider the law and recommend changes: 1 first, Royal Commissions and departmental committees; secondly, the Law Commission; and thirdly, individual reviewers.

Royal Commissions and departmental committees are ad hoc advisory committees appointed by virtue of non-statutory powers of the Crown and its ministers respectively. 2 Royal Commissions are one of the oldest institutions of Government in the UK (William I's 1085 mandate for the creation of the Domesday Book is usually cited as the first). 3 They were very popular in the nineteenth century, when 399 where appointed. They continued to be fairly popular in the period from 1900 to 1969, when 135 were appointed. 4 Since then, however, only 10 have been appointed. 5 As for departmental committees, they are a more recent institution. While some were created in the nineteenth century, departmental committees flowered in the period from 1900 to 1969, when no less than 1476 were appointed. 6 Since then, their popularity has declined almost as much as that of Royal Commissions, although statistics are hard to come by. 7 The reasons why Royal Commissions and departmental committees used to be so popular are not hard to find. They were very flexible and adaptable institutions; they provided a mechanism for public participation in Government; they were independent, impartial and transparent; 8 their members brought a range of expertise and viewpoints to bear on problems without being paid; and it was up to the Government whether to accept their recommendations in whole, in part or not at all. Why they have declined in popularity is less easy to say. 9

The Law Commission is a permanent independent statutory body which was created by the Law Commissions Act 1965. 10 Its aims are to ensure that the law is as fair, modern, simple and as cost-effective as possible, to conduct research and consultations in order to make systematic recommendations for consideration by Parliament, and to codify the law, eliminate anomalies and repeal obsolete and unnecessary enactments. It consists of five Commissioners, chaired by a judge of the Court of Appeal, appointed for between three and five years. They are supported by a Chief Executive and about 20 members of the Government Legal Service, two Parliamentary Counsel, and a number of research assistants. The Commission engages in programmes of work which it decides upon and undertakes projects referred to it by Government departments. Typically, each project involves a review of the relevant area of law, the issuing of a consultation paper setting out the law, its perceived defects and possible solutions, and the publication of a final report setting out recommendations, frequently accompanied by a draft Bill. 11

Over the last decade or so, the Government has sometimes asked individual reviewers, rather than Royal Commissions, departmental committees or the Law Commission, to review certain areas of the law. As I shall relate, copyright provides two examples of this approach, but it is not confined to copyright. 12 It is not entirely clear why this approach has become popular, but it appears that the perception that an individual reviewer can report more quickly than a commission or committee is an important factor.

  • THE ORIGINS OF THE COPYRIGHT ACT 1911

The origins of the Copyright Act 1911 lie in the report of a Royal Commission which was appointed by the second Disraeli administration in October 1875 ‘to make Inquiry with regard to the Laws and Regulations relating to Home, Colonial and International Copyright’. 13 The Commission was reconstituted in April 1876 following the death of the original Chairman in December 1875 and the withdrawal of three other members by the end of February 1876. 14 The new Chairman was Lord John Manners (an experienced cabinet minister who was Postmaster-General at the time). The other members were the Earl of Devon (a former civil servant and politician), 15 Sir Charles Lawrence Young Bt (a former barrister and a railway director), Sir Henry Thurston Holland Bt MP (a former barrister and civil servant), Sir John Rose Bt (an international banker who had been a Canadian barrister, MP and minister), Sir Henry Drummond Wolff MP (a former diplomat), Sir Louis Mallet (a civil servant), James Stephen QC (the barrister, journalist and jurist), 16 Sir Julius Benedict (a conductor, composer and author), Farrer Herschell QC MP, 17 Edward Jenkins MP (a former barrister and an author), William Smith (an eminent classical and biblical scholar), James Anthony Froude (the historian and biographer), Anthony Trollope (the novelist) and Frederick Daldy (a publisher). 18 The membership of the Commission was broadly representative of a range of copyright, legal and political interests, although there were some odd omissions, 19 and a number of the members had had some previous involvement in copyright law. 20

The Commission held 48 hearings at which it heard evidence from 50 witnesses in public and the minutes of which were published. 21 The Commissioners presented their Report in May 1878. 22 In it, the Commission first considered domestic copyright, and began by observing:

  • 5. The law of England, as to copyright in the matters above enumerated, 23 consists partly of the provisions of fourteen Acts of Parliament, which relate in whole or in part to different branches of the subject, and partly of common law principles, nowhere stated in any definite or authoritative way, but implied in a considerable number of reported cases scattered over the law reports.
  • 6. Our colleague, Sir James Stephen, has reduced this matter to the form of a Digest, which we have annexed to our report, and which we believe to be a correct statement of the law as it stands. 24
  • 9. The fourteen Acts of Parliament which deal with the subject were passed at different times between 1735 and 1875. They are drawn in different styles, and some are drawn so as to be hardly intelligible. Obscurity of style, however, is only one of the defects of these Acts. Their arrangement is often worse than their style. …

In the short term, attempts to implement the Commission's recommendation that the law be codified were unsuccessful, 26 although some of its other recommendations were implemented. 27 Although the Berne Convention for the Protection of Literary and Artistic Works led to the passage of the International Copyright Act 1886 to enable the UK to ratify the Convention, it was only the changes made by the Berlin Act of the Convention in 1908 which prompted further consideration of the need for codification.

In March 1909 the President of the Board of Trade, the Rt Hon Winston Churchill MP, appointed a departmental committee ‘to examine the various points in which the revised International Copyright Convention … is not in accordance with the law of the United Kingdom, including those points which are expressly left to the internal legislation of each country, and to consider in each case whether that law should be altered so as to enable His Majesty's Government to give effect to the Revised Convention’. The Committee was chaired by Baron Gorell (formerly Sir Gorell Barnes, President of the Probate, Divorce and Admiralty Division of the High Court). The other members were Sir Lawrence Alma-Tadema (the artist), George Askwith (a former barrister and a civil servant at the Board of Trade who had been a member of the British delegation at the Berlin conference), Harley Granville Barker (the actor, director and playwright), William Boosey (the music publisher), Charles Bowerman (a former trade unionist and Labour MP), Henry Clayton (a music publisher and author of a book on Canadian copyright), Henry Cust (a journalist who had been editor of the Pall Mall Gazette and a former Unionist MP), Edward Cutler KC (author of two books on musical copyright and a musician and composer as well as a barrister), Anthony Hope Hawkins (a former barrister and a novelist best known for The Prisoner of Zenda ), William Joynson-Hicks MP (a solicitor), Algernon Law (a diplomat), Frederick Macmillan (the publisher), Walter Raleigh (Oxford University's first Professor of English Literature), Thomas Scrutton QC (author of The Law of Copyright , then in its 4th edition) 28 and Trevor Williams (one of the founders of the Gramophone Company). 29 As with the Royal Commission, the membership of the Committee was broadly representative, 30 and many of the members had had some previous involvement in the subject of copyright. 31

The Gorell Committee held 16 meetings and took evidence from 45 witnesses over nine days, the minutes of which were published. It reported to Parliament in December 1909. 32 At the outset of its Report, the Committee quoted what the Royal Commission had said about the need to codify the law, and added: 33 ‘… in the opinion of the Committee it is highly desirable that the opportunity, which the amendment of the law to give effect to the Convention would afford, should be taken to place the British law on an intelligible and systematic footing’. Having set out an epitome of the existing legislation, the Committee continued: 34 ‘This epitome sufficiently indicates the confusion which prevails. It would be a great advantage if the British law were placed on a plain and uniform basis, and that basis were one which is common so far as practicable to the nations which join in the Convention’. The Committee proceeded to examine the Berlin Act article by article and to consider what changes to UK law were needed to comply with it, and concluded by expressing their approval of the Berlin Act as a whole. Again, therefore, the approach taken by the Committee was, within the restrictions imposed by its terms of reference, a holistic one.

The Gorell Committee's recommendations, and the Royal Commission's recommendation for codification, were largely implemented in the 1911 Act. 35

  • BETWEEN THE 1911 ACT AND THE COPYRIGHT ACT 1956

Forty-five years passed between the passage of the 1911 Act and the passage of the Copyright Act 1956. That period, of course, included two world wars. The main technological changes which occurred during that period that were relevant to copyright were the introduction of sound films in 1930, television in 1936, new recording media (notably 12-inch 33 1 3 rpm records introduced in 1948 and 7-inch 45 rpm records introduced in 1949) and the first xerographic copier in 1949. Very little amending legislation was passed. 36

  • THE ORIGINS OF THE 1956 ACT

Again, it was a revision to the Berne Convention, this time the Brussels Act of 1948, which prompted consideration of revised domestic legislation. In April 1951 the President of the Board of Trade, the Rt Hon Harold Wilson MP, appointed a departmental committee ‘to consider and report whether any, and, if so, what changes are desirable in the law relating to copyright in literary, dramatic, musical and artistic works with particular regard to technical developments and to the revised International Convention … and to consider and report on related matters’. The original chairman, the Marquess of Reading, resigned in October 1951 on his appointment as Under Secretary of State for Foreign Affairs. After that, the Committee was chaired by Sir Henry Gregory (a career civil servant who at the time was Second Secretary in the Board of Trade). The other members of the Committee were Thomas Allibone FRS (an eminent physicist), John Blake (the then Comptroller-General of Patents, Designs and Trade Marks), 37 George Cooke (a solicitor), Anne Godwin (a trade unionist), Edward Hugh-Jones (an economist), JP Lamb (a librarian) and Francis Skone James (a barrister and editor of Copinger on Copyright , then in its 8th edition). 38 Although loosely representative of a range of interests, it was less representative of the creators and exploiters of copyright works than either the Royal Commission or the Gorell Committee. 39

The Committee appointed in 1909 found the Law of Copyright in what they described as ‘a state of confusion’, and they recommended that action should be taken ‘to place the British law on an intelligible and systematic footing’. This was accomplished in no small measure by the Copyright Act of 1911, but in the forty-two years since the passing of that Act, during which time there have been two further International Conventions of the Berne Union as well as spectacular developments in the technical field, it was inevitable that some parts, at least, of the codification accomplished in 1911 should have become somewhat outdated. We share the views expressed by our predecessors that ‘it would be a great advantage if the British law were placed on a plain and uniform basis, and that basis were one which is common so far as practicable to the nations which join in the Convention’.

The Gregory Committee's recommendations were largely enacted in the 1956 Act. 42

  • BETWEEN THE 1956 ACT AND THE 1988 ACT

Thirty-two years passed between the passage of the 1956 Act and the passage of the Copyright, Designs and Patents Act 1988. The main technological changes which occurred during that period that were relevant to copyright were the introduction of improved photocopiers, further new recording media (particularly cassettes and compact discs), new broadcast media (cable and satellite television) and the advent of computers, particular the personal computer. The world was starting to go digital, but as yet in a relatively small way. Very little amending legislation was passed in the 1960s and 1970s apart from the Designs Copyright Act 1968, 43 but in the mid-1980s the Copyright Act 1956 (Amendment) Act 1982, the Copyright (Amendment) Act 1983, the Cable and Broadcasting Act 1984 and the Copyright (Computer Software) Amendment Act 1985 were passed in quick succession as stop-gap measures pending the passage of the 1988 Act.

  • THE ORIGINS OF THE 1988 ACT
to consider and report whether any, and if so what, changes were desirable in the law relating to copyright as provided in particular by the Copyright Act 1956 and the Design Copyright Act 1968, including the desirability of retaining the system of protection of industrial designs by the Registered Designs Act 1949. 44

The Committee was chaired by Mr Justice Whitford, an intellectual property specialist. The other members of the Committee were WH Barber (an academic in the field of French literature), George Burton (Chief Executive of Fisons and a representative of the Confederation of British Industry), George Doughty (a trade unionist), Rosina Harris (a solicitor), 45 Edmund Skone James (son of Francis Skone James, barrister and editor of Copinger , then in its 11th edition), Jaqueline Thwaites (founder of the Inchbald School of Design), 46 William Wallace (who had just retired as Assistant Comptroller in the Patent Office) and Walter Weston (a patent agent). The composition of the Whitford Committee was thus similar to that of the Gregory Committee.

Although it was not expressly referred to in its terms of reference, and although those terms make it plain that there were other factors involved, the appointment of the Whitford Committee was once again prompted at least partly by revisions to the Berne Convention, this time the revisions agreed at Stockholm in 1967 and Paris in 1971. The Committee also had to consider the impact of the Universal Copyright Convention of 1971 and the Rome Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations of 1961.

The Committee held 106 meetings, and smaller working groups also met occasionally to discuss particular topics. It took oral evidence from 56 organizations and companies and 11 individuals. It also received written evidence from a considerable number of organizations, companies and individuals. Unlike its predecessors, the Committee did not publish any of this evidence. 47

The Committee presented its report to Parliament in March 1977. 48 The report was unusually comprehensive, since the Committee's terms of reference required it to consider the law of designs as well as that of copyright. It systematically surveyed the entire topic in 19 chapters and summarized its recommendations in a twentieth. 49 Again, therefore, the Committee's approach was a holistic one.

The Act of 1956 is a remarkable feat of draftsmanship but, even if it is a draftsman's dream, it has proved a nightmare to those who have to try to understand it whether as laymen for their own purposes or as lawyers seeking to guide their clients. It is for this reason no doubt that one of the most constant themes in the submissions received by the Committee has been the request that something must be done to simplify the law. A principal objective in any future legislation must be that copyright law should be ‘placed on a plain and uniform basis’ to adopt the words of the 1952 (Gregory) Committee echoing the words of the 1909 Committee.

In 1981 the Government published a Green Paper on Reform of the Law relating to Copyright, Designs and Performers' Protection . 52 In 1983 the Government published another Green Paper on Intellectual Property Rights and Innovation . 53 In 1986 the Government published a White Paper on Intellectual Property Rights and Innovation . 54 As a result of these deliberations, the Copyright, Designs and Patents Act 1988 differed in certain respects from what had been proposed by the Whitford Committee, 55 but nevertheless the basic foundations were those laid down by the Committee. In particular, in accordance with the Committee's recommendations, the 1988 Act was much more clearly drafted than its predecessor.

  • RECENT DOMESTIC REFORMS TO UK COPYRIGHT LAW

Since the 1988 Act was passed, there has been no consideration of UK copyright law of the kind undertaken by the Royal Commission and the Gorell, Gregory and Whitford Committees. Instead, over the last nine years there have been a number of partial reviews of copyright law which have resulted in a series of piecemeal amendments to the 1988 Act. 56

First, there was the Gowers Review of Intellectual Property, which was announced by the Chancellor of the Exchequer, the Rt Hon Gordon Brown MP, in his Pre-Budget Report to the House of Commons on 5 December 2005. Andrew Gowers, a former editor of the Financial Times , was appointed by the Chancellor and the Secretaries of State for Trade and Industry and Culture, Media and Sport to consider

  • – the way in which Government administers the awarding of IP rights and its support to consumers and business;
  • – how well businesses are able to negotiate the complexity and expense of the copyright and patent system, including copyright and licensing arrangements, litigation and enforcement; and
  • – whether the current technological and legal IP infringement framework reflects the digital environment, and whether provisions for ‘fair use’ by citizens are reasonable. 57

In his report, which was published in December 2006, Gowers reviewed the entire UK intellectual property system from a number of perspectives and made 57 58 recommendations. 59 The recommendations were concentrated on three areas: strengthening enforcement of IP rights, reducing the costs of registering and litigating IP rights and improving the balance and flexibility of IP rights to allow content to be used in ways consistent with the digital age. 60 Ten of his recommendations were for specific amendments to the 1988 Act (including, where necessary, amendments to the EU Information Society Directive). 61 Gowers did not attempt to consider how his proposed incremental reforms would affect other parts of the copyright system, still less did he consider the system as a whole. Nevertheless, many of Gowers' recommendations have now been implemented in whole or in part, albeit that they were not effected within the timescale he suggested, and only after extensive further consultations. 62

Secondly, in 2008 there was an Intellectual Property Office consultation on amendments to the public performance exceptions in the 1988 Act which were not among Gowers' recommendations. 63

Thirdly, there was the Hargreaves Review of Intellectual Property and Growth. Professor Ian Hargreaves, another former editor of the Financial Times who is Professor of Digital Economy at Cardiff University, was appointed by the Prime Minister, the Rt Hon David Cameron MP, in November 2010 to ‘develop proposals on how the UK's intellectual property framework can further promote entrepreneurialism, economic growth and social and commercial innovation’. 64 Hargreaves was assisted by an advisory panel consisting of Professor James Boyle (co-founder of the Center for the Study of the Public Domain at Duke Law School and co-founder of Creative Commons), Dr Roger Burt (former Senior IP Counsel at IBM), Professor David Gann (Professor of Innovation and Technology Management at Imperial College), Tom Loosemoore (Head of Strategy at the Government Digital Service) and Professor Mark Schankermann (Professor of Economics at the London School of Economics). He was asked to report within six months. On December 2010 he issued a Call for Evidence asking for comments on a range of questions and issues by 1 March 2011. Nearly 300 responses were received. In addition, he had meetings with a considerable number of stakeholders and attended a number of seminars, round tables, workshops and other events.

In his report entitled Digital Opportunity , which was published in May 2011, Hargreaves reviewed the aspects of the UK intellectual property system which appeared to him to be relevant to the promotion of economic growth 65 and made ten main recommendations. 66 Two of these recommendations concerned amendments to the 1988 Act. 67 In essence, Hargreaves recommended the adoption of a number of the amendments which had been recommended by Gowers, but had not yet been implemented. 68 After further consultations, 69 these recommendations have now been substantially implemented. 70 Hargreaves did not attempt to consider how his proposed reforms would affect other parts of the copyright system, still less did he consider the system as a whole.

In their response to the Call for Evidence the Patent Judges in England and Wales said that a comprehensive review and redrafting of the Copyright Act is now considerably overdue. The Review agrees. Implementation of the strategic assessment of the IP framework provided by the Review would be incomplete without consideration of the statutory underpinning, which needs to be both tailored to modern circumstances and as clear as possible. The Review recognises the pressures on Parliamentary time, and the Government's commitment in March to avoid further IP reviews in this Parliament. We urge Ministers not to allow these constraints to prevent the Government from bringing the Copyright Act up to date.

In addition to the three exercises I have just described, the Enterprise and Regulatory Reform Act 2013 introduced certain amendments to the 1988 Act which had not been the subject of any prior consultation or review. 72 In particular, section 74 of the 2013 Act repealed section 52 of the 1988 Act in reaction to the decision of the Court of Justice of the European Union in the Flos case, 73 although the date when the repeal is to become effective has yet to be decided and is presently the subject of a consultation. 74 So too did the Intellectual Property Act 2014. 75

Before leaving this topic, it should be noted that the Law Commission has never been asked to look at copyright law. Indeed, when the Law Commission was recently asked by the Department of Business, Innovation and Skills and the IPO to review the law on groundless threats of intellectual property litigation, 76 groundless threats of copyright litigation were excluded from its remit. 77

  • SEVEN REASONS WHY WE NEED A NEW ACT

There are at least seven reasons why we now need a new Copyright Act. 78 The first is the passage of time. As I mentioned at the beginning of this lecture, it is 26 years since the 1988 Act was passed. It is 37 years since the Whitford Committee's report. During that period, technological change relevant to copyright has accelerated and has become more transformative. We have had the advent of the world wide web, the whole online world including Internet television and social media, smart phones, tablet computers, and now 3D printing. Furthermore, these technological changes have led to massive changes to the business models for exploiting copyright works. Although much amended, the 1988 Act remains rooted in the analogue world.

The second reason is the changed international and European context. As I have related, past UK copyright legislation has often been prompted by international developments. The 1988 Act was passed prior to TRIPS, 79 the WIPO Treaties, 80 the Beijing Treaty 81 and the Marrakesh Treaty 82 and prior to any European Directives in field of copyright and related rights. It was a purely domestic statute, albeit one which was intended to comply with the UK's obligations under the Berne Convention. Since then, the context has changed radically. We now have TRIPS, the WIPO Treaties, the Beijing Treaty and the Marrakesh Treaty. More importantly, perhaps, there are now no less than 10 European Directives which directly regulate copyright and related rights, 83 and a number of other Directives which also affect such rights. 84 As is well established, the domestic legislation must be construed, so far as possible, in accordance with the Directives. 85 There is now a steady stream of decisions from the Court of Justice of the European Union interpreting the Directives. 86 As a result, it no longer makes sense to have a statute which is not rooted in the European legislation.

The third reason is that the 1988 Act has been amended a quite extraordinary number of times. By my count, there have been no less than 80 amending Acts and statutory instruments to date. 87 Some of these amendments have been required to implement the European Directives. Others have been the result of purely domestic initiatives, such as those I have described. Amendments have repeatedly been made to earlier amendments. To call the result a patchwork quilt would be an insult to the art of quilting. A closer analogy would be an obsessively re-used palimpsest.

The fourth reason is that some of the European Directives have been wrongly implemented due to a failure properly to understand the concepts they employ. One example of this is the UK legislators' failure to understand that what the 1988 Act calls a ‘film’ is what the Directives call a ‘first fixation’ of a film. As a consequence, section 13B of the 1988 Act gives the film copyright the duration which should be given to the cinematographic or audiovisual work. 88 More generally, our legislators do not seem to understand the distinction between authors' rights and related rights which is fundamental to the European legislation. 89

The fifth reason is that there are systemic problems in the design of the 1988 Act whose effects have become worse over time. One example of this is the treatment of protectable subject matter in the 1988 Act. Problems such as the treatment of photographs and unconventional artistic works have become more acute with changes in technology and culture, and the tension between the domestic and European approaches is growing. 90 As Dr Eleonora Rosati has pointed out, part of the difficulty lies in the 1988 Act's closed list of subject matter. 91

The sixth reason is that the interface between copyright law and designs law needs reconsidering. As I have mentioned, section 52 of the 1988 Act has been prospectively repealed. But section 52 was just part of a sophisticated scheme to balance copyright and design protection put in place by the 1988 Act, which also included section 51 and Part III of the 1988 Act and amendments to the Registered Designs Act 1949. As Professor Lionel Bently has argued, it does not make sense simply to unpick one element of that scheme. 92

The seventh reason follows from the previous six, namely that the Act as it presently stands is considerably longer than the Act as originally enacted, considerably more complicated, cannot be understood in isolation from the EU Directives and the implementing regulations 93 and lacks coherence. 94 As a result, the law is inaccessible to creators, exploiters and users of copyright works, which is to say, everyone in the UK. In other words, our legislation is now in a similar state to that which faced the Royal Commission and the Gorell, Gregory and Whitford Committees. Initiatives such as the Copyright Notice service launched by the IPO last year to attempt to clarify the law 95 amount to tackling the symptoms, not the disease.

  • FIVE POSSIBLE WAYS FORWARD

What then should be done? For the reasons I have explained, it is plain that we need a new Copyright Act. Nevertheless, there are a number of different approaches to drawing up a new Act that could be adopted. I would offer five possible ways forward. 96

The first and simplest possibility would be pure consolidation of the existing Act and all its amendments, including in particular the provisions implementing EU Directives that are not presently included in the Act and the various transitional provisions, which are currently scattered amongst a considerable number of different statutory instruments. This exercise could include some simple drafting amendments, such as bringing performers' rights into Part I of the new Act, which would enable Part II and Schedules 2 and 2A of the 1988 Act to be dispensed with. That one measure on its own would considerably shorten and simplify the Act. 97

The second possibility would be what I would label ‘consolidation plus’, that is to say, consolidation augmented by more extensive redrafting for clarity, consistency and proper compliance with the Directives, but without making significant substantive changes.

The third possibility would be to recast the Act on the basis of the European acquis . That would involve taking the ipsissima verba of the European Directives as providing the basic skeleton for the new Act, and then filling in the gaps, 98 but without making significant substantive changes to the existing law. The point of this exercise would be three-fold. First, it would ground the domestic legislation more securely in the European legislation. Secondly, it would reduce, if not eliminate, the need for users to consult the Directives and implementing regulations in order to interpret the Act. 99 Thirdly, it would mean that the domestic legislation would be better placed to accommodate the next round of European harmonization. 100 As a variant of this third possibility, the Wittem Group's European Copyright Code 101 could be taken as the starting point, except where the Code deviates from the Directives.

The fourth possibility would be what I would label ‘minimal substantive review’. This would not involve going over the ground covered by the recent reviews and consultations again, but rather would be aimed at completing the process of reform. Thus it would be essentially aimed at assessing what consequential changes are needed as a result of the recent amendments and generally overhauling the remainder of the Act.

The fifth and final possibility would be what I would label ‘maximal substantive review’. This would involve a holistic review of copyright law of the kind undertaken by the Whitford Committee.

  • HOW SHOULD WE CARRY OUT COPYRIGHT LAW REFORM?

Particularly if the fourth or fifth possibilities are adopted, it remains to be considered how copyright law reform should be undertaken in this country. We could, of course, look to other countries for inspiration. A number of other countries are presently engaged in copyright law reform projects, including Australia 102 and the USA. 103 No doubt there are useful lessons which could be learned. One could also look to the European Commission, which has recently consulted on a wide-ranging review of EU copyright rules. 104 But, as I have attempted to describe in this lecture, we have a long and rich history in our own country to learn from.

The system of appointing a Royal Commission or departmental committee once a generation, with instructions holistically to consider copyright law and make recommendations for its improvement, was not a perfect one. It could be improved in at least three ways. The first is by ensuring that all the members of such a committee are appropriately qualified. In particular, the membership should not include people with no experience of copyright law or the copyright industries and should include a legal academic. Secondly, the committee should require a higher standard of evidence than was accepted in the past. 105 A laudable innovation of the Gowers Review was the commissioning of an economic analysis (of copyright term extension) from the Centre for Intellectual Property and Information Law at Cambridge University. Another useful technique, which has been partially adopted by the European Commission, is a structured survey seeking empirical evidence of the kind which is popular in social science research. Thirdly, the committee should conduct its proceedings with more transparency than the Whitford Committee did.

Nevertheless, I would suggest that the departmental committee model of law reform served us fairly well. In particular, it had the advantage of providing a forum for the often contentious debates that copyright law engenders and of providing a mechanism for trying to resolve such debates. 106 The only superior model is that provided by the Law Commission, but I doubt that the Law Commission would want to undertake a review of copyright law given its modest resources and other commitments. I would suggest that neither the Gowers Review nor the Hargreaves Review provides a better model for achieving satisfactory reform of copyright law. While they have delivered some worthwhile incremental reforms, the process has taken nine years and yet has not addressed any of the seven problems I have identified. On the contrary, it has exacerbated them. If the Government had appointed a departmental committee in December 2005, we could have had a new Copyright Act on the statute book by now.

In conclusion, I suggest that it is time for a new Copyright Act and that a departmental committee should be appointed to make recommendations for the framing of the new Act.

  • APPENDIX: LIST OF LEGISLATION WHICH HAS AMENDED THE COPYRIGHT, DESIGNS AND PATENTS ACT 1988 (AS AT 13 OCTOBER 2014)

The Broadcasting Act 1990

The Courts and Legal Services Act 1990

The National Health Service and Community Care Act 1990

The Health and Personal Social Services (Northern Ireland) Order 1991, SI 1991/194

The High Court and County Courts Jurisdiction Order 1991, SI 1991/724

The Copyright (Computer Programs) Regulations 1992, SI 1992/3233

The Charities Act 1993

The Judicial Pensions and Retirement Act 1993

The Criminal Justice and Public Order Act 1994

The Criminal Justice (Northern Ireland) Order 1994, SI 1994/2795

The Trade Marks Act 1994

The Copyright (EC Measures Relating to Pirated Goods and Abolition of Restrictions on the Import of Goods) Regulations 1995, SI 1995/1445

The Criminal Justice (Scotland) Act 1995

The Criminal Procedure (Consequential Provisions) (Scotland) Act 1995

The Duration of Copyright and Rights in Performances Regulations 1995, SI 1995/3297

The Merchant Shipping Act 1995

The Olympic Symbol etc. (Protection) Act 1995

The Arbitration Act 1996

The Broadcasting Act 1996

The Education Act 1996

The Copyright and Related Rights Regulations 1996, SI 1996/2967

The National Health Service (Primary Care) Act 1997

The Copyright and Rights in Databases Regulations 1997, SI 1997/3032

The Competition Act 1998

The Government of Wales Act 1998

The Northern Ireland (Elections) Act 1998

The Northern Ireland Act 1998

The Scotland Act 1998

The Competition Act 1998 (Competition Commission) Transitional, Consequential and Supplemental Provisions Order 1999, SI 1999/506

The Transfer of Functions (Lord Advocate and Secretary of State) Order 1999, SI 1999/678

The Scotland Act 1998 (Consequential Modifications) (No 2) Order 1999, SI 1999/1820

The Health Act 1999 (Supplementary and Consequential Provisions) Order 1999, SI 1999/2795

The Health Act 1999 (Supplementary, Consequential etc. Provisions) Order 2000, SI 2000/90

The Competition Act 1998 (Transitional, Consequential and Supplemental Provisions) Order 2000, SI 2000/311

The Conditional Access (Unauthorised Decoders) Regulations 2000, SI 2000/1175

The Powers of Criminal Courts (Sentencing) Act 2000

The Health and Social Care Act 2001

The Registered Design Regulations 2001, SI 2001/3949

The Enterprise Act 2002

The Copyright etc. and Trade Marks (Offences and Enforcement) Act 2002

The Copyright (Visually Impaired Persons) Act 2002

The Communication Act 2003

The Health and Social Care (Community Health and Standards) Act 2003

The Copyright and Related Rights Regulations 2003, SI 2003/2498

The Primary Medical Services (Scotland) Act 2004 (Consequential Modifications) Order 2004, SI 2004/957

The Goods Infringing Intellectual Property Rights (Customs) Regulations 2004, SI 2004/1473

The Serious Organised Crime and Police Act 2005

The Commissioners for Revenue and Customs Act 2005

The Constitutional Reform Act 2005

The Government of Wales Act 2006

The National Health Service (Consequential Provisions) Act 2006

The Performances (Moral Rights, etc.) Regulations 2006, SI 2006/18

The Lord Chancellor (Transfer of Functions and Supplementary Provisions) (No 2) Order 2006, SI 2006/1016

The Intellectual Property (Enforcement, etc.) Regulations 2006, SI 2006/1028

The Smoking, Health and Social Care (Scotland) Act 2005 (Consequential Modifications) (England, Wales and Northern Ireland) Order 2006, SI 2006/1056

The Legal Services Act 2007

The Tribunals, Courts and Enforcement Act 2007

The Health and Social Care Act 2008

The Consumer Protection from Unfair Trading Regulations 2008, SI 2008/1277

The Companies Act 2006 (Consequential Amendments, Transitional Provisions and Savings) Order 2009, SI 2009/1941

The Audiovisual Media Services Regulations 2009, SI 2009/3348

The Legal Services Act 2007 (Consequential Amendments) Order 2009, SI 2009/3348

The Digital Economy Act 2010

The Local Education Authorities and Children's Services Authorities (Integration of Functions) Order 2010, SI 2010/1158

The Copyright, Designs and Patents Act 1988 (Amendment) Regulations 2010, SI 2010/2694

The Treaty of Lisbon (Changes in Terminology) Order 2011, SI 2011/1043

The Charities Act 2011

The Health and Social Care Act 2012

The Crime and Courts Act 2013

The Enterprise and Regulatory Reform Act 2013

The Copyright and Duration of Rights in Performances Regulations 2013, SI 2013/1782

The Copyright and Duration of Rights in Performances (Amendment) Regulations 2014, SI 2014/434

The Copyright and Rights in Performances (Research, Education, Libraries and Archives) Regulations 2014, SI 2014/1372

The Copyright and Rights in Performances (Disability) Regulations 2014, SI 2014/1384

The Copyright (Public Administration) Regulations 2014, SI 2014/1385

The Intellectual Property Act 2014

The Copyright and Rights in Performances (Quotation and Parody) Regulations 2014, SI 2014/2356

The Copyright and Rights in Performances (Personal Copies for Private Use) Regulations 2014, SI 2014/2361

Care Act 2014 (Schedule 5, Part 4, paragraph 33, not yet in force)

Intellectual Property Act 2014 (section 22, not yet in force)

In addition to the three kinds of body listed in the text, it is worth noting that in the nineteenth century it was common for Parliamentary Select Committees to consider issues of law reform, including in the field of copyright. A list of Select Committee reports on intellectual property issues is to be found in Brad Sherman and Lionel Bently, The Making of Modern Intellectual Property Law (Cambridge University Press, 1999) at 235–6.

See generally Hugh Clokie and William Robinson, Royal Commissions of Inquiry: The Significance of Investigations in British Politics (Stanford University Press, 1937); Kenneth Weare, Government by Committee: An Essay on the British Constitution (Clarendon Press, 1995); Charles Hanser, Guide to Decision: The Royal Commission (Bedminster Press, 1965); Gerald Rhodes, Committees of Inquiry (Allen & Unwin, 1975); Timothy Cartwright, Royal Commissions and Departmental Committees in Britain: A Case-Study in Institutional Adaptiveness and Public Participation in Government (Hodder & Stoughton, 1975); Lord Benson and Lord Rothschild, ‘Royal Commissions: A Memorial’ (1982) 60(3) Public Administration 339–48; Martin Bulmer, ‘Royal Commissions and Departmental Committees of Inquiry’ (Royal Institute of Public Affairs, 1983); Mike Rowe and Laura McAllister, ‘The Roles of Commissions of Inquiry in the Policy Process’ (2006) 21(4) Public Policy and Administration 99–115; Peter Riddell and Pepita Barlow, ‘The Lost World of Royal Commissions’ (Institute for Government blog, 19 June 2013); Barbara Lauriat, ‘“The Examination of Everything”: Royal Commissions in British Legal History’ (2014) 31 Statute Law Review 24. Note that the literature focuses more on Royal Commissions than departmental committees. Although the only real difference between the two regards the technical method of appointment (by the monarch or by a minister), Royal Commissions at least in the twentieth century tended to be more high-profile and controversial, and possibly less effective.

Clokie and Robinson, note 2 above, at 28; Cartwright, note 2 above, at 32.

Cartwright, note 2 above, Table 3.1, p. 36.

Riddell and Barlow, note 2 above.

Nevertheless departmental committees do continue to be appointed. An important recent example is the Commission on Devolution in Wales established by the Secretary of State for Wales, the Rt Hon Cheryl Gillan MP, on 11 October 2011 and chaired by Paul Silk. The Silk Commission published two reports, Financial Powers to Strengthen Wales and Legislative Powers to Strengthen Wales , on 19 November 2012 and 3 March 2014 respectively.

Although Royal Commissions and departmental committees were classified by Clokie and Robinson, note 2 above, into three types, namely expert, representative and impartial, it is clear from the subsequent literature that this is not a hard-and-fast classification and that many commissions and committees display all three attributes to a greater or less extent.

Note, however, that public inquiries – whether constituted under the Inquiries Act 2005 or its predecessor the Tribunals of Inquiry (Evidence) Act 1921 (such as the Saville Inquiry into Bloody Sunday) or not so constituted (such as the Hutton Inquiry into the death of David Kelly) – remain a well-used institution. Public inquiries differ from Royal Commissions and departmental committees in a number of respects. Typically, they are led by a single individual; they are investigations into a specific event or series of events; they are primarily concerned with fact-finding; and, while they may make recommendations, such recommendations are not necessarily of a legislative nature. Another procedure which continues to be used is the private inquiry by a committee of Privy Counsellors (such as the Chilcot Inquiry into the Iraq conflict). By contrast with departmental committees, a major concern over such inquiries is their cost. See Oonagh Gray and Chris Sear, ‘Investigatory Inquiries and the Tribunals of Inquiry (Evidence) Act 1921’ (House of Commons Library Standard Note SN/PC/02599).

The 1965 Act also created the Scottish Law Commission. It was amended by the Law Commission Act 2009. In 2007 the Northern Ireland Law Commission was created by the Justice (Northern Ireland) Act 2002, as amended. The origins of the Law Commission lie in the book edited by Gerald Gardiner QC (later Lord Gardiner LC) and Andrew Martin, Law Reform Now (Gollancz, 1963).

The work of the Law Commission, and the implementation of its recommendations, was described by its current Chairman, the Rt Hon Sir David Lloyd Jones, in his Sir William Dale Annual Lecture on 22 November 2012 (available on the Law Commission website).

Another example is the Independent Review of the Commercialisation and Sexualisation of Childhood by Reg Bailey, whose report Letting Children be Children was presented to Parliament in June 2011 (Cm 8078), although this was more concerned with regulatory and ‘soft law’ questions than black letter law.

The decision to set up the Royal Commission was taken by the Prime Minister largely as a result of a deputation he received from representatives of the Association to Protect the Rights of Authors on 10 May 1875 and of a question asked in Parliament by Edward Jenkins MP on the same day, although the Copyright Association had written to the Prime Minister requesting the same thing in February 1875.

The Commissioners appointed in 1875 were Earl Stanhope, the Earl of Roseberry, Robert Bourke, Sir Charles Young, Sir Henry Holland, Sir John Rose, Sir Henry Drummond Wolff, Sir Louis Mallet, Sir Julius Benedict, Thomas Farrer, James Stephen, Farrer Herschell, William Smith and Frederick Daldy.

He had also been called to the Bar.

He was knighted in January 1877 and appointed as Stephen J in January 1879.

Subsequently Solicitor-General from 1880 to 1885 and Lord Chancellor for a brief period in 1886 and again from 1892 to 1895.

For a detailed analysis of the membership of the Commission, their backgrounds and views and their contributions to its work, see Barbara Lauriat, The 1878 Royal Commission on Copyright: Understanding an Attempt at Victorian Copyright Reform (DPhil thesis, Balliol College Oxford, 2013). The Commission has also been considered in detail by: Isabella Alexander, Copyright Law and the Public Interest in the Nineteenth Century (Hart, 2010) at 121–8, 142–6; Ronan Deazley, ‘Commentary on the Royal Commission's Report on Copyright’, in Primary Sources on Copyright 1450–1900 (eds Bently and Kretschmer) (2008) (available at < www.copyrighthistory.org >); John Feather, Publishing, Piracy and Politics: An Historical Study of Copyright in Britain (Mansell, 1994) at 185–94; NN Feltes, Literary Capital and the Late Victorian Novel (University of Wisconsin Press, 1993) at 61–3; Paul Saint-Amour, The Copywrights: Intellectual Property and the Literary Imagination (Cornell University Press, 2003) at 53–89; and Catherine Seville, The Internationalisation of Literary Copyright Law: Books, Buccaneers and the Black Flag in the Nineteenth Century (Cambridge University Press, 2006) at 270–4.

Notably of anyone representing the visual arts, drama, journalism or libraries and museums.

For example, Trollope had been an advocate of international copyright: see Lauriat, note 18 above, at 48–52.

The minutes have proved an invaluable resource for subsequent scholars.

C.2036. Sir Louis Mallet dissented from the whole Report, while a number of other members expressed reservations in relation to parts of the Report.

‘(1) Books; (2) Musical compositions; (3) Dramatic pieces; (4) Lectures; (5) Engravings and other works of the same kind; (6) Paintings, drawings and photographs; and (7) Sculpture’: ibid at para. 3.

Stephen's Digest in itself revealed the uncertainty of the law, since many of the Articles and footnotes contained expressions such as ‘probably’, ‘it seems’ and ‘it is doubtful’.

Note 22 above at para. 13.

Bills to codify copyright law were introduced in 1878, 1879, 1881, 1890, 1898 and 1910, but not passed. The 1898 Bill led to no fewer than three Reports of the Select Committee of the House of Lords: see Sherman and Bently, note 1 above and Seville, note 18 above, at 239–41. The Australian Copyright Act 1905 was, however, substantially based on the Report and in particular Stephen's Digest: see Lauriat, note 18 above, at pp. 257–8 and Benedict Atkinson, The True History of Copyright: The Australian Experience 1905–2005 (Sydney University Press, 2007) at 18–20.

By a private members' bill which became the Copyright (Musical Compositions) Act 1888.

1903. In the preface to the 3rd edition (1896), Scrutton had complained: ‘Hardly a copyright case comes into Court, hardly a copyright question comes before counsel for opinion, which does not emphasise the necessity for a thorough revision and codification of the numerous and ill-drafted Acts which constitute the Copyright Law of England. The Copyright Commission urgently recommended this in 1878, but we seem after eighteen years no nearer the desired haven’.

See Lionel Bently, ‘ R v The Author : From Death Penalty to Community Service’ (2008–2009) 32 Colum. J.L. & Arts 1 at 30–32; Seville, note 18 above, at 290–92.

Indeed, more so, since it included representatives of the visual arts, drama, journalism and of the fledgling record industry, although not of libraries and museums.

For example, Alma-Tadema had previously chaired the St John's Wood Art Club's Artistic Copyright Committee from 1896 to 1899. The Committee instructed Scrutton to draft the Copyright (Artistic) Bill, which was introduced into the House of Lords in 1899: see David Foxton, The Life of Thomas E. Scrutton (Cambridge, 2014) at 129–33. This was one of nine Bills on the subject of artistic copyright during the period from 1868 to 1900, none of which were passed.

Cmd. 4976 (1909). A number of members of the Committee expressed reservations on certain points.

Ibid at 7–8.

The legislative history of the 1911 Act is described by Bently, note 29 above, at 32–4. The codification achieved by the 1911 Act was not complete, since the Musical (Summary Proceedings) Copyright Act 1902, the Musical Copyright Act 1906 and one section of the Fine Arts Copyright Act 1862 remained in force.

Minor amendments were made by the Copyright (British Museum) Act 1915 (repealed by the British Museum Act 1932), the National Library of Scotland Act 1925, the Law Reform (Married Women and Tortfeasors) Act 1935 and the Customs and Excise Act 1952.

He was knighted in 1952.

See Bently, note 29 above, at 34–5.

Cmnd. 8662.

Ibid at 1–2.

The legislative history of the 1956 Act is described by Bently, note 29 above, at 36–8.

Minor amendments were made by the Copyright (Amendment) Act 1971 and a small number of other statutes.

There was a specific exclusion from the Committee's terms of reference of any consideration of the merits of lending to the public as one of the acts restricted by copyright in a work.

And a partner in Joynson-Hicks, the firm founded by William Joynson-Hicks (which later became part of Taylor Joynson Garrett, now Taylor Wessing).

Now Jaqueline Duncan.

It might make an interesting PhD project to analyse the submissions and notes of evidence, assuming they are still extant and could be obtained, and to compare them with the Committee's report.

For a contemporary reaction to the report, see Gerald Dworkin, ‘The Whitford Committee Report on Copyright and Designs Law’ (1977) 40 MLR 685–700.

Note 48 above at para 16.

The drafting of the 1956 Act was also criticized by Sir William Dale in a book published in the same year as the Whitford Committee's report, Legislative Drafting: A New Approach (Butterworths, 1977). Francis Bennion, one of the draftsmen of the 1956 Act, responded in a review: [1980] Stat LR 61.

Notably in relation to the protection of designs. The Whitford Committee's recommendations that the Registered Designs Act 1949 should be repealed and a two-tier system of copyright protection for designs should be introduced were rejected. Instead, Part III of the 1988 Act was largely modelled on the proposals of the Johnston Committee on Industrial Designs in its report presented to Parliament in August 1962, Cmnd 1808.

There have also been a number of reports by governmental or legislative bodies which have not resulted in recommendations for specific amendments to the 1988 Act, including: New Media and the Creative Industries (Culture, Media and Sport Select Committee Report, 2007), Digital Britain: Final Report (Department for Business Innovation and Skills and Department of Culture Media and Sport, Cm 7650, June 2009) and © The Way Ahead: A Strategy in the Digital Age (IPO and BIS, October 2009). These reviews have taken place alongside the ongoing processes of implementing European Directives in the field of copyright and related rights (as to which, see the discussion below) and of making other, minor amendments to the 1988 Act consequential upon other legislative developments.

The terms of reference as set out in paragraph E.5 of the Executive Summary to the published Review (December 2006). The background to the setting up of the Gowers Review is described in Hector MacQueen, ‘Copyright Law Reform: Some Achievable Goals?’, in Fiona Macmillan (ed), New Directions in Copyright Law volume 4 (Edward Elgar, 2007).

Although the recommendations are numbered from 1 to 54, three are divided into a and b.

The Gowers Review was itself reviewed by the All-Party Parliamentary IP Group in 2009. There is also a considerable academic literature concerning the Review, including: David Bainbridge, ‘The Gowers Review of Intellectual Property’ [2006] IP & IT Law 4–10; William Cornish, ‘Intellectual Property in Britain: The Gowers Review’ [2007] IIC 1–5; Christopher Morcom, ‘Gowers: A Glimmer of Hope for UK Compliance with Article 10 bis of the Paris Convention’ [2007] EIPR 125–7; Ian de Freitas, ‘The Gowers Review of Intellectual Property: What's in it for the Technology Sector?’ [2007] Comp & Law 27–9; Jeremy Drew and Georgia Warren, ‘Reviewing Gowers’ [2007] NLJ 502–503; Mark van Hoorebeek, ‘Proudhon, Gowers and Sir Cliff: La Propriété C'est le Vol?’ (2007) 51(Sum), SL Rev 42–3; Andreas Rahmatian, ‘The Gowers Review on Copyright Term Extension’ [2007] EIPR 353–6; Stephen Saxby, ‘Gowers Review of Intellectual Property Bears Fruit’ (2008) 23 CLSR 93–4; Ronan Deazley, ‘Copyright and Parody: Taking Backward the Gowers Review?’ (2010) 73 MLR 785–807; Mark van Hoorebeek, ‘Gowers, Lammy, Levine and Boldrin: Will the Digital Britain Reports Develop a Copyright Agenda for the 21st Century?’ (2010) SL Rev 60(Sum), 45–6.

Foreword, p. 1. One measure of Gowers' approach is the fact that he made no specific recommendations at all in respect of designs, although some of his general recommendations, such as those with respect to enforcement, embrace designs.

Recommendation 2: Enable educational provisions to cover distance learning and interactive whiteboards by 2008 by amending sections 35 and 36 of the CDPA. Recommendation 8: Introduce a limited private copying exception by 2008 for format shifting for works published after the date that the law comes into effect. There should be no accompanying levies for consumers. Recommendation 9: Allow private copying for research to cover all forms of content. This relates to the copying, not the distribution of media. Recommendation 10a: Amend s 42 of the CDPA by 2008 to permit libraries to copy the master copy of all classes of work in permanent collections for archival purposes and to allow further copies to be made from the archived copy to mitigate against subsequent wear and tear. Recommendation 10b: Enable libraries to format shift archival copies by 2008 to ensure records do not become obsolete. Recommendation 11: Propose that Directive 2001/29/EC be amended to allow for an exception for creative, transformative or derivative works, within the parameters of the Berne Three Step Test. Recommendation 12: Create an exception to copyright for the purpose of caricature, parody or pastiche by 2008. Recommendation 13: Propose a provision for orphan works to the European Commission, amending Directive 2001/29/EC. Recommendation 36: Match penalties for online and physical infringement by amendment section 107 of the CDPA by 2008. Recommendation 42: Give Trading Standards the power to enforce copyright infringement by enacting section 107A of the CDPA by 2007. In addition, Gowers recommended that the term of protection for sound recordings and performers' rights should not be increased by the EU: recommendation 3.

See in particular: Taking Forward the Gowers Review of Intellectual Property: Proposed Changes to Copyright Exceptions (UKIPO Consultation Paper, November 2007) (recommendations 2, 8, 9, 10a, 10b, 12); Taking Forward the Gowers Review of Intellectual Property: Penalties for Copyright Infringement (UKIPO Consultation Paper, August 2008) (recommendation 36); Taking Forward the Gowers Review of Intellectual Property: Second Stage Consultation on Copyright Exceptions (IPO Consultation Paper, December 2009) (recommendations 2, 8, 9, 10a, 10b, 12); and the consultations which followed the Hargreaves Review.

Consultation on Changes to Exemptions from Public Performance Rights in Sound Recordings and Performers' Rights (UKIPO Consultation Paper, June 2008). This followed an earlier consultation in 2002. The amendments were implemented by the Copyright, Designs and Patents Act 1988 (Amendment) Regulations 2010, SI 2010/2694.

The full terms of reference are set out in Annex A to the final report.

Unlike Gowers, Hargreaves did address designs, recommending that this area be reviewed by the IPO (recommendation 7). This led to the reforms implemented by sections 1 to 14 of the Intellectual Property Act 2014.

The Hargreaves Review was itself reviewed by the Business, Innovation and Skills Select Committee in a report published in June 2012. There is also a considerable academic literature concerning the Review, including: Nick Rose and Michael Sweeney, ‘The Hargreaves Report’ [2011] Ent LR 201–203; Joel Smith and Rachel Montagnon, ‘The Hargreaves Review – A ‘Digital Opportunity’’ [2011] EIPR 596–9; Hogarth Chambers, ‘The Hargreaves Review – Another Mixed Bag’ [2011] EIPR 599–603; Eleonora Rosati, ‘The Hargreaves Report and Copyright Licensing: Can National Initiatives Work Per Se ?’ [2011] EIPR 673–6; Andreas Rahmatian, ‘The Hargreaves Review on Copyright Licensing and Exceptions: A Missed Moment of Opportunity’ [2011] Ent LR 219–23; Gwilym Roberts, ‘The Hargreaves Review Reviewed: A Missed Opportunity to Help the Dragons in Their Den?’ [2011] QMJIP 280–4; Claire Howell, ‘The Hargreaves Review: Digital Opportunity: A Review of Intellectual Property and Growth’ [2012] JBL 71–83; Florian Koempel, ‘Life After the Hargreaves Report’ [2012] QMJIP 267–78.

Recommendations 4 (orphan works) and 5 (limits to copyright).

Namely the recommendations with regard to format shifting, parody, non-commercial research and library archiving. In addition, Hargreaves went further in recommending an exception for text mining and domestic legislation with regard to orphan works. He also expressed support for extended collective licensing and recommended that collecting licensing bodies be required to adopt codes of practice.

See in particular: Consultation on Copyright (IPO Consultation Paper, December 2011); Regulation of Licensing Bodies (IPO Consultation Paper, September 2013); Extending the Benefits of Collective Licensing (IPO Consultation Paper, November 2013); Copyright Works: Seeking the Lost (IPO Consultation Paper, January 2014). I have not included purely technical reviews of the draft legislation.

In some respects, the amendments which have been implemented go further than the specific recommendations of Gowers and Hargreaves: see in particular the new exception for quotation introduced into section 30 of the 1988 Act by regulation 3 of the Copyright and Rights and Performances (Quotation and Parody) Regulations 2014, SI 2014/2356. In addition, the exceptions for disabled persons were broadened by the Copyright and Rights in Performances (Disability) Regulations 2014, SI 2014/1384.

Para 10.26.

In addition to the repeal of section 52 of the 1988 Act mentioned in the text, section 76 of the 2013 Act amended section 170 of the 1988 Act to enable the duration of copyright in unpublished works falling within the transitional provisions in Schedule 1 to be reduced. It also included some rather curious provisions disapplying paragraph 1(1)(d) of Schedule 2 to the European Communities Act 1972 (sections 75 and 78) and provisions which amended the 1988 Act to enable Hargreaves' recommendations concerning orphan works, extended collective licensing and codes of practice for licensing bodies to be implemented (section 77 and Schedule 22 Part 1). For commentary on some potential problems arising out of the 2013 Act, see Philip Johnson, ‘“Invalid Legislation”? The Strange Effect of the Enterprise and Regulatory Reform Act 2013 and the Copyright Omnishambles’ [2013] JIPLP 700–707 and Eleanor Rosati, ‘The Orphan Works Provisions of the ERR Act: Are they Compatible with UK and EU Laws?’ [2013] EIPR 724–40. For more general commentary, see David Fyfield, ‘The Enterprise and Regulatory Reform Act 2013: The Impact on Copyright and Performers' Rights’ [2013] EIPR 606 and Colin Davies and Tania Cheng, ‘Public Benefit or Private Loss – Orphan Works and the Enterprise and Regulatory Reform Act 2013’ [2013] Comms L 77–82.

Case C-168/09 Flos SpA v Semeraro Case e Famiglia SpA [2011] ECR I-181.

Consultation on Transitional Provisions for the Repeal of Section 52 of the Copyright, Designs and Patents Act 1988 (IPO Consultation Paper, September 2014).

Section 22 (not yet in force) amends sections 154, 155, 156 and 159 of the 1988 Act, and inserts a new section 212A, dealing with recognition of foreign copyright works and performances.

See the Law Commission Consultation Paper No 212 (April 2013) and Final Report Law Com No 346 (April 2014), ‘Patents, Trade Marks and Design Rights: Groundless Threats’.

This was despite the fact that threats of copyright litigation had recently attracted considerable public attention and concern: see Golden Eye (International) Ltd v Telefonica UK Ltd [2012] EHWC 723 (Ch), [2012] RPC 28. Although the advent of the small claims track in the Patents County Court (now the Intellectual Property Enterprise Court) has alleviated the problem, the activities of so-called ‘copyright trolls’ remain a subject for concern: see eg Hargreaves and Hugenholtz, Copyright Reform for Growth and Jobs: Modernising the European Copyright Framework (Lisbon Council Policy Brief issue 12/2013) at 14.

The need for new copyright legislation has been widely recognized for some time: see eg Andrew Christie, ‘A Proposal for Simplifying United Kingdom Copyright Law’ [2001] EIPR 26–43 and David Vaver, ‘Reforming Intellectual Property Law: An Obvious and Not-so-obvious Agenda’ [2009] IPQ 143–61. The matter was discussed at a stakeholder workshop organized by the Strategic Advisory Board for Intellectual Property Policy (‘SABIP’) on 16 July 2009: see the report of the proceedings, Exploring the Case for Simplification of the Copyright Framework published by SABIP on 26 February 2010. SABIP was itself subsequently abolished, however.

The Agreement on Trade-related Aspects of Intellectual Property Rights which forms Annex 1C to the Agreement establishing the World Trade Organization signed in Morocco on 15 April 1994.

The WIPO Copyright Treaty and the WIPO Performances and Phonograms Treaty, both concluded in December 1996.

The Beijing Treaty on Audiovisual Performances, concluded on 24 June 2012.

The Marrakesh Treaty to Facilitate Access to Published Works for Persons Who Are Blind, Visually Impaired, or Otherwise Print Disabled, concluded on 27 June 2013.

Council Directive 91/250/EEC of 14 May 1991 on the legal protection of computer programs (codified as European Parliament and Council Directive 2009/24/EC of 23 April 2009); Council Directive 92/100/EEC of 19 November 1992 on rental right and lending right and on certain rights related to copyright in the field of intellectual property (codified as European Parliament and Council Directive 2006/115/EC of 12 December 2006; Council Directive 93/83/EEC of 27 September 1993 on the coordination of certain rules concerning copyright and rights related to copyright applicable to satellite broadcasting and cable retransmission; Council Directive 93/98/EEC of 29 October 1993 on the term of protection of copyright and certain related rights (codified as European Parliament and Council Directive 2006/116/EC of 12 September 2006); European Parliament and Council Directive 96/9/EC of 11 March 1996 on the legal protection of databases; European Parliament and Council Directive 2001/84/EC of 27 September 2001 on the resale right for the benefit of an original work of art; European Parliament and Council Directive 2001/29/EC of 22 May 2001 on the harmonization of certain aspects of copyright and related rights in the information society; European Parliament and Council Directive 2011/77/EU of 27 September 2011 amending Directive 2006/116/EC on the term of protection of copyright and related rights; European Parliament and Council Directive 2012/28/EU of 25 October 2012 on certain permitted uses of orphan works; and European Parliament and Council Directive 2014/26/EU of 26 February 2014 on collective management of copyright and related rights and multi-territorial licensing of rights on musical works for online use in the internal market.

In particular: European Parliament and Council Directive 98/84/EC of 20 November 1998 on the legal protection of services based on, or consisting of, conditional access; European Parliament and Council Directive 2000/31/EC of 8 June 2000 on certain legal aspects of information society services, in particular electronic commerce, in the Internal Market; European Parliament and Council Directive 2004/48/EC of 29 April 2004 on the enforcement of intellectual property rights; European Parliament and Council Regulation 864/2007/EC of 31 July 2007 on the law applicable to non-contractual obligations (‘Rome II’); and European Parliament and Council Regulation 608/2013/EU of 12 June 2013 concerning customs enforcement of intellectual rights.

See Case C-106/89 Marleasing SA v La Comercial Internacional de Alimentación SA [1990] ECR I-4135 at [8]; Litster v Forth Dry Dock and Engineering Co Ltd [1990] 1 AC 546, HL at 558C-H (Lord Templeman) and 576E-577D (Lord Oliver of Aylmerton); Cases C-397/01 to C-403/01 Pfeiffer v Deutsches Rotes Kreuz, Kreisverband Waldshut eV [2004] ECR I-8835 at [113]–[117]; R (IDT Card Services Ireland Ltd) v Commissioners for Her Majesty's Revenue and Customs [2006] EWCA Civ 29, [2006] STC 1252 at [73]–[92] (Arden LJ); and Vodafone 2 v Revenue and Customers Commissioners (No 2) [2009] EWCA Civ 446, [2009] STC 1480 at [37]–[38] (Sir Andrew Morritt C).

See eg Estelle Derclaye, ‘Assessing the Impact and Reception of the Court of Justice of the European Union Case Law on UK Copyright Law: What Does the Future Hold?’ [2014] 240 Revue Internationale du Droit d'auteur 5–117.

See the list in the Appendix. This does not include the Copyright and Rights in Performances (Certain Permitted Uses of Orphan Works) Regulations 2014, SI 2014/2861, which were awaiting Parliamentary approval on 13 October 2014.

See Richard Arnold, ‘ Joy : A Reply’ [2001] IPQ 10–21.

  • Export Citation

See Richard Arnold, ‘Content Copyrights and Signal Copyrights: The Case for a Rational Scheme of Protection’ [2011] QMJIP 272–9.

See Richard Arnold, ‘Copyright in Photographs: A Case for Reform’ [2005] EIPR 303–305 and Arnold, note 89 above.

Eleonora Rosati, Originality in EU Copyright (Edward Elgar, 2013), Ch. 5. See also Christie, note 78 above.

Lionel Bently, ‘The Return of Industrial Copyright?’ [2012] EIPR 654–72.

Note that the provisions concerning artists' resale right, database right and publication right are not even to be found in the 1988 Act, despite its length. Nor are the many transitional provisions relating to the successive amendments to implement EU Directives.

Dr Jeremy Philips said in a blogpost on the IPKat blog on 23 September 2014 that ‘The copyright legislation in the United Kingdom is, so far as this Kat is aware, the longest, the most confusing and the hardest to navigate in the world. If they were giving medals for Legislative Nasties, the Copyright, Designs and Patents Act 1988, together with its attendant amendments and subordinate legislation, would surely win Gold, Silver and Bronze’.

Essentially as recommended by Hargreaves (recommendation 10).

Compare the five options of ‘tidying’, ‘tinkering’, ‘adding/codifying’, ‘restructuring of exceptions’ and ‘radical restructuring’ considered by SABIP: see note 78 above.

See Richard Arnold, Performers' Rights (4th edn, Sweet & Maxwell, 2008) at para 1.111.

This is not to pretend that this is an entirely straightforward exercise. Some of the provisions in the Directives cannot be implemented as they stand, since they require choices to be made or detail to be supplied. Furthermore, there is a degree of inconsistency between the Directives at least in the language they use.

The past tendency of Parliamentary draftsmen to re-write even mandatory provisions of European Directives which do not require choices to be made with regard to implementation has been much criticized and has led to the courts looking directly to the European legislation instead: see eg British Sugar plc v James Robertson & Sons Ltd [1996] RPC 281 at 291 (Jacob J), Philips Electronics NV v Remington Consumer Products [1998] RPC 283 at 290 (Jacob J) and many subsequent dicta. Happily, the current practice is usually to follow the European text as closely as possible. For discussion of this issue from the draftsman's perspective see Daniel Greenberg, ‘The Copy-Out Debate in the Implementation of European Union Law in the United Kingdom’ (2012) 6 Legisprudence 243.

Unless that takes the form of a unitary European copyright title as proposed by eg Hargreaves and Hugenholtz, note 77 above.

Available at < www.copyrightcode.eu >.

See the Australian Law Reform Commission's report Copyright and the Digital Economy (13 February 2014).

See Maria Pallante, ‘The Next Great Copyright Act’ (2013) 37 Colum. J.L. & Arts 315 and the US Copyright Office's current Music Licensing and Making Available Studies.

For a commentary, see Martin Kretschmer, Ronan Deazley, Lillian Edwards, Kristofer Erickson, Burkhard Schafer and Daniel John Zizzo, ‘The European Commission's Public Consultation on the Review of EU Copyright Rules: A Response by the CREATe Centre’ [2014] EIPR 547–53.

On the other hand, it should be recognized that the procedures adopted by the Royal Commission and by the Gorell, Gregory and Whitford Committees did have the advantage of enabling them to test the evidence of witnesses through oral questioning.

It is a mistake to think that this is a new phenomenon. The proceedings and reports of the Royal Commission and the Gorell, Gregory and Whitford Committees reveal sharp and passionate dissension on many points. In the case of the Royal Commission, this extended to dissension over the very purpose and rationale of copyright itself: see note 18 above.

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Court of Appeal clarifies "fixation" requirement in copyright law

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Introduction Facts High Court decision Court of Appeal decision Comment

Introduction

In July, the Court of Appeal handed down its judgment in an appeal of an earlier High Court decision refusing permission for Dr Craig Steven Wright – who claims to be the creator of the bitcoin system – to proceed with a claim for copyright infringement in respect of the "bitcoin file format" (ie, the file format used to create blocks on the bitcoin blockchain). The High Court had held that the claimants had no real prospect of successfully proving the fixation requirement for copyright in relation to this aspect of the claim.

The Court of Appeal has now considered the issue and has disagreed with the approach taken and decision reached by the High Court. The Court of Appeal upheld the claimants' appeal and found that the claimants had a real prospect of successfully establishing that the fixation requirement is satisfied. This article considers why the Court of Appeal reached a different conclusion from the High Court and how the fixation requirement can be satisfied when establishing the subsistence of copyright in unconventional literary works, such as the bitcoin file format.

In the ongoing substantive claim, the claimants (Dr Craig Steven Wright and two of Dr Wright's companies) are asserting infringement of their:

  • database rights in three databases including the bitcoin blockchain up to and including block "478,558";
  • copyright in the White Paper entitled Bitcoin: A Peer-to-Peer Electronic Cash System , published by Satoshi Nakamoto on 31 October 2008; and
  • copyright in the "bitcoin file format".

At first instance, Mellor J permitted the claims in respect of the database rights and copyright in the White Paper to proceed on the papers. Crypto enthusiasts will be aware of Dr Wright's claims that "Satoshi Nakamoto" was a pseudonym he used when publishing the White Paper. This assertion will be tested in a trial listed for January 2024.

High Court decision

A summary of the High Court judgment is below. For further details, please see " High Court finds no copyright protection in bitcoin file format ".

The bitcoin file format is the structure of each block comprising the bitcoin blockchain. The structure has three parts:

  • a block header of 80 bytes;
  • the vtx number, of 1-9 bytes, which records the number of transactions in a variable VarInt; and
  • the transactions recorded in the block, of variable size.

Mellor J was not persuaded by the claimants' arguments that the bitcoin file format (the structure) was "fixed" for the purposes of copyright subsistence, as there was no clear or identifiable recording of the work (the bitcoin file format). He held, therefore, that the claimants had no real prospect of successfully establishing that the fixation requirement for copyright protection had been satisfied and he refused permission to serve the claim out of the jurisdiction on the defendants in respect of infringement of copyright in the bitcoin file format.

In reaching this judgment, Mellor J gave significant weight to the case of Technomed Ltd v Bluecrest Health Screening Ltd . (1) Applying Technomed , no relevant copyright "work" had been identified containing content which defined the structure (the bitcoin file format).

Schedule 2 to the particulars of claim recorded the bitcoin file format, however, Mellor J held that this did not form part of the causation chain between the recording of the work and the infringement. Accordingly, there was no contemporaneous recording of the "work" evidenced. This proved fatal to the claimants demonstrating a real prospect of successfully establishing the fixation requirement at trial.

The claimants appealed the High Court decision on the grounds that the judge was wrong to conclude that the claimants had no real prospect of success in establishing the requirement of "fixation" was satisfied.

Court of Appeal decision

Requirement of fixation The requirement of fixation is an international copyright law principle and derives from the Berne Convention. It is implemented in UK law in section 3(2) of the Copyright, Designs and Patents Act 1988 (the CDPA):

Copyright does not subsist in a literary, dramatic or musical work unless and until it is recorded, in writing or otherwise ; and references in this Part to the time at which such a work is made are to the time at which it is so recorded. (Emphasis added.)

Section 3(1) of the CDPA sets out that a "'literary work' means any work, other than a dramatic or musical work, which is written, spoken or sung, and accordingly includes— (a) a table or compilation and (b) a computer program".

In this appeal, the leading judgment was given by Lord Justice Arnold, who also heard the earlier case of SAS Institute Inc v World Programming Ltd (2) when a judge in the High Court. Arnold LJ (then Arnold J) had cautioned in SAS that "the fixation must not be confused with the work . . . the fact that one can identify a fixation is a necessary, but not a sufficient, condition for the subsistence of copyright". (3) Arnold J had illustrated this with the example of a printed book, which is a fixation of various copyrighted works – a literary work (the text) and artistic works (the illustrations), all of which are likely to have different authors.

Levola cumulative conditions The European Union, which is not a signatory to the Berne Convention, has a concept of "sufficient identifiability" for copyright works. This concept was briefly considered in the decision at first instance, (4) however, the Court of Appeal analysed this in greater detail. The concept consists of two cumulative conditions, which are established in Levola Hengelo BV v Smilde Foods BV . (5) In Levola , the CJEU considered whether copyright could subsist in the taste of a spreadable dip containing cream cheese and fresh herbs, or whether the taste of a food product was precluded from copyright protection. Whilst a very different subject matter from the bitcoin file format, the Levola case establishes the two cumulative conditions that must be satisfied for any subject matter to be considered as a "work" for copyright purposes. (6) The subject matter must be:

  • original in the sense that it is the author's own intellectual creation; and
  • expressed in a manner which makes it identifiable with sufficient precision and objectivity, even though that expression is not necessarily in a permanent form.

The rationale for the second condition is that the courts and economic operators should be able to identify, clearly and precisely, the subject matter and scope of copyright protection for enjoyment by the copyright owner. There should be no subjectivity – the subject matter must be capable of being expressed in a precise and objective manner. It was due to the inability to satisfy the second condition – namely that the taste of a food product cannot be pinned down with precision and objectivity – that the subject matter in Levola did not constitute a "work" capable of copyright protection.

The Levola conditions had been briefly considered by Mellor J at first instance but were not applied when considering the bitcoin file format. While the Court of Appeal did not completely equate the EU concept of sufficient identifiability in Levola with the requirement of fixation, it acknowledged that the "second condition appears to serve essentially the same purposes as the requirement of fixation". The Levola conditions therefore can provide useful guidance in determining whether a work has been fixed, in the copyright sense, in English law.

Court of Appeal's reasoning Arnold LJ, giving the leading judgment, concluded that there were "a number of flaws" in Mellor J's reasoning:

  • The first-instance judgment had confused the "work" with the "fixation": Mellor J's headline finding that "no relevant 'work' has been identified containing content which defines the structure of the Bitcoin File Format" should have referred to "fixation" not "work". Arnold LJ concluded that the bitcoin file format, as a literary work, had been clearly identified. The question should have been whether the work was fixed. (7)
  • Even correcting the confusion between "work" and "fixation", Mellor J's finding had presupposed that it was necessary for there to be content which defined the structure to establish fixation. It was correct to say that the "work" in which the claimants asserted copyright protection was a structure. This structure needed to be fixed for copyright to subsist in it. The existence of content defining the structure was not required to fix the structure: only the structure needed to be "completely and unambiguously recorded". (8)
  • In applying the second condition, the High Court should have asked "whether the fixation relied upon by Dr Wright made the Bitcoin File Format identifiable with sufficient precision and objectivity". (9)
  • Disagreeing with the first-instance decision, Arnold LJ concluded that the ability for third parties to deduce the structure comprising the bitcoin file format from the blocks in the bitcoin blockchain did assist the claimants in evidencing that the work was "fixed" in the sense of being identifiable with precision and objectivity.
  • There are two purposes for the fixation requirement: to evidence the existence of the work and delimit the scope of protection.
  • Arnold LJ accepted the claimants' evidence that the first block of the bitcoin blockchain evidenced the existence of the bitcoin file format and enabled the scope of protection to be determined.
  • A copyright owner does not need to prove that the fixation relied upon for the purposes of subsistence of copyright has been copied. They only need to prove that the work has been copied. (10) As Arnold LJ commented: "Copyright in a literary work protects the work as an intangible abstraction, not the particular tangible medium in which that work may happen to have been fixed" . (11)

Accordingly, Arnold LJ concluded that the claimants had a real prospect of successfully establishing the fixation requirement at trial and the copyright infringement claim in relation to the bitcoin file format was therefore permitted to proceed. The claimants' appeal was allowed.

This Court of Appeal judgment makes it clear that the "work" in which copyright subsistence is asserted must not be confused with the recording or medium within which it is fixed. Provided that a literary work is objectively and precisely identifiable, it is likely to satisfy the fixation requirement.

This judgment in particular highlights that this requirement only needs to be temporarily satisfied at a point of time between the communication or creation of the work and infringement of the work. Arnold LJ illustrated this point with the analogy of an author (A) who orally performs an original literary work before an audience. The work is digitally recorded by an audience member (B). Another audience member (C) memorises and then publishes the work. A is entitled to rely upon B's recording to satisfy the fixation requirement despite the lack of causal link between B's fixation and C's infringement. Factually, the work was fixed, and therefore copyright subsisted in the work at the time of B's recording (even if subsequently deleted). Arnold LJ accepted the claimants' evidence that the first block in the bitcoin blockchain enabled the scope of protection to be determined, and the fact that third parties were able to deduce the structure of the bitcoin file format indicated that there must be fixation.

It is worth noting that the claimants will still need to establish this requirement at the full trial of the claim and this judgment is only an appeal of an application for permission to serve the claim form out of the jurisdiction. It remains to be seen whether the claimants can successfully establish copyright protection in the White Paper as well as in the bitcoin file format. In addition, the claimants will be put to proof as to whether Dr Wright is Satoshi Nakamoto, as claimed in these proceedings, at the January 2024 trial.

Nonetheless, other software developers and technology suppliers will be encouraged by this Court of Appeal decision and the copyright protection potentially available to digital products under English law.

For further information on this topic please contact Ben Buray or Mark Marfé at Pinsent Masons by telephone (+44 20 7418 8250) or email ( [email protected] , or [email protected] ). The Pinsent Masons website can be accessed at www.pinsentmasons.com .

(1) [2017] EWHC 2142.

(2) [2013] EWHC 69 (Ch).

(3) Id, paragraph 29.

(4) Paragraph 26 of the High Court judgment.

(5) Case C-310/17.

(6) Paragraph 56 of the judgment.

(7) Paragraph 68 of the judgment.

(8) Paragraph 69 of the judgment.

(9) Paragraph 72 of the judgment.

(10) Paragraph 74 of the judgment.

(11) Paragraph 74 of the judgment.

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copyright designs and patents act case study

The Curious Case of Computer-Generated Works under the Copyright, Designs and Patents Act 1988

[2021] 2 IPQ 120-129

20 Pages Posted: 13 Apr 2022

Patrick Russell Goold

City University London, The City Law School

Date Written: January 1, 2021

Under section 9(3) of the Copyright, Designs, and Patents Act 1988, works that are ‘computer generated’ (and which have no human author) will be protected by copyright. Ownership of the copyright vests in the person who has made the necessary ‘arrangements’ for the work’s creation. This article introduces two questions in relation to section 9(3). Firstly, how does the section fit with copyright’s originality requirement? Secondly, what is the justification for the provision? In exploring these questions the article develops a novel criticism of section 9(3): the section is either unnecessary or unjustifiably extends legal protection to a class of works which belong in the public domain. While previous literature has praised section 9(3) and suggested that it ought to be adopted more widely, this article concludes that other jurisdictions ought to think carefully before adopting this provision. [A revised version of this paper appears in [2021] I.P.Q, Issue 2, 120-129]

Keywords: Intellectual Property, Artificial Intelligence, Copyright

Suggested Citation: Suggested Citation

Patrick Russell Goold (Contact Author)

City university london, the city law school ( email ).

London, EC1V OHB United Kingdom

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The Future of Design Right: Putting s 51 Copyright Designs & Patents Act 1988 in its Place

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G. Scanlan, The Future of Design Right: Putting s 51 Copyright Designs & Patents Act 1988 in its Place, Statute Law Review , Volume 26, Issue 3, 2005, Pages 146–160, https://doi.org/10.1093/slr/hmi016

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Introduction

The recent case of Lambretta Clothing Co Ltd v. Teddy Smith (UK) Ltd 1 has reopened the difficult issue of the nature and ambit of s51 of the Copyright Designs and Patents Act 1988 (the 1988 Act). In doing so it also presents an opportunity to consider the relationship of both design right 2 and copyright in so far as they may subsist in designs. This article will address these matters, and in doing so critically examine the role and function of copyright as a means of protecting aspects of designs from unauthorized copying.

The Lambretta Case

The claimant company was a designer and producer of fashion clothes for young people. In June 2000, one of its directors designed a track top (the Lambretta track top). The design had been recorded in two design documents, which collectively recorded in drawings and written instructions the nature of the track top. In 2002, the first defendant imported and sold a track top, which had been designed and produced in 2001 in France by a company related to the first defendant. The second defendant, Next plc, independently designed a track top having an appearance similar to that of the claimant’s; this track top was first sold by the second defendant in England in 2002. Both these track tops were similar to that of the claimant’s design.

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Using the work of others

Fact sheet P-27

Fact sheet P-27: Using the work of others

Agreement and respect

This factsheet deals with the rules applied under UK law namely the Copyright, Designs and Patents Act. Although the principals of copyright protection are largely consistent across the world specific details may vary outside the UK due to national legislation.

Copyright is an automatic international right that gives the creators of literary, dramatic, musical and artistic works the right to control the ways in which their material may be used.

The rights cover: Broadcast and public performance, copying, adapting, issuing, renting and lending copies to the public. In many cases, the creator will also have the right to be identified as the author and to object to derogatory treatment and distortions of their work.

For an introduction to copyright and the rights of copyright owners, please see factsheet P-01: UK Copyright Law .

Illegal or unauthorised use of copyright material may lead to legal action or in some cases even criminal charges. It is your responsibility to ensure that you respect the rights of others and only use their work when it is correct to do so.

You may use the work of others if:

  • Copyright has expired.
  • Your use of the work is fair dealing as defined under the 1988 Copyright Designs and Patents Act (UK).
  • Your use of the work is covered under a licensing scheme that you have subscribed to and the copyright holder is a member of.
  • The copyright holder has given you permission.  

There are a number of agencies that operate licensing schemes and collect royalties on behalf of copyright owners, the most notable are:

The Copyright Licensing Agency provides licenses for organisations, such as schools and libraries, to copy extracts from print and digital publications. There are several different licences (photocopying, scanning, electronic reproduction, etc.).

State schools may be able to obtain CLA licences via their local education authority if the authority is a CLA agent.

The Educational Recording Agency operates a licensing scheme enabling educational use of copyright protected material from radio and television programmes.

The Design and Artists Copyright Society operates a licensing scheme and on behalf of artists and visual creators.

Teaching students

Fair dealing is a term used to describe some limited activities that are allowed without infringing copyright. Briefly these are as follows:

Copying parts of a literary, dramatic, musical or artistic work or of a typographical arrangement of a published edition for the purpose of research or private study is allowed under the following conditions:

  • The copy is made for the purposes of research or private study.
  • The copy is made for non-commercial purposes.
  • The source of the material is acknowledged.
  • The person making the copy does not make copies of the material available for a number of people.  

Copying parts of a literary, dramatic, musical or artistic work or a sound recording, film or broadcast for the purpose of instruction or examination is allowed under the following conditions:

  • The copying is done by the student or the person giving instruction.
  • The copying is not done via a reprographic process.
  • The instruction is for a non-commercial purpose.  

Quoting parts of a work for the purpose of criticism or review is permitted provided that:

  • The work has been made available to the public.
  • The material quoted must be accompanied by some actual discussion or assessment (to warrant the criticism or review classification).
  • The amount of the material quoted is no more than is necessary for the purpose of the review.  

Using material for the purpose of reporting current events is permitted provided that:

  • The work is not a photograph.
  • The amount of the material quoted is no more than is necessary for the purpose.  

Incidental inclusion is where part of one work is unintentionally included in another. The incidental inclusion of a work in an artistic work, sound recording, film or broadcast is not an infringement.

A typical example of this would be a case where a someone filming inadvertently captured part of a copyright work, such as some background music, or a poster that just happened to on a wall in the background.

It is considered fair dealing to make an accessible copy of a work for someone with a visual impairment if a suitable accessible version is not already available.

There are exceptions in the law to permit limited use of a copyright work to make a parody or pastiche of the work without the need to seek permission. This should however be treated with caution, as at this stage there is not much guidance or case law rulings to follow. The IPO guidance states that the use must be “fair and proportionate” and, of course, this exception does not limit other rights the author may have (for example to object to defamatory or derogatory treatment).

For further details on UK fair dealing rules please refer to the Copyright Designs and Patents Act; Section 28 onwards covers this area in full.

Those outside the UK should consult the fair dealing / fair use sections of their own national legislation.

The 1988 Copyright, Designs and Patents Act states the duration of copyright as;

* In the case of work created on behalf of a company the duration is still linked to the individual person that created the work. Guidance issued by the UK Government states that “An employer should keep careful records of which person(s) created the work for them and any contractual agreements which were in force. The period of copyright protection will usually still be linked to the date of the death of the creator(s) - that is the employee(s).”

70 years from the end of the calendar year in which the last remaining author of the work dies.*

If the author is unknown, copyright will last for 70 years from end of the calendar year in which the work was created, although if it is made available to the public during that time, (by publication, authorised performance, broadcast, exhibition, etc.), then the duration will be 70 years from the end of the year that the work was first made available.

50 years from the end of the calendar year in which the work was created, or,

if the work is released within that time: 70 years from the end of the calendar year in which the work was first released.

70 years from the end of the calendar year in which the last principal director, author or composer dies.*

If the work is of unknown authorship: 70 years from end of the calendar year of creation, or if made available to the public in that time, 70 years from the end of the year the film was first made available.

25 years from the end of the calendar year in which the work was first published.

50 years from the end of the calendar year in which the broadcast was made.

Crown copyright will exist in works made by an officer of the Crown, this includes items such as legislation and documents and reports produced by government bodies.

Crown Copyright will last for a period of 125 years from the end of the calendar year in which the work was made.

If the work was commercially published within 75 years of the end of the calendar year in which it was made, Crown copyright will last for 50 years from the end of the calendar year in which it was published.

Parliamentary Copyright will apply to work that is made by or under the direction or control of the House of Commons or the House of Lords and will last until 50 years from the end of the calendar year in which the work was made.

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If you are not sure if your use is fair dealing or covered under a licensing scheme always check with the publisher/copyright owner and obtain permission if needed.

When obtaining permission to use a copyright work it is normally best to contact the publisher. In some cases the publisher may be able to act on the copyright owners behalf, alternatively they may direct you to the appropriate licensing organisation or pass your request on to the copyright owner directly. In the case of material published on the Internet the best place to start is normally by contacting the web site owner.

When seeking permission, you should put your request in writing and specify:

  • The material you wish use (include the title of publication, author name etc.).
  • The exact content to be duplicated (i.e. page numbers, section names, etc.).
  • The number of copies you wish to make.
  • How the copies will be used (i.e. for an event, course work, etc.).
  • Who the copies will be distributed to (i.e. students , parents, general public).  

You should allow adequate time for the copyright owner to provide permission. Also bear in mind that the copyright owner is not required to give permission and may refuse or simply not respond to your request.

For your own reference and security permission should be obtained in writing and you should keep a record of any correspondence giving permission or stipulating conditions of use.

Material that can be found on the Internet will of course also be subject to copyright. There are a number of licensing schemes that are popular with online publication and allow some free (normally non-commercial) use, the most notable being GPL and Creative Commons.

If you are making/distributing copies of work that you find on the Internet you should check that the licence for the work (or instructions on the site) allow this and that the site you obtained the work from is itself acting legally. If there is no such licence, do not use the work until you have the permission of the copyright owner.

If this is the case you have not obtained permission and should not use the work.

What if I can’t locate the copyright owner? If you have made reasonable efforts and still cannot trace the copyright owner then, within certain jurisdictions, it is possible to apply for a licence from the government on the grounds that this is an orphaned work. For more information, please see our fact sheet P-13: Obtaining permission .

There is no simple formula or percentage that can be applied. You may have seen figures like ‘up to 10%’ or ‘no more than 400 words’ quoted in some publications, but such figures are at best a rough guide and can be misleading. What is acceptable will vary from one work to another.

In cases that have come to trial what is clear is that it is the perceived importance of the copied content rather than simply the quantity that counts. Judges hearing such cases often have to make an objective decision on whether the use is justified or excessive.

As a student is not an employee of the school/college/university/(etc.) by default the copyright in any work the student produces will belong to the student.

Naturally this will change if the student enters into an agreement to the contrary. For example if the work has been sponsored by a commercial organisation or as part of a work experience program there may be a contractual agreement that covers intellectual property created as part of that project.

Creative Commons licence

This fact sheet is Copyright © UK Copyright Service and protected under UK and international law. The use of this fact sheet is covered by the conditions of a Creative Commons Attribution-Non-Commercial-No Derivative Works License . This fact sheet is intended only as an introduction to ideas and concepts only. It should not be treated as a definitive guide, nor should it be considered to cover every area of concern, or be regarded as legal advice.

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Introduction

In the United Kingdom the main piece of legislation that defines and protects copyright is the Copyright Designs and Patents Act 1988 as updated by subsequent legislation and a raft of Statutory Instruments. It covers everything to do with copyright including owners' rights, how long copyright lasts in different types of work and what users are permitted to do with copyright works under certain circumstances. Several small but significant changes were introduced in 2014/15, largely in response to the Hargeaves Review. These included revisions to some of the Permitted Acts or 'Exceptions' to make them more in line with current practice in the digital age.

Duration - How long does Copyright last?

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70 years after the year in which the last know of the following died:

If none of the above are known 70 years after the year in which the film was made or first made available to the public

Broadcasts 50 years after the year in which the broadcast was first made (copyright in a repeat broadcast expires on the same date as that of the original

What do the Permitted Acts ('The Exceptions') enable us to do?

  • Personal Use
  • Research & private study
  • Using a short excerpt
  • Disseminating copies
  • Accessible copies
  • Text & data mining

Under s28B (Personal copies for private use) of the CDPA 1988 an individual can make a personal copy for their own private use of an original work (other than a computer program) that they have lawfully acquired on a permanent basis i.e. that they have purchased themselves or that someone else has purchased for them (but this does not include a borrowed or rented copy nor a broadcast or streamed copy). Such private use must not be commercial (either directly or indirectly) but might include the creation of a back-up or storage copy.

(N.B. the amending S.I. was quashed with prospective effect by the High Court in the case of R (British Academy of Songwriters, Composers and Authors and others) v Secretary of State for Business, Innovation and Skills [2015] EWHC 2041 (Admin), 17 July 2015)

Under s29 (Research and private study) of the CDPA 1988 A fair dealing copy can be made for the purposes of non-commercial research. Where possible the copy should be accompanied by an appropriate acknowledgement, though this is not essential where it would be impractical to do so. The section also covers copying for the purposes of private study. This section can not be over-ridden by a contract that purports to restrict copying for these purposes.

It would not be fair dealing under this section to convert a computer program expressed in a low level language into a version expressed in a higher level language.

Under s32 (Illustration for instruction) of the CDPA  1988  an extract from a work in any format can be used to illustrate a particular point in a lecture or PowerPoint presentation providing the use is Fair Dealing, is not for a commercial purpose, and that where practicably possible the original source is acknowledged appropriately.

 Under s30 (Criticism, review, quotation and news reporting) of the CDPA 1988 a short excerpt from a work in copyright can be used legitimately (under Fair Dealing) providing that the original work has been made publicly available and is acknowledged/cited appropriately. Also, where a quotation is used e.g. in a lecture presentation, the amount of the original work should be no more than is necessary for the purpose.

Under s36 (Copying and use of extracts by education establishments) a copy of an extract from a work in copyright (with the exception of a broadcast or artistic work not included in another work) can be made and circulated to students via a secure network, providing that it is for the purposes of non-commercial instruction and where practicably possible the original work is appropriately acknowledged.

However, it is important to note that across the University as a whole the proportion of any particular work used in this way under s36 must not exceed 5%. In practice extracts are more likely to be circulated under the terms of our CLA Licence which generally provides a larger allowance i.e. whole articles or book chapters (or up to 10% of a book) can be used for each taught module. If the original work isn't covered by the CLA (or NLA) Licence , and permission is not forthcoming from the publisher or is prohibitively expensive, we can fall back on s36 to disseminate copies of an extract via Leganto and in doing so we can ensure that across the University we do not exceed the 5% allowed.

Under s31A (Disabled persons: copies of works for personal use) CDPA 1988 part or the whole of a work can be copied in order to make it more accessible to a disabled person where their disability would otherwise hinder their enjoyment of the work. The following conditions apply:

  • The disabled person must own or have legal access (e.g. a library copy) to a copy of the work
  • The accessible copy is made for the disabled person’s private use
  • The same kind of accessible copy is not commercially available under reasonable terms.

However, under paragraph 4 once the copy has been made it could be transferred to another individual who fulfills the same conditions.

An Accessible Formats Service is provided in the Library where we will endeavour to obtain essential texts in a format that is accessible to particular university members. Contact the Computing and Library Services Disability Support Advisor if you would like to make use of this service.

Under s29A (Copies for text and data analysis for non-commercial research) CDPA 1988 a person who has legal access to a work can make a copy of it in order to undertake computational analysis of it for the purpose of non-commercial research. Where practically possible the copy should be accompanied by an appropriate acknowledgment .

This section cannot be over-ridden by the terms of contract purporting to restrict such activity.

What is Fair Dealing?

As a concept Fair Dealing is not explicitly defined in law as it would be judged in context on a case by case basis. It describes the use of a copyright work that might be considered to be reasonable and fair to an ‘average honest person in the street’. Certain conditions apply i.e. use described as Fair Dealing would not compromise the market for the original and would only involve the minimum proportion of the work necessary. Such use would also necessarily be non-commercial and be for a particular individual or defined group. Examples where Fair Dealing would apply include:

  • An individual copying a chapter or article for their own private, non-commercial study or research.
  • A lecturer using an extract (or image) from a copyright work to illustrate a point in a PowerPoint presentation and made available to students on a particular module via Brightspace (under Section 32 of the CDPA 1988).
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Copyright, Designs and Patents Act 1988 (Chapter 48, updated on October 12, 2023), United Kingdom

Available materials.

  • Copyright, Designs and Patents Act 1988 (Chapter 48, updated on June 14, 2021)  (GB523)
  • Copyright, Designs and Patents Act 1988 (Chapter 48, updated on November 26, 2020)  (GB396)
  • Copyright, Designs and Patents Act 1988 (Chapter 48, incorporating amendments up to the Digital Economy Act 2017)  (GB334)
  • Copyright, Designs and Patents Act 1988 (Chapter 48)  (GB229)
  • Legal Deposit Libraries Act 2003  (GB463)
  • The Designs and International Trade Marks (Amendment etc.) (EU Exit) Regulations 2019 (S.I. 2019/638, updated on April 26, 2023)  (GB589)
  • The Intellectual Property (Exhaustion of Rights) (EU Exit) Regulations 2019 (S.I. 2019/265, updated on May 24, 2023)  (GB588)
  • Arbitration Act 1996 (Chapter 23, updated up to January 27, 2021)  (GB437)
  • Broadcasting Act 1996 (Chapter 55, updated up to February 21, 2021)  (GB439)
  • Communications Act 2003 (Chapter 21, as updated up to March 19, 2021)  (GB469)
  • Crime and Courts Act 2013 (Chapter 22, updated up to June 4, 2021)  (GB520)
  • Digital Economy Act 2017 (Chapter 30, updated up to February 4, 2021)  (GB456)
  • Enterprise and Regulatory Reform Act 2013 (Chapter 24, updated up to May 15, 2021)  (GB514)
  • Health and Social Care (Community Health and Standards) Act 2003 (Chapter 43, updated up to March 16, 2021)  (GB466)
  • Health and Social Care Act 2001 (Chapter 15, updated up to March 26, 2021)  (GB518)
  • Intellectual Property (Unjustified Threats) Act 2017 (Chapter 14, updated on March 29, 2021)  (GB477)
  • Legal Services Act 2007 (Chapter 29, updated up to August 4, 2021)  (GB540)
  • Merchant Shipping Act 1995 (updated up to February 15, 2021)  (GB433)
  • Northern Ireland Act 1998 (Chapter 47, updated up to January 6, 2021)  (GB444)
  • Scotland Act 1998 (Chapter 46, updated up to February 9, 2021)  (GB446)
  • The Enterprise Act 2002 (Protection of Legitimate Interests) Order 2003 (S.I. 2003/1592, as updated up to March 18, 2021)  (GB471)
  • The Intellectual Property (Copyright and Related Rights) (Amendment) (EU Exit) Regulations 2019 (S.I. 2019/605)  (GB387)
  • The Intellectual Property Act 2014 (Chapter 18, updated on March 27, 2021)  (GB511)
  • The Patents (Amendment) (EU Exit) Regulations 2019 (S.I. 2019/801)  (GB389)
  • Charities Act 1993 (Chapter 10, repealed on March 14, 2012)  (GB422)
  • Copyright and Related Rights (Marrakesh Treaty etc.) (Amendment) Regulations 2018 (S.I. 2018/995, updated on October 22, 2020)  (GB400)
  • Criminal Justice and Public Order Act 1994 (Chapter 33, updated up to December 17, 2020)  (GB428)
  • Criminal Procedure (Consequential Provisions) (Scotland) Act 1995 (Chapter 40, updated up to December 18, 2020)  (GB435)
  • Government of Wales Act 1998 (Chapter 38, updated up to June 3, 2020)  (GB442)
  • Judicial Pensions and Retirement Act 1993 (updated up to May 15, 2020)  (GB425)
  • National Health Service and Community Care Act 1990 (Chapter 19, updated up to July 3, 2020)  (GB414)
  • The Duration of Copyright and Rights in Performances Regulations 1995 (S.I. 1995/3297, updated on November 20, 2020)  (GB403)
  • The Performances (Moral Rights, etc.) Regulations 2006 (S.I. 2006/18, updated up to July 14, 2020)  (GB467)
  • Criminal Justice (Northern Ireland) Order 1994 (SI 1994/2795 (N.I.15), as amended up to July 25, 2019)  (GB430)
  • Copyright, etc. and Trade Marks (Offences and Enforcement) Act 2002 (Chapter 25, updated on January 19, 2018)  (GB454)
  • Health and Personal Social Services (Northern Ireland) Order 1991, SI 1991/194 (N.I.1)(updated up to June 29, 2018  (GB419)
  • The Copyright (Amendment) Regulations 2016 (S.I. 2016/1210)  (GB480)
  • The Collective Management of Copyright (EU Directive) Regulations 2016 (S.I. 2016/221)  (GB407)
  • The Copyright (Free Public Showing or Playing) (Amendment) Regulations 2016 (S.I. 2016/565)  (GB483)
  • Copyright (Visually Impaired Persons) Act 2002 (Chapter 33, repealed on June 1, 2014)  (GB461)
  • The Copyright (Public Administration) Regulations 2014 (S.I. 2014/1385)  (GB493)
  • The Copyright and Duration of Rights in Performances (Amendment) Regulations 2014 (S.I. No. 2014/434)  (GB319)
  • The Copyright and Rights in Performances (Disability) Regulations 2014 (S.I. 2014/1384)  (GB462)
  • The Copyright and Rights in Performances (Quotation and Parody) Regulations 2014 (S.I. No. 2356)  (GB327)
  • The Copyright and Rights in Performances (Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372)  (GB495)
  • The Enterprise and Regulatory Reform Act 2013 (Competition (Consequential, Transitional and Saving Provisions) Order 2014 (S.I. 2014/892)  (GB496)
  • The Copyright and Duration of Rights in Performances Regulations 2013  (GB249)
  • The Copyright (Certification of Licensing Scheme for Educational Recording of Broadcasts) (Educational Recording Agency Limited) (Amendment) Order 2009 (S.I. 2009/20)  (GB502)
  • The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498, updated up to September 1, 2019)  (GB455)
  • The Legal Services Act 2007 (Consequential Amendments) Order 2009  (GB294)
  • The Consumer Protection for Unfair Trading Regulations 2008  (GB309)
  • The Parliamentary Copyright (National Assembly for Wales) Order 2007 (S.I. 2007/1116)  (GB503)
  • The Intellectual Property (Enforcement, etc.) Regulations 2006 (S.I. 2006/1028)  (GB140)
  • The Commissioners for Revenue and Customs Act 2005  (GB265)
  • The Goods Infringing Intellectual Property Rights (Customs) Regulations 2004  (GB268)
  • The Registered Designs Regulations 2001 (S.I. 2001/3949)  (GB149)
  • The Conditional Access (Unauthorised Decoders) Regulations 2000  (GB166)
  • Competition Act 1998 (Competition Commission) Transitional, Consequential and Supplemental Provisions Order 1999 (S.I. 1999/506)  (GB440)
  • The Health Act 1999 (Supplementary and Consequential Provisions) Order 1999 (S.I. 1999/2795)  (GB447)
  • The Copyright and Rights in Databases Regulations 1997 (S.I. 1997/3032)  (GB106)
  • The Copyright and Related Rights Regulations 1996 (S.I. 1996/2967)  (GB404)
  • The Copyrights and Related Rights Regulations 1996 (S.I. 1996/2967)  (GB108)
  • Copyright (EC Measures Relating to Pirated Goods and Abolition of Restrictions on the Import of Goods) Regulations 1995 (S.I. 1995/1445)  (GB431)
  • The Copyright (EC Measures Relating to Pirated Goods and Abolition of Restrictions on the Import of Goods) Regulations 1995  (GB168)
  • The Copyright (Computer Programs) Regulations 1992 (S.I. 1992/3233)  (GB021)
  • Broadcasting Act 1990 (Chapter 42)  (GB415)
  • The Copyright and Performances (Application to Other Countries) Order 2016 (S.I. 2016/1219, updated on November 26, 2021)  (GB553)
  • The Copyright and Performances (Application to Other Countries)(Amendment) (No. 2) Order 2021 (S.I. 2021/1258)  (GB549)
  • The Copyright and Performances (Application to Other Countries)(Amendment) Order 2021 (S.I. 2021/636)  (GB547)
  • The Patents, Trade Marks and Designs (Address for Service) (Amendment) (EU Exit) Rules 2020 (S.I. 2020/1317)  (GB394)
  • The Copyright and Performances (Application to Other Countries) Order 2016 (S.I. 2016/1219, updated on October 26, 2020)  (GB409)
  • The Copyright and Rights in Performances (Extended Collective Licensing) Regulations 2014 (S.I. 2014/2588, updated on November 12, 2020)  (GB406)
  • The Copyright and Rights in Performances (Licensing of Orphan Works) Regulations 2014 (S.I. 2014/2863, updated on December 29, 2020)  (GB402)
  • The Copyright (Regulation of Relevant Licensing Bodies) Regulations 2014 (S.I. No. 2014/898)  (GB320)
  • The Copyright (Certification of Licensing Scheme for Educational Recording of Broadcasts) (Educational Recording Agency Limited) (Amendment No. 2) Order 2013  (GB248)
  • The Copyright (Certification of Licensing Scheme for Educational Recording of Broadcasts) (Educational Recording Agency Limited) (Amendment) Order 2013  (GB251)
  • The Copyright and Performances (Application to Other Countries) Order 2013 (S.I. No. 2013/536)  (GB250)
  • The Copyright (Repeal of the Copyright Act 1911) (Jersey) Order 2012  (GB253)
  • The Copyright and Performances (Application to Other Countries) (Amendment) Order 2012  (GB252)
  • The Copyright Tribunal Rules 2010 (S.I. 2010/791)  (GB210)
  • The Patents, Trade Marks and Designs (Address for Service) Rules 2009  (GB145)
  • The Copyright and Performances (Application to Other Countries) Order 2008 (S.I. 2008/677)  (GB165)
  • The Copyright (Certification of Licensing Scheme for Educational Recording of Broadcasts) (Educational Recording Agency Limited) Order 2007 (S.I. 2007/266)  (GB163)
  • The Design Right (Semiconductor Topographies) (Amendment) Regulations 2006  (GB305)
  • The Copyright (Certification of Licensing Scheme for Educational Recording of Broadcasts and Cable Programmes)(Educational Recording Agency Limited)(Amendment) Order 2003 (S.I. 2003/188)  (GB130)
  • The Copyright Order 2003 (Certification of Licensing Scheme for Educational Recording of Broadcasts)(Open University) (S.I. 2003/187)  (GB129)
  • The Performances (Reciprocal Protection) (Convention Countries and Isle of Man) Order 2003 (S.I. 2003/773)  (GB134)
  • The Registered Designs (Isle of Man) Order 2001 (S.I. 2001/3678)  (GB376)
  • The Design Right (Proceedings before Comptroller) (Amendment) Rules 1999 (S.I. 1999/3195)  (GB449)
  • The Design Right (Proceedings before the Comptroller) (Amendment) Rules 1999  (GB307)
  • The Performances (Reciprocal Protection) (Convention Countries) Order 1999 (S.I. 1999/1752)  (GB119)
  • The Register of Patent Agents and the Register of Trade Mark Agents (Amendment) Rules 1999  (GB188)
  • The Copyright (Application to Other Countries) Order 1993 (No. 942, as amended by the Copyright (Application to Other Countries) (Amendment) Order (No. 2987) of 1995)  (GB098)
  • The Performances (Reciprocal Protection) (Convention Countries) Order 1995  (GB022)
  • The Patent Agents (Mixed Partnerships and Bodies Corporate) Rules, 1994 (S.I. 1994/362)  (GB077)
  • The Copyright, Designs and Patents Act 1988 (Isle of Man) Order 1990  (GB221)
  • The Copyright (Application to Other Countries) (Amendment) Order 2003 (S.I. 2003/774)  (GB131)
  • The Copyright (Recording of Folksongs for Archives) (Designated Bodies) Order 1989  (GB315)
  • The Design Right (Semiconductor Topographies) Regulations 1989 (S.I. 1989/1100)  (GB073)
  • Berne Convention   (September 9, 1886)
  • Lisbon Agreement   (October 31, 1958)
  • Rome Convention   (October 26, 1961)
  • Patent Cooperation Treaty   (June 19, 1970)
  • European Patent Convention   (October 5, 1973)
  • WIPO Performances and Phonograms Treaty   (December 20, 1996)

Changes to legislation: Copyright, Designs and Patents Act 1988 is up to date with all changes known to be in force on or before 19 April 2018. There are changes that may be brought into force at a future date. Changes that

have been made appear in the content and are referenced with annotations. (See end of Document for details)

Copyright, Designs and Patents Act 1988 1988 CHAPTER 48

An Act to restate the law of copyright, with amendments; to make fresh provision as to the rights of performers and others in performances; to confer a design right in original designs; to amend the Registered Designs Act 1949; to make provision with respect to patent agents and trade mark agents; to confer patents and designs jurisdiction on certain county courts; to amend the law of patents; to make provision with respect to devices designed to circumvent copy-protection of works in electronic form; to make fresh provision penalising the fraudulent reception of transmissions; to make the fraudulent application or use of a trade mark an offence; to make provision for the benefit of the Hospital for Sick Children, Great Ormond Street, London; to enable financial assistance to be given to certain international bodies; and for connected purposes. [15th November 1988]

Be it enacted by the Queen’s most Excellent Majesty, by and with the advice and consent of the Lords Spiritual and Temporal, and Commons, in this present Parliament assembled, and by the authority of the same, as follows:—

Annotations:

Modifications etc. (not altering text) C1 Act amended by Broadcasting Act 1990 (c. 42, SIF 96), s. 176, Sch. 17 para. 7(1)

Modifications etc. (not altering text) C2 Pt. I (ss. 1-179) modified by S.I. 1989/988, art. 2(3)

2 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Document Generated: 2018-04-19 Changes to legislation: Copyright, Designs and Patents Act 1988 is up to date with all changes known to be in

force on or before 19 April 2018. There are changes that may be brought into force at a future date. Changes that have been made appear in the content and are referenced with annotations. (See end of Document for details)

C3 Pt. I (ss. 1-179) extended by S.I. 1989/1293, arts. 2(3) , 3, 4(4)-(6) C4 Pt. I (ss. 1-179) applied (with modifications) by S.I. 1993/942, arts. 2(3), 5, Sch. 4 (with art. 6) C5 Pt. I (ss. 1-179) applied by S.I. 1993/942, arts. 4, 5, Sch. 4 (with art. 6)

Pt. I (ss. 1-179) applied (with modifications) (22.7.1999) by S.I. 1999/1751, arts. 2(3), 3, 4(3)(5), 5, 7, Schs. 2, 4, 5 (as amended (22.4.2003) by S.I. 2003/774, arts. 2-5 ) (which S.I. and amending S.I. were revoked (1.5.2005) by S.I. 2005/852, art. 8(b)(d) )

C6 Pt. 1 (ss. 1-179) extended in part (with modifications) by The Copyright (Bermuda) Order 2003 (S.I. 2003/1517), art. 2, Sch. (the amendment coming into force in accordance with art. 1 of the amending S.I.)

C7 Pt. 1 (ss. 1-179) modified (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 37(2) (with regs. 31-40)

C8 Pt. 1 (ss. 1-179) extended (with modifications) (1.5.2005) by The Copyright and Performances (Application to Other Countries) Order 2005 (S.I. 2005/852), arts. 2-5 , Sch. (with art. 7) (which S.I. was revoked (6.4.2006) by SI 2006/316, art. 1(3))

C9 Pt. 1 (ss. 1-179) extended in part (with modifications) by The Copyright (Gibraltar) Order 2005 (S.I. 2005/853), art. 2, Sch. (the amendment coming into force in accordance with art. 1 of the amending S.I.)

C10 Pt. 1 (ss. 1-179) extended (with modifications) (6.4.2006) by The Copyright and Performances (Application to Other Countries) Order 2006 (S.I. 2006/316), {arts. 2- 5}, Sch. (with art. 7) (which S.I. was revoked (6.4.2007) by S.I. 2007/273, art. 1(3) )

C11 Pt. 1 (ss. 1-179) extended (with modifications) (6.4.2007) by The Copyright and Performances (Application to Other Countries) Order 2007 (S.I. 2007/273), arts. 2-5 , Sch. (with art. 7) (which S.I. was revoked (6.4.2008) by SI 2008/677, art. 1(3))

C12 Pt. 1 (ss. 1-179) extended (with modifications) (6.4.2008) by The Copyright and Performances (Application to Other Countries) Order 2008 (S.I. 2008/677), arts. 2-5 , Sch. (with art. 7)

C13 Pt. 1 extended (with modifications) (6.4.2012) by The Copyright and Performances (Application to Other Countries) Order 2012 (S.I. 2012/799), arts. 1(1), arts. 2-5, Schs. (with art. 8)

C14 Pt. 1 applied in part (with modifications) (6.4.2013) by The Copyright and Performances (Application to Other Countries) Order 2013 (S.I. 2013/536), arts. 1(1), 2, 4, 5, Schs. (with art. 8)

C15 Pt. 1 extended in part (Cayman Islands) (with modifications) (coming into force in accordance with art. 1 of the amending Order) by The Copyright (Cayman Islands) Order 2015 (S.I. 2015/795), arts. 1, 2, Sch. (as amended by The Copyright (Cayman Islands) (Amendment) Order 2016 (S.I. 2016/370), arts. 1, 2-40 )

C16 Pt. 1 applied (with modifications) (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 4 (with art. 13)

C17 Pt. 1 restricted (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 6 (with art. 13)

C18 Pt. 1 restricted (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 9 (with art. 13)

C19 Pt. 1 applied (with modifications) (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 7 (with art. 13)

C20 Pt. 1 restricted (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 2 (with art. 13)

C21 Pt. 1 restricted (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 3 (with art. 13)

C22 Pt. 1 applied (with modifications) (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 5, Sch. Pt. 1 (with art. 13)

C23 Pt. 1 applied (with modifications) (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 8 (with art. 13)

C24 Pt. 1: power to extend conferred (27.4.2017) by Digital Economy Act 2017 (c. 30), ss. 118(1), 119(7) (8)(a)

Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright Chapter I – Subsistence, ownership and duration of copyright Document Generated: 2018-04-19

SUBSISTENCE, OWNERSHIP AND DURATION OF COPYRIGHT

Modifications etc. (not altering text) C25 Pt. I Ch. 1 (ss. 1-15) applied in part (1.12.1996) by S.I. 1996/2967, reg. 17(4) (with Pt. III)

Introductory

1 Copyright and copyright works.

(1) Copyright is a property right which subsists in accordance with this Part in the following descriptions of work—

(a) original literary, dramatic, musical or artistic works, (b) sound recordings, films [F1 or broadcasts ] , and (c) the typographical arrangement of published editions.

(2) In this Part “copyright work” means a work of any of those descriptions in which copyright subsists.

(3) Copyright does not subsist in a work unless the requirements of this Part with respect to qualification for copyright protection are met (see section 153 and the provisions referred to there).

Amendments (Textual) F1 Words in s. 1(1)(b) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 5(2) (with regs. 31-40)

2 Rights subsisting in copyright works.

(1) The owner of the copyright in a work of any description has the exclusive right to do the acts specified in Chapter II as the acts restricted by the copyright in a work of that description.

(2) In relation to certain descriptions of copyright work the following rights conferred by Chapter IV (moral rights) subsist in favour of the author, director or commissioner of the work, whether or not he is the owner of the copyright—

(a) section 77 (right to be identified as author or director), (b) section 80 (right to object to derogatory treatment of work), and (c) section 85 (right to privacy of certain photographs and films).

Descriptions of work and related provisions

3 Literary, dramatic and musical works.

(1) In this Part—

4 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Chapter I – Subsistence, ownership and duration of copyright Document Generated: 2018-04-19

“literary work” means any work, other than a dramatic or musical work, which is written, spoken or sung, and accordingly includes—

(a) a table or compilation [F2 other than a database ] , F3 . . . (b) a computer program; F4 . . . [F5 (c) preparatory design material for a computer

program ][F6 and (d) a database ]

“dramatic work” includes a work of dance or mime; and “musical work” means a work consisting of music, exclusive of any words

or action intended to be sung, spoken or performed with the music.

(2) Copyright does not subsist in a literary, dramatic or musical work unless and until it is recorded, in writing or otherwise; and references in this Part to the time at which such a work is made are to the time at which it is so recorded.

(3) It is immaterial for the purposes of subsection (2) whether the work is recorded by or with the permission of the author; and where it is not recorded by the author, nothing in that subsection affects the question whether copyright subsists in the record as distinct from the work recorded.

Amendments (Textual) F2 Words in s. 3(1)(a) inserted (1.1.1998) by S.I. 1997/3032, reg. 5(a) (with Pt. IV) F3 Word in s. 3(1) omitted (1.1.1993) by virtue of S.I. 1992/3233, reg. 3 F4 Word in s. 3(1)(b) left out (1.1.1998) by virtue of S.I. 1997/3032, reg. 5(b) (with Pt. IV) F5 Word and s. 3(1)(c) inserted (1.1.1993) by S.I. 1992/3233, reg. 3 F6 S. 3(1)(d) and word preceding it inserted (1.1.1998) by S.I. 1997/3032, reg. 5(c) (with Pt. IV)

[F73A Databases

(1) In this Part “database” means a collection of independent works, data or other materials which—

(a) are arranged in a systematic or methodical way, and (b) are individually accessible by electronic or other means.

(2) For the purposes of this Part a literary work consisting of a database is original if, and only if, by reason of the selection or arrangement of the contents of the database the database constitutes the author’s own intellectual creation. ]

Amendments (Textual) F7 S. 3A inserted (1.1.1998) by S.I. 1997/3032, reg. 6 (with Pt. IV)

4 Artistic works.

(1) In this Part “artistic work” means— (a) a graphic work, photograph, sculpture or collage, irrespective of artistic

quality, (b) a work of architecture being a building or a model for a building, or

(c) a work of artistic craftsmanship.

(2) In this Part— “building” includes any fixed structure, and a part of a building or fixed

structure; “graphic work” includes—

(a) any painting, drawing, diagram, map, chart or plan, and (b) any engraving, etching, lithograph, woodcut or similar work;

“photograph” means a recording of light or other radiation on any medium on which an image is produced or from which an image may by any means be produced, and which is not part of a film;

“sculpture” includes a cast or model made for purposes of sculpture.

[F85A Sound recordings.

(1) In this Part “sound recording” means— (a) a recording of sounds, from which the sounds may be reproduced, or (b) a recording of the whole or any part of a literary, dramatic or musical work,

from which sounds reproducing the work or part may be produced, regardless of the medium on which the recording is made or the method by which the sounds are reproduced or produced.

(2) Copyright does not subsist in a sound recording which is, or to the extent that it is, a copy taken from a previous sound recording. ]

Amendments (Textual) F8 Ss. 5A, 5B substituted for s. 5 (1.1.1996) by S.I. 1995/3297, reg. 9(1) (with Pt. III)

[F95B Films.

(1) In this Part “film” means a recording on any medium from which a moving image may by any means be produced.

(2) The sound track accompanying a film shall be treated as part of the film for the purposes of this Part.

(3) Without prejudice to the generality of subsection (2), where that subsection applies— (a) references in this Part to showing a film include playing the film sound track

to accompany the film, [F10 (b) references in this Part to playing a sound recording, or to communicating a

sound recording to the public, do not include playing or communicating the film sound track to accompany the film,

(c) references in this Part to copying a work, so far as they apply to a sound recording, do not include copying the film sound track to accompany the film, and

(d) references in this Part to the issuing, rental or lending of copies of a work, so far as they apply to a sound recording, do not include the issuing, rental or lending of copies of the sound track to accompany the film. ]

6 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(4) Copyright does not subsist in a film which is, or to the extent that it is, a copy taken from a previous film.

(5) Nothing in this section affects any copyright subsisting in a film sound track as a sound recording. ]

Amendments (Textual) F9 Ss. 5A, 5B substituted for s. 5 (1.1.1996) by S.I. 1995/3297, reg. 9(1) (with Pt. III) F10 S. 5B(3)(b)-(d) substituted (1.2.2006) for s. 5B(3)(b) and preceding word by The Performances (Moral

Rights, etc.) Regulations 2006 (S.I. 2006/18), reg. 2, Sch. para. 2 (with reg. 8)

6 Broadcasts.

[F11 (1) In this Part a “ broadcast ” means an electronic transmission of visual images, sounds or other information which—

(a) is transmitted for simultaneous reception by members of the public and is capable of being lawfully received by them, or

(b) is transmitted at a time determined solely by the person making the transmission for presentation to members of the public,

and which is not excepted by subsection (1A); and references to broadcasting shall be construed accordingly.

(1A) Excepted from the definition of “broadcast” is any internet transmission unless it is— (a) a transmission taking place simultaneously on the internet and by other means, (b) a concurrent transmission of a live event, or (c) a transmission of recorded moving images or sounds forming part of

a programme service offered by the person responsible for making the transmission, being a service in which programmes are transmitted at scheduled times determined by that person. ]

(2) An encrypted transmission shall be regarded as capable of being lawfully received by members of the public only if decoding equipment has been made available to members of the public by or with the authority of the person making the transmission or the person providing the contents of the transmission.

(3) References in this Part to the person making a broadcast, [F12 or a transmission which is a broadcast ] are—

(a) to the person transmitting the programme, if he has responsibility to any extent for its contents, and

(b) to any person providing the programme who makes with the person transmitting it the arrangements necessary for its transmission;

and references in this Part to a programme, in the context of broadcasting, are to any item included in a broadcast.

F13[ (4) For the purposes of this Part, the place from which a [F14 wireless ] broadcast is made is the place where, under the control and responsibility of the person making the broadcast, the programme-carrying signals are introduced into an uninterrupted chain

of communication (including, in the case of a satellite transmission, the chain leading to the satellite and down towards the earth). ]

F15[ (4A) Subsections (3) and (4) have effect subject to section 6A (safeguards in case of certain satellite broadcasts). ]

(5) References in this Part to the reception of a broadcast include reception of a broadcast relayed by means of a telecommunications system.

[F16 (5A) The relaying of a broadcast by reception and immediate re-transmission shall be regarded for the purposes of this Part as a separate act of broadcasting from the making of the broadcast which is so re-transmitted. ]

(6) Copyright does not subsist in a broadcast which infringes, or to the extent that it infringes, the copyright in another broadcast F17 . . . .

Amendments (Textual) F11 S. 6(1)(1A) substituted (31.10.2003) for s. 6(1) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 4(a) (with regs. 31-40) F12 Words in s. 6(3) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 4(b) (with regs. 31-40) F13 S. 6(4) substituted (1.12.1996 with effect as mentioned in reg. 28 of the amending S.I.) by S.I.

1996/2967, reg. 5 F14 Word in s. 6(4) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 4(c) (with regs. 31-40) F15 S. 6(4A) inserted (1.12.1996 with effect as mentioned in reg. 28 of the amending S.I.) by S.I.

1996/2967, reg. 6(1) F16 S. 6(5A) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 4(d) (with regs. 31-40) F17 Words in s. 6(6) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40)

[F186A Safeguards in case of certain satellite broadcasts.

(1) This section applies where the place from which a broadcast by way of satellite transmission is made is located in a country other than an EEA State and the law of that country fails to provide at least the following level of protection—

(a) exclusive rights in relation to [F19 wireless ] broadcasting equivalent to those conferred by section 20 ( [F20 infringement by communication to the public ] ) on the authors of literary, dramatic, musical and artistic works, films and broadcasts;

(b) a right in relation to live [F21 wireless ] broadcasting equivalent to that conferred on a performer by section 182(1)(b) (consent required for live broadcast of performance); and

(c) a right for authors of sound recordings and performers to share in a single equitable remuneration in respect of the [F21 wireless ] broadcasting of sound recordings.

(2) Where the place from which the programme-carrying signals are transmitted to the satellite (“the uplink station”) is located in an EEA State—

(a) that place shall be treated as the place from which the broadcast is made, and

8 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(b) the person operating the uplink station shall be treated as the person making the broadcast.

(3) Where the uplink station is not located in an EEA State but a person who is established in an EEA State has commissioned the making of the broadcast—

(a) that person shall be treated as the person making the broadcast, and (b) the place in which he has his principal establishment in the European

Economic Area shall be treated as the place from which the broadcast is made. ]

Amendments (Textual) F18 S. 6A inserted (1.12.1996 with effect as mentioned in reg. 28 of the amending S.I.) by S.I. 1996/2967,

reg. 6(2) F19 Words in s. 6A(1)(a) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 5(3)(a)(i) (with regs. 31-40) F20 Words in s. 6A(1)(a) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 5(3)(a)(ii) (with regs. 31-40) F21 Word in s. 6A(1)(b)(c) inserted (31.10.2003.) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 5(3)(b) (with regs. 31-40)

7 Cable programmes. F22 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F22 S. 7 repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498),

regs. 2(2), 5(1), Sch. 2 (with regs. 31-40)

8 Published editions.

(1) In this Part “published edition”, in the context of copyright in the typographical arrangement of a published edition, means a published edition of the whole or any part of one or more literary, dramatic or musical works.

(2) Copyright does not subsist in the typographical arrangement of a published edition if, or to the extent that, it reproduces the typographical arrangement of a previous edition.

Authorship and ownership of copyright

9 Authorship of work.

(1) In this Part “author”, in relation to a work, means the person who creates it.

(2) That person shall be taken to be— F23[F23 ( aa ) in the case of a sound recording, the producer;

( ab ) in the case of a film, the producer and the principal director; ]

(b) in the case of a broadcast, the person making the broadcast (see section 6(3)) or, in the case of a broadcast which relays another broadcast by reception and immediate re-transmission, the person making that other broadcast;

(c) F24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (d) in the case of the typographical arrangement of a published edition, the

(3) In the case of a literary, dramatic, musical or artistic work which is computer- generated, the author shall be taken to be the person by whom the arrangements necessary for the creation of the work are undertaken.

(4) For the purposes of this Part a work is of “unknown authorship” if the identity of the author is unknown or, in the case of a work of joint authorship, if the identity of none of the authors is known.

(5) For the purposes of this Part the identity of an author shall be regarded as unknown if it is not possible for a person to ascertain his identity by reasonable inquiry; but if his identity is once known it shall not subsequently be regarded as unknown.

Amendments (Textual) F23 S. 9(2)(aa)(ab) substituted for s. 9(2)(a) (1.12.1996 with effect in relation to films made on or after

1.7.1994) by S.I. 1996/2967, regs. 18(1) , 36 F24 S. 9(2)(c) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), regs. 2(2), 5(4), Sch. 2 (with regs. 31-40)

10 Works of joint authorship.

(1) In this Part a “work of joint authorship” means a work produced by the collaboration of two or more authors in which the contribution of each author is not distinct from that of the other author or authors.

F25[ ( 1A ) A film shall be treated as a work of joint authorship unless the producer and the principal director are the same person. ]

(2) A broadcast shall be treated as a work of joint authorship in any case where more than one person is to be taken as making the broadcast (see section 6(3)).

(3) References in this Part to the author of a work shall, except as otherwise provided, be construed in relation to a work of joint authorship as references to all the authors of the work.

Amendments (Textual) F25 S. 10(1A) inserted (1.12.1996 with effet in relation to films made on or after 1.7.1994) by S.I.

1996/2967, regs. 18(2) , 36

10 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

[F2610A Works of co-authorship

(1) In this Part a “work of co-authorship” means a work produced by the collaboration of the author of a musical work and the author of a literary work where the two works are created in order to be used together.

(2) References in this Part to a work or the author of a work shall, except as otherwise provided, be construed in relation to a work of co-authorship as references to each of the separate musical and literary works comprised in the work of co-authorship and to each of the authors of such works. ]

Amendments (Textual) F26 S. 10A inserted (1.11.2013) by The Copyright and Duration of Rights in Performances Regulations

2013 (S.I. 2013/1782), regs. 1, 4 (with regs. 11-27)

11 First ownership of copyright.

(1) The author of a work is the first owner of any copyright in it, subject to the following provisions.

(2) Where a literary, dramatic, musical or artistic work [F27 , or a film, ] is made by an employee in the course of his employment, his employer is the first owner of any copyright in the work subject to any agreement to the contrary.

(3) This section does not apply to Crown copyright or Parliamentary copyright (see sections 163 and 165) or to copyright which subsists by virtue of section 168 (copyright of certain international organisations).

Amendments (Textual) F27 Words in s. 11(2) inserted (1.12.1996 with effect in relation to films made on or after 1.7.1994) by S.I.

1996/2967, regs. 18(3) , 36

Duration of copyright

[F2812 Duration of copyright in literary, dramatic, musical or artistic works.

(1) The following provisions have effect with respect to the duration of copyright in a literary, dramatic, musical or artistic work.

(2) Copyright expires at the end of the period of 70 years from the end of the calendar year in which the author dies, subject as follows.

(3) If the work is of unknown authorship, copyright expires— (a) at the end of the period of 70 years from the end of the calendar year in which

the work was made, or (b) if during that period the work is made available to the public, at the end of

the period of 70 years from the end of the calendar year in which it is first so made available,

subject as follows.

(4) Subsection (2) applies if the identity of the author becomes known before the end of the period specified in paragraph (a) or (b) of subsection (3).

(5) For the purposes of subsection (3) making available to the public includes— (a) in the case of a literary, dramatic or musical work—

(i) performance in public, or [F29 (ii) communication to the public; ]

(b) in the case of an artistic work— (i) exhibition in public,

(ii) a film including the work being shown in public, or [F30 (iii) communication to the public; ]

but in determining generally for the purposes of that subsection whether a work has been made available to the public no account shall be taken of any unauthorised act.

(6) Where the country of origin of the work is not an EEA state and the author of the work is not a national of an EEA state, the duration of copyright is that to which the work is entitled in the country of origin, provided that does not exceed the period which would apply under subsections (2) to (5).

(7) If the work is computer-generated the above provisions do not apply and copyright expires at the end of the period of 50 years from the end of the calendar year in which the work was made.

(8) The provisions of this section are adapted as follows in relation to a work of joint authorship [F31 or a work of co-authorship ] —

(a) the reference in subsection (2) to the death of the author shall be construed— (i) if the identity of all the authors is known, as a reference to the death

of the last of them to die, and (ii) if the identity of one or more of the authors is known and the identity

of one or more others is not, as a reference to the death of the last whose identity is known;

(b) the reference in subsection (4) to the identity of the author becoming known shall be construed as a reference to the identity of any of the authors becoming known;

(c) the reference in subsection (6) to the author not being a national of an EEA state shall be construed as a reference to none of the authors being a national of an EEA state.

(9) This section does not apply to Crown copyright or Parliamentary copyright (see sections 163 to [F32 166D ] ) or to copyright which subsists by virtue of section 168 (copyright of certain international organisations). ]

Amendments (Textual) F28 S. 12 substituted (1.1.1996) by S.I. 1995/3297, reg. 5(1) (with Pt. III) F29 S. 12(5)(a)(ii) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003, (S.I.

2003/2498), reg. 2(1), {Sch. 1 para. 4(1)} (with regs. 31-40) F30 S. 12(5)(b)(iii) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003, (S.I.

2003/2498), reg. 2(1), {Sch. 1 para. 4(2)} (with regs. 31-40)

12 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

F31 Words in s. 12(8) inserted (1.11.2013) by The Copyright and Duration of Rights in Performances Regulations 2013 (S.I. 2013/1782), regs. 1, 5 (with regs. 11-27)

F32 Word in s. 12(9) substituted by Government of Wales Act 2006 (c. 32), s. 160(1), Sch. 10 para. 23 (with Sch. 11 para. 22), the amending provision coming into force immediately after "the 2007 election" (held on 3.5.2007) subject to s. 161(4)(5) of the amending Act, which provides for certain provisions to come into force for specified purposes immediately after the end of "the initial period" (which ended with the day of the first appointment of a First Minister on 25.5.2007) - see ss. 46, 161(1)(4)(5) of the amending Act.

[F3313A Duration of copyright in sound recordings.

(1) The following provisions have effect with respect to the duration of copyright in a sound recording.

[F34 (2) Subject to subsections (4) and (5) [F35 and section 191HA(4) ] , copyright expires— (a) at the end of the period of 50 years from the end of the calendar year in which

the recording is made, or (b) if during that period the recording is published, [F36 70 ] years from the end of

the calendar year in which it is first published, or (c) if during that period the recording is not published but is made available to

the public by being played in public or communicated to the public, [F37 70 ] years from the end of the calendar year in which it is first so made available,

but in determining whether a sound recording has been published, played in public or communicated to the public, no account shall be taken of any unauthorised act. ]

(3) F38 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(4) Where the author of a sound recording is not a national of an EEA state, the duration of copyright is that to which the sound recording is entitled in the country of which the author is a national, provided that does not exceed the period which would apply under [F39 subsection (2) ] .

(5) If or to the extent that the application of subsection (4) would be at variance with an international obligation to which the United Kingdom became subject prior to 29th October 1993, the duration of copyright shall be as specified in [F39 subsection (2) ] . ]

Amendments (Textual) F33 Ss. 13A, 13B substituted for s. 13 (1.1.1996) by S.I. 1995/3297, reg. 6(1) (with Pt. IV) F34 S. 13A(2) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 29(a) (with regs. 31-40) F35 Words in s. 13A(2) inserted (1.11.2013) by The Copyright and Duration of Rights in Performances

Regulations 2013 (S.I. 2013/1782), regs. 1, 6(a) (with regs. 11-27) F36 Word in s. 13A(2)(b) substituted (1.11.2013) by The Copyright and Duration of Rights in

Performances Regulations 2013 (S.I. 2013/1782), regs. 1, 6(b) (with regs. 11-27) F37 Word in s. 13A(2)(c) substituted (1.11.2013) by The Copyright and Duration of Rights in

Performances Regulations 2013 (S.I. 2013/1782), regs. 1, 6(b) (with regs. 11-27) F38 S. 13A(3) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), regs. 2(2), 29(b), Sch. 2 (with regs. 31-40) F39 Words in s. 13A(4)(5) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I.2003/2498), reg. 29(c) (with regs. 31-40)

[F4013B Duration of copyright in films.

(1) The following provisions have effect with respect to the duration of copyright in a film.

(2) Copyright expires at the end of the period of 70 years from the end of the calendar year in which the death occurs of the last to die of the following persons—

(a) the principal director, (b) the author of the screenplay, (c) the author of the dialogue, or (d) the composer of music specially created for and used in the film;

(3) If the identity of one or more of the persons referred to in subsection (2)(a) to (d) is known and the identity of one or more others is not, the reference in that subsection to the death of the last of them to die shall be construed as a reference to the death of the last whose identity is known.

(4) If the identity of the persons referred to in subsection (2)(a) to (d) is unknown, copyright expires at—

(a) the end of the period of 70 years from the end of the calendar year in which the film was made, or

(b) if during that period the film is made available to the public, at the end of the period of 70 years from the end of the calendar year in which it is first so made available.

(5) Subsections (2) and (3) apply if the identity of any of those persons becomes known before the end of the period specified in paragraph (a) or (b) of subsection (4).

(6) For the purposes of subsection (4) making available to the public includes— (a) showing in public, or

[F41 (b) communicating to the public; ] but in determining generally for the purposes of that subsection whether a film has been made available to the public no account shall be taken of any unauthorised act.

(7) Where the country of origin is not an EEA state and the author of the film is not a national of an EEA state, the duration of copyright is that to which the work is entitled in the country of origin, provided that does not exceed the period which would apply under subsections (2) to (6).

(8) In relation to a film of which there are joint authors, the reference in subsection (7) to the author not being a national of an EEA state shall be construed as a reference to none of the authors being a national of an EEA state.

(9) If in any case there is no person falling within paragraphs (a) to (d) of subsection (2), the above provisions do not apply and copyright expires at the end of the period of 50 years from the end of the calendar year in which the film was made.

(10) For the purposes of this section the identity of any of the persons referred to in subsection (2)(a) to (d) shall be regarded as unknown if it is not possible for a person to ascertain his identity by reasonable inquiry; but if the identity of any such person is once known it shall not subsequently be regarded as unknown. ]

14 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Amendments (Textual) F40 Ss. 13A, 13B substituted for s. 13 (1.1.1996) by S.I. 1995/3297, reg. 6(1) (with Pt. IV) F41 S. 13B(6)(b) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(1), Sch. 1 para. 4(3) (with regs. 31-40)

[F4314 Duration of copyright in broadcasts F42. . . .

(1) The following provisions have effect with respect to the duration of copyright in a broadcast F44 . . . .

(2) Copyright in a broadcast . . . expires at the end of the period of 50 years from the end of the calendar year in which the broadcast was made F45 . . . , subject as follows.

(3) Where the author of the broadcast . . . is not a national of an EEA state, the duration of copyright in the broadcast . . . is that to which it is entitled in the country of which the author is a national, provided that does not exceed the period which would apply under subsection (2).

(4) If or to the extent that the application of subsection (3) would be at variance with an international obligation to which the United Kingdom became subject prior to 29th October 1993, the duration of copyright shall be as specified in subsection (2).

(5) Copyright in a repeat broadcast . . . expires at the same time as the copyright in the original broadcast . . . ; and accordingly no copyright arises in respect of a repeat broadcast . . . which is broadcast F46 . . . after the expiry of the copyright in the original broadcast . . . .

(6) A repeat broadcast . . . means one which is a repeat F47 . . . of a broadcast previously made . . . . ]

Amendments (Textual) F42 Words in s. 14 heading repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F43 S. 14 substituted (1.1.1996) by S.I. 1995/3297, reg. 7(1) (with Pt. IV) F44 Words in s. 14 repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F45 Words in s. 14(2) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F46 Words in s. 14(5) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F47 Words in s. 14(6) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

15 Duration of copyright in typographical arrangement of published editions.

Copyright in the typographical arrangement of a published edition expires at the end of the period of 25 years from the end of the calendar year in which the edition was first published.

[F4815A Meaning of country of origin.

(1) For the purposes of the provisions of this Part relating to the duration of copyright the country of origin of a work shall be determined as follows.

(2) If the work is first published in a Berne Convention country and is not simultaneously published elsewhere, the country of origin is that country.

(3) If the work is first published simultaneously in two or more countries only one of which is a Berne Convention country, the country of origin is that country.

(4) If the work is first published simultaneously in two or more countries of which two or more are Berne Convention countries, then—

(a) if any of those countries is an EEA state, the country of origin is that country; and

(b) if none of those countries is an EEA state, the country of origin is the Berne Convention country which grants the shorter or shortest period of copyright protection.

(5) If the work is unpublished or is first published in a country which is not a Berne Convention country (and is not simultaneously published in a Berne Convention country), the country of origin is—

(a) if the work is a film and the maker of the film has his headquarters in, or is domiciled or resident in a Berne Convention country, that country;

(b) if the work is— (i) a work of architecture constructed in a Berne Convention country, or

(ii) an artistic work incorporated in a building or other structure situated in a Berne Convention country,

that country; (c) in any other case, the country of which the author of the work is a national.

(6) In this section— (a) a “Berne Convention country” means a country which is a party to any Act of

the International Convention for the Protection of Literary and Artistic Works signed at Berne on 9th September 1886; and

(b) references to simultaneous publication are to publication within 30 days of first publication. ]

Amendments (Textual) F48 S. 15A inserted (1.1.1996) by S.I. 1995/3297, reg. 8(1) (with Pt. IV)

16 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Chapter II – Rights of Copyright Owner Document Generated: 2018-04-19

RIGHTS OF COPYRIGHT OWNER

Modifications etc. (not altering text) C26 Pt. I Ch. II (ss. 16-27) applied (with modifications) (1.12.1996) by S.I. 1996/2967, reg. 17(1) (with Pt.

The acts restricted by copyright

16 The acts restricted by copyright in a work.

(1) The owner of the copyright in a work has, in accordance with the following provisions of this Chapter, the exclusive right to do the following acts in the United Kingdom—

(a) to copy the work (see section 17); (b) to issue copies of the work to the public (see section 18);

F49[ (ba) to rent or lend the work to the public (see section 18A); ] (c) to perform, show or play the work in public (see section 19);

[F50 (d) to communicate the work to the public (see section 20); ] (e) to make an adaptation of the work or do any of the above in relation to an

adaptation (see section 21); and those acts are referred to in this Part as the “acts restricted by the copyright”.

(2) Copyright in a work is infringed by a person who without the licence of the copyright owner does, or authorises another to do, any of the acts restricted by the copyright.

(3) References in this Part to the doing of an act restricted by the copyright in a work are to the doing of it—

(a) in relation to the work as a whole or any substantial part of it, and (b) either directly or indirectly;

and it is immaterial whether any intervening acts themselves infringe copyright.

(4) This Chapter has effect subject to— (a) the provisions of Chapter III (acts permitted in relation to copyright works),

and (b) the provisions of Chapter VII (provisions with respect to copyright licensing).

Amendments (Textual) F49 S. 16(1)(ba) inserted (1.12.1996) by S.I. 1996/2967, reg. 10(1) (with Pt. III) F50 S. 16(1)(d) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 6(2) (with regs. 31-40)

Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright Chapter II – Rights of Copyright Owner Document Generated: 2018-04-19

17 Infringement of copyright by copying.

(1) The copying of the work is an act restricted by the copyright in every description of copyright work; and references in this Part to copying and copies shall be construed as follows.

(2) Copying in relation to a literary, dramatic, musical or artistic work means reproducing the work in any material form.

This includes storing the work in any medium by electronic means.

(3) In relation to an artistic work copying includes the making of a copy in three dimensions of a two-dimensional work and the making of a copy in two dimensions of a three-dimensional work.

(4) Copying in relation to a film [F51 or broadcast ] includes making a photograph of the whole or any substantial part of any image forming part of the film [F51 or broadcast ] .

(5) Copying in relation to the typographical arrangement of a published edition means making a facsimile copy of the arrangement.

(6) Copying in relation to any description of work includes the making of copies which are transient or are incidental to some other use of the work.

Amendments (Textual) F51 Words in s. 17(4) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), regs. 2(1), 5(5) , Sch. 1 para. 3(1)(a) (with regs. 31-40)

18 Infringement by issue of copies to the public.

(1) The issue to the public of copies of the work is an act restricted by the copyright in every description of copyright work.

F52[F52 (2) References in this Part to the issue to the public of copies of a work are to— (a) the act of putting into circulation in the EEA copies not previously put into

circulation in the EEA by or with the consent of the copyright owner, or (b) the act of putting into circulation outside the EEA copies not previously put

into circulation in the EEA or elsewhere.

(3) References in this Part to the issue to the public of copies of a work do not include— (a) any subsequent distribution, sale, hiring or loan of copies previously put into

circulation (but see section 18A: infringement by rental or lending), or (b) any subsequent importation of such copies into the United Kingdom or

another EEA state, except so far as paragraph (a) of subsection (2) applies to putting into circulation in the EEA copies previously put into circulation outside the EEA. ]

F53[ (4) References in this Part to the issue of copies of a work include the issue of the original. ]

18 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Amendments (Textual) F52 S. 18(2)(3) substituted (1.12.1996) by S.I. 1996/2967, reg. 9(2) (with Pt. III) F53 S. 18(4) added (1.12.1996) by S.I. 1996/2967, reg. 9(3) (with Pt. III)

[F5418A Infringement by rental or lending of work to the public.

(1) The rental or lending of copies of the work to the public is an act restricted by the copyright in—

(a) a literary, dramatic or musical work, (b) an artistic work, other than—

(i) a work of architecture in the form of a building or a model for a building, or

(ii) a work of applied art, or (c) a film or a sound recording.

(2) In this Part, subject to the following provisions of this section— (a) “rental” means making a copy of the work available for use, on terms that

it will or may be returned, for direct or indirect economic or commercial advantage, and

(b) “lending” means making a copy of the work available for use, on terms that it will or may be returned, otherwise than for direct or indirect economic or commercial advantage, through an establishment which is accessible to the public.

(3) The expressions “rental” and “lending” do not include— (a) making available for the purpose of public performance, playing or showing

in public [F55 or communication to the public ] ; (b) making available for the purpose of exhibition in public; or (c) making available for on-the-spot reference use.

(4) The expression “lending” does not include making available between establishments which are accessible to the public.

(5) Where lending by an establishment accessible to the public gives rise to a payment the amount of which does not go beyond what is necessary to cover the operating costs of the establishment, there is no direct or indirect economic or commercial advantage for the purposes of this section.

(6) References in this Part to the rental or lending of copies of a work include the rental or lending of the original. ]

Amendments (Textual) F54 S. 18A inserted (1.12.1996) by S.I. 1996/2967, reg. 10(2) (with Pt. III) F55 Words in s. 18A(3)(a) substituted by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(1), Sch. 1 para. 6(2)(a) (with regs. 31-40)

19 Infringement by performance, showing or playing of work in public.

(1) The performance of the work in public is an act restricted by the copyright in a literary, dramatic or musical work.

(2) In this Part “performance”, in relation to a work— (a) includes delivery in the case of lectures, addresses, speeches and sermons, and (b) in general, includes any mode of visual or acoustic presentation, including

presentation by means of a sound recording, film [F56 or broadcast ] of the work.

(3) The playing or showing of the work in public is an act restricted by the copyright in a sound recording, film [F56 or broadcast ] .

(4) Where copyright in a work is infringed by its being performed, played or shown in public by means of apparatus for receiving visual images or sounds conveyed by electronic means, the person by whom the visual images or sounds are sent, and in the case of a performance the performers, shall not be regarded as responsible for the infringement.

Amendments (Textual) F56 Words in s. 19(2)(b)(3) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 3(1)(b)(c) (with regs. 31-40)

[F5720 Infringement by communication to the public

(1) The communication to the public of the work is an act restricted by the copyright in— (a) a literary, dramatic, musical or artistic work, (b) a sound recording or film, or (c) a broadcast.

(2) References in this Part to communication to the public are to communication to the public by electronic transmission, and in relation to a work include—

(a) the broadcasting of the work; (b) the making available to the public of the work by electronic transmission in

such a way that members of the public may access it from a place and at a time individually chosen by them. ]

Amendments (Textual) F57 S. 20 substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 6(1) (with regs. 31-40)

21 Infringement by making adaptation or act done in relation to adaptation.

(1) The making of an adaptation of the work is an act restricted by the copyright in a literary, dramatic or musical work.

For this purpose an adaptation is made when it is recorded, in writing or otherwise.

20 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(2) The doing of any of the acts specified in sections 17 to 20, or subsection (1) above, in relation to an adaptation of the work is also an act restricted by the copyright in a literary, dramatic or musical work.

For this purpose it is immaterial whether the adaptation has been recorded, in writing or otherwise, at the time the act is done.

(3) In this Part “adaptation”— (a) in relation to a literary [F58 work, [F59 other than a computer program or a

database, or in relation to a ]] dramatic work, means— (i) a translation of the work;

(ii) a version of a dramatic work in which it is converted into a non- dramatic work or, as the case may be, of a non-dramatic work in which it is converted into a dramatic work;

(iii) a version of the work in which the story or action is conveyed wholly or mainly by means of pictures in a form suitable for reproduction in a book, or in a newspaper, magazine or similar periodical;

F60[ (ab) in relation to a computer program, means an arrangement or altered version of the program or a translation of it; ]

F61[ (ac) in relation to a database, means an arrangement or altered version of the database or a translation of it; ]

(b) in relation to a musical work, means an arrangement or transcription of the work.

(4) In relation to a computer program a “translation” includes a version of the program in which it is converted into or out of a computer language or code or into a different computer language or code F62 . . .

(5) No inference shall be drawn from this section as to what does or does not amount to copying a work.

Amendments (Textual) F58 Words in s. 21(3)(a) inserted (1.1.1993) by S.I. 1992/3233, reg. 5(1) F59 Words in s. 21(3)(a) substituted (1.1.1998) by S.I. 1997/3032, reg. 7(a) (with Pt. IV) F60 S. 21(3)(ab) inserted (1.1.1993) by S.I. 1992/3233, reg. 5(2) F61 S. 21(3)(ac) inserted (1.1.1998) by S.I. 1997/3032, reg. 7(b) (with Pt. IV) F62 Words in s. 21(4) omitted (1.1.1993) by virtue of S.I. 1992/3233, reg. 5(3)

Secondary infringement of copyright

22 Secondary infringement: importing infringing copy.

The copyright in a work is infringed by a person who, without the licence of the copyright owner, imports into the United Kingdom, otherwise than for his private and domestic use, an article which is, and which he knows or has reason to believe is, an infringing copy of the work.

23 Secondary infringement: possessing or dealing with infringing copy.

The copyright in a work is infringed by a person who, without the licence of the copyright owner—

(a) possesses in the course of a business, (b) sells or lets for hire, or offers or exposes for sale or hire, (c) in the course of a business exhibits in public or distributes, or (d) distributes otherwise than in the course of a business to such an extent as to

affect prejudicially the owner of the copyright, an article which is, and which he knows or has reason to believe is, an infringing copy of the work.

24 Secondary infringement: providing means for making infringing copies.

(1) Copyright in a work is infringed by a person who, without the licence of the copyright owner—

(a) makes, (b) imports into the United Kingdom, (c) possesses in the course of a business, or (d) sells or lets for hire, or offers or exposes for sale or hire,

an article specifically designed or adapted for making copies of that work, knowing or having reason to believe that it is to be used to make infringing copies.

(2) Copyright in a work is infringed by a person who without the licence of the copyright owner transmits the work by means of a telecommunications system (otherwise than by [F63 communication to the public ] ), knowing or having reason to believe that infringing copies of the work will be made by means of the reception of the transmission in the United Kingdom or elsewhere.

Amendments (Textual) F63 Words in s. 24(2) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 5(a) (with regs. 31-40)

25 Secondary infringement: permitting use of premises for infringing performance.

(1) Where the copyright in a literary, dramatic or musical work is infringed by a performance at a place of public entertainment, any person who gave permission for that place to be used for the performance is also liable for the infringement unless when he gave permission he believed on reasonable grounds that the performance would not infringe copyright.

(2) In this section “place of public entertainment” includes premises which are occupied mainly for other purposes but are from time to time made available for hire for the purposes of public entertainment.

26 Secondary infringement: provision of apparatus for infringing performance, &c.

(1) Where copyright in a work is infringed by a public performance of the work, or by the playing or showing of the work in public, by means of apparatus for—

22 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(a) playing sound recordings, (b) showing films, or (c) receiving visual images or sounds conveyed by electronic means,

the following persons are also liable for the infringement.

(2) A person who supplied the apparatus, or any substantial part of it, is liable for the infringement if when he supplied the apparatus or part—

(a) he knew or had reason to believe that the apparatus was likely to be so used as to infringe copyright, or

(b) in the case of apparatus whose normal use involves a public performance, playing or showing, he did not believe on reasonable grounds that it would not be so used as to infringe copyright.

(3) An occupier of premises who gave permission for the apparatus to be brought onto the premises is liable for the infringement if when he gave permission he knew or had reason to believe that the apparatus was likely to be so used as to infringe copyright.

(4) A person who supplied a copy of a sound recording or film used to infringe copyright is liable for the infringement if when he supplied it he knew or had reason to believe that what he supplied, or a copy made directly or indirectly from it, was likely to be so used as to infringe copyright.

Infringing copies

27 Meaning of “infringing copy”.

(1) In this Part “infringing copy”, in relation to a copyright work, shall be construed in accordance with this section.

(2) An article is an infringing copy if its making constituted an infringement of the copyright in the work in question.

(3) F64 . . . An article is also an infringing copy if— (a) it has been or is proposed to be imported into the United Kingdom, and (b) its making in the United Kingdom would have constituted an infringement

of the copyright in the work in question, or a breach of an exclusive licence agreement relating to that work.

F65 (3A) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(4) Where in any proceedings the question arises whether an article is an infringing copy and it is shown—

(a) that the article is a copy of the work, and (b) that copyright subsists in the work or has subsisted at any time,

it shall be presumed until the contrary is proved that the article was made at a time when copyright subsisted in the work.

(5) Nothing in subsection (3) shall be construed as applying to an article which may lawfully be imported into the United Kingdom by virtue of any enforceable [F66 EU ] right within the meaning of section 2(1) of the M1 European Communities Act 1972.

(6) In this Part “infringing copy” includes a copy falling to be treated as an infringing copy by virtue of any of the following provisions —

[F67 section 29A(3) (copies for text and data analysis for non-commercial research), ] [F68 section 28B(7) and (9) (personal copies for private use), ] [F69 section 31A(5) and (6) (disabled persons: copies of works for personal use), ] [F70 section 31B(11) (making and supply of accessible copies by authorised bodies), ] [F67 section 35(5) (recording by educational establishments of broadcasts), ] [F67 section 36(8) (copying and use of extracts of works by educational establishments), ] [F67 section 42A(5)(b) (copying by librarians: single copies of published works), ] [F67 section 61(6)(b) (recordings of folksongs), ] F71 ... F72 ... ... ... ... section 56(2) (further copies, adaptations, &c. of work in electronic form retained on transfer of principal copy), section 63(2) (copies made for purpose of advertising artistic work for sale), section 68(4) (copies made for purpose of broadcast F73 . . . ), [F74 section 70(2) (recording for the purposes of time-shifting), section 71(2) (photographs of broadcasts), or ] any provision of an order under section 141 (statutory licence for certain reprographic copying by educational establishments).

Amendments (Textual) F64 Words in s. 27(3) omitted (1.12.1996) by virtue of S.I. 1996/2967, reg. 9(4) (with Pt. III) F65 S. 27(3A) omitted (1.12.1996) by virtue of S.I. 1996/2967, reg. 9(4) (with Pt. III) F66 Word substituted (22.4.2011) by The Treaty of Lisbon (Changes in Terminology) Order 2011 (S.I.

2011/1043), arts. 3, 6 F67 Words in s. 27(6) inserted (1.6.2014) by The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 2(b) F68 Words in s. 27(6) inserted (1.10.2014) by The Copyright and Rights in Performances (Personal

Copies for Private Use) Regulations 2014 (S.I. 2014/2361), regs. 1(1), 4(1) (with reg. 5) (but note that the amending S.I. was quashed with prospective effect by the High Court in the case of R (British Academy of Songwriters, Composers and Authors and others) v Secretary of State for Business, Innovation and Skills [2015] EWHC 2041 (Admin), 17 July 2015)

F69 Words in s. 27(6) substituted (1.6.2014) by The Copyright and Rights in Performances (Disability) Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 1(a)

F70 Words in s. 27(6) substituted (1.6.2014) by The Copyright and Rights in Performances (Disability) Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 1(b)

F71 Words in s. 27(6) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances (Disability) Regulations 2014 (S.I. 2014/1384) , reg. 1(1) , Sch. para. 1(c)

F72 Words in s. 27(6) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances (Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 2(a)

24 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Chapter III – Acts Permitted in relation to Copyright Works Document Generated: 2018-04-19

F73 Words in s. 27(6) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40)

F74 S. 27(6): entries substituted (31.10.2003) for word "or" appearing at end of entry for s. 68(4) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 20(3) (with regs. 31-40)

Marginal Citations M1 1972 c. 68.

CHAPTER III

ACTS PERMITTED IN RELATION TO COPYRIGHT WORKS

Modifications etc. (not altering text) C27 Pt. I Ch. III (ss. 28–76) amended by Broadcasting Act 1990 (c. 42, SIF 96), s. 176, Sch. 17 para. 7(1) C28 Pt. I Ch. III (ss. 28-76) applied (with modifications) (1.12.1996) by S.I. 1996/2967, reg. 17(1)-(3)

(with Pt. III) C29 Pt. I Ch. III (ss. 28-76) continued (31.10.2003) by virtue of The Copyright and Related Rights

Regulations 2003 (S.I. 2003/2498), reg. 33 , (with regs. 31-40)

28 Introductory provisions.

(1) The provisions of this Chapter specify acts which may be done in relation to copyright works notwithstanding the subsistence of copyright; they relate only to the question of infringement of copyright and do not affect any other right or obligation restricting the doing of any of the specified acts.

(2) Where it is provided by this Chapter that an act does not infringe copyright, or may be done without infringing copyright, and no particular description of copyright work is mentioned, the act in question does not infringe the copyright in a work of any description.

(3) No inference shall be drawn from the description of any act which may by virtue of this Chapter be done without infringing copyright as to the scope of the acts restricted by the copyright in any description of work.

(4) The provisions of this Chapter are to be construed independently of each other, so that the fact that an act does not fall within one provision does not mean that it is not covered by another provision.

[F7528A Making of temporary copies

Copyright in a literary work, other than a computer program or a database, or in a dramatic, musical or artistic work, the typographical arrangement of a published edition, a sound recording or a film, is not infringed by the making of a temporary

Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright Chapter III – Acts Permitted in relation to Copyright Works Document Generated: 2018-04-19

copy which is transient or incidental, which is an integral and essential part of a technological process and the sole purpose of which is to enable—

(a) a transmission of the work in a network between third parties by an intermediary; or

(b) a lawful use of the work; and which has no independent economic significance. ]

Amendments (Textual) F75 S. 28A inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498),

reg. 8(1) (with regs. 31-40)

[F7628B Personal copies for private use

(1) The making of a copy of a work, other than a computer program, by an individual does not infringe copyright in the work provided that the copy—

(a) is a copy of— (i) the individual’s own copy of the work, or

(ii) a personal copy of the work made by the individual, (b) is made for the individual’s private use, and (c) is made for ends which are neither directly nor indirectly commercial.

(2) In this section “the individual’s own copy” is a copy which— (a) has been lawfully acquired by the individual on a permanent basis, (b) is not an infringing copy, and (c) has not been made under any provision of this Chapter which permits the

making of a copy without infringing copyright.

(3) In this section a “personal copy” means a copy made under this section.

(4) For the purposes of subsection (2)(a), a copy “lawfully acquired on a permanent basis”—

(a) includes a copy which has been purchased, obtained by way of a gift, or acquired by means of a download resulting from a purchase or a gift (other than a download of a kind mentioned in paragraph (b)); and

(b) does not include a copy which has been borrowed, rented, broadcast or streamed, or a copy which has been obtained by means of a download enabling no more than temporary access to the copy.

(5) In subsection (1)(b) “private use” includes private use facilitated by the making of a copy—

(a) as a back up copy, (b) for the purposes of format-shifting, or (c) for the purposes of storage, including in an electronic storage area accessed

by means of the internet or similar means which is accessible only by the individual (and the person responsible for the storage area).

(6) Copyright in a work is infringed if an individual transfers a personal copy of the work to another person (otherwise than on a private and temporary basis), except where the transfer is authorised by the copyright owner.

26 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(7) If copyright is infringed as set out in subsection (6), a personal copy which has been transferred is for all purposes subsequently treated as an infringing copy.

(8) Copyright in a work is also infringed if an individual, having made a personal copy of the work, transfers the individual’s own copy of the work to another person (otherwise than on a private and temporary basis) and, after that transfer and without the licence of the copyright owner, retains any personal copy.

(9) If copyright is infringed as set out in subsection (8), any retained personal copy is for all purposes subsequently treated as an infringing copy.

(10) To the extent that a term of a contract purports to prevent or restrict the making of a copy which, by virtue of this section, would not infringe copyright, that term is unenforceable. ]

Amendments (Textual) F76 S. 28B inserted (1.10.2014) by The Copyright and Rights in Performances (Personal Copies for Private

Use) Regulations 2014 (S.I. 2014/2361), regs. 1(1), 3(1) (with reg. 5) (but note that the amending S.I. was quashed with prospective effect by the High Court in the case of R (British Academy of Songwriters, Composers and Authors and others) v Secretary of State for Business, Innovation and Skills [2015] EWHC 2041 (Admin), 17 July 2015)

29 Research and private study.

[F77 (1) Fair dealing with a F78 ... work for the purposes of research for a non-commercial purpose does not infringe any copyright in the work provided that it is accompanied by a sufficient acknowledgement. ]

[F79 (1B) No acknowledgement is required in connection with fair dealing for the purposes mentioned in subsection (1) where this would be impossible for reasons of practicality or otherwise.

(1C) Fair dealing with a F80 ... work for the purposes of private study does not infringe any copyright in the work. ]

F81 (2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(3) Copying by a person other than the researcher or student himself is not fair dealing if— [F82 (a) in the case of a librarian, or a person acting on behalf of a librarian, that

person does anything which is not permitted under section 42A (copying by librarians: single copies of published works), or ]

(b) in any other case, the person doing the copying knows or has reason to believe that it will result in copies of substantially the same material being provided to more than one person at substantially the same time and for substantially the same purpose.

F83[ ( 4 ) It is not fair dealing— (a) to convert a computer program expressed in a low level language into a

version expressed in a higher level language, or (b) incidentally in the course of so converting the program, to copy it,

(these acts being permitted if done in accordance with section 50B (decompilation)). ]

[F84 (4A) It is not fair dealing to observe, study or test the functioning of a computer program in order to determine the ideas and principles which underlie any element of the program (these acts being permitted if done in accordance with section 50BA (observing, studying and testing)). ]

[F85 (4B) To the extent that a term of a contract purports to prevent or restrict the doing of any act which, by virtue of this section, would not infringe copyright, that term is unenforceable. ]

(5) F86 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F77 S. 29(1) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 9(a) , (with regs 31-40) F78 Words in s. 29(1) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances

(Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 3(1)(a) F79 S. 29(1B)(1C) substituted (31.10.2003) for s. 29(1A) by The Copyright and Related Rights

Regulations 2003 (S.I. 2003/2498), reg. 9(b) (with regs. 31-40) F80 Words in s. 29(1C) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances

(Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 3(1)(b) F81 S. 29(2) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 3(1)(c) F82 S. 29(3)(a) substituted (1.6.2014) by The Copyright and Rights in Performances (Research, Education,

Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 3(1)(d) F83 S. 29(4) inserted (1.1.1993) by S.I. 1992/3233, reg. 7 F84 S. 29(4A) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 9(d) (with regs. 31-40) F85 S. 29(4B) inserted (1.6.2014) by The Copyright and Rights in Performances (Research, Education,

Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 3(1)(e) F86 S. 29(5) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), regs. 2(2), 9(e) , Sch. 2 (with regs. 31-40)

[F8729A Copies for text and data analysis for non-commercial research

(1) The making of a copy of a work by a person who has lawful access to the work does not infringe copyright in the work provided that—

(a) the copy is made in order that a person who has lawful access to the work may carry out a computational analysis of anything recorded in the work for the sole purpose of research for a non-commercial purpose, and

(b) the copy is accompanied by a sufficient acknowledgement (unless this would be impossible for reasons of practicality or otherwise).

(2) Where a copy of a work has been made under this section, copyright in the work is infringed if—

(a) the copy is transferred to any other person, except where the transfer is authorised by the copyright owner, or

(b) the copy is used for any purpose other than that mentioned in subsection (1) (a), except where the use is authorised by the copyright owner.

(3) If a copy made under this section is subsequently dealt with—

28 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(a) it is to be treated as an infringing copy for the purposes of that dealing, and (b) if that dealing infringes copyright, it is to be treated as an infringing copy for

all subsequent purposes.

(4) In subsection (3) “dealt with” means sold or let for hire, or offered or exposed for sale or hire.

(5) To the extent that a term of a contract purports to prevent or restrict the making of a copy which, by virtue of this section, would not infringe copyright, that term is unenforceable. ]

Amendments (Textual) F87 S. 29A inserted (1.6.2014) by The Copyright and Rights in Performances (Research, Education,

Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 3(2)

30 Criticism, review[F88, quotation] and news reporting.

(1) Fair dealing with a work for the purpose of criticism or review, of that or another work or of a performance of a work, does not infringe any copyright in the work provided that it is accompanied by a sufficient acknowledgement [F89 (unless this would be impossible for reasons of practicality or otherwise) ][F90 and provided that the work has been made available to the public ] .

[F91 (1ZA) Copyright in a work is not infringed by the use of a quotation from the work (whether for criticism or review or otherwise) provided that—

(a) the work has been made available to the public, (b) the use of the quotation is fair dealing with the work, (c) the extent of the quotation is no more than is required by the specific purpose

for which it is used, and (d) the quotation is accompanied by a sufficient acknowledgement (unless this

would be impossible for reasons of practicality or otherwise). ]

[F92 (1A) For the purposes of [F93 subsections (1) and (1ZA) ] a work has been made available to the public if it has been made available by any means, including—

(a) the issue of copies to the public; (b) making the work available by means of an electronic retrieval system; (c) the rental or lending of copies of the work to the public; (d) the performance, exhibition, playing or showing of the work in public; (e) the communication to the public of the work,

but in determining generally for the purposes of [F94 those subsections ] whether a work has been made available to the public no account shall be taken of any unauthorised act. ]

(2) Fair dealing with a work (other than a photograph) for the purpose of reporting current events does not infringe any copyright in the work provided that (subject to subsection (3)) it is accompanied by a sufficient acknowledgement.

(3) No acknowledgement is required in connection with the reporting of current events by means of a sound recording, film [F95 or broadcast where this would be impossible for reasons of practicality or otherwise ] .

[F96 (4) To the extent that a term of a contract purports to prevent or restrict the doing of any act which, by virtue of subsection (1ZA), would not infringe copyright, that term is unenforceable. ]

Amendments (Textual) F88 Word in s. 30 heading inserted (1.10.2014) by The Copyright and Rights in Performances (Quotation

and Parody) Regulations 2014 (S.I. 2014/2356), regs. 1, 3(2) F89 Words in s. 30(1) inserted (1.10.2014) by The Copyright and Rights in Performances (Quotation and

Parody) Regulations 2014 (S.I. 2014/2356), regs. 1, 3(3) F90 Words in s. 30(1) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 10(1)(a) (with regs. 31-40) F91 S. 30(1ZA) inserted (1.10.2014) by The Copyright and Rights in Performances (Quotation and Parody)

Regulations 2014 (S.I. 2014/2356), regs. 1, 3(4) F92 S. 30(1A) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 10(1)(b) (with regs. 31-40) F93 Words in s. 30(1A) substituted (1.10.2014) by The Copyright and Rights in Performances (Quotation

and Parody) Regulations 2014 (S.I. 2014/2356), regs. 1, 3(5)(a) F94 Words in s. 30(1A) substituted (1.10.2014) by The Copyright and Rights in Performances (Quotation

and Parody) Regulations 2014 (S.I. 2014/2356), regs. 1, 3(5)(b) F95 Words in s. 30(3) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 10(1)(c) (with regs. 31-40) F96 S. 30(4) inserted (1.10.2014) by The Copyright and Rights in Performances (Quotation and Parody)

Regulations 2014 (S.I. 2014/2356), regs. 1, 3(6)

[F9730A Caricature, parody or pastiche

(1) Fair dealing with a work for the purposes of caricature, parody or pastiche does not infringe copyright in the work.

(2) To the extent that a term of a contract purports to prevent or restrict the doing of any act which, by virtue of this section, would not infringe copyright, that term is unenforceable. ]

Amendments (Textual) F97 S. 30A inserted (1.10.2014) by The Copyright and Rights in Performances (Quotation and Parody)

Regulations 2014 (S.I. 2014/2356), regs. 1, 5(1)

31 Incidental inclusion of copyright material.

(1) Copyright in a work is not infringed by its incidental inclusion in an artistic work, sound recording, film [F98 or broadcast ] .

(2) Nor is the copyright infringed by the issue to the public of copies, or the playing, showing [F99 or communication to the public ] , of anything whose making was, by virtue of subsection (1), not an infringement of the copyright.

30 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(3) A musical work, words spoken or sung with music, or so much of a sound recording [F98 or broadcast ] as includes a musical work or such words, shall not be regarded as incidentally included in another work if it is deliberately included.

Amendments (Textual) F98 Words in s. 31(1)(3) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 3(1)(d)(e) (with regs. 31-40) F99 Words in s. 31(2) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(31.10.2003), reg. 2(1), {Sch. 1 para. 6(2)(b)} (with reg. 31-40)

[F100 Disability ]

Amendments (Textual) F100 S. 31A cross-heading substituted (1.6.2014) by The Copyright and Rights in Performances (Disability)

Regulations 2014 (S.I. 2014/1384), regs. 1(1), 2(2)

[F10131ADisabled persons: copies of works for personal use

(1) This section applies if— (a) a disabled person has lawful possession or lawful use of a copy of the whole

or part of a work, and (b) the person’s disability prevents the person from enjoying the work to the same

degree as a person who does not have that disability.

(2) The making of an accessible copy of the copy of the work referred to in subsection (1) (a) does not infringe copyright if—

(a) the copy is made by the disabled person or by a person acting on behalf of the disabled person,

(b) the copy is made for the disabled person’s personal use, and (c) the same kind of accessible copies of the work are not commercially available

on reasonable terms by or with the authority of the copyright owner.

(3) If a person makes an accessible copy under this section on behalf of a disabled person and charges the disabled person for it, the sum charged must not exceed the cost of making and supplying the copy.

(4) Copyright is infringed by the transfer of an accessible copy of a work made under this section to any person other than—

(a) a person by or for whom an accessible copy of the work may be made under this section, or

(b) a person who intends to transfer the copy to a person falling within paragraph (a),

except where the transfer is authorised by the copyright owner.

(5) An accessible copy of a work made under this section is to be treated for all purposes as an infringing copy if it is held by a person at a time when the person does not fall within subsection (4)(a) or (b).

(6) If an accessible copy made under this section is subsequently dealt with— (a) it is to be treated as an infringing copy for the purposes of that dealing, and (b) if that dealing infringes copyright, it is to be treated as an infringing copy for

(7) In this section “dealt with” means sold or let for hire or offered or exposed for sale or hire. ]

Amendments (Textual) F101 S. 31A substituted (1.6.2014) by The Copyright and Rights in Performances (Disability) Regulations

2014 (S.I. 2014/1384), regs. 1(1), 2(3)

[F10231BMaking and supply of accessible copies by authorised bodies

(1) If an authorised body has lawful possession of a copy of the whole or part of a published work, the body may, without infringing copyright, make and supply accessible copies of the work for the personal use of disabled persons.

(2) But subsection (1) does not apply if the same kind of accessible copies of the work are commercially available on reasonable terms by or with the authority of the copyright owner.

(3) If an authorised body has lawful access to or lawful possession of the whole or part of a broadcast or a copy of a broadcast, the body may, without infringing copyright—

(a) in the case of a broadcast, make a recording of the broadcast, and make and supply accessible copies of the recording or of any work included in the broadcast, and

(b) in the case of a copy of a broadcast, make and supply accessible copies of that copy or of any work included in the broadcast,

for the personal use of disabled persons.

(4) But subsection (3) does not apply if the same kind of accessible copies of the broadcast, or of any work included in it, are commercially available on reasonable terms by or with the authority of the copyright owner.

(5) For the purposes of subsections (1) and (3), supply “for the personal use of disabled persons” includes supply to a person acting on behalf of a disabled person.

(6) An authorised body which is an educational establishment conducted for profit must ensure that any accessible copies which it makes under this section are used only for its educational purposes.

(7) An accessible copy made under this section must be accompanied by— (a) a statement that it is made under this section, and (b) a sufficient acknowledgement (unless this would be impossible for reasons of

practicality or otherwise).

32 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(8) If an accessible copy is made under this section of a work which is in copy- protected electronic form, the accessible copy must, so far as is reasonably practicable, incorporate the same or equally effective copy protection (unless the copyright owner agrees otherwise).

(9) An authorised body which has made an accessible copy of a work under this section may supply it to another authorised body which is entitled to make accessible copies of the work under this section for the purposes of enabling that other body to make accessible copies of the work.

(10) If an authorised body supplies an accessible copy it has made under this section to a person or authorised body as permitted by this section and charges the person or body for it, the sum charged must not exceed the cost of making and supplying the copy.

(11) If an accessible copy made under this section is subsequently dealt with— (a) it is to be treated as an infringing copy for the purposes of that dealing, and (b) if that dealing infringes copyright, it is to be treated as an infringing copy for

(12) In this section “dealt with” means sold or let for hire or offered or exposed for sale or hire.

Amendments (Textual) F102 Ss. 31B, 31BA, 31BB substituted (1.6.2014) for s. 31B by The Copyright and Rights in Performances

(Disability) Regulations 2014 (S.I. 2014/1384), regs. 1(1), 2(4)

31BA Making and supply of intermediate copies by authorised bodies

(1) An authorised body which is entitled to make an accessible copy of a work under section 31B may, without infringing copyright, make a copy of the work (“an intermediate copy”) if this is necessary in order to make the accessible copy.

(2) An authorised body which has made an intermediate copy of a work under this section may supply it to another authorised body which is entitled to make accessible copies of the work under section 31B for the purposes of enabling that other body to make accessible copies of the work.

(3) Copyright is infringed by the transfer of an intermediate copy made under this section to a person other than another authorised body as permitted by subsection (2), except where the transfer is authorised by the copyright owner.

(4) If an authorised body supplies an intermediate copy to an authorised body under subsection (2) and charges the body for it, the sum charged must not exceed the cost of making and supplying the copy.

31BB Accessible and intermediate copies: records and notification

(1) An authorised body must keep a record of— (a) accessible copies it makes under section 31B, (b) intermediate copies it makes under section 31BA, and (c) the persons to whom such copies are supplied.

(2) An authorised body must allow the copyright owner or a person acting for the copyright owner, on giving reasonable notice, to inspect at any reasonable time—

(a) records kept under subsection (1), and (b) records of copies made under sections 31B and 31C as those sections were in

force before the coming into force of these Regulations.

(3) Within a reasonable time of making an accessible copy under section 31B, an authorised body must—

(a) notify any body which— (i) represents particular copyright owners or owners of copyright in the

type of work concerned, and (ii) has given notice to the Secretary of State of the copyright owners, or

the classes of copyright owner, represented by it, or (b) if there is no such body, notify the copyright owner (unless it is not reasonably

possible to ascertain the name and address of the copyright owner). ]

F10331C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F103 Ss. 31C-31E repealed (1.6.2014) by The Copyright and Rights in Performances (Disability)

Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 8 Table

31D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

31E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

34 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

[F10431FSections 31A to 31BB: interpretation and general

(1) This section supplements sections 31A to 31BB and includes definitions.

(2) “Disabled person” means a person who has a physical or mental impairment which prevents the person from enjoying a copyright work to the same degree as a person who does not have that impairment, and “disability” is to be construed accordingly.

(3) But a person is not to be regarded as disabled by reason only of an impairment of visual function which can be improved, by the use of corrective lenses, to a level that is normally acceptable for reading without a special level or kind of light.

(4) An “accessible copy” of a copyright work means a version of the work which enables the fuller enjoyment of the work by disabled persons.

(5) An accessible copy— (a) may include facilities for navigating around the version of the work, but (b) must not include any changes to the work which are not necessary to overcome

the problems suffered by the disabled persons for whom the accessible copy is intended.

(6) “Authorised body” means— (a) an educational establishment, or (b) a body that is not conducted for profit.

(7) The “supply” of a copy includes making it available for use, otherwise than for direct or indirect economic or commercial advantage, on terms that it will or may be returned.

(8) To the extent that a term of a contract purports to prevent or restrict the doing of any act which, by virtue of section 31A, 31B or 31BA, would not infringe copyright, that term is unenforceable. ]

Amendments (Textual) F104 S. 31F substituted (1.6.2014) by The Copyright and Rights in Performances (Disability) Regulations

2014 (S.I. 2014/1384), regs. 1(1), 2(5) (with Sch. para. 9)

[F10532 Illustration for instruction

(1) Fair dealing with a work for the sole purpose of illustration for instruction does not infringe copyright in the work provided that the dealing is—

(a) for a non-commercial purpose,

(b) by a person giving or receiving instruction (or preparing for giving or receiving instruction), and

(c) accompanied by a sufficient acknowledgement (unless this would be impossible for reasons of practicality or otherwise).

(2) For the purposes of subsection (1), “giving or receiving instruction” includes setting examination questions, communicating the questions to pupils and answering the questions.

(3) To the extent that a term of a contract purports to prevent or restrict the doing of any act which, by virtue of this section, would not infringe copyright, that term is unenforceable. ]

Amendments (Textual) F105 S. 32 substituted (1.6.2014) by The Copyright and Rights in Performances (Research, Education,

Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 4(1)

33 Anthologies for educational use.

(1) The inclusion of a short passage from a published literary or dramatic work in a collection which—

(a) is intended for use in educational establishments and is so described in its title, and in any advertisements issued by or on behalf of the publisher, and

(b) consists mainly of material in which no copyright subsists, does not infringe the copyright in the work if the work itself is not intended for use in such establishments and the inclusion is accompanied by a sufficient acknowledgement.

(2) Subsection (1) does not authorise the inclusion of more than two excerpts from copyright works by the same author in collections published by the same publisher over any period of five years.

(3) In relation to any given passage the reference in subsection (2) to excerpts from works by the same author—

(a) shall be taken to include excerpts from works by him in collaboration with another, and

(b) if the passage in question is from such a work, shall be taken to include excerpts from works by any of the authors, whether alone or in collaboration with another.

(4) References in this section to the use of a work in an educational establishment are to any use for the educational purposes of such an establishment.

34 Performing, playing or showing work in course of activities of educational establishment.

(1) The performance of a literary, dramatic or musical work before an audience consisting of teachers and pupils at an educational establishment and other persons directly connected with the activities of the establishment—

(a) by a teacher or pupil in the course of the activities of the establishment, or

36 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(b) at the establishment by any person for the purposes of instruction, is not a public performance for the purposes of infringement of copyright.

(2) The playing or showing of a sound recording, film [F106 or broadcast ] before such an audience at an educational establishment for the purposes of instruction is not a playing or showing of the work in public for the purposes of infringement of copyright.

(3) A person is not for this purpose directly connected with the activities of the educational establishment simply because he is the parent of a pupil at the establishment.

Amendments (Textual) F106 Words in s. 34(2) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 3(1)(f) (with regs. 31-40)

[F10735 Recording by educational establishments of broadcasts

(1) A recording of a broadcast, or a copy of such a recording, may be made by or on behalf of an educational establishment for the educational purposes of that establishment without infringing copyright in the broadcast, or in any work included in it, provided that—

(a) the educational purposes are non-commercial, and (b) the recording or copy is accompanied by a sufficient acknowledgement

(unless this would be impossible for reasons of practicality or otherwise).

(2) Copyright is not infringed where a recording of a broadcast or a copy of such a recording, made under subsection (1), is communicated by or on behalf of the educational establishment to its pupils or staff for the non-commercial educational purposes of that establishment.

(3) Subsection (2) only applies to a communication received outside the premises of the establishment if that communication is made by means of a secure electronic network accessible only by the establishment’s pupils and staff.

(4) Acts which would otherwise be permitted by this section are not permitted if, or to the extent that, licences are available authorising the acts in question and the educational establishment responsible for those acts knew or ought to have been aware of that fact.

(5) If a copy made under this section is subsequently dealt with— (a) it is to be treated as an infringing copy for the purposes of that dealing, and (b) if that dealing infringes copyright, it is to be treated as an infringing copy for

(6) In this section “dealt with” means— (a) sold or let for hire, (b) offered or exposed for sale or hire, or (c) communicated otherwise than as permitted by subsection (2). ]

Amendments (Textual) F107 S. 35 substituted (1.6.2014) by The Copyright and Rights in Performances (Research, Education,

Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 4(2)

[F10836 Copying and use of extracts of works by educational establishments

(1) The copying of extracts of a relevant work by or on behalf of an educational establishment does not infringe copyright in the work, provided that—

(a) the copy is made for the purposes of instruction for a non-commercial purpose, and

(2) Copyright is not infringed where a copy of an extract made under subsection (1) is communicated by or on behalf of the educational establishment to its pupils or staff for the purposes of instruction for a non-commercial purpose.

(4) In this section “relevant work” means a copyright work other than— (a) a broadcast, or (b) an artistic work which is not incorporated into another work.

(5) Not more than 5% of a work may be copied under this section by or on behalf of an educational establishment in any period of 12 months, and for these purposes a work which incorporates another work is to be treated as a single work.

(6) Acts which would otherwise be permitted by this section are not permitted if, or to the extent that, licences are available authorising the acts in question and the educational establishment responsible for those acts knew or ought to have been aware of that fact.

(7) The terms of a licence granted to an educational establishment authorising acts permitted by this section are of no effect so far as they purport to restrict the proportion of a work which may be copied (whether on payment or free of charge) to less than that which would be permitted by this section.

(8) If a copy made under this section is subsequently dealt with— (a) it is to be treated as an infringing copy for the purposes of that dealing, and (b) if that dealing infringes copyright, it is to be treated as an infringing copy for

(9) In this section “dealt with” means— (a) sold or let for hire, (b) offered or exposed for sale or hire, or (c) communicated otherwise than as permitted by subsection (2). ]

38 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Amendments (Textual) F108 S. 36 substituted (1.6.2014) by The Copyright and Rights in Performances (Research, Education,

Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 4(3)

[F10936A Lending of copies by educational establishments

Copyright in a work is not infringed by the lending of copies of the work by an educational establishment. ]

Amendments (Textual) F109 S. 36A inserted (1.12.1996) by S.I. 1996/2967, reg. 11(1) (with Pt. III)

Libraries and archives

F11037 Libraries and archives: introductory.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F110 Ss. 37-40 repealed (1.6.2014) by The Copyright and Rights in Performances (Research, Education,

Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 14 Table

38 Copying by librarians: articles in periodicals.

39 Copying by librarians: parts of published works.

40 Restriction on production of multiple copies of the same material.

[F11140A Lending of copies by libraries or archives.

[F112 (1) Copyright in a work of any description is not infringed by the following acts by a public library in relation to a book within the public lending right scheme—

(a) lending the book; (b) in relation to an audio-book or e-book, copying or issuing a copy of the book

as an act incidental to lending it.

(1A) In subsection (1)— (a) “ book ”, “ audio-book ” and “ e-book ” have the meanings given in section 5

of the Public Lending Right Act 1979, (b) “ the public lending right scheme ” means the scheme in force under section 1

of that Act, (c) a book is within the public lending right scheme if it is a book within the

meaning of the provisions of the scheme relating to eligibility, whether or not it is in fact eligible, and

(d) “ lending ” is to be read in accordance with the definition of “lent out” in section 5 of that Act (and section 18A of this Act does not apply). ]

( 2 ) Copyright in a work is not infringed by the lending of copies of the work by a F113 ...library or archive (other than a public library) which is not conducted for profit. ]

Amendments (Textual) F111 S. 40A inserted (1.12.1996) by S.I. 1996/2967, reg. 11(2) (with Pt. III) F112 S. 40A(1)(1A) substituted (30.6.2014) for s. 40A(1) by Digital Economy Act 2010 (c. 24), ss. 43(7) ,

47(3)(d); S.I. 2014/1659, art. 2 F113 Word in s. 40A(2) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances

(Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 3

Modifications etc. (not altering text) C30 S. 40A(2) modified (1.12.1996) by S.I. 1996/2967, reg. 35 (with Pt. III)

[F11440B Libraries and educational establishments etc : making works available through dedicated terminals

(1) Copyright in a work is not infringed by an institution specified in subsection (2) communicating the work to the public or making it available to the public by means of a dedicated terminal on its premises, if the conditions in subsection (3) are met.

40 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(2) The institutions are— (a) a library, (b) an archive, (c) a museum, and (d) an educational establishment.

(3) The conditions are that the work or a copy of the work— (a) has been lawfully acquired by the institution, (b) is communicated or made available to individual members of the public for

the purposes of research or private study, and (c) is communicated or made available in compliance with any purchase or

licensing terms to which the work is subject. ]

Amendments (Textual) F114 S. 40B inserted (1.6.2014) by The Copyright and Rights in Performances (Research, Education,

Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 5(1)

[F11541 Copying by librarians: supply of single copies to other libraries

(1) A librarian may, if the conditions in subsection (2) are met, make a single copy of the whole or part of a published work and supply it to another library, without infringing copyright in the work.

(2) The conditions are— (a) the copy is supplied in response to a request from a library which is not

conducted for profit, and (b) at the time of making the copy the librarian does not know, or could not

reasonably find out, the name and address of a person entitled to authorise the making of a copy of the work.

(3) The condition in subsection (2)(b) does not apply where the request is for a copy of an article in a periodical.

(4) Where a library makes a charge for supplying a copy under this section, the sum charged must be calculated by reference to the costs attributable to the production of the copy.

(5) To the extent that a term of a contract purports to prevent or restrict the doing of any act which, by virtue of this section, would not infringe copyright, that term is unenforceable.

Amendments (Textual) F115 Ss. 41-43A substituted (1.6.2014) for ss. 41-43 by The Copyright and Rights in Performances

(Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 5(2)

42 Copying by librarians etc : replacement copies of works

(1) A librarian, archivist or curator of a library, archive or museum may, without infringing copyright, make a copy of an item in that institution’s permanent collection—

(a) in order to preserve or replace that item in that collection, or (b) where an item in the permanent collection of another library, archive or

museum has been lost, destroyed or damaged, in order to replace the item in the collection of that other library, archive or museum,

provided that the conditions in subsections (2) and (3) are met.

(2) The first condition is that the item is— (a) included in the part of the collection kept wholly or mainly for the purposes

of reference on the institution’s premises, (b) included in a part of the collection not accessible to the public, or (c) available on loan only to other libraries, archives or museums.

(3) The second condition is that it is not reasonably practicable to purchase a copy of the item to achieve either of the purposes mentioned in subsection (1).

(4) The reference in subsection (1)(b) to a library, archive or museum is to a library, archive or museum which is not conducted for profit.

(5) Where an institution makes a charge for supplying a copy to another library, archive or museum under subsection (1)(b), the sum charged must be calculated by reference to the costs attributable to the production of the copy.

(6) In this section “item” means a work or a copy of a work.

(7) To the extent that a term of a contract purports to prevent or restrict the doing of any act which, by virtue of this section, would not infringe copyright, that term is unenforceable.

42A Copying by librarians: single copies of published works

(1) A librarian of a library which is not conducted for profit may, if the conditions in subsection (2) are met, make and supply a single copy of—

(a) one article in any one issue of a periodical, or (b) a reasonable proportion of any other published work,

without infringing copyright in the work.

(2) The conditions are— (a) the copy is supplied in response to a request from a person who has provided

the librarian with a declaration in writing which includes the information set out in subsection (3), and

(b) the librarian is not aware that the declaration is false in a material particular.

(3) The information which must be included in the declaration is—

42 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(a) the name of the person who requires the copy and the material which that person requires,

(b) a statement that the person has not previously been supplied with a copy of that material by any library,

(c) a statement that the person requires the copy for the purposes of research for a non-commercial purpose or private study, will use it only for those purposes and will not supply the copy to any other person, and

(d) a statement that to the best of the person’s knowledge, no other person with whom the person works or studies has made, or intends to make, at or about the same time as the person’s request, a request for substantially the same material for substantially the same purpose.

(5) Where a person (“P”) makes a declaration under this section that is false in a material particular and is supplied with a copy which would have been an infringing copy if made by P—

(a) P is liable for infringement of copyright as if P had made the copy, and (b) the copy supplied to P is to be treated as an infringing copy for all purposes.

(6) To the extent that a term of a contract purports to prevent or restrict the doing of any act which, by virtue of this section, would not infringe copyright, that term is unenforceable.

43 Copying by librarians or archivists: single copies of unpublished works

(1) A librarian or archivist may make and supply a single copy of the whole or part of a work without infringing copyright in the work, provided that—

(a) the copy is supplied in response to a request from a person who has provided the librarian or archivist with a declaration in writing which includes the information set out in subsection (2), and

(b) the librarian or archivist is not aware that the declaration is false in a material particular.

(2) The information which must be included in the declaration is— (a) the name of the person who requires the copy and the material which that

person requires, (b) a statement that the person has not previously been supplied with a copy of

that material by any library or archive, and (c) a statement that the person requires the copy for the purposes of research for

a non-commercial purpose or private study, will use it only for those purposes and will not supply the copy to any other person.

(3) But copyright is infringed if—

(a) the work had been published or communicated to the public before the date it was deposited in the library or archive, or

(b) the copyright owner has prohibited the copying of the work, and at the time of making the copy the librarian or archivist is, or ought to be, aware of that fact.

(4) Where a library or archive makes a charge for supplying a copy under this section, the sum charged must be calculated by reference to the costs attributable to the production of the copy.

43A Sections 40A to 43: interpretation

(1) The following definitions have effect for the purposes of sections 40A to 43.

(2) “Library” means— (a) a library which is publicly accessible, or (b) a library of an educational establishment.

(3) “Museum” includes a gallery.

(4) “Conducted for profit”, in relation to a library, archive or museum, means a body of that kind which is established or conducted for profit or which forms part of, or is administered by, a body established or conducted for profit.

(5) References to a librarian, archivist or curator include a person acting on behalf of a librarian, archivist or curator. ]

44 Copy of work required to be made as condition of export.

If an article of cultural or historical importance or interest cannot lawfully be exported from the United Kingdom unless a copy of it is made and deposited in an appropriate library or archive, it is not an infringement of copyright to make that copy.

44 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

[F11644A Legal deposit libraries

(1) Copyright is not infringed by the copying of a work from the internet by a deposit library or person acting on its behalf if—

(a) the work is of a description prescribed by regulations under section 10(5) of the 2003 Act,

(b) its publication on the internet, or a person publishing it there, is connected with the United Kingdom in a manner so prescribed, and

(c) the copying is done in accordance with any conditions so prescribed.

(2) Copyright is not infringed by the doing of anything in relation to relevant material permitted to be done under regulations under section 7 of the 2003 Act.

(3) The Secretary of State may by regulations make provision excluding, in relation to prescribed activities done in relation to relevant material, the application of such of the provisions of this Chapter as are prescribed.

(4) Regulations under subsection (3) may in particular make provision prescribing activities—

(a) done for a prescribed purpose, (b) done by prescribed descriptions of reader, (c) done in relation to prescribed descriptions of relevant material, (d) done other than in accordance with prescribed conditions.

(5) Regulations under this section may make different provision for different purposes.

(6) Regulations under this section shall be made by statutory instrument which shall be subject to annulment in pursuance of a resolution of either House of Parliament.

(7) In this section— (a) “ the 2003 Act ” means the Legal Deposit Libraries Act 2003; (b) “ deposit library ”, “ reader ” and “ relevant material ” have the same meaning

as in section 7 of the 2003 Act; (c) “ prescribed ” means prescribed by regulations made by the Secretary of State.

Amendments (Textual) F116 S. 44A inserted (1.2.2004) by Legal Deposit Libraries Act 2003 (c. 28), ss. 8(1) , 16(1) (with s. 16(4));

S.I. 2004/130, art. 2

[F117 Orphan works

Amendments (Textual) F117 S. 44B and cross-heading inserted (29.10.2014) by The Copyright and Rights in Performances (Certain

Permitted Uses of Orphan Works) Regulations 2014 (S.I. 2014/2861), regs. 1, 3(1)

44B Permitted uses of orphan works

(1) Copyright in an orphan work is not infringed by a relevant body in the circumstances set out in paragraph 1(1) of Schedule ZA1 (subject to paragraph 6 of that Schedule).

(2) “Orphan work” and “relevant body” have the meanings given by that Schedule. ]

Public administration

45 Parliamentary and judicial proceedings.

(1) Copyright is not infringed by anything done for the purposes of parliamentary or judicial proceedings.

(2) Copyright is not infringed by anything done for the purposes of reporting such proceedings; but this shall not be construed as authorising the copying of a work which is itself a published report of the proceedings.

46 Royal Commissions and statutory inquiries.

(1) Copyright is not infringed by anything done for the purposes of the proceedings of a Royal Commission or statutory inquiry.

(2) Copyright is not infringed by anything done for the purpose of reporting any such proceedings held in public; but this shall not be construed as authorising the copying of a work which is itself a published report of the proceedings.

(3) Copyright in a work is not infringed by the issue to the public of copies of the report of a Royal Commission or statutory inquiry containing the work or material from it.

(4) In this section— “Royal Commission” includes a Commission appointed for Northern

Ireland by the Secretary of State in pursuance of the prerogative powers of Her Majesty delegated to him under section 7(2) of the M2 Northern Ireland Constitution Act 1973; and

“statutory inquiry” means an inquiry held or investigation conducted in pursuance of a duty imposed or power conferred by or under an enactment.

Marginal Citations M2 1973 c. 36.

47 Material open to public inspection or on official register.

(1) Where material is open to public inspection pursuant to a statutory requirement, or is on a statutory register, any copyright in the material as a literary work is not infringed by the copying of so much of the material as contains factual information of any description, by or with the authority of the appropriate person, for a purpose which does not involve the issuing of copies to the public.

46 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

[F118 (2) Where material is open to public inspection pursuant to a statutory requirement, copyright in the material is not infringed by an act to which subsection (3A) applies provided that—

(a) the act is done by or with the authority of the appropriate person, (b) the purpose of the act is—

(i) to enable the material to be inspected at a more convenient time or place, or

(ii) to otherwise facilitate the exercise of any right for the purpose of which the statutory requirement is imposed, and

(c) in the case of the act specified in subsection (3A)(c), the material is not commercially available to the public by or with the authority of the copyright owner.

(3) Where material which contains information about matters of general scientific, technical, commercial or economic interest is on a statutory register or is open to public inspection pursuant to a statutory requirement, copyright in the material is not infringed by an act to which subsection (3A) applies provided that—

(a) the act is done by or with the authority of the appropriate person, (b) the purpose of the act is to disseminate that information, and (c) in the case of the act specified in subsection (3A)(c), the material is not

commercially available to the public by or with the authority of the copyright owner.

(3A) This subsection applies to any of the following acts— (a) copying the material, (b) issuing copies of the material to the public, and (c) making the material (or a copy of it) available to the public by electronic

transmission in such a way that members of the public may access it from a place and at a time individually chosen by them. ]

(4) The Secretary of State may by order provide that subsection (1), (2) or (3) shall, in such cases as may be specified in the order, apply only to copies marked in such manner as may be so specified.

(5) The Secretary of State may by order provide that subsections (1) to (3) apply, to such extent and with such modifications as may be specified in the order—

(a) to material made open to public inspection by— (i) an international organisation specified in the order, or

(ii) a person so specified who has functions in the United Kingdom under an international agreement to which the United Kingdom is party, or

(b) to a register maintained by an international organisation specified in the order, as they apply in relation to material open to public inspection pursuant to a statutory requirement or to a statutory register.

(6) In this section— “appropriate person” means the person required to make the material open

to public inspection or, as the case may be, the person maintaining the register; “statutory register” means a register maintained in pursuance of a statutory

requirement; and “statutory requirement” means a requirement imposed by provision made

by or under an enactment.

(7) An order under this section shall be made by statutory instrument which shall be subject to annulment in pursuance of a resolution of either House of Parliament.

Amendments (Textual) F118 S. 47(2)-(3A) substituted for s. 47(2)(3) (1.6.2014) by The Copyright (Public Administration)

Regulations 2014 (S.I. 2014/1385), regs. 1, 2(1)

Modifications etc. (not altering text) C31 S. 47(1) extended with modifications by S.I. 1989/1098, art. 2 C32 S. 47(6) modified (1.3.2010) by The Scottish Register of Tartans Act 2008 (Consequential

Modifications) Order 2010 (S.I. 2010/180), art. 2(2) (with art. 2(4)) C33 S. 47(6) modified (26.2.2015) by The Regulatory Reform (Scotland) Act 2014 (Consequential

Modifications) Order 2015 (S.I. 2015/374), arts. 1(1), 3(3) (with art. 3(4))

48 Material communicated to the Crown in the course of public business.

(1) This section applies where a literary, dramatic, musical or artistic work has in the course of public business been communicated to the Crown for any purpose, by or with the licence of the copyright owner and a document or other material thing recording or embodying the work is owned by or in the custody or control of the Crown.

[F119 (2) The Crown may, without infringing copyright in the work, do an act specified in subsection (3) provided that—

(a) the act is done for the purpose for which the work was communicated to the Crown, or any related purpose which could reasonably have been anticipated by the copyright owner, and

(b) the work has not been previously published otherwise than by virtue of this section. ]

[F119 (3) The acts referred to in subsection (2) are— (a) copying the work, (b) issuing copies of the work to the public, and (c) making the work (or a copy of it) available to the public by electronic

(4) In subsection (1) “public business” includes any activity carried on by the Crown.

(5) This section has effect subject to any agreement to the contrary between the Crown and the copyright owner.

[F120 (6) In this section “the Crown” includes a health service body, as defined in section 60(7) of the National Health Service and Community Care Act 1990, [F121 the National Health Service Commissioning Board, a clinical commissioning group established under section 14D of the National Health Service Act 2006, ]F122 ... , the Care Quality Commission [F123 , Health Education England ][F124 , the Health Research Authority ] and a National Health Service trust established under [F125 section 25 of the National Health Service Act 2006, section 18 of the National Health Service (Wales) Act 2006 ] or the National Health Service (Scotland) Act 1978 [F126 and an NHS foundation trust ][F127 and also includes a health and social services body, as defined in Article

48 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

7(6) of the Health and Personal Social Services (Northern Ireland) Order 1991, and a Health and Social Services trust established under that Order ] , and the reference in subsection (1) above to public business shall be construed accordingly. ]

Amendments (Textual) F119 S. 48(2)(3) substituted (1.6.2014) by The Copyright (Public Administration) Regulations 2014 (S.I.

2014/1385), regs. 1, 2(2) F120 S. 48(6) added by National Health Service and Community Care Act 1990 (c. 19, SIF 113:2), s. 60(2),

Sch. 8 para. 3 F121 Words in s. 48(6) inserted (1.10.2012) by Health and Social Care Act 2012 (c. 7), s. 306(4), Sch. 5

para. 44(a) ; S.I. 2012/1831, art. 2(2) F122 Words in s. 48(6) omitted (1.4.2013) by virtue of Health and Social Care Act 2012 (c. 7), s. 306(4),

Sch. 5 para. 44(b) ; S.I. 2013/160, art. 2(2) (with arts. 7-9) F123 Words in s. 48(6) inserted (1.4.2015) by Care Act 2014 (c. 23), s. 127(1), Sch. 5 para. 33 ; S.I.

2014/3186, art. 2(f) F124 Words in s. 48(6) inserted (1.1.2015) by Care Act 2014 (c. 23), s. 127(1), Sch. 7 para. 25 ; S.I.

2014/2473, art. 5(m) F125 Words in s. 48(6) substituted (1.3.2007) by National Health Service (Consequential Provisions) Act

2006 (c. 43), ss. 2, 8, Sch. 1 para. 112(b) (with s. 5, Sch. 3 Pt. 1) F126 Words in s. 48(6) inserted (1.4.2004) by Health and Social Care (Community Health and Standards)

Act 2003 (c. 43), ss. 34, 199(1), Sch. 4 para. 72 ; S.I. 2004/759, art. 2 F127 Words in s. 48(6) inserted (1.4.1992) by S.I. 1991/194, art. 7(2), Sch. 2 Pt. I para. 3 ; S.R. 1991/131,

art. 2(e), Sch. Pt. III

Modifications etc. (not altering text) C34 S. 48: functions made exercisable by Local Health Boards (E.W.) (1.10.2009) by The Local Health

Boards (Directed Functions) (Wales) Regulations 2009 (S.I. 2009/1511), reg. 4, Sch. (subject to reg. 5) C35 S. 48(6) modified (temp. from 1.10.2008) by The Health and Social Care Act 2008 (Consequential

Amendments and Transitory Provisions) Order 2008 (S.I. 2008/2250), art. 3(3)

49 Public records.

Material which is comprised in public records within the meaning of the M3 Public Records Act 1958, the M4 Public Records (Scotland) Act 1937 or the M5 Public Records Act (Northern Ireland) 1923 [F128 , or in Welsh public records (as defined in the [F129 the Government of Wales Act 2006 ] ), ] which are open to public inspection in pursuance of that Act, may be copied, and a copy may be supplied to any person, by or with the authority of any officer appointed under that Act, without infringement of copyright.

Amendments (Textual) F128 Words in s. 49 inserted (1.4.1999) by 1998 c. 38, s. 125, Sch. 12 para. 27 (with ss. 139(2), 143(2));

S.I. 1999/782, art. 2 F129 Words in s. 49 substituted by Government of Wales Act 2006 (c. 32), s. 160(1), Sch. 10 para. 24

(with Sch. 11 para. 22), the amending provision coming into force immediately after "the 2007 election" (held on 3.5.2007) subject to s. 161(4)(5) of the amending Act, which provides for certain provisions to come into force for specified purposes immediately after the end of "the initial

period" (which ended with the day of the first appointment of a First Minister on 25.5.2007) - see ss. 46, 161(1)(4)(5) of the amending Act.

Marginal Citations M3 1958 c. 51. M4 1937 c. 43. M5 1923 c. 20 (N.I.).

50 Acts done under statutory authority.

(1) Where the doing of a particular act is specifically authorised by an Act of Parliament, whenever passed, then, unless the Act provides otherwise, the doing of that act does not infringe copyright.

(2) Subsection (1) applies in relation to an enactment contained in Northern Ireland legislation as it applies in relation to an Act of Parliament.

(3) Nothing in this section shall be construed as excluding any defence of statutory authority otherwise available under or by virtue of any enactment.

Modifications etc. (not altering text) C36 S. 50 applied by Freedom of Information Act 2000 (c. 36), s. 80(3) (as added (1.1.2005) by The

Freedom of Information (Scotland) Act 2002 (Consequential Modifications) Order 2004 (S.I. 2004/3089), art. 3(2) )

C37 S. 50(1) modified (1.3.2010) by The Scottish Register of Tartans Act 2008 (Consequential Modifications) Order 2010 (S.I. 2010/180), art. 2(3) (with art. 2(4))

C38 S. 50(1) modified (26.2.2015) by The Regulatory Reform (Scotland) Act 2014 (Consequential Modifications) Order 2015 (S.I. 2015/374), arts. 1(1), 3(3) (with art. 3(4))

[F130 Computer programs: lawful users

Amendments (Textual) F130 Cross-heading and ss. 50A-50C inserted (1.1.1993) by S.I. 1992/3233, reg.8 .

F131 50A Back up copies.

(1) It is not an infringement of copyright for a lawful user of a copy of a computer program to make any back up copy of it which it is necessary for him to have for the purposes of his lawful use.

(2) For the purposes of this section and sections 50B [F132 , 50BA ] and 50C a person is a lawful user of a computer program if (whether under a licence to do any acts restricted by the copyright in the program or otherwise), he has a right to use the program.

(3) Where an act is permitted under this section, it is irrelevant whether or not there exists any term or condition in an agreement which purports to prohibit or restrict the act (such terms being, by virtue of section 296A, void).

50 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Amendments (Textual) F131 Ss. 50A-50C inserted (1.1.1993) by S.I. 1992/3233, reg.8 . F132 S. 50A(2): ", 50BA" inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 15(2) (with regs. 31-40)

F133 50B Decompilation.

(1) It is not an infringement of copyright for a lawful user of a copy of a computer program expressed in a low level language—

(a) to convert it into a version expressed in a higher level language, or (b) incidentally in the course of so converting the program, to copy it,

(that is, to “decompile” it), provided that the conditions in subsection (2) are met.

(2) The conditions are that— (a) it is necessary to decompile the program to obtain the information necessary

to create an independent program which can be operated with the program decompiled or with another program (“the permitted objective”); and

(b) the information so obtained is not used for any purpose other than the permitted objective.

(3) In particular, the conditions in subsection (2) are not met if the lawful user— (a) has readily available to him the information necessary to achieve the permitted

objective; (b) does not confine the decompiling to such acts as are necessary to achieve the

permitted objective; (c) supplies the information obtained by the decompiling to any person to whom

it is not necessary to supply it in order to achieve the permitted objective; or (d) uses the information to create a program which is substantially similar in its

expression to the program decompiled or to do any act restricted by copyright.

(4) Where an act is permitted under this section, it is irrelevant whether or not there exists any term or condition in an agreement which purports to prohibit or restrict the act (such terms being, by virtue of section 296A, void).

Amendments (Textual) F133 Ss. 50A-50C inserted (1.1.1993) by S.I. 1992/3233, reg.8 .

50BA Observing, studying and testing of computer programs

(1) It is not an infringement of copyright for a lawful user of a copy of a computer program to observe, study or test the functioning of the program in order to determine the ideas and principles which underlie any element of the program if he does so while performing any of the acts of loading, displaying, running, transmitting or storing the program which he is entitled to do.

(2) Where an act is permitted under this section, it is irrelevant whether or not there exists any term or condition in an agreement which purports to prohibit or restrict the act (such terms being, by virtue of section 296A, void). ]

Amendments (Textual) F134 S. 50BA inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 15(1) (with regs. 31-40)

F135 50C Other acts permitted to lawful users.

(1) It is not an infringement of copyright for a lawful user of a copy of a computer program to copy or adapt it, provided that the copying or adapting—

(a) is necessary for his lawful use; and (b) is not prohibited under any term or condition of an agreement regulating the

circumstances in which his use is lawful.

(2) It may, in particular, be necessary for the lawful use of a computer program to copy it or adapt it for the purpose of correcting errors in it.

(3) This section does not apply to any copying or adapting permitted under [F136 section 50A, 50B or 50BA ] . ]

Amendments (Textual) F135 Ss. 50A-50C inserted (1.1.1993) by S.I. 1992/3233, reg.8 . F136 Words in s. 50C(3) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 15(3) (with regs. 31-40)

[F137 Databases: permitted acts ]

Amendments (Textual) F137 S. 50D and crossheading inserted (1.1.1998) by S.I. 1997/3032, reg. 9 (with Pt. IV)

50D [F138 Acts permitted in relation to databases.]

(1) It is not an infringement of copyright in a database for a person who has a right to use the database or any part of the database, (whether under a licence to do any of the acts restricted by the copyright in the database or otherwise) to do, in the exercise of that right, anything which is necessary for the purposes of access to and use of the contents of the database or of that part of the database.

(2) Where an act which would otherwise infringe copyright in a database is permitted under this section, it is irrelevant whether or not there exists any term or condition

52 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

in any agreement which purports to prohibit or restrict the act (such terms being, by virtue of section 296B, void).

Amendments (Textual) F138 S. 50D inserted (1.1.1998) by S.I. 1997/3032, reg. 9 (with Pt. IV)

51 Design documents and models.

(1) It is not an infringement of any copyright in a design document or model recording or embodying a design for anything other than an artistic work or a typeface to make an article to the design or to copy an article made to the design.

(2) Nor is it an infringement of the copyright to issue to the public, or include in a film [F139 or communicate to the public ] , anything the making of which was, by virtue of subsection (1), not an infringement of that copyright.

(3) In this section— “design” means the design of F140 ...the shape or configuration (whether

internal or external) of the whole or part of an article, other than surface decoration; and

“design document” means any record of a design, whether in the form of a drawing, a written description, a photograph, data stored in a computer or otherwise.

Amendments (Textual) F139 Words in s. 51(2) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 8(3) (with regs. 31-40) F140 Words in s. 51(3) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 1(2) ,

24(1); S.I. 2014/2330, art. 3, Sch.

F14152 Effect of exploitation of design derived from artistic work.

Amendments (Textual) F141 S. 52 omitted (28.7.2016) by virtue of Enterprise and Regulatory Reform Act 2013 (c. 24), ss. 74(2) ,

103(3); S.I. 2016/593, arts. 2(1), 3 (with arts. 4, 5)

53 Things done in reliance on registration of design.

(1) The copyright in an artistic work is not infringed by anything done—

(a) in pursuance of an assignment or licence made or granted by a person registered [F142 —

(i) ] under the M6 Registered Designs Act 1949 as the proprietor of a corresponding design, and [F143 , or

(ii) under the Community Design Regulation as the right holder of a corresponding registered Community design ]

(b) in good faith in reliance on the registration and without notice of any proceedings for the cancellation [F144 or invalidation ] of the registration or [F145 , in a case of registration under the 1949 Act, ] for rectifying the relevant entry in the register of designs;

and this is so notwithstanding that the person registered as the proprietor was not the proprietor of the design for the purposes of the 1949 Act [F146 or, in a case of registration under the Community Design Regulation, that the person registered as the right holder was not the right holder of the design for the purposes of the Regulation ] .

(2) In subsection (1) a “corresponding design”, in relation to an artistic work, means a design within the meaning of the 1949 Act which if applied to an article would produce something which would be treated for the purposes of this Part as a copy of the artistic work.

[F147 (3) In subsection (1), a “ corresponding registered Community design ”, in relation to an artistic work, means a design within the meaning of the Community Design Regulation which if applied to an article would produce something which would be treated for the purposes of this Part as a copy of the artistic work. ]

[F148 (4) In this section, “ the Community Design Regulation ” means Council Regulation ( EC ) No 6/2002 of 12 December 2001 on Community designs. ]

Amendments (Textual) F142 Word in s. 53(1)(a) inserted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 5(2)(a) , 24(1);

S.I. 2014/2330, art. 3, Sch. F143 Words in s. 53(1)(a) inserted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 5(2)(b) , 24(1);

S.I. 2014/2330, art. 3, Sch. F144 Words in s. 53(1)(b) inserted (9.12.2001) by S.I. 2001/3949, reg. 9(1), Sch. 1 para. 16 (with

transitional provisions in regs. 10-14) F145 Words in s. 53(1)(b) inserted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 5(3) , 24(1); S.I.

2014/2330, art. 3, Sch. F146 Words in s. 53(1) inserted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 5(4) , 24(1); S.I.

2014/2330, art. 3, Sch. F147 S. 53(3) inserted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 5(5) , 24(1); S.I. 2014/2330,

art. 3, Sch. F148 S. 53(4) inserted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 5(6) , 24(1); S.I. 2014/2330,

art. 3, Sch.

Marginal Citations M6 1949 c. 88.

54 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

54 Use of typeface in ordinary course of printing.

(1) It is not an infringement of copyright in an artistic work consisting of the design of a typeface—

(a) to use the typeface in the ordinary course of typing, composing text, typesetting or printing,

(b) to possess an article for the purpose of such use, or (c) to do anything in relation to material produced by such use;

and this is so notwithstanding that an article is used which is an infringing copy of the work.

(2) However, the following provisions of this Part apply in relation to persons making, importing or dealing with articles specifically designed or adapted for producing material in a particular typeface, or possessing such articles for the purpose of dealing with them, as if the production of material as mentioned in subsection (1) did infringe copyright in the artistic work consisting of the design of the typeface—

section 24 (secondary infringement: making, importing, possessing or dealing with article for making infringing copy), sections 99 and 100 (order for delivery up and right of seizure), section 107(2) (offence of making or possessing such an article), and section 108 (order for delivery up in criminal proceedings).

(3) The references in subsection (2) to “dealing with” an article are to selling, letting for hire, or offering or exposing for sale or hire, exhibiting in public, or distributing.

55 Articles for producing material in particular typeface.

(1) This section applies to the copyright in an artistic work consisting of the design of a typeface where articles specifically designed or adapted for producing material in that typeface have been marketed by or with the licence of the copyright owner.

(2) After the period of 25 years from the end of the calendar year in which the first such articles are marketed, the work may be copied by making further such articles, or doing anything for the purpose of making such articles, and anything may be done in relation to articles so made, without infringing copyright in the work.

(3) In subsection (1) “marketed” means sold, let for hire or offered or exposed for sale or hire, in the United Kingdom or elsewhere.

Works in electronic form

56 Transfers of copies of works in electronic form.

(1) This section applies where a copy of a work in electronic form has been purchased on terms which, expressly or impliedly or by virtue of any rule of law, allow the purchaser to copy the work, or to adapt it or make copies of an adaptation, in connection with his use of it.

(2) If there are no express terms—

(a) prohibiting the transfer of the copy by the purchaser, imposing obligations which continue after a transfer, prohibiting the assignment of any licence or terminating any licence on a transfer, or

(b) providing for the terms on which a transferee may do the things which the purchaser was permitted to do,

anything which the purchaser was allowed to do may also be done without infringement of copyright by a transferee; but any copy, adaptation or copy of an adaptation made by the purchaser which is not also transferred shall be treated as an infringing copy for all purposes after the transfer.

(3) The same applies where the original purchased copy is no longer usable and what is transferred is a further copy used in its place.

(4) The above provisions also apply on a subsequent transfer, with the substitution for references in subsection (2) to the purchaser of references to the subsequent transferor.

Miscellaneous: literary, dramatic, musical and artistic works

57 Anonymous or pseudonymous works: acts permitted on assumptions as to expiry of copyright or death of author.

(1) Copyright in a literary, dramatic, musical or artistic work is not infringed by an act done at a time when, or in pursuance of arrangements made at a time when—

(a) it is not possible by reasonable inquiry to ascertain the identity of the author, and

(b) it is reasonable to assume— (i) that copyright has expired, or

(ii) that the author died [F149 70 years ] or more before the beginning of the calendar year in which the act is done or the arrangements are made.

(2) Subsection (1)(b)(ii) does not apply in relation to— (a) a work in which Crown copyright subsists, or (b) a work in which copyright originally vested in an international organisation

by virtue of section 168 and in respect of which an Order under that section specifies a copyright period longer than [F149 70 years ] .

(3) In relation to a work of joint authorship— (a) the reference in subsection (1) to its being possible to ascertain the identity of

the author shall be construed as a reference to its being possible to ascertain the identity of any of the authors, and

(b) the reference in subsection (1)(b)(ii) to the author having died shall be construed as a reference to all the authors having died.

Amendments (Textual) F149 Words in s. 57(1)(b)(ii)(2)(b) substituted (with saving) (1.1.1996) by S.I. 1995/3297, regs. 5(2) , 15(2)

(with Pt. III)

56 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

58 Use of notes or recordings of spoken words in certain cases.

(1) Where a record of spoken words is made, in writing or otherwise, for the purpose— (a) of reporting current events, or (b) of [F150 communicating to the public ] the whole or part of the work,

it is not an infringement of any copyright in the words as a literary work to use the record or material taken from it (or to copy the record, or any such material, and use the copy) for that purpose, provided the following conditions are met.

(2) The conditions are that— (a) the record is a direct record of the spoken words and is not taken from a

previous record or from a broadcast F151 . . . ; (b) the making of the record was not prohibited by the speaker and, where

copyright already subsisted in the work, did not infringe copyright; (c) the use made of the record or material taken from it is not of a kind prohibited

by or on behalf of the speaker or copyright owner before the record was made; and

(d) the use is by or with the authority of a person who is lawfully in possession of the record.

Amendments (Textual) F150 Words in s. 58(1) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 12(a) (with regs. 31-40) F151 Words in s. 58(2)(b) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40)

59 Public reading or recitation.

(1) The reading or recitation in public by one person of a reasonable extract from a published literary or dramatic work does not infringe any copyright in the work if it is accompanied by a sufficient acknowledgement.

(2) Copyright in a work is not infringed by the making of a sound recording, or the [F152 communication to the public ] , of a reading or recitation which by virtue of subsection (1) does not infringe copyright in the work, provided that the recording [F153 or communication to the public ] consists mainly of material in relation to which it is not necessary to rely on that subsection.

Amendments (Textual) F152 Words in s. 59(2) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 5(b) (with regs. 31-40) F153 Words in s. 59(2) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 9(1)(a) (with regs. 31-40)

60 Abstracts of scientific or technical articles.

(1) Where an article on a scientific or technical subject is published in a periodical accompanied by an abstract indicating the contents of the article, it is not an infringement of copyright in the abstract, or in the article, to copy the abstract or issue copies of it to the public.

(2) This section does not apply if or to the extent that there is a licensing scheme certified for the purposes of this section under section 143 providing for the grant of licences.

61 Recordings of folksongs.

(1) A sound recording of a performance of a song may be made for the purpose of including it in an archive maintained by a [F154 body not established or conducted for profit ] without infringing any copyright in the words as a literary work or in the accompanying musical work, provided the conditions in subsection (2) below are met.

(2) The conditions are that— (a) the words are unpublished and of unknown authorship at the time the

recording is made, (b) the making of the recording does not infringe any other copyright, and (c) its making is not prohibited by any performer.

[F155 (3) A single copy of a sound recording made in reliance on subsection (1) and included in an archive referred to in that subsection may be made and supplied by the archivist without infringing copyright in the recording or the works included in it, provided that—

(a) the copy is supplied in response to a request from a person who has provided the archivist with a declaration in writing which includes the information set out in subsection (4), and

(b) the archivist is not aware that the declaration is false in a material particular.

(4) The information which must be included in the declaration is— (a) the name of the person who requires the copy and the sound recording which

is the subject of the request, (b) a statement that the person has not previously been supplied with a copy of

that sound recording by any archivist, and (c) a statement that the person requires the copy for the purposes of research for

(5) Where an archive makes a charge for supplying a copy under this section, the sum charged must be calculated by reference to the costs attributable to the production of the copy.

(6) Where a person (“P”) makes a declaration under this section that is false in a material particular and is supplied with a copy which would have been an infringing copy if made by P—

(7) In this section references to an archivist include a person acting on behalf of an archivist. ]

58 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Amendments (Textual) F154 Words in s. 61(1) substituted (1.6.2014) by The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 7(1) F155 S. 61(3)-(7) substituted (1.6.2014) for s. 61(3)-(6) by The Copyright and Rights in Performances

(Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 7(2)

62 Representation of certain artistic works on public display.

(1) This section applies to— (a) buildings, and (b) sculptures, models for buildings and works of artistic craftsmanship, if

permanently situated in a public place or in premises open to the public.

(2) The copyright in such a work is not infringed by— (a) making a graphic work representing it, (b) making a photograph or film of it, or (c) [F156 making a broadcast of ] a visual image of it.

(3) Nor is the copyright infringed by the issue to the public of copies, or the [F157 communication to the public ] , of anything whose making was, by virtue of this section, not an infringement of the copyright.

Amendments (Textual) F156 Words in s. 62(2)(c) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 14 (with regs. 31-40) F157 Words in s. 62(3)(c) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 5(c) (with regs. 31-40)

63 Advertisement of sale of artistic work.

(1) It is not an infringement of copyright in an artistic work to copy it, or to issue copies to the public, for the purpose of advertising the sale of the work.

(2) Where a copy which would otherwise be an infringing copy is made in accordance with this section but is subsequently dealt with for any other purpose, it shall be treated as an infringing copy for the purposes of that dealing, and if that dealing infringes copyright for all subsequent purposes.

For this purpose “dealt with” means sold or let for hire, offered or exposed for sale or hire, exhibited in public [F158 , distributed or communicated to the public ] .

Amendments (Textual) F158 Words in s. 63(2) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 17 (with regs. 31-40)

64 Making of subsequent works by same artist.

Where the author of an artistic work is not the copyright owner, he does not infringe the copyright by copying the work in making another artistic work, provided he does not repeat or imitate the main design of the earlier work.

65 Reconstruction of buildings.

Anything done for the purposes of reconstructing a building does not infringe any copyright—

(a) in the building, or (b) in any drawings or plans in accordance with which the building was, by or

with the licence of the copyright owner, constructed.

F159[ Miscellaneous: lending of works and playing of sound recordings ]

Amendments (Textual) F159 S. 66 and crossheading substituted (1.12.1996) by S.I. 1996/2967, reg. 11(3) (with Pt. III)

66 [F160 Lending to public of copies of certain works.]

(1) The Secretary of State may by order provide that in such cases as may be specified in the order the lending to the public of copies of literary, dramatic, musical or artistic works, sound recordings or films shall be treated as licensed by the copyright owner subject only to the payment of such reasonable royalty or other payment as may be agreed or determined in default of agreement by the Copyright Tribunal.

(2) No such order shall apply if, or to the extent that, there is a licensing scheme certified for the purposes of this section under section 143 providing for the grant of licences.

(3) An order may make different provision for different cases and may specify cases by reference to any factor relating to the work, the copies lent, the lender or the circumstances of the lending.

(4) An order shall be made by statutory instrument; and no order shall be made unless a draft of it has been laid before and approved by a resolution of each House of Parliament.

(5) Nothing in this section affects any liability under section 23 (secondary infringement: possessing or dealing with infringing copy) in respect of the lending of infringing copies.

Amendments (Textual) F160 S. 66 substituted (1.12.1996) by S.I. 1996/2967, reg. 11(3) (with Pt. III)

60 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

[F161 MISCellaneous: films and sound recordings ]

Amendments (Textual) F161 S. 66A and crossheading inserted (1.1.1996) by S.I. 1995/3297, reg. 6(2) (with Pt. III)

66A [F162 Films: acts permitted on assumptions as to expiry of copyright, &c.]

(1) Copyright in a film is not infringed by an act done at a time when, or in pursuance of arrangements made at a time when—

(a) it is not possible by reasonable inquiry to ascertain the identity of any of the persons referred to in section 13B(2)(a) to (d) (persons by reference to whose life the copyright period is ascertained), and

(ii) that the last to die of those persons died 70 years or more before the beginning of the calendar year in which the act is done or the arrangements are made.

(2) Subsection (1)(b)(ii) does not apply in relation to— (a) a film in which Crown copyright subsists, or (b) a film in which copyright originally vested in an international organisation

by virtue of section 168 and in respect of which an Order under that section specifies a copyright period longer than 70 years.

Amendments (Textual) F162 S. 66A inserted (1.1.1996) by S.I. 1995/3297, reg. 6(2) (with Pt. III)

67 Playing of sound recordings for purposes of club, society, &c. F163 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F163 S. 67 omitted (1.1.2011) by virtue of The Copyright, Designs and Patents Act 1988 (Amendment)

Regulations 2010 (S.I. 2010/2694), art. 3(1)

Miscellaneous: broadcasts F164 . . .

Amendments (Textual) F164 Words in heading before s. 68 repealed (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 32, 33)

68 Incidental recording for purposes of broadcast F165. . . .

(1) This section applies where by virtue of a licence or assignment of copyright a person is authorised to broadcast F166 . . . —

(a) a literary, dramatic or musical work, or an adaptation of such a work, (b) an artistic work, or (c) a sound recording or film.

(2) He shall by virtue of this section be treated as licensed by the owner of the copyright in the work to do or authorise any of the following for the purposes of the broadcast . . . —

(a) in the case of a literary, dramatic or musical work, or an adaptation of such a work, to make a sound recording or film of the work or adaptation;

(b) in the case of an artistic work, to take a photograph or make a film of the work; (c) in the case of a sound recording or film, to make a copy of it.

(3) That licence is subject to the condition that the recording, film, photograph or copy in question—

(a) shall not be used for any other purpose, and (b) shall be destroyed within 28 days of being first used for broadcasting the

work . . . .

(4) A recording, film, photograph or copy made in accordance with this section shall be treated as an infringing copy—

(a) for the purposes of any use in breach of the condition mentioned in subsection (3)(a), and

(b) for all purposes after that condition or the condition mentioned in subsection (3)(b) is broken.

Amendments (Textual) F165 Words in s. 68 heading repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F166 Words in s. 68(1)(2)(3)(b) repealed (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40)

69 Recording for purposes of supervision and control of broadcasts and [F167other services].

(1) Copyright is not infringed by the making or use by the British Broadcasting Corporation, for the purpose of maintaining supervision and control over programmes broadcast by them [F168 or included in any on-demand programme service provided by them ] , of recordings of those programmes.

F169[F170 ( 2 ) Copyright is not infringed by anything done in pursuance of— [F171 (a) section 167(1) of the Broadcasting Act 1990, section 115(4) or (6) or

117 of the Broadcasting Act 1996 or paragraph 20 of Schedule 12 to the Communications Act 2003; ]

(b) a condition which, [F172 by virtue of section 334(1) of the Communications Act 2003 ] , is included in a licence granted under Part I or III of that Act or Part I or II of the Broadcasting Act 1996; F173 . . .

62 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(c) a direction given under section 109(2) of the Broadcasting Act 1990 (power of [F174 OFCOM ] to require production of recordings etc ).

[F175 (d) section 334(3) [F176 , 368O(1) or (3) ] of the Communications Act 2003. ]

[F170 (3) Copyright is not infringed by the use by OFCOM in connection with the performance of any of their functions under the Broadcasting Act 1990, the Broadcasting Act 1996 or the Communications Act 2003 of—

(a) any recording, script or transcript which is provided to them under or by virtue of any provision of those Acts; or

(b) any existing material which is transferred to them by a scheme made under section 30 of the Communications Act 2003. ]]

(4) In subsection (3), “existing material” means— (a) any recording, script or transcript which was provided to the Independent

Television Commission or the Radio Authority under or by virtue of any provision of the Broadcasting Act 1990 or the Broadcasting Act 1996; and

(b) any recording or transcript which was provided to the Broadcasting Standards Commission under section 115(4) or (6) or 116(5) of the Broadcasting Act 1996.

[F177 (5) Copyright is not infringed by the use by an appropriate regulatory authority designated under section 368B of the Communications Act 2003, in connection with the performance of any of their functions under that Act, of any recording, script or transcript which is provided to them under or by virtue of any provision of that Act.

(6) In this section “ on-demand programme service ” has the same meaning as in the Communications Act 2003 (see section 368A of that Act). ]

Amendments (Textual) F167 Words in s. 69 heading substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 2(1) (with regs. 31-40) F168 Words in s. 69(1) inserted (19.12.2009) by The Audiovisual Media Services Regulations 2009 (S.I.

2009/2979), reg. 12(2)(a) F169 S. 69(2)(3) substituted (1.10.1996 for specified purposes and otherwise 1.4.1997) by 1996 c. 55, s.

148(1), Sch. 10 Pt. III para. 31 (with s. 43(6)); S.I. 1996/2120, art. 4, Sch. 1 ; S.I. 1997/1005, art. 4 F170 S. 69(3)(4) substituted (29.12.2003) for s. 69(3) by Communications Act 2003 (c. 21), ss. 406, 411,

Sch. 17 para. 91(3) (with Sch. 18); S.I. 2003/3142, art. 3 , Sch. 1 (with art. 11) F171 S. 69(2)(a) substituted (29.12.2003) by Communications Act 2003 (c. 21), ss. 406, 411, Sch. 17 para.

91(2)(a) (with Sch. 18); S.I. 2003/3142, art. 3 , Sch. 1 (with art. 11) F172 Words in s. 69(2)(b) substituted (29.12.2003) by Communications Act 2003 (c. 21), ss. 406, 411, Sch.

17 para. 91(2)(b) (with Sch. 18); S.I. 2003/3142, art. 3 , Sch. 1 (with art. 11) F173 Word in s. 69(2)(b) repealed (29.12.2003) by Communications Act 2003 (c. 21), ss. 406, 411, Sch.

19(1) (with Sch. 18, Sch. 19(1) Note 1); S.I. 2003/3142, art. 3 , Sch. 1 (with art. 11) F174 Words in s. 69(2)(c) substituted (29.12.2003) by Communications Act 2003 (c. 21), ss. 406, 411, Sch.

17 para. 91(2)(c) (with Sch. 18); S.I. 2003/3142, art. 3 , Sch. 1 (with art. 11) F175 S. 69(2)(d) inserted (29.12.2003) by Communications Act 2003 (c. 21), ss. 406, 411, Sch. 17 para.

91(2)(d) (with Sch. 18); S.I. 2003/3142, art. 3 , Sch. 1 (with art. 11) F176 Words in s. 69(2)(d) inserted (19.12.2009) by The Audiovisual Media Services Regulations 2009 (S.I.

2009/2979), reg. 12(2)(b) F177 S. 69(5)(6) inserted (19.12.2009) by The Audiovisual Media Services Regulations 2009 (S.I.

2009/2979), reg. 12(2)(c)

Modifications etc. (not altering text) C39 S. 69 modified (20.7.2004) The Contracting Out (Functions relating to Broadcast Advertising) and

Specification of Relevant Functions Order 2004 (S.I. 2004/1975), art. 9(1)(2) (with reg. 5)

70 Recording for purposes of time-shifting.

[F178 (1) ] The making [F179 in domestic premises ] for private and domestic use of a recording of a broadcast F180 . . . solely for the purpose of enabling it to be viewed or listened to at a more convenient time does not infringe any copyright in the broadcast . . . or in any work included in it.

[F181 (2) Where a copy which would otherwise be an infringing copy is made in accordance with this section but is subsequently dealt with—

(a) it shall be treated as an infringing copy for the purposes of that dealing; and (b) if that dealing infringes copyright, it shall be treated as an infringing copy for

(3) In subsection (2), “ dealt with ” means sold or let for hire, offered or exposed for sale or hire or communicated to the public. ]

Amendments (Textual) F178 S. 70 renumbered (31.10.2003) as s. 70(1) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 19(1) (with regs. 31-40) F179 Words in s. 70(1) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 19(2) (with regs. 31-40) F180 Words in s. 70(1) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F181 S. 70(2)(3) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 19(2) (with regs. 31-40)

[F18271 Photographs of broadcasts

(1) The making in domestic premises for private and domestic use of a photograph of the whole or any part of an image forming part of a broadcast, or a copy of such a photograph, does not infringe any copyright in the broadcast or in any film included in it.

(2) Where a copy which would otherwise be an infringing copy is made in accordance with this section but is subsequently dealt with—

64 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Amendments (Textual) F182 S. 71 substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 20(1) (with regs. 31-40)

72 Free public showing or playing of broadcast F183. . . .

(1) The showing or playing in public of a broadcast F184 . . . to an audience who have not paid for admission to the place where the broadcast . . . is to be seen or heard does not infringe any copyright in—

[F185 (a) the broadcast; [F186 or ] (b) any sound recording (except so far as it is an excepted sound recording)

included in it F187 ... F188 (c) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ]

[F189 (1A) For the purposes of this Part an “excepted sound recording” is a sound recording— (a) whose author is not the author of the broadcast in which it is included; and (b) which is a recording of music with or without words spoken or sung.

(1B) Where by virtue of subsection (1) the copyright in a broadcast shown or played in public is not infringed, copyright in any [F190 film or ] excepted sound recording included in it is not infringed if the playing or showing of that broadcast in public—

(a) F191 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (b) is necessary for the purposes of—

(i) repairing equipment for the reception of broadcasts; (ii) demonstrating that a repair to such equipment has been carried out; or

(iii) demonstrating such equipment which is being sold or let for hire or offered or exposed for sale or hire. ]

(2) The audience shall be treated as having paid for admission to a place— (a) if they have paid for admission to a place of which that place forms part; or (b) if goods or services are supplied at that place (or a place of which it forms

part)— (i) at prices which are substantially attributable to the facilities afforded

for seeing or hearing the broadcast F192 . . . , or (ii) at prices exceeding those usually charged there and which are partly

attributable to those facilities.

(3) The following shall not be regarded as having paid for admission to a place— (a) persons admitted as residents or inmates of the place; (b) persons admitted as members of a club or society where the payment is only

for membership of the club or society and the provision of facilities for seeing or hearing broadcasts F193 . . . is only incidental to the main purposes of the club or society.

(4) Where the making of the broadcast F194 . . . was an infringement of the copyright in a sound recording or film, the fact that it was heard or seen in public by the reception of the broadcast . . . shall be taken into account in assessing the damages for that infringement.

Amendments (Textual) F183 Words in s. 72 heading repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F184 Words in S. 72(1) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F185 S. 72(1)(a)-(c) substituted (31.10.2003) for s. 72(1)(a)(b) by The Copyright and Related Rights

Regulations 2003 (S.I. 2003/2498), reg. 21(1)(a) (with regs. 31-40) F186 Word in s. 72(1)(a) inserted (15.6.2016) by The Copyright (Free Public Showing or Playing)

(Amendment) Regulations 2016 (S.I. 2016/565), regs. 1, 3(a) F187 Word in s. 72(1)(b) omitted (15.6.2016) by virtue of The Copyright (Free Public Showing or Playing)

(Amendment) Regulations 2016 (S.I. 2016/565), regs. 1, 3(b) F188 S. 72(1)(c) omitted (15.6.2016) by virtue of The Copyright (Free Public Showing or Playing)

(Amendment) Regulations 2016 (S.I. 2016/565), regs. 1, 3(c) F189 S. 72(1A)(1B) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 21(1)(b) (with regs. 31-40) F190 Words in s. 72(1B) inserted (15.6.2016) by The Copyright (Free Public Showing or Playing)

(Amendment) Regulations 2016 (S.I. 2016/565), regs. 1, 3(d) F191 S. 72(1B)(a) omitted (1.1.2011) by virtue of The Copyright, Designs and Patents Act 1988

(Amendment) Regulations 2010 (S.I. 2010/2694), art. 4(1) F192 Words in S. 72(2)(b)(i) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F193 Words in S. 72(3)(b) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F194 Words in S. 72(4) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

F19573 Reception and re-transmission of wireless broadcast by cable.

Amendments (Textual) F195 S. 73 repealed (31.7.2017) by Digital Economy Act 2017 (c. 30), ss. 34(1)(a) , 118(6); S.I. 2017/765,

F19673A Royalty or other sum payable in pursuance of section 73(4).

Amendments (Textual) F196 S. 73A repealed (31.7.2017) by Digital Economy Act 2017 (c. 30), ss. 34(1)(a) , 118(6); S.I. 2017/765,

66 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

CHAPTER 3A – CERTAIN PERMITTED USES OF ORPHAN WORKS Document Generated: 2018-04-19

F19774 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F197 S. 74 repealed (1.6.2014) by The Copyright and Rights in Performances (Disability) Regulations 2014

(S.I. 2014/1384), reg. 1(1), Sch. para. 8 Table

[F19875 Recording of broadcast for archival purposes

(1) A recording of a broadcast or a copy of such a recording may be made for the purpose of being placed in an archive maintained by a body which is not established or conducted for profit without infringing any copyright in the broadcast or in any work included in it.

Amendments (Textual) F198 S. 75 substituted (1.6.2014) by The Copyright and Rights in Performances (Research, Education,

Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 8(1)

Adaptations

76 Adaptations.

An act which by virtue of this Chapter may be done without infringing copyright in a literary, dramatic or musical work does not, where that work is an adaptation, infringe any copyright in the work from which the adaptation was made.

[F199CHAPTER 3A

CERTAIN PERMITTED USES OF ORPHAN WORKS

Amendments (Textual) F199 Pt. 1 Ch. 3A inserted (29.10.2014) by The Copyright and Rights in Performances (Certain Permitted

Uses of Orphan Works) Regulations 2014 (S.I. 2014/2861), regs. 1, 3(2)

76A Certain permitted uses of orphan works

Schedule ZA1 makes provision about the use by relevant bodies of orphan works. ]

Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright Chapter IV – Moral Rights Document Generated: 2018-04-19

MORAL RIGHTS

Right to be identified as author or director

77 Right to be identified as author or director.

(1) The author of a copyright literary, dramatic, musical or artistic work, and the director of a copyright film, has the right to be identified as the author or director of the work in the circumstances mentioned in this section; but the right is not infringed unless it has been asserted in accordance with section 78.

(2) The author of a literary work (other than words intended to be sung or spoken with music) or a dramatic work has the right to be identified whenever—

(a) the work is published commercially, performed in public [F200 or communicated to the public ] ; or

(b) copies of a film or sound recording including the work are issued to the public; and that right includes the right to be identified whenever any of those events occur in relation to an adaptation of the work as the author of the work from which the adaptation was made.

(3) The author of a musical work, or a literary work consisting of words intended to be sung or spoken with music, has the right to be identified whenever—

(a) the work is published commercially; (b) copies of a sound recording of the work are issued to the public; or (c) a film of which the sound-track includes the work is shown in public or copies

of such a film are issued to the public; and that right includes the right to be identified whenever any of those events occur in relation to an adaptation of the work as the author of the work from which the adaptation was made.

(4) The author of an artistic work has the right to be identified whenever— (a) the work is published commercially or exhibited in public, or a visual image

of it is [F201 communicated to the public ] ; (b) a film including a visual image of the work is shown in public or copies of

such a film are issued to the public; or (c) in the case of a work of architecture in the form of a building or a model for

a building, a sculpture or a work of artistic craftsmanship, copies of a graphic work representing it, or of a photograph of it, are issued to the public.

(5) The author of a work of architecture in the form of a building also has the right to be identified on the building as constructed or, where more than one building is constructed to the design, on the first to be constructed.

(6) The director of a film has the right to be identified whenever the film is shown in public [F200 or communicated to the public ] or copies of the film are issued to the public.

(7) The right of the author or director under this section is— (a) in the case of commercial publication or the issue to the public of copies of a

film or sound recording, to be identified in or on each copy or, if that is not

68 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Chapter IV – Moral Rights Document Generated: 2018-04-19

appropriate, in some other manner likely to bring his identity to the notice of a person acquiring a copy,

(b) in the case of identification on a building, to be identified by appropriate means visible to persons entering or approaching the building, and

(c) in any other case, to be identified in a manner likely to bring his identity to the attention of a person seeing or hearing the performance, exhibition, showing [F202 or communication to the public ] in question;

and the identification must in each case be clear and reasonably prominent.

(8) If the author or director in asserting his right to be identified specifies a pseudonym, initials or some other particular form of identification, that form shall be used; otherwise any reasonable form of identification may be used.

(9) This section has effect subject to section 79 (exceptions to right).

Amendments (Textual) F200 Words in s. 77(2)(a)(6) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 8(1)(a)(b) (with regs. 31-40) F201 Words in s. 77(4)(a) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 8(2)(a) (with regs. 31-40) F202 Words in s. 77(7)(c) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 9(1)(b) (with regs. 31-40)

78 Requirement that right be asserted.

(1) A person does not infringe the right conferred by section 77 (right to be identified as author or director) by doing any of the acts mentioned in that section unless the right has been asserted in accordance with the following provisions so as to bind him in relation to that act.

(2) The right may be asserted generally, or in relation to any specified act or description of acts—

(a) on an assignment of copyright in the work, by including in the instrument effecting the assignment a statement that the author or director asserts in relation to that work his right to be identified, or

(b) by instrument in writing signed by the author or director.

(3) The right may also be asserted in relation to the public exhibition of an artistic work— (a) by securing that when the author or other first owner of copyright parts with

possession of the original, or of a copy made by him or under his direction or control, the author is identified on the original or copy, or on a frame, mount or other thing to which it is attached, or

(b) by including in a licence by which the author or other first owner of copyright authorises the making of copies of the work a statement signed by or on behalf of the person granting the licence that the author asserts his right to be identified in the event of the public exhibition of a copy made in pursuance of the licence.

(4) The persons bound by an assertion of the right under subsection (2) or (3) are—

(a) in the case of an assertion under subsection (2)(a), the assignee and anyone claiming through him, whether or not he has notice of the assertion;

(b) in the case of an assertion under subsection (2)(b), anyone to whose notice the assertion is brought;

(c) in the case of an assertion under subsection (3)(a), anyone into whose hands that original or copy comes, whether or not the identification is still present or visible;

(d) in the case of an assertion under subsection (3)(b), the licensee and anyone into whose hands a copy made in pursuance of the licence comes, whether or not he has notice of the assertion.

(5) In an action for infringement of the right the court shall, in considering remedies, take into account any delay in asserting the right.

79 Exceptions to right.

(1) The right conferred by section 77 (right to be identified as author or director) is subject to the following exceptions.

(2) The right does not apply in relation to the following descriptions of work— (a) a computer program; (b) the design of a typeface; (c) any computer-generated work.

(3) The right does not apply to anything done by or with the authority of the copyright owner where copyright in the work originally [F203 vested in the author’s or director’s employer by virtue of section 11(2) (works produced in the course of employment). ]

(4) The right is not infringed by an act which by virtue of any of the following provisions would not infringe copyright in the work—

(a) section 30 (fair dealing for certain purposes), so far as it relates to the reporting of current events by means of a sound recording, film [F204 or broadcast ] ;

(b) section 31 (incidental inclusion of work in an artistic work, sound recording, film [F204 or broadcast ] );

F205 (c) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (d) section 45 (parliamentary and judicial proceedings); (e) section 46(1) or (2) (Royal Commissions and statutory inquiries); (f) section 51 (use of design documents and models);

F206 (g) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (h) [F207 section 57 or 66A (acts permitted on assumptions as to expiry of

copyright, &c.) ] ;

[F208 (4A) The right is also not infringed by any act done for the purposes of an examination which by virtue of any provision of Chapter 3 of Part 1 would not infringe copyright. ]

(5) The right does not apply in relation to any work made for the purpose of reporting current events.

(6) The right does not apply in relation to the publication in— (a) a newspaper, magazine or similar periodical, or (b) an encyclopaedia, dictionary, yearbook or other collective work of reference,

70 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

of a literary, dramatic, musical or artistic work made for the purposes of such publication or made available with the consent of the author for the purposes of such publication.

(7) The right does not apply in relation to— (a) a work in which Crown copyright or Parliamentary copyright subsists, or (b) a work in which copyright originally vested in an international organisation

by virtue of section 168, unless the author or director has previously been identified as such in or on published copies of the work.

Amendments (Textual) F203 Words in s. 79(3) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 18(1) (with regs. 31-40) F204 Words in s. 79(4)(a)(b) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 3(1)(g)(h) (with regs. 31-40) F205 S. 79(4)(c) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 4(a) F206 S. 79(4)(g) omitted (28.7.2016) by virtue of Enterprise and Regulatory Reform Act 2013 (c. 24), ss.

74(3)(a) , 103(3); S.I. 2016/593, arts. 2(1), 3 (with arts. 4, 5) F207 Words in s. 79(4) substituted (1.1.1996) by S.I. 1995/3297, reg. 5(3) (with Pt. III) F208 S. 79(4A) inserted (1.6.2014) by The Copyright and Rights in Performances (Research, Education,

Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 4(b)

Right to object to derogatory treatment of work

80 Right to object to derogatory treatment of work.

(1) The author of a copyright literary, dramatic, musical or artistic work, and the director of a copyright film, has the right in the circumstances mentioned in this section not to have his work subjected to derogatory treatment.

(2) For the purposes of this section— (a) “treatment” of a work means any addition to, deletion from or alteration to or

adaptation of the work, other than— (i) a translation of a literary or dramatic work, or

(ii) an arrangement or transcription of a musical work involving no more than a change of key or register; and

(b) the treatment of a work is derogatory if it amounts to distortion or mutilation of the work or is otherwise prejudicial to the honour or reputation of the author or director;

and in the following provisions of this section references to a derogatory treatment of a work shall be construed accordingly.

(3) In the case of a literary, dramatic or musical work the right is infringed by a person who—

(a) publishes commercially, performs in public [F209 or communicates to the public ] a derogatory treatment of the work; or

(b) issues to the public copies of a film or sound recording of, or including, a derogatory treatment of the work.

(4) In the case of an artistic work the right is infringed by a person who— (a) publishes commercially or exhibits in public a derogatory treatment of the

work, [F210 or communicates to the public ] a visual image of a derogatory treatment of the work,

(b) shows in public a film including a visual image of a derogatory treatment of the work or issues to the public copies of such a film, or

(c) in the case of— (i) a work of architecture in the form of a model for a building,

(ii) a sculpture, or (iii) a work of artistic craftsmanship,

issues to the public copies of a graphic work representing, or of a photograph of, a derogatory treatment of the work.

(5) Subsection (4) does not apply to a work of architecture in the form of a building; but where the author of such a work is identified on the building and it is the subject of derogatory treatment he has the right to require the identification to be removed.

(6) In the case of a film, the right is infringed by a person who— (a) shows in public [F209 or communicates to the public ] a derogatory treatment

of the film; or (b) issues to the public copies of a derogatory treatment of the film,

(7) The right conferred by this section extends to the treatment of parts of a work resulting from a previous treatment by a person other than the author or director, if those parts are attributed to, or are likely to be regarded as the work of, the author or director.

(8) This section has effect subject to sections 81 and 82 (exceptions to and qualifications of right).

Amendments (Textual) F209 Words in s. 80(3)(a)(6)(a) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 10(1) (with regs. 31-40) F210 Words in s. 80(4)(a) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 13(2) (with regs. 31-40) F211 Words in s. 80(6) omitted (1.1.1996) by virtue of S.I. 1995/3297, reg. 9(2) (with Pt. III)

81 Exceptions to right.

(1) The right conferred by section 80 (right to object to derogatory treatment of work) is subject to the following exceptions.

(2) The right does not apply to a computer program or to any computer-generated work.

(3) The right does not apply in relation to any work made for the purpose of reporting current events.

72 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(4) The right does not apply in relation to the publication in— (a) a newspaper, magazine or similar periodical, or (b) an encyclopaedia, dictionary, yearbook or other collective work of reference,

Nor does the right apply in relation to any subsequent exploitation elsewhere of such a work without any modification of the published version.

(5) The right is not infringed by an act which by virtue of [F212 section 57 or 66A (acts permitted on assumptions as to expiry of copyright, &c.) ] would not infringe copyright.

(6) The right is not infringed by anything done for the purpose of— (a) avoiding the commission of an offence, (b) complying with a duty imposed by or under an enactment, or (c) in the case of the British Broadcasting Corporation, avoiding the inclusion

in a programme broadcast by them of anything which offends against good taste or decency or which is likely to encourage or incite to crime or to lead to disorder or to be offensive to public feeling,

provided, where the author or director is identified at the time of the relevant act or has previously been identified in or on published copies of the work, that there is a sufficient disclaimer.

Amendments (Textual) F212 Words in s. 81(5) substituted (1.1.1996) by S.I. 1995/3297, reg. 5(3) (with Pt. III)

82 Qualification of right in certain cases.

(1) This section applies to— (a) works in which copyright originally vested in the author’s [F213 or

director's ] employer by virtue of section 11(2) (works produced in course of employment) F214 . . .

(b) works in which Crown copyright or Parliamentary copyright subsists, and (c) works in which copyright originally vested in an international organisation by

virtue of section 168.

(2) The right conferred by section 80 (right to object to derogatory treatment of work) does not apply to anything done in relation to such a work by or with the authority of the copyright owner unless the author or director—

(a) is identified at the time of the relevant act, or (b) has previously been identified in or on published copies of the work;

and where in such a case the right does apply, it is not infringed if there is a sufficient disclaimer.

Amendments (Textual) F213 Words in s. 82(1)(a) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(1), Sch. 1 para. 18(2) (with regs. 31-40) F214 Words in s. 82(1)(a) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2, Sch. 1 para. 18(2), Sch. 2 (with regs. 31-40)

83 Infringement of right by possessing or dealing with infringing article.

(1) The right conferred by section 80 (right to object to derogatory treatment of work) is also infringed by a person who—

(a) possesses in the course of a business, or (b) sells or lets for hire, or offers or exposes for sale or hire, or (c) in the course of a business exhibits in public or distributes, or (d) distributes otherwise than in the course of a business so as to affect

prejudicially the honour or reputation of the author or director, an article which is, and which he knows or has reason to believe is, an infringing article.

(2) An “infringing article” means a work or a copy of a work which— (a) has been subjected to derogatory treatment within the meaning of section 80,

and (b) has been or is likely to be the subject of any of the acts mentioned in that

section in circumstances infringing that right.

False attribution of work

84 False attribution of work.

(1) A person has the right in the circumstances mentioned in this section— (a) not to have a literary, dramatic, musical or artistic work falsely attributed to

him as author, and (b) not to have a film falsely attributed to him as director;

and in this section an “attribution”, in relation to such a work, means a statement (express or implied) as to who is the author or director.

(2) The right is infringed by a person who— (a) issues to the public copies of a work of any of those descriptions in or on

which there is a false attribution, or (b) exhibits in public an artistic work, or a copy of an artistic work, in or on which

there is a false attribution.

(3) The right is also infringed by a person who— (a) in the case of a literary, dramatic or musical work, performs the work in public

[F215 or communicates it to the public ] as being the work of a person, or (b) in the case of a film, shows it in public [F215 or communicates it to the public ]

as being directed by a person, knowing or having reason to believe that the attribution is false.

74 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(4) The right is also infringed by the issue to the public or public display of material containing a false attribution in connection with any of the acts mentioned in subsection (2) or (3).

(5) The right is also infringed by a person who in the course of a business— (a) possesses or deals with a copy of a work of any of the descriptions mentioned

in subsection (1) in or on which there is a false attribution, or (b) in the case of an artistic work, possesses or deals with the work itself when

there is a false attribution in or on it, knowing or having reason to believe that there is such an attribution and that it is false.

(6) In the case of an artistic work the right is also infringed by a person who in the course of a business—

(a) deals with a work which has been altered after the author parted with possession of it as being the unaltered work of the author, or

(b) deals with a copy of such a work as being a copy of the unaltered work of the author,

knowing or having reason to believe that that is not the case.

(7) References in this section to dealing are to selling or letting for hire, offering or exposing for sale or hire, exhibiting in public, or distributing.

(8) This section applies where, contrary to the fact— (a) a literary, dramatic or musical work is falsely represented as being an

adaptation of the work of a person, or (b) a copy of an artistic work is falsely represented as being a copy made by the

author of the artistic work, as it applies where the work is falsely attributed to a person as author.

Amendments (Textual) F215 Words in s. 84(3)(a)(b) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 10(2) (with regs. 31-40)

Right to privacy of certain photographs and films

85 Right to privacy of certain photographs and films.

(1) A person who for private and domestic purposes commissions the taking of a photograph or the making of a film has, where copyright subsists in the resulting work, the right not to have—

(a) copies of the work issued to the public, (b) the work exhibited or shown in public, or (c) the work [F216 communicated to the public ] ;

and, except as mentioned in subsection (2), a person who does or authorises the doing of any of those acts infringes that right.

(2) The right is not infringed by an act which by virtue of any of the following provisions would not infringe copyright in the work—

(a) section 31 (incidental inclusion of work in an artistic work, film [F217 or broadcast ] );

(b) section 45 (parliamentary and judicial proceedings); (c) section 46 (Royal Commissions and statutory inquiries); (d) section 50 (acts done under statutory authority); (e) [F218 section 57 or 66A (acts permitted on assumptions as to expiry of

copyright, &c.) ] .

Amendments (Textual) F216 Words in s. 85(1)(c) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 8(2)(b) (with regs. 31-40) F217 Words in s. 85(2)(a) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 3(1)(i) (with regs. 31-40) F218 Words in s. 85(2) substituted (1.1.1996) by S.I. 1995/3297, reg. 6(3) (with Pt. III)

Supplementary

86 Duration of rights.

(1) The rights conferred by section 77 (right to be identified as author or director), section 80 (right to object to derogatory treatment of work) and section 85 (right to privacy of certain photographs and films) continue to subsist so long as copyright subsists in the work.

(2) The right conferred by section 84 (false attribution) continues to subsist until 20 years after a person’s death.

87 Consent and waiver of rights.

(1) It is not an infringement of any of the rights conferred by this Chapter to do any act to which the person entitled to the right has consented.

(2) Any of those rights may be waived by instrument in writing signed by the person giving up the right.

(3) A waiver— (a) may relate to a specific work, to works of a specified description or to works

generally, and may relate to existing or future works, and (b) may be conditional or unconditional and may be expressed to be subject to

revocation; and if made in favour of the owner or prospective owner of the copyright in the work or works to which it relates, it shall be presumed to extend to his licensees and successors in title unless a contrary intention is expressed.

(4) Nothing in this Chapter shall be construed as excluding the operation of the general law of contract or estoppel in relation to an informal waiver or other transaction in relation to any of the rights mentioned in subsection (1).

76 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

88 Application of provisions to joint works.

(1) The right conferred by section 77 (right to be identified as author or director) is, in the case of a work of joint authorship, a right of each joint author to be identified as a joint author and must be asserted in accordance with section 78 by each joint author in relation to himself.

(2) The right conferred by section 80 (right to object to derogatory treatment of work) is, in the case of a work of joint authorship, a right of each joint author and his right is satisfied if he consents to the treatment in question.

(3) A waiver under section 87 of those rights by one joint author does not affect the rights of the other joint authors.

(4) The right conferred by section 84 (false attribution) is infringed, in the circumstances mentioned in that section—

(a) by any false statement as to the authorship of a work of joint authorship, and (b) by the false attribution of joint authorship in relation to a work of sole

authorship; and such a false attribution infringes the right of every person to whom authorship of any description is, whether rightly or wrongly, attributed.

(5) The above provisions also apply (with any necessary adaptations) in relation to a film which was, or is alleged to have been, jointly directed, as they apply to a work which is, or is alleged to be, a work of joint authorship.

A film is “jointly directed” if it is made by the collaboration of two or more directors and the contribution of each director is not distinct from that of the other director or directors.

(6) The right conferred by section 85 (right to privacy of certain photographs and films) is, in the case of a work made in pursuance of a joint commission, a right of each person who commissioned the making of the work, so that—

(a) the right of each is satisfied if he consents to the act in question, and (b) a waiver under section 87 by one of them does not affect the rights of the

89 Application of provisions to parts of works.

(1) The rights conferred by section 77 (right to be identified as author or director) and section 85 (right to privacy of certain photographs and films) apply in relation to the whole or any substantial part of a work.

(2) The rights conferred by section 80 (right to object to derogatory treatment of work) and section 84 (false attribution) apply in relation to the whole or any part of a work.

Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright Chapter V – Dealings with Rights in Copyright Works Document Generated: 2018-04-19

DEALINGS WITH RIGHTS IN COPYRIGHT WORKS

Modifications etc. (not altering text) C40 Pt. I Ch. V (ss. 90-95) applied (with modifications) (1.12.1996) by S.I. 1996/2967, reg. 17(1)-(3) (with

90 Assignment and licences.

(1) Copyright is transmissible by assignment, by testamentary disposition or by operation of law, as personal or moveable property.

(2) An assignment or other transmission of copyright may be partial, that is, limited so as to apply—

(a) to one or more, but not all, of the things the copyright owner has the exclusive right to do;

(b) to part, but not the whole, of the period for which the copyright is to subsist.

(3) An assignment of copyright is not effective unless it is in writing signed by or on behalf of the assignor.

(4) A licence granted by a copyright owner is binding on every successor in title to his interest in the copyright, except a purchaser in good faith for valuable consideration and without notice (actual or constructive) of the licence or a person deriving title from such a purchaser; and references in this Part to doing anything with, or without, the licence of the copyright owner shall be construed accordingly.

Modifications etc. (not altering text) C41 Ss. 90-93, 96-98, 101, 102 applied (1.1.1998) by S.I. 1997/3032, reg. 23 (with Pt. IV)

91 Prospective ownership of copyright.

(1) Where by an agreement made in relation to future copyright, and signed by or on behalf of the prospective owner of the copyright, the prospective owner purports to assign the future copyright (wholly or partially) to another person, then if, on the copyright coming into existence, the assignee or another person claiming under him would be entitled as against all other persons to require the copyright to be vested in him, the copyright shall vest in the assignee or his successor in title by virtue of this subsection.

(2) In this Part— “future copyright” means copyright which will or may come into existence

in respect of a future work or class of works or on the occurrence of a future event; and

78 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Chapter V – Dealings with Rights in Copyright Works Document Generated: 2018-04-19

“prospective owner” shall be construed accordingly, and includes a person who is prospectively entitled to copyright by virtue of such an agreement as is mentioned in subsection (1).

(3) A licence granted by a prospective owner of copyright is binding on every successor in title to his interest (or prospective interest) in the right, except a purchaser in good faith for valuable consideration and without notice (actual or constructive) of the licence or a person deriving title from such a purchaser; and references in this Part to doing anything with, or without, the licence of the copyright owner shall be construed accordingly.

Modifications etc. (not altering text) C42 Ss. 90-93, 96-98, 101, 102 applied (1.1.1998) by S.I. 1997/3032, reg. 23 (with Pt. IV)

92 Exclusive licences.

(1) In this Part an “exclusive licence” means a licence in writing signed by or on behalf of the copyright owner authorising the licensee to the exclusion of all other persons, including the person granting the licence, to exercise a right which would otherwise be exercisable exclusively by the copyright owner.

(2) The licensee under an exclusive licence has the same rights against a successor in title who is bound by the licence as he has against the person granting the licence.

Modifications etc. (not altering text) C43 Ss. 90-93, 96-98, 101, 102 applied (1.1.1998) by S.I. 1997/3032, reg. 23 (with Pt. IV)

93 Copyright to pass under will with unpublished work.

Where under a bequest (whether specific or general) a person is entitled, beneficially or otherwise, to—

(a) an original document or other material thing recording or embodying a literary, dramatic, musical or artistic work which was not published before the death of the testator, or

(b) an original material thing containing a sound recording or film which was not published before the death of the testator,

the bequest shall, unless a contrary intention is indicated in the testator’s will or a codicil to it, be construed as including the copyright in the work in so far as the testator was the owner of the copyright immediately before his death.

Modifications etc. (not altering text) C44 Ss. 90-93, 96-98, 101, 102 applied (1.1.1998) by S.I. 1997/3032, reg. 23 (with Pt. IV)

[F21993A Presumption of transfer of rental right in case of film production agreement.

(1) Where an agreement concerning film production is concluded between an author and a film producer, the author shall be presumed, unless the agreement provides to the contrary, to have transferred to the film producer any rental right in relation to the film arising by virtue of the inclusion of a copy of the author’s work in the film.

(2) In this section “author” means an author, or prospective author, of a literary, dramatic, musical or artistic work.

(3) Subsection (1) does not apply to any rental right in relation to the film arising by virtue of the inclusion in the film of the screenplay, the dialogue or music specifically created for and used in the film.

(4) Where this section applies, the absence of signature by or on behalf of the author does not exclude the operation of section 91(1) (effect of purported assignment of future copyright).

(5) The reference in subsection (1) to an agreement concluded between an author and a film producer includes any agreement having effect between those persons, whether made by them directly or through intermediaries.

(6) Section 93B (right to equitable remuneration on transfer of rental right) applies where there is a presumed transfer by virtue of this section as in the case of an actual transfer. ]

Amendments (Textual) F219 S. 93A inserted (1.12.1996) by S.I. 1996/2967, reg. 12 (with Pt. III)

Modifications etc. (not altering text) C45 S. 93A applied (with modifications) (1.12.1996) by S.I. 1996/2967, reg. 32(1) (with Pt. III)

F220[ Right to equitable remuneration where rental right transferred

Amendments (Textual) F220 S. 93B and crossheading inserted (1.12.1996) by S.I. 1996/2967, reg. 14(1) (with Pt. III)

F22193B Right to equitable remuneration where rental right transferred.

(1) Where an author to whom this section applies has transferred his rental right concerning a sound recording or a film to the producer of the sound recording or film, he retains the right to equitable remuneration for the rental.

The authors to whom this section applies are— (a) the author of a literary, dramatic, musical or artistic work, and (b) the principal director of a film.

(2) The right to equitable remuneration under this section may not be assigned by the author except to a collecting society for the purpose of enabling it to enforce the right on his behalf.

80 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

The right is, however, transmissible by testamentary disposition or by operation of law as personal or moveable property; and it may be assigned or further transmitted by any person into whose hands it passes.

(3) Equitable remuneration under this section is payable by the person for the time being entitled to the rental right, that is, the person to whom the right was transferred or any successor in title of his.

(4) The amount payable by way of equitable remuneration is as agreed by or on behalf of the persons by and to whom it is payable, subject to section 93C (reference of amount to Copyright Tribunal).

(5) An agreement is of no effect in so far as it purports to exclude or restrict the right to equitable remuneration under this section.

(6) References in this section to the transfer of rental right by one person to another include any arrangement having that effect, whether made by them directly or through intermediaries.

(7) In this section a “collecting society” means a society or other organisation which has as its main object, or one of its main objects, the exercise of the right to equitable remuneration under this section on behalf of more than one author.

Amendments (Textual) F221 S. 93B inserted (1.12.1996) by S.I. 1996/2967, reg. 14(1) (with Pt. III)

Modifications etc. (not altering text) C46 S. 93B applied (with modifications) (1.12.1996) by S.I. 1996/2967, reg. 32(2) (with Pt. III) C47 S. 93B restricted (1.12.1996) by S.I. 1996/2967, reg. 33 (with Pt. III)

F22293C Equitable remuneration: reference of amount to Copyright Tribunal.

(1) In default of agreement as to the amount payable by way of equitable remuneration under section 93B, the person by or to whom it is payable may apply to the Copyright Tribunal to determine the amount payable.

(2) A person to or by whom equitable remuneration is payable under that section may also apply to the Copyright Tribunal—

(a) to vary any agreement as to the amount payable, or (b) to vary any previous determination of the Tribunal as to that matter; but except

with the special leave of the Tribunal no such application may be made within twelve months from the date of a previous determination.

An order made on an application under this subsection has effect from the date on which it is made or such later date as may be specified by the Tribunal.

(3) On an application under this section the Tribunal shall consider the matter and make such order as to the method of calculating and paying equitable remuneration as it may determine to be reasonable in the circumstances, taking into account the importance of the contribution of the author to the film or sound recording.

(4) Remuneration shall not be considered inequitable merely because it was paid by way of a single payment or at the time of the transfer of the rental right.

(5) An agreement is of no effect in so far as it purports to prevent a person questioning the amount of equitable remuneration or to restrict the powers of the Copyright Tribunal under this section. ]

Amendments (Textual) F222 S. 93C inserted (1.12.1996) by S.I. 1996/2967, reg. 14(1) (with Pt. III)

Moral rights

94 Moral rights not assignable.

The rights conferred by Chapter IV (moral rights) are not assignable.

95 Transmission of moral rights on death.

(1) On the death of a person entitled to the right conferred by section 77 (right to identification of author or director), section 80 (right to object to derogatory treatment of work) or section 85 (right to privacy of certain photographs and films)—

(a) the right passes to such person as he may by testamentary disposition specifically direct,

(b) if there is no such direction but the copyright in the work in question forms part of his estate, the right passes to the person to whom the copyright passes, and

(c) if or to the extent that the right does not pass under paragraph (a) or (b) it is exercisable by his personal representatives.

(2) Where copyright forming part of a person’s estate passes in part to one person and in part to another, as for example where a bequest is limited so as to apply—

(a) to one or more, but not all, of the things the copyright owner has the exclusive right to do or authorise, or

(b) to part, but not the whole, of the period for which the copyright is to subsist, any right which passes with the copyright by virtue of subsection (1) is correspondingly divided.

(3) Where by virtue of subsection (1)(a) or (b) a right becomes exercisable by more than one person—

(a) it may, in the case of the right conferred by section 77 (right to identification of author or director), be asserted by any of them;

(b) it is, in the case of the right conferred by section 80 (right to object to derogatory treatment of work) or section 85 (right to privacy of certain photographs and films), a right exercisable by each of them and is satisfied in relation to any of them if he consents to the treatment or act in question; and

(c) any waiver of the right in accordance with section 87 by one of them does not affect the rights of the others.

82 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Chapter VI – Remedies for Infringement Document Generated: 2018-04-19

(4) A consent or waiver previously given or made binds any person to whom a right passes by virtue of subsection (1).

(5) Any infringement after a person’s death of the right conferred by section 84 (false attribution) is actionable by his personal representatives.

(6) Any damages recovered by personal representatives by virtue of this section in respect of an infringement after a person’s death shall devolve as part of his estate as if the right of action had subsisted and been vested in him immediately before his death.

REMEDIES FOR INFRINGEMENT

Modifications etc. (not altering text) C48 Pt. I Ch. VI (ss. 96-115) applied (with modifications) (1.12.1996) by S.I. 1996/2967, reg. 17 (with Pt.

Rights and remedies of copyright owner

96 Infringement actionable by copyright owner.

(1) An infringement of copyright is actionable by the copyright owner.

(2) In an action for infringement of copyright all such relief by way of damages, injunctions, accounts or otherwise is available to the plaintiff as is available in respect of the infringement of any other property right.

(3) This section has effect subject to the following provisions of this Chapter.

Modifications etc. (not altering text) C49 Ss. 90-93, 96-98, 101, 102 applied (1.1.1998) by S.I. 1997/3032, reg. 23 (with Pt. IV)

97 Provisions as to damages in infringement action.

(1) Where in an action for infringement of copyright it is shown that at the time of the infringement the defendant did not know, and had no reason to believe, that copyright subsisted in the work to which the action relates, the plaintiff is not entitled to damages against him, but without prejudice to any other remedy.

(2) The court may in an action for infringement of copyright having regard to all the circumstances, and in particular to—

(a) the flagrancy of the infringement, and (b) any benefit accruing to the defendant by reason of the infringement,

award such additional damages as the justice of the case may require.

Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright Chapter VI – Remedies for Infringement Document Generated: 2018-04-19

Modifications etc. (not altering text) C50 Ss. 90-93, 96-98, 101, 102 applied (1.1.1998) by S.I. 1997/3032, reg. 23 (with Pt. IV)

[F22397A Injunctions against service providers

(1) The High Court (in Scotland, the Court of Session) shall have power to grant an injunction against a service provider, where that service provider has actual knowledge of another person using their service to infringe copyright.

(2) In determining whether a service provider has actual knowledge for the purpose of this section, a court shall take into account all matters which appear to it in the particular circumstances to be relevant and, amongst other things, shall have regard to—

(a) whether a service provider has received a notice through a means of contact made available in accordance with regulation 6(1)(c) of the Electronic Commerce (EC Directive) Regulations 2002 (SI 2002/2013); and

(b) the extent to which any notice includes— (i) the full name and address of the sender of the notice;

(ii) details of the infringement in question.

(3) In this section “ service provider ” has the meaning given to it by regulation 2 of the Electronic Commerce ( EC Directive) Regulations 2002. ]

Amendments (Textual) F223 S. 97A inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498),

reg. 27(1) (with regs. 31-40)

98 Undertaking to take licence of right in infringement proceedings.

(1) If in proceedings for infringement of copyright in respect of which a licence is available as of right under section 144 (powers exercisable in consequence of report of [F224 Competition and Markets Authority ] ) the defendant undertakes to take a licence on such terms as may be agreed or, in default of agreement, settled by the Copyright Tribunal under that section—

(a) no injunction shall be granted against him, (b) no order for delivery up shall be made under section 99, and (c) the amount recoverable against him by way of damages or on an account of

profits shall not exceed double the amount which would have been payable by him as licensee if such a licence on those terms had been granted before the earliest infringement.

(2) An undertaking may be given at any time before final order in the proceedings, without any admission of liability.

(3) Nothing in this section affects the remedies available in respect of an infringement committed before licences of right were available.

84 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Amendments (Textual) F224 Words in s. 98(1) substituted (1.4.2014) by The Enterprise and Regulatory Reform Act 2013

(Competition) (Consequential, Transitional and Saving Provisions) Order 2014 (S.I. 2014/892), art. 1(1), Sch. 1 para. 56 (with art. 3)

Modifications etc. (not altering text) C51 Ss. 90-93, 96-98, 101, 102 applied (1.1.1998) by S.I. 1997/3032, reg. 23 (with Pt. IV)

99 Order for delivery up.

(1) Where a person— (a) has an infringing copy of a work in his possession, custody or control in the

course of a business, or (b) has in his possession, custody or control an article specifically designed or

adapted for making copies of a particular copyright work, knowing or having reason to believe that it has been or is to be used to make infringing copies,

the owner of the copyright in the work may apply to the court for an order that the infringing copy or article be delivered up to him or to such other person as the court may direct.

(2) An application shall not be made after the end of the period specified in section 113 (period after which remedy of delivery up not available); and no order shall be made unless the court also makes, or it appears to the court that there are grounds for making, an order under section 114 (order as to disposal of infringing copy or other article).

(3) A person to whom an infringing copy or other article is delivered up in pursuance of an order under this section shall, if an order under section 114 is not made, retain it pending the making of an order, or the decision not to make an order, under that section.

(4) Nothing in this section affects any other power of the court.

Modifications etc. (not altering text) C52 S. 99 extended by S.I. 1991/724, art. 2(1)(n)

100 Right to seize infringing copies and other articles.

(1) An infringing copy of a work which is found exposed or otherwise immediately available for sale or hire, and in respect of which the copyright owner would be entitled to apply for an order under section 99, may be seized and detained by him or a person authorised by him.

The right to seize and detain is exercisable subject to the following conditions and is subject to any decision of the court under section 114.

(2) Before anything is seized under this section notice of the time and place of the proposed seizure must be given to a local police station.

(3) A person may for the purpose of exercising the right conferred by this section enter premises to which the public have access but may not seize anything in the possession, custody or control of a person at a permanent or regular place of business of his, and may not use any force.

(4) At the time when anything is seized under this section there shall be left at the place where it was seized a notice in the prescribed form containing the prescribed particulars as to the person by whom or on whose authority the seizure is made and the grounds on which it is made.

(5) In this section—

“premises” includes land, buildings, moveable structures, vehicles, vessels, aircraft and hovercraft; and “prescribed” means prescribed by order of the Secretary of State.

(6) An order of the Secretary of State under this section shall be made by statutory instrument which shall be subject to annulment in pursuance of a resolution of either House of Parliament.

Rights and remedies of exclusive licensee

101 Rights and remedies of exclusive licensee.

(1) An exclusive licensee has, except against the copyright owner, the same rights and remedies in respect of matters occurring after the grant of the licence as if the licence had been an assignment.

(2) His rights and remedies are concurrent with those of the copyright owner; and references in the relevant provisions of this Part to the copyright owner shall be construed accordingly.

(3) In an action brought by an exclusive licensee by virtue of this section a defendant may avail himself of any defence which would have been available to him if the action had been brought by the copyright owner.

Modifications etc. (not altering text) C53 Ss. 90-93, 96-98, 101, 102 applied (1.1.1998) by S.I. 1997/3032, reg. 23 (with Pt. IV)

[F225101ACertain infringements actionable by a non-exclusive licensee

(1) A non-exclusive licensee may bring an action for infringement of copyright if— (a) the infringing act was directly connected to a prior licensed act of the licensee;

and (b) the licence—

(i) is in writing and is signed by or on behalf of the copyright owner; and (ii) expressly grants the non-exclusive licensee a right of action under

this section.

86 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(2) In an action brought under this section, the non-exclusive licensee shall have the same rights and remedies available to him as the copyright owner would have had if he had brought the action.

(3) The rights granted under this section are concurrent with those of the copyright owner and references in the relevant provisions of this Part to the copyright owner shall be construed accordingly.

(4) In an action brought by a non-exclusive licensee by virtue of this section a defendant may avail himself of any defence which would have been available to him if the action had been brought by the copyright owner.

(5) Subsections (1) to (4) of section 102 shall apply to a non-exclusive licensee who has a right of action by virtue of this section as it applies to an exclusive licensee.

(6) In this section a “ non-exclusive licensee ” means the holder of a licence authorising the licensee to exercise a right which remains exercisable by the copyright owner. ]

Amendments (Textual) F225 S. 101A inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 28 (with regs. 31-40)

102 Exercise of concurrent rights.

(1) Where an action for infringement of copyright brought by the copyright owner or an exclusive licensee relates (wholly or partly) to an infringement in respect of which they have concurrent rights of action, the copyright owner or, as the case may be, the exclusive licensee may not, without the leave of the court, proceed with the action unless the other is either joined as a plaintiff or added as a defendant.

(2) A copyright owner or exclusive licensee who is added as a defendant in pursuance of subsection (1) is not liable for any costs in the action unless he takes part in the proceedings.

(3) The above provisions do not affect the granting of interlocutory relief on an application by a copyright owner or exclusive licensee alone.

(4) Where an action for infringement of copyright is brought which relates (wholly or partly) to an infringement in respect of which the copyright owner and an exclusive licensee have or had concurrent rights of action—

(a) the court shall in assessing damages take into account— (i) the terms of the licence, and

(ii) any pecuniary remedy already awarded or available to either of them in respect of the infringement;

(b) no account of profits shall be directed if an award of damages has been made, or an account of profits has been directed, in favour of the other of them in respect of the infringement; and

(c) the court shall if an account of profits is directed apportion the profits between them as the court considers just, subject to any agreement between them;

and these provisions apply whether or not the copyright owner and the exclusive licensee are both parties to the action.

(5) The copyright owner shall notify any exclusive licensee having concurrent rights before applying for an order under section 99 (order for delivery up) or exercising the right conferred by section 100 (right of seizure); and the court may on the application of the licensee make such order under section 99 or, as the case may be, prohibiting or permitting the exercise by the copyright owner of the right conferred by section 100, as it thinks fit having regard to the terms of the licence.

Modifications etc. (not altering text) C54 Ss. 90-93, 96-98, 101, 102 applied (1.1.1998) by S.I. 1997/3032, reg. 23 (with Pt. IV) C55 S. 102(5) extended by S.I.1991/724, art. 2(1)(n)

Remedies for infringement of moral rights

103 Remedies for infringement of moral rights.

(1) An infringement of a right conferred by Chapter IV (moral rights) is actionable as a breach of statutory duty owed to the person entitled to the right.

(2) In proceedings for infringement of the right conferred by section 80 (right to object to derogatory treatment of work) the court may, if it thinks it is an adequate remedy in the circumstances, grant an injunction on terms prohibiting the doing of any act unless a disclaimer is made, in such terms and in such manner as may be approved by the court, dissociating the author or director from the treatment of the work.

Presumptions

104 Presumptions relevant to literary, dramatic, musical and artistic works.

(1) The following presumptions apply in proceedings brought by virtue of this Chapter with respect to a literary, dramatic, musical or artistic work.

(2) Where a name purporting to be that of the author appeared on copies of the work as published or on the work when it was made, the person whose name appeared shall be presumed, until the contrary is proved—

(a) to be the author of the work; (b) to have made it in circumstances not falling within section 11(2), 163,

165 or 168 (works produced in course of employment, Crown copyright, Parliamentary copyright or copyright of certain international organisations).

(3) In the case of a work alleged to be a work of joint authorship, subsection (2) applies in relation to each person alleged to be one of the authors.

(4) Where no name purporting to be that of the author appeared as mentioned in subsection (2) but—

(a) the work qualifies for copyright protection by virtue of section 155 (qualification by reference to country of first publication), and

88 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(b) a name purporting to be that of the publisher appeared on copies of the work as first published,

the person whose name appeared shall be presumed, until the contrary is proved, to have been the owner of the copyright at the time of publication.

(5) If the author of the work is dead or the identity of the author cannot be ascertained by reasonable inquiry, it shall be presumed, in the absence of evidence to the contrary—

(a) that the work is an original work, and (b) that the plaintiff’s allegations as to what was the first publication of the work

and as to the country of first publication are correct.

105 Presumptions relevant to sound recordings and films.

(1) In proceedings brought by virtue of this Chapter with respect to a sound recording, where copies of the recording as issued to the public bear a label or other mark stating —

(a) that a named person was the owner of copyright in the recording at the date of issue of the copies, or

(b) that the recording was first published in a specified year or in a specified country,

the label or mark shall be admissible as evidence of the facts stated and shall be presumed to be correct until the contrary is proved.

(2) In proceedings brought by virtue of this Chapter with respect to a film, where copies of the film as issued to the public bear a statement—

(a) that a named person was the [F226 director or producer ] of the film, F227[ (aa) that a named person was the principal director, the author of the screenplay,

the author of the dialogue or the composer of music specifically created for and used in the film, ]

(b) that a named person was the owner of copyright in the film at the date of issue of the copies, or

(c) that the film was first published in a specified year or in a specified country, the statement shall be admissible as evidence of the facts stated and shall be presumed to be correct until the contrary is proved.

(3) In proceedings brought by virtue of this Chapter with respect to a computer program, where copies of the program are issued to the public in electronic form bearing a statement—

(a) that a named person was the owner of copyright in the program at the date of issue of the copies, or

(b) that the program was first published in a specified country or that copies of it were first issued to the public in electronic form in a specified year,

the statement shall be admissible as evidence of the facts stated and shall be presumed to be correct until the contrary is proved.

(4) The above presumptions apply equally in proceedings relating to an infringement alleged to have occurred before the date on which the copies were issued to the public.

(5) In proceedings brought by virtue of this Chapter with respect to a film, where the film as shown in public [F228 or communicated to the public ] bears a statement—

(a) that a named person was the [F226 director or producer ] of the film, or

F229[ (aa) that a named person was the principal director of the film, the author of the screenplay, the author of the dialogue or the composer of music specifically created for and used in the film, or, ]

(b) that a named person was the owner of copyright in the film immediately after it was made,

This presumption applies equally in proceedings relating to an infringement alleged to have occurred before the date on which the film was shown in public, broadcast or included in a cable programme service.

F230[ (6) For the purposes of this section, a statement that a person was the director of a film shall be taken, unless a contrary indication appears, as meaning that he was the principal director of the film. ]

Amendments (Textual) F226 Words in s. 105(2)(a)(5)(a) substituted (1.12.1996 with effect in relation to films made on or after

1.7.1994) by S.I. 1996/2967, regs. 18(4)(a) , 36 (with Pt. III) F227 S. 105(2)(aa) inserted (1.1.1996) by S.I. 1995/3297, Pt. II reg. 5(4) (with Pt. III) F228 Words in s. 105(5) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 8(1)(c) (with regs. 31-40) F229 S. 105(5)(aa) inserted (1.12.1996 with effect in relation to films made on or after 1.7.1994) by S.I.

1996/2967, reg. 18(4)(b) (with Pt. III) F230 S. 105(6) added (1.12.1996 with effect in relation to films made on or after 1.7.1994) by S.I.

1996/2967, reg. 18(4)(c) (with Pt. III)

106 Presumptions relevant to works subject to Crown copyright.

In proceedings brought by virtue of this Chapter with respect to a literary, dramatic or musical work in which Crown copyright subsists, where there appears on printed copies of the work a statement of the year in which the work was first published commercially, that statement shall be admissible as evidence of the fact stated and shall be presumed to be correct in the absence of evidence to the contrary.

107 Criminal liability for making or dealing with infringing articles, &c.

(1) A person commits an offence who, without the licence of the copyright owner— (a) makes for sale or hire, or (b) imports into the United Kingdom otherwise than for his private and domestic

use, or (c) possesses in the course of a business with a view to committing any act

infringing the copyright, or (d) in the course of a business —

(i) sells or lets for hire, or (ii) offers or exposes for sale or hire, or

90 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(iii) exhibits in public, or (iv) distributes, or

(e) distributes otherwise than in the course of a business to such an extent as to affect prejudicially the owner of the copyright,

an article which is, and which he knows or has reason to believe is, an infringing copy of a copyright work.

(2) A person commits an offence who— (a) makes an article specifically designed or adapted for making copies of a

particular copyright work, or (b) has such an article in his possession,

knowing or having reason to believe that it is to be used to make infringing copies for sale or hire or for use in the course of a business.

[F231 (2A) A person (“P”) who infringes copyright in a work by communicating the work to the public commits an offence if P—

(a) knows or has reason to believe that P is infringing copyright in the work, and (b) either—

(i) intends to make a gain for P or another person, or (ii) knows or has reason to believe that communicating the work to the

public will cause loss to the owner of the copyright, or will expose the owner of the copyright to a risk of loss.

(2B) For the purposes of subsection (2A)— (a) “gain” and “loss”—

(i) extend only to gain or loss in money, and (ii) include any such gain or loss whether temporary or permanent, and

(b) “loss” includes a loss by not getting what one might get. ]

(3) Where copyright is infringed (otherwise than by reception of a [F232 communication to the public ] )—

(a) by the public performance of a literary, dramatic or musical work, or (b) by the playing or showing in public of a sound recording or film,

any person who caused the work to be so performed, played or shown is guilty of an offence if he knew or had reason to believe that copyright would be infringed.

(4) A person guilty of an offence under subsection (1)(a), (b), (d)(iv) or (e) is liable— (a) on summary conviction to imprisonment for a term not exceeding six months

or [F233 a fine ] , or both; (b) on conviction on indictment to a fine or imprisonment for a term not exceeding

[F234 ten ] years, or both.

[F235 (4A) A person guilty of an offence under subsection (2A) is liable— (a) on summary conviction to imprisonment for a term not exceeding three

months or [F236 a fine ] , or both; (b) on conviction on indictment to a fine or imprisonment for a term not exceeding

[F237 ten ] years, or both. ]

(5) A person guilty of any other offence under this section is liable on summary conviction to imprisonment for a term not exceeding [F238 three ] months or a fine not exceeding level 5 on the standard scale, or both.

(6) Sections 104 to 106 (presumptions as to various matters connected with copyright) do not apply to proceedings for an offence under this section; but without prejudice to their application in proceedings for an order under section 108 below.

Amendments (Textual) F231 S. 107(2A)(2B) substituted for s. 107(2A) (1.10.2017) by Digital Economy Act 2017 (c. 30), ss. 32(2) ,

118(6) (with s. 32(6)); S.I. 2017/765, reg. 3(a) F232 Words in s. 107(3) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 9(2) (with regs. 31-40) F233 Words in s. 107(4)(a) substituted (12.3.2015) by The Legal Aid, Sentencing and Punishment of

Offenders Act 2012 (Fines on Summary Conviction) Regulations 2015 (S.I. 2015/664), reg. 1(1), Sch. 4 para. 17(2)(a) (with reg. 5(1))

F234 Word in s. 107(4)(b) substituted (20.11.2002) by 2002 c. 25, s. 1(2)(5) ; S.I. 2002/2749, art. 2 F235 S. 107(4A) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 26(1)(b) (with regs. 31-40) F236 Words in s. 107(4A)(a) substituted (12.3.2015) by The Legal Aid, Sentencing and Punishment of

Offenders Act 2012 (Fines on Summary Conviction) Regulations 2015 (S.I. 2015/664), reg. 1(1), Sch. 4 para. 17(2)(b) (with reg. 5(1))

F237 Word in s. 107(4A)(b) substituted (1.10.2017) by Digital Economy Act 2017 (c. 30), ss. 32(3) , 118(6) (with s. 32(6)); S.I. 2017/765, reg. 3(a)

F238 Word in s. 107(5) substituted (1.1.2011) by The Copyright, Designs and Patents Act 1988 (Amendment) Regulations 2010 (S.I. 2010/2694), art. 5

[F239107AEnforcement by local weights and measures authority.

(1) It is the duty of every local weights and measures authority to enforce within their area the provisions of section 107.

F240 (2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(3) Subsection (1) above does not apply in relation to the enforcement of section 107 in Northern Ireland, but it is the duty of the Department of Economic Development to enforce that section in Northern Ireland. F241 ...

[F242 (3A) For the investigatory powers available to a local weights and measures authority or the Department of Enterprise, Trade and Investment in Northern Ireland for the purposes of the duties in this section, see Schedule 5 to the Consumer Rights Act 2015. ]

(4) Any enactment which authorises the disclosure of information for the purpose of facilitating the enforcement of the Trade Descriptions Act 1968 shall apply as if section 107 were contained in that Act and as if the functions of any person in relation to the enforcement of that section were functions under that Act.

(5) Nothing in this section shall be construed as authorising a local weights and measures authority to bring proceedings in Scotland for an offence. ]

92 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Amendments (Textual) F239 S. 107A inserted (6.4.2007) by 1994 c. 33, ss. 165(2), 172(2); S.I. 2007/621, art. 2 F240 S. 107A(2) omitted (1.10.2015) by virtue of Consumer Rights Act 2015 (c. 15), s. 100(5), Sch. 6 para.

49(2) ; S.I. 2015/1630, art. 3(i) (with art. 8) F241 Words in s. 107A(3) omitted (1.10.2015) by virtue of Consumer Rights Act 2015 (c. 15), s. 100(5),

Sch. 6 para. 49(3) ; S.I. 2015/1630, art. 3(i) (with art. 8) F242 S. 107A(3A) inserted (1.10.2015) by Consumer Rights Act 2015 (c. 15), s. 100(5), Sch. 6 para. 49(4) ;

S.I. 2015/1630, art. 3(i)

108 Order for delivery up in criminal proceedings.

(1) The court before which proceedings are brought against a person for an offence under section 107 may, if satisfied that at the time of his arrest or charge—

(a) he had in his possession, custody or control in the course of a business an infringing copy of a copyright work, or

(b) he had in his possession, custody or control an article specifically designed or adapted for making copies of a particular copyright work, knowing or having reason to believe that it had been or was to be used to make infringing copies,

order that the infringing copy or article be delivered up to the copyright owner or to such other person as the court may direct.

(2) For this purpose a person shall be treated as charged with an offence— (a) in England, Wales and Northern Ireland, when he is orally charged or is served

with a summons or indictment; (b) in Scotland, when he is cautioned, charged or served with a complaint or

indictment.

(3) An order may be made by the court of its own motion or on the application of the prosecutor (or, in Scotland, the Lord Advocate or procurator-fiscal), and may be made whether or not the person is convicted of the offence, but shall not be made—

(a) after the end of the period specified in section 113 (period after which remedy of delivery up not available), or

(b) if it appears to the court unlikely that any order will be made under section 114 (order as to disposal of infringing copy or other article).

(4) An appeal lies from an order made under this section by a magistrates’ court— (a) in England and Wales, to the Crown Court, and (b) in Northern Ireland, to the county court;

and in Scotland, where an order has been made under this section, the person from whose possession, custody or control the infringing copy or article has been removed may, without prejudice to any other form of appeal under any rule of law, appeal against that order in the same manner as against sentence.

(5) A person to whom an infringing copy or other article is delivered up in pursuance of an order under this section shall retain it pending the making of an order, or the decision not to make an order, undersection 114.

(6) Nothing in this section affects the powers of the court under [F243 section 143 of the Powers of Criminal Courts (Sentencing)Act 2000 ] , [F244 Part II of the Proceeds

of Crime (Scotland) Act 1995 ] or [F245 Article 11 of the Criminal Justice (Northern Ireland) Order 1994 ] (general provisions as to forfeiture in criminal proceedings).

Amendments (Textual) F243 Words in s. 108(6) substituted (25.8.2000) by 2000 c. 6, ss. 165(3), 168(1), Sch. 9 para. 115 F244 Words in s. 108(6) substituted (1.4.1996) by virtue of 1995 c. 40, ss. 5, 7(2), Sch. 4 para. 70(2) F245 Words in s. 108(6) substituted (9.1.1995) by S.I. 1994/2795 (N.I. 15), art. 26(1), Sch. 2 para. 13 ; S.R.

1994/446, art. 2

109 Search warrants.

(1) Where a justice of the peace (in Scotland, a sheriff or justice of the peace) is satisfied by information on oath given by a constable (in Scotland, by evidence on oath) that there are reasonable grounds for believing—

(a) that an offence under [F246 section 107(1), (2) or (2A) ] has been or is about to be committed in any premises, and

(b) that evidence that such an offence has been or is about to be committed is in those premises,

he may issue a warrant authorising a constable to enter and search the premises, using such reasonable force as is necessary.

(2) The power conferred by subsection (1) does not, in England and Wales, extend to authorising a search for material of the kinds mentioned in section 9(2) of the M7 Police and Criminal Evidence Act 1984 (certain classes of personal or confidential material).

(3) A warrant under this section— (a) may authorise persons to accompany any constable executing the warrant, and (b) remains in force for [F247 three months ] from the date of its issue.

(4) In executing a warrant issued under this section a constable may seize an article if he reasonably believes that it is evidence that any offence under [F248 section 107(1), (2) or (2A) ] has been or is about to be committed.

(5) In this section “premises” includes land, buildings [F249 fixed or ] , moveable structures, vehicles, vessels, aircraft and hovercraft.

Amendments (Textual) F246 Words in s. 109(1)(a) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 26(2)(i) (with regs. 31-40) F247 Words in s. 109(3)(b) substituted (1.1.2006) by Serious Organised Crime and Police Act 2005 (c. 15),

ss. 174(1), 178, Sch. 16 para. 6(2) ; S.I. 2005/3495, art. 2(1)(s) (subject to art. 2(2)) F248 Words in s. 109(4) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 26(2)(ii) (with regs. 31-40) F249 Words in s. 109(5) inserted (20.11.2002) by 2002 c. 25, s. 2(2)(c) ; S.I. 2002/2749, art. 2

Modifications etc. (not altering text) C56 S. 109(4): power of seizure extended (1.4.2003) by 2001 c. 16, ss. 50, 52-54, 68, 138(2) Sch. 1 Pt. 1

para. 48; S.I. 2003/708, art. 2

94 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

S. 109(4) modified (E.W.N.I.) (1.4.2003) by 2001 c. 16, ss. 55, 68, 138(2), Sch. 1 Pt. 3 para. 106 (with s. 57(3)); S.I. 2003/708, art. 2

Marginal Citations M7 1984 c. 60.

110 Offence by body corporate: liability of officers.

(1) Where an offence under section 107 committed by a body corporate is proved to have been committed with the consent or connivance of a director, manager, secretary or other similar officer of the body, or a person purporting to act in any such capacity, he as well as the body corporate is guilty of the offence and liable to be proceeded against and punished accordingly.

(2) In relation to a body corporate whose affairs are managed by its members “director” means a member of the body corporate.

Provision for preventing importation of infringing copies

111 Infringing copies may be treated as prohibited goods.

(1) The owner of the copyright in a published literary, dramatic or musical work may give notice in writing to the Commissioners of Customs and Excise—

(a) that he is the owner of the copyright in the work, and (b) that he requests the Commissioners, for a period specified in the notice, to treat

as prohibited goods printed copies of the work which are infringing copies.

(2) The period specified in a notice under subsection (1) shall not exceed five years and shall not extend beyond the period for which copyright is to subsist.

(3) The owner of the copyright in a sound recording or film may give notice in writing to the Commissioners of Customs and Excise—

(a) that he is the owner of the copyright in the work, (b) that infringing copies of the work are expected to arrive in the United

Kingdom at a time and a place specified in the notice, and (c) that he requests the Commissioners to treat the copies as prohibited goods.

F250[F251 (3A) The Commissioners may treat as prohibited goods only infringing copies of works which arrive in the United Kingdom—

(a) from outside the European Economic Area, or (b) from within that Area but not having been entered for free circulation.

[F251 (3B) This section does not apply to goods placed in, or expected to be placed in, one of the situations referred to in Article 1(1), in respect of which an application may be made under Article 5(1), of Council Regulation (EC) No 1383/2003 concerning customs action against goods suspected of infringing certain intellectual property rights and the measures to be taken against goods found to have infringed such rights. ]]

(4) When a notice is in force under this section the importation of goods to which the notice relates, otherwise than by a person for his private and domestic use, [F252 subject to subsections (3A) and (3B), is prohibited ] ; but a person is not by reason of the prohibition liable to any penalty other than forfeiture of the goods.

Amendments (Textual) F250 S. 111(3A)(3B) inserted (1.7.1995) by S.I. 1995/1445, reg. 2(2) F251 S. 111(3B) substituted (1.7.2004) by The Goods Infringing Intellectual Property Rights (Customs)

Regulations 2004 (S.I. 2004/1473), reg. 12 (with reg. 2(2)(3)) F252 Words in s. 111(4) substituted (1.7.1995) by S.I. 1995/1445, reg. 2(3)

112 Power of Commissioners of Customs and Excise to make regulations.

(1) The Commissioners of Customs and Excise may make regulations prescribing the form in which notice is to be given under section 111 and requiring a person giving notice—

(a) to furnish the Commissioners with such evidence as may be specified in the regulations, either on giving notice or when the goods are imported, or at both those times, and

(b) to comply with such other conditions as may be specified in the regulations.

(2) The regulations may, in particular, require a person giving such a notice— (a) to pay such fees in respect of the notice as may be specified by the regulations; (b) to give such security as may be so specified in respect of any liability or

expense which the Commissioners may incur in consequence of the notice by reason of the detention of any article or anything done to an article detained;

(c) to indemnify the Commissioners against any such liability or expense, whether security has been given or not.

(3) The regulations may make different provision as respects different classes of case to which they apply and may include such incidental and supplementary provisions as the Commissioners consider expedient.

(4) Regulations under this section shall be made by statutory instrument which shall be subject to annulment in pursuance of a resolution of either House of Parliament.

(5) F253 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F253 S. 112(5) repealed (18.4.2005) by Commissioners for Revenue and Customs Act 2005 (c. 11), ss.

50(6), 52(2), 53(1), Sch. 4 para. 38, Sch. 5 ; S.I. 2005/1126, art. 2(2)(h)(i)

113 Period after which remedy of delivery up not available.

(1) An application for an order under section 99 (order for delivery up in civil proceedings) may not be made after the end of the period of six years from the date on which the infringing copy or article in question was made, subject to the following provisions.

(2) If during the whole or any part of that period the copyright owner— (a) is under a disability, or

96 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(b) is prevented by fraud or concealment from discovering the facts entitling him to apply for an order,

an application may be made at any time before the end of the period of six years from the date on which he ceased to be under a disability or, as the case may be, could with reasonable diligence have discovered those facts.

(3) In subsection (2) “disability”— (a) in England and Wales, has the same meaning as in the M8 Limitation Act 1980; (b) in Scotland, means legal disability within the meaning of the M9 Prescription

and Limitation (Scotland) Act 1973; (c) in Northern Ireland, has the same meaning as in the M10 Statute of Limitations

(Northern Ireland) 1958.

(4) An order under section 108 (order for delivery up in criminal proceedings) shall not, in any case, be made after the end of the period of six years from the date on which the infringing copy or article in question was made.

Marginal Citations M8 1980 c. 58. M9 1973 c. 52. M10 1958 c. 10 (N.I.).

114 Order as to disposal of infringing copy or other article.

(1) An application may be made to the court for an order that an infringing copy or other article delivered up in pursuance of an order under section 99 or 108, or seized and detained in pursuance of the right conferred by section 100, shall be—

(a) forfeited to the copyright owner, or (b) destroyed or otherwise dealt with as the court may think fit,

or for a decision that no such order should be made.

(2) In considering what order (if any) should be made, the court shall consider whether other remedies available in an action for infringement of copyright would be adequate to compensate the copyright owner and to protect his interests.

(3) Provision shall be made by rules of court as to the service of notice on persons having an interest in the copy or other articles, and any such person is entitled—

(a) to appear in proceedings for an order under this section, whether or not he was served with notice, and

(b) to appeal against any order made, whether or not he appeared; and an order shall not take effect until the end of the period within which notice of an appeal may be given or, if before the end of that period notice of appeal is duly given, until the final determination or abandonment of the proceedings on the appeal.

(4) Where there is more than one person interested in a copy or other article, the court shall make such order as it thinks just and may (in particular) direct that the article be sold, or otherwise dealt with, and the proceeds divided.

(5) If the court decides that no order should be made under this section, the person in whose possession, custody or control the copy or other article was before being delivered up or seized is entitled to its return.

(6) References in this section to a person having an interest in a copy or other article include any person in whose favour an order could be made in respect of it

[F254 (a) under this section or under section 204 or 231 of this Act; (b) under section 24D of the Registered Designs Act 1949; (c) under section 19 of Trade Marks Act 1994 (including that section as

applied by regulation 4 of the Community Trade Mark Regulations 2006 (SI 2006/1027)); or

(d) under regulation 1C of the Community Design Regulations 2005 (SI 2005/2339). ]

Amendments (Textual) F254 Words in s. 114(6) substituted (29.4.2006) by The Intellectual Property (Enforcement, etc.)

Regulations 2006 (S.I. 2006/1028), reg. 2(1), Sch. 2 para. 7

Modifications etc. (not altering text) C57 S. 114 extended by S.I. 1991/724, art. 2(1)(n)

[F255114AForfeiture of infringing copies, etc.: England and Wales or Northern Ireland

(1) In England and Wales or Northern Ireland where there have come into the possession of any person in connection with the investigation or prosecution of a relevant offence —

(a) infringing copies of a copyright work, or (b) articles specifically designed or adapted for making copies of a particular

copyright work, that person may apply under this section for an order for the forfeiture of the infringing copies or articles.

(2) For the purposes of this section “relevant offence” means— (a) an offence under [F256 section 107(1), (2) or (2A) ] (criminal liability for making

or dealing with infringing articles, etc.), (b) an offence under the Trade Descriptions Act 1968 (c. 29),

[F257 (ba) an offence under the Business Protection from Misleading Marketing Regulations 2008,

(bb) an offence under the Consumer Protection from Unfair Trading Regulations 2008, or ]

(c) an offence involving dishonesty or deception.

(3) An application under this section may be made— (a) where proceedings have been brought in any court for a relevant offence

relating to some or all of the infringing copies or articles, to that court, or (b) where no application for the forfeiture of the infringing copies or articles has

been made under paragraph (a), by way of complaint to a magistrates’ court.

98 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(4) On an application under this section, the court shall make an order for the forfeiture of any infringing copies or articles only if it is satisfied that a relevant offence has been committed in relation to the infringing copies or articles.

(5) A court may infer for the purposes of this section that such an offence has been committed in relation to any infringing copies or articles if it is satisfied that such an offence has been committed in relation to infringing copies or articles which are representative of the infringing copies or articles in question (whether by reason of being of the same design or part of the same consignment or batch or otherwise).

(6) Any person aggrieved by an order made under this section by a magistrates’ court, or by a decision of such a court not to make such an order, may appeal against that order or decision—

(a) in England and Wales, to the Crown Court, or (b) in Northern Ireland, to the county court.

(7) An order under this section may contain such provision as appears to the court to be appropriate for delaying the coming into force of the order pending the making and determination of any appeal (including any application under section 111 of the Magistrates’ Courts Act 1980 (c. 43) or Article 146 of the Magistrates’ Courts (Northern Ireland) Order 1981 (S.I. 1981/1675 (N.I. 26)) (statement of case)).

(8) Subject to subsection (9), where any infringing copies or articles are forfeited under this section they shall be destroyed in accordance with such directions as the court may give.

(9) On making an order under this section the court may direct that the infringing copies or articles to which the order relates shall (instead of being destroyed) be forfeited to the owner of the copyright in question or dealt with in such other way as the court considers appropriate. ]

Amendments (Textual) F255 Ss. 114A, 114B inserted (20.11.2002) by 2002 c. 25, s. 3 ; S.I. 2002/2749, art. 2 F256 Words in s. 114A(2)(a) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 26(2)(iii) (with regs. 31-40) F257 S. 114A(2)(ba)(bb) and word substituted (26.5.2008) for word by The Consumer Protection from

Unfair Trading Regulations 2008 (S.I. 2008/1277), reg. 1, Sch. 2 para. 40 (with reg. 28(2)(3))

F258114BForfeiture of infringing copies, etc.: Scotland

(1) In Scotland the court may make an order under this section for the forfeiture of any— (a) infringing copies of a copyright work, or (b) articles specifically designed or adapted for making copies of a particular

copyright work.

(2) An order under this section may be made— (a) on an application by the procurator-fiscal made in the manner specified in

section 134 of the Criminal Procedure (Scotland) Act 1995 (c. 46), or (b) where a person is convicted of a relevant offence, in addition to any other

penalty which the court may impose.

(3) On an application under subsection (2)(a), the court shall make an order for the forfeiture of any infringing copies or articles only if it is satisfied that a relevant offence has been committed in relation to the infringing copies or articles.

(4) The court may infer for the purposes of this section that such an offence has been committed in relation to any infringing copies or articles if it is satisfied that such an offence has been committed in relation to infringing copies or articles which are representative of the infringing copies or articles in question (whether by reason of being of the same design or part of the same consignment or batch or otherwise).

(5) The procurator-fiscal making the application under subsection (2)(a) shall serve on any person appearing to him to be the owner of, or otherwise to have an interest in, the infringing copies or articles to which the application relates a copy of the application, together with a notice giving him the opportunity to appear at the hearing of the application to show cause why the infringing copies or articles should not be forfeited.

(6) Service under subsection (5) shall be carried out, and such service may be proved, in the manner specified for citation of an accused in summary proceedings under the Criminal Procedure (Scotland) Act 1995.

(7) Any person upon whom notice is served under subsection (5) and any other person claiming to be the owner of, or otherwise to have an interest in, infringing copies or articles to which an application under this section relates shall be entitled to appear at the hearing of the application to show cause why the infringing copies or articles should not be forfeited.

(8) The court shall not make an order following an application under subsection (2)(a)— (a) if any person on whom notice is served under subsection (5) does not appear,

unless service of the notice on that person is proved, or (b) if no notice under subsection (5) has been served, unless the court is satisfied

that in the circumstances it was reasonable not to serve such notice.

(9) Where an order for the forfeiture of any infringing copies or articles is made following an application under subsection (2)(a), any person who appeared, or was entitled to appear, to show cause why infringing copies or articles should not be forfeited may, within 21 days of the making of the order, appeal to the High Court by Bill of Suspension.

(10) Section 182(5)(a) to (e) of the Criminal Procedure (Scotland) Act 1995 (c. 46) shall apply to an appeal under subsection (9) as it applies to a stated case under Part 2 of that Act.

(11) An order following an application under subsection (2)(a) shall not take effect— (a) until the end of the period of 21 days beginning with the day after the day on

which the order is made, or (b) if an appeal is made under subsection (9) above within that period, until the

appeal is determined or abandoned.

(12) An order under subsection (2)(b) shall not take effect— (a) until the end of the period within which an appeal against the order could be

brought under the Criminal Procedure (Scotland) Act 1995, or (b) if an appeal is made within that period, until the appeal is determined or

100 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(13) Subject to subsection (14), infringing copies or articles forfeited under this section shall be destroyed in accordance with such directions as the court may give.

(14) On making an order under this section the court may direct that the infringing copies or articles to which the order relates shall (instead of being destroyed) be forfeited to the owner of the copyright in question or dealt with in such other way as the court considers appropriate.

(15) For the purposes of this section— [F259 “relevant offence” means—

(a) an offence under section 107(1), (2) or (2A) (criminal liability for making or dealing with infringing articles, etc),

(b) an offence under the Trade Descriptions Act 1968, (c) an offence under the Business Protection from Misleading Marketing

Regulations 2008, (d) an offence under the Consumer Protection from Unfair Trading

Regulations 2008, or (e) any offence involving dishonesty or deception; ]

“the court” means— (a) in relation to an order made on an application under subsection (2)(a),

the sheriff, and (b) in relation to an order made under subsection (2)(b), the court which

imposed the penalty.

Amendments (Textual) F258 Ss. 114A, 114B inserted (20.11.2002) by 2002 c. 25, s. 3 ; S.I. 2002/2749, art. 2 F259 Words in s. 114B(15) substituted (26.5.2008) by The Consumer Protection from Unfair Trading

Regulations 2008 (S.I. 2008/1277), reg. 1, Sch. 2 para. 41 (with reg. 28(2)(3))

115 Jurisdiction of county court and sheriff court.

(1) In England [F260 and Wales the county court and in ] Northern Ireland a county court may entertain proceedings under—

section 99 (order for delivery up of infringing copy or other article), section 102(5) (order as to exercise of rights by copyright owner where exclusive licensee has concurrent rights), or section 114 (order as to disposal of infringing copy or other article),

[F261 save that, in Northern Ireland, a county court may entertain such proceedings only ] where the value of the infringing copies and other articles in question does not exceed the county court limit for actions in tort.

(2) In Scotland proceedings for an order under any of those provisions may be brought in the sheriff court.

(3) Nothing in this section shall be construed as affecting the jurisdiction of the High Court or, in Scotland, the Court of Session.

Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright Chapter VII – Copyright Licensing Document Generated: 2018-04-19

Amendments (Textual) F260 Words in s. 115(1) substituted (22.4.2014) by Crime and Courts Act 2013 (c. 22), s. 61(3), Sch.

9 para. 72 ; S.I. 2014/954, art. 2(c) (with art. 3) (with transitional provisions and savings in S.I. 2014/956, arts. 3-11)

F261 Words in s. 115(1) inserted by S.I. 1991/724, art. 2(8), Sch edule Pt. I

CHAPTER VII

COPYRIGHT LICENSING

Modifications etc. (not altering text) C58 Pt. I Ch. VII (ss. 116-144) applied (with modifications) (1.12.1996) by S.I. 1996/2967, reg. 17(1)-(3)

Licensing schemes and licensing bodies

116 Licensing schemes and licensing bodies.

(1) In this Part a “licensing scheme” means a scheme setting out— (a) the classes of case in which the operator of the scheme, or the person on whose

behalf he acts, is willing to grant copyright licences, and (b) the terms on which licences would be granted in those classes of case;

and for this purpose a “scheme” includes anything in the nature of a scheme, whether described as a scheme or as a tariff or by any other name.

(2) In this Chapter a “licensing body” means [F262 (a) a society or other organisation which has as its main object, or one of its main

objects, the negotiation or granting, either as owner or prospective owner of copyright or as agent for him, of copyright licences, and whose objects include the granting of licences covering works of more than one author ][F263 , or,

(b) any other organisation which is a collective management organisation as defined by regulation 2 of the Collective Management of Copyright (EU Directive) Regulations 2016 ] .

(3) In this section “copyright licences” means licences to do, or authorise the doing of, any of the acts restricted by copyright.

(4) References in this Chapter to licences or licensing schemes covering works of more than one author do not include licences or schemes covering only—

(a) a single collective work or collective works of which the authors are the same, or

(b) works made by, or by employees of or commissioned by, a single individual, firm, company or group of companies.

For this purpose a group of companies means a holding company and its subsidiaries, within the meaning of [F264 section 1159 of the Companies Act 2006 ] .

102 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Chapter VII – Copyright Licensing Document Generated: 2018-04-19

[F265 (5) Schedule A1 confers powers to provide for the regulation of licensing bodies. ]

Amendments (Textual) F262 Words in s. 116(2) renumbered as s. 116(2)(a) (10.4.2016) by The Collective Management of

Copyright (EU Directive) Regulations 2016 (S.I. 2016/221), regs. 1, 44(a) F263 S. 116(2)(b) and word inserted (10.4.2016) by The Collective Management of Copyright (EU

Directive) Regulations 2016 (S.I. 2016/221), regs. 1, 44(b) F264 Words in s. 116(4) substituted (1.10.2009) by The Companies Act 2006 (Consequential Amendments,

Transitional Provisions and Savings) Order 2009 (S.I. 2009/1941), art. 2(1), Sch. 1 para. 98(a) (with art. 10)

F265 S. 116(5) inserted (25.4.2013) by Enterprise and Regulatory Reform Act 2013 (c. 24), ss. 77(2) , 103(1)

[F266 Orphan works licensing and extended collective licensing

Amendments (Textual) F266 Ss. 116A-116D and cross-heading inserted (25.4.2013) by Enterprise and Regulatory Reform Act 2013

(c. 24), ss. 77(3) , 103(1)

116A Power to provide for licensing of orphan works

(1) The Secretary of State may by regulations provide for the grant of licences in respect of works that qualify as orphan works under the regulations.

(2) The regulations may— (a) specify a person or a description of persons authorised to grant licences, or (b) provide for a person designated in the regulations to specify a person or a

description of persons authorised to grant licences

(3) The regulations must provide that, for a work to qualify as an orphan work, it is a requirement that the owner of copyright in it has not been found after a diligent search made in accordance with the regulations.

(4) The regulations may provide for the granting of licences to do, or authorise the doing of, any act restricted by copyright that would otherwise require the consent of the missing owner.

(5) The regulations must provide for any licence— (a) to have effect as if granted by the missing owner; (b) not to give exclusive rights; (c) not to be granted to a person authorised to grant licences.

(6) The regulations may apply to a work although it is not known whether copyright subsists in it, and references to a missing owner and a right or interest of a missing owner are to be read as including references to a supposed owner and a supposed right or interest.

116B Extended collective licensing

(1) The Secretary of State may by regulations provide for a licensing body that applies to the Secretary of State under the regulations to be authorised to grant copyright licences in respect of works in which copyright is not owned by the body or a person on whose behalf the body acts.

(2) An authorisation must specify— (a) the types of work to which it applies, and (b) the acts restricted by copyright that the licensing body is authorised to license.

(3) The regulations must provide for the copyright owner to have a right to limit or exclude the grant of licences by virtue of the regulations.

(4) The regulations must provide for any licence not to give exclusive rights.

(5) In this section “ copyright licences ” has the same meaning as in section 116.

(6) Nothing in this section applies in relation to Crown copyright or Parliamentary copyright.

116C General provision about licensing under sections 116A and 116B

(1) This section and section 116D apply to regulations under sections 116A and 116B.

(2) The regulations may provide for a body to be or remain authorised to grant licences only if specified requirements are met, and for a question whether they are met to be determined by a person, and in a manner, specified in the regulations.

(3) The regulations may specify other matters to be taken into account in any decision to be made under the regulations as to whether to authorise a person to grant licences.

(4) The regulations must provide for the treatment of any royalties or other sums paid in respect of a licence, including—

(a) the deduction of administrative costs; (b) the period for which sums must be held; (c) the treatment of sums after that period (as bona vacantia or otherwise).

(5) The regulations must provide for circumstances in which an authorisation to grant licences may be withdrawn, and for determining the rights and obligations of any person if an authorisation is withdrawn.

(6) The regulations may include other provision for the purposes of authorisation and licensing, including in particular provision—

(a) for determining the rights and obligations of any person if a work ceases to qualify as an orphan work (or ceases to qualify by reference to any copyright owner), or if a rights owner exercises the right referred to in section 116B(3), while a licence is in force;

(b) about maintenance of registers and access to them; (c) permitting the use of a work for incidental purposes including an application

or search; (d) for a right conferred by section 77 to be treated as having been asserted in

accordance with section 78; (e) for the payment of fees to cover administrative expenses.

104 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

116D Regulations under sections 116A and 116B

(1) The power to make regulations includes power— (a) to make incidental, supplementary or consequential provision, including

provision extending or restricting the jurisdiction of the Copyright Tribunal or conferring powers on it;

(b) to make transitional, transitory or saving provision; (c) to make different provision for different purposes.

(2) Regulations under any provision may amend this Part, or any other enactment or subordinate legislation passed or made before that provision comes into force, for the purpose of making consequential provision or extending or restricting the jurisdiction of the Copyright Tribunal or conferring powers on it.

(3) Regulations may make provision by reference to guidance issued from time to time by any person.

(4) The power to make regulations is exercisable by statutory instrument.

(5) A statutory instrument containing regulations may not be made unless a draft of the instrument has been laid before and approved by a resolution of each House of Parliament. ]

References and applications with respect to licensing schemes

[F267117 Licensing schemes to which following sections apply.

Sections 118 to 123 (references and applications with respect to licensing schemes) apply to licensing schemes which are operated by licensing bodies and cover works of more than one author, so far as they relate to licences for—

(a) copying the work, (b) rental or lending of copies of the work to the public, (c) performing, showing or playing the work in public, or

[F268 (d) communicating the work to the public; ] and references in those sections to a licensing scheme shall be construed accordingly. ]

Amendments (Textual) F267 S. 117 substituted (1.12.1996) by S.I. 1996/2967, reg. 15(2) (with Pt. III) F268 S. 117(d) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(1), Sch. 1 para. 4(4) (with regs. 31-40)

118 Reference of proposed licensing scheme to tribunal.

(1) The terms of a licensing scheme proposed to be operated by a licensing body may be referred to the Copyright Tribunal by an organisation claiming to be representative of persons claiming that they require licences in cases of a description to which the scheme would apply, either generally or in relation to any description of case.

(2) The Tribunal shall first decide whether to entertain the reference, and may decline to do so on the ground that the reference is premature.

(3) If the Tribunal decides to entertain the reference it shall considerthe matter referred and make such order, either confirming or varying the proposed scheme, either generally or so far as it relates to cases of the description to which the reference relates, as the Tribunal may determine to be reasonable in the circumstances.

(4) The order may be made so as to be in force indefinitely or for such period as the Tribunal may determine.

119 Reference of licensing scheme to tribunal.

(1) If while a licensing scheme is in operation a dispute arises between the operator of the scheme and—

(a) a person claiming that he requires a licence in a case of a description to which the scheme applies, or

(b) an organisation claiming to be representative of such persons, that person or organisation may refer the scheme to the Copyright Tribunal in so far as it relates to cases of that description.

(2) A scheme which has been referred to the Tribunal under this section shall remain in operation until proceedings on the reference are concluded.

(3) The Tribunal shall consider the matter in dispute and make such order, either confirming or varying the scheme so far as it relates to cases of the description to which the reference relates, as the Tribunal may determine to be reasonable in the circumstances.

120 Further reference of scheme to tribunal.

(1) Where the Copyright Tribunal has on a previous reference of a licensing scheme under [F269 section 118, 119 or 128A ] , or under this section, made an order with respect to the scheme, then, while the order remains in force—

(a) the operator of the scheme, (b) a person claiming that he requires a licence in a case of the description to

which the order applies, or (c) an organisation claiming to be representative of such persons,

may refer the scheme again to the Tribunal so far as it relates to cases of that description.

(2) A licensing scheme shall not, except with the special leave of the Tribunal, be referred again to the Tribunal in respect of the same description of cases—

(a) within twelve months from the date of the order on the previous reference, or (b) if the order was made so as to be in force for 15 months or less, until the last

three months before the expiry of the order.

(3) A scheme which has been referred to the Tribunal under this section shall remain in operation until proceedings on the reference are concluded.

(4) The Tribunal shall consider the matter in dispute and make such order, either confirming, varying or further varying the scheme so far as it relates to cases of

106 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

the description to which the reference relates, as the Tribunal may determine to be reasonable in the circumstances.

(5) The order may be made so as to be in force indefinitely or for such period as the Tribunal may determine.

Amendments (Textual) F269 Words in s. 120(1) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 21(4) (with regs. 31-40)

121 Application for grant of licence in connection with licensing scheme.

(1) A person who claims, in a case covered by a licensing scheme, that the operator of the scheme has refused to grant him or procure the grant to him of a licence in accordance with the scheme, or has failed to do so within a reasonable time after being asked, may apply to the Copyright Tribunal.

(2) A person who claims, in a case excluded from a licensing scheme, that the operator of the scheme either—

(a) has refused to grant him a licence or procure the grant to him of a licence, or has failed to do so within a reasonable time of being asked, and that in the circumstances it is unreasonable that a licence should not be granted, or

(b) proposes terms for a licence which are unreasonable, may apply to the Copyright Tribunal.

(3) A case shall be regarded as excluded from a licensing scheme for the purposes of subsection (2) if—

(a) the scheme provides for the grant of licences subject to terms excepting matters from the licence and the case falls within such an exception, or

(b) the case is so similar to those in which licences are granted under the scheme that it is unreasonable that it should not be dealt with in the same way.

(4) If the Tribunal is satisfied that the claim is well-founded, it shall make an order declaring that, in respect of the matters specified in the order, the applicant is entitled to a licence on such terms as the Tribunal may determine to be applicable in accordance with the scheme or, as the case may be, to be reasonable in the circumstances.

122 Application for review of order as to entitlement to licence.

(1) Where the Copyright Tribunal has made an order under section 121 that a person is entitled to a licence under a licensing scheme, the operator of the scheme or the original applicant may apply to the Tribunal to review its order.

(2) An application shall not be made, except with the special leave of the Tribunal— (a) within twelve months from the date of the order, or of the decision on a

previous application under this section, or

(b) if the order was made so as to be in force for 15 months or less, or as a result of the decision on a previous application under this section is due to expire within 15 months of that decision, until the last three months before the expiry date.

(3) The Tribunal shall on an application for review confirm or vary its order as the Tribunal may determine to be reasonable having regard to the terms applicable in accordance with the licensing scheme or, as the case may be, the circumstances of the case.

123 Effect of order of tribunal as to licensing scheme.

(1) A licensing scheme which has been confirmed or varied by the Copyright Tribunal— (a) under section 118 (reference of terms of proposed scheme), or (b) under section 119 or 120 (reference of existing scheme to Tribunal),

shall be in force or, as the case may be, remain in operation, so far as it relates to the description of case in respect of which the order was made, so long as the order remains in force.

(2) While the order is in force a person who in a case of a class to which the order applies— (a) pays to the operator of the scheme any charges payable under the scheme in

respect of a licence covering the case in question or, if the amount cannot be ascertained, gives an undertaking to the operator to pay them when ascertained, and

(b) complies with the other terms applicable to such a licence under the scheme, shall be in the same position as regards infringement of copyright as if he had at all material times been the holder of a licence granted by the owner of the copyright in question in accordance with the scheme.

(3) The Tribunal may direct that the order, so far as it varies the amount of charges payable, has effect from a date before that on which it is made, but not earlier than the date on which the reference was made or, if later, on which the scheme came into operation.

If such a direction is made— (a) any necessary repayments, or further payments, shall be made in respect of

charges already paid, and (b) the reference in subsection (2)(a) to the charges payable under the scheme

shall be construed as a reference to the charges so payable by virtue of the order.

No such direction may be made where subsection (4) below applies.

(4) An order of the Tribunal under section 119 or 120 made with respect to a scheme which is certified for any purpose under section 143 has effect, so far as it varies the scheme by reducing the charges payable for licences, from the date on which the reference was made to the Tribunal.

(5) Where the Tribunal has made an order under section 121 (order as to entitlement to licence under licensing scheme) and the order remains in force, the person in whose favour the order is made shall if he—

(a) pays to the operator of the scheme any charges payable in accordance with the order or, if the amount cannot be ascertained, gives an undertaking to pay the charges when ascertained, and

(b) complies with the other terms specified in the order,

108 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

be in the same position as regards infringement of copyright as if he had at all material times been the holder of a licence granted by the owner of the copyright in question on the terms specified in the order.

References and applications with respect to licensing by licensing bodies

[F270124 Licences to which following sections apply.

Sections 125 to 128 (references and applications with respect to licensing by licensing bodies) apply to licences which are granted by a licensing body otherwise than in pursuance of a licensing scheme and cover works of more than one author, so far as they authorise—

[F271 (d) communicating the work to the public; ] and references in those sections to a licence shall be construed accordingly. ]

Amendments (Textual) F270 S. 124 substituted (1.12.1996) by S.I. 1996/2967, reg. 15(3) (with Pt. III) F271 S. 124(d) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

125 Reference to tribunal of proposed licence.

(1) The terms on which a licensing body proposes to grant a licence may be referred to the Copyright Tribunal by the prospective licensee.

(3) If the Tribunal decides to entertain the reference it shall consider the terms of the proposed licence and make such order, either confirming or varying the terms, as it may determine to be reasonable in the circumstances.

126 Reference to tribunal of expiring licence.

(1) A licensee under a licence which is due to expire, by effluxion of time or as a result of notice given by the licensing body, may apply to the Copyright Tribunal on the ground that it is unreasonable in the circumstances that the licence should cease to be in force.

(2) Such an application may not be made until the last three months before the licence is due to expire.

(3) A licence in respect of which a reference has been made to the Tribunal shall remain in operation until proceedings on the reference are concluded.

(4) If the Tribunal finds the application well-founded, it shall make an order declaring that the licensee shall continue to be entitled to the benefit of the licence on such terms as the Tribunal may determine to be reasonable in the circumstances.

(5) An order of the Tribunal under this section may be made so as to be in force indefinitely or for such period as the Tribunal may determine.

127 Application for review of order as to licence.

(1) Where the Copyright Tribunal has made an order under [F272 section 125, 126 or 128B (where that order did not relate to a licensing scheme) ] , the licensing body or the person entitled to the benefit of the order may apply to the Tribunal to review its order.

(2) An application shall not be made, except with the special leave of the Tribunal— (a) within twelve months from the date of the order or of the decision on a

previous application under this section, or (b) if the order was made so as to be in force for 15 months or less, or as a result of

the decision on a previous application under this section is due to expire within 15 months of that decision, until the last three months before the expiry date.

(3) The Tribunal shall on an application for review confirm or vary its order as the Tribunal may determine to be reasonable in the circumstances.

Amendments (Textual) F272 Words in s. 127(1) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 21(5) (with regs. 31-40)

128 Effect of order of tribunal as to licence.

(1) Where the Copyright Tribunal has made an order under section 125 or 126 and the order remains in force, the person entitled to the benefit of the order shall if he—

(a) pays to the licensing body any charges payable in accordance with the order or, if the amount cannot be ascertained, gives an undertaking to pay the charges when ascertained, and

(b) complies with the other terms specified in the order, be in the same position as regards infringement of copyright as if he had at all material times been the holder of a licence granted by the owner of the copyright in question on the terms specified in the order.

(2) The benefit of the order may be assigned— (a) in the case of an order under section 125, if assignment is not prohibited under

the terms of the Tribunal’s order; and (b) in the case of an order under section 126, if assignment was not prohibited

under the terms of the original licence.

(3) The Tribunal may direct that an order under section 125 or 126, or an order under section 127 varying such an order, so far as it varies the amount of charges payable, has effect from a date before that on which it is made, but not earlier than the date

110 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

on which the reference or application was made or, if later, on which the licence was granted or, as the case may be, was due to expire.

charges already paid, and (b) the reference in subsection (1)(a) to the charges payable in accordance with

the order shall be construed, where the order is varied by a later order, as a reference to the charges so payable by virtue of the later order.

[F273128ANotification of licence or licensing scheme for excepted sound recordings F274 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F273 Ss. 128A, 128B inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 21(3) (with regs. 31-40) F274 S. 128A omitted (1.1.2011) by virtue of The Copyright, Designs and Patents Act 1988 (Amendment)

Regulations 2010 (S.I. 2010/2694), art. 6

128B References to the Tribunal by the Secretary of State under section 128A F275 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ]

2003/2498), reg. 21(3) (with regs. 31-40) F275 S. 128B omitted (1.1.2011) by virtue of The Copyright, Designs and Patents Act 1988 (Amendment)

Factors to be taken into account in certain classes of case

129 General considerations: unreasonable discrimination.

In determining what is reasonable on a reference or application under this Chapter relating to a licensing scheme or licence, the Copyright Tribunal shall have regard to—

(a) the availability of other schemes, or the granting of other licences, to other persons in similar circumstances, and

(b) the terms of those schemes or licences, and shall exercise its powers so as to secure that there is no unreasonable discrimination between licensees, or prospective licensees, under the scheme or licence to which the reference or application relates and licensees under other schemes operated by, or other licences granted by, the same person.

130 Licences for reprographic copying.

Where a reference or application is made to the Copyright Tribunal under this Chapter relating to the licensing of reprographic copying of published literary, dramatic, musical or artistic works, or the typographical arrangement of published editions, the Tribunal shall have regard to—

(a) the extent to which published editions of the works in question are otherwise available,

(b) the proportion of the work to be copied, and (c) the nature of the use to which the copies are likely to be put.

131 Licences for educational establishments in respect of works included in broadcasts F276. . . .

(1) This section applies to references or applications under this Chapter relating to licences for the recording by or on behalf of educational establishments of broadcasts F277 . . . which include copyright works, or the making of copies of such recordings, for educational purposes.

(2) The Copyright Tribunal shall, in considering what charges (if any) should be paid for a licence, have regard to the extent to which the owners of copyright in the works included in the broadcast . . . have already received, or are entitled to receive, payment in respect of their inclusion.

Amendments (Textual) F276 Words in s. 131 heading repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F277 Words in s. 131(1)(2) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

132 Licences to reflect conditions imposed by promoters of events.

(1) This section applies to references or applications under this Chapter in respect of licences relating to sound recordings, films [F278 or broadcasts ] which include, or are to include, any entertainment or other event.

(2) The Copyright Tribunal shall have regard to any conditions imposed by the promoters of the entertainment or other event; and, in particular, the Tribunal shall not hold a refusal or failure to grant a licence to be unreasonable if it could not have been granted consistently with those conditions.

(3) Nothing in this section shall require the Tribunal to have regard to any such conditions in so far as they—

(a) purport to regulate the charges to be imposed in respect of the grant of licences, or

(b) relate to payments to be made to the promoters of any event in consideration of the grant of facilities for making the recording, film [F279 or broadcast ] .

112 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Amendments (Textual) F278 Words in s. 132(1) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 3 para. 3(2)(a) (with regs. 31-40) F279 Words in s. 132(3)(b) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 3(1)(j) (with regs. 31-40)

133 Licences to reflect payments in respect of underlying rights. F280[ ( 1 ) In considering what charges should be paid for a licence—

(a) on a reference or application under this Chapter relating to licences for the rental or lending of copies of a work, or

(b) on an application under section 142 (royalty or other sum payable for lending of certain works), the Copyright Tribunal shall take into account any reasonable payments which the owner of the copyright in the work is liable to make in consequence of the granting of the licence, or of the acts authorised by the licence, to owners of copyright in works included in that work. ]

(2) On any reference or application under this Chapter relating to licensing in respect of the copyright in sound recordings, films [F281 or broadcasts ] , the Copyright Tribunal shall take into account, in considering what charges should be paid for a licence, any reasonable payments which the copyright owner is liable to make in consequence of the granting of the licence, or of the acts authorised by the licence, in respect of any performance included in the recording, film [F282 or broadcast ] .

Amendments (Textual) F280 S. 133(1) substituted (1.12.1996) by S.I. 1996/2967, reg. 13(1) (with Pt. III) F281 Words in s. 133(2) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 3 para. 3(2)(b) (with regs. 31-40) F282 Words in s. 133(2) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 3 para. 3(1)(k) (with regs. 31-40)

134 Licences in respect of works included in re-transmissions.

(1) F283 ... this section applies to references or applications under this Chapter relating to licences to include in a broadcast F284 . . . —

(a) literary, dramatic, musical or artistic works, or, (b) sound recordings or films,

where one broadcast . . . (“the first transmission”) is, by reception and immediate re- transmission, to be further broadcast . . . (“the further transmission”).

(2) So far as the further transmission is to the same area as the first transmission, the Copyright Tribunal shall, in considering what charges (if any) should be paid for licences for either transmission, have regard to the extent to which the copyright owner has already received, or is entitled to receive, payment for the other transmission which adequately remunerates him in respect of transmissions to that area.

(3) So far as the further transmission is to an area outside that to which the first transmission was made, the Tribunal shall . . . leave the further transmission out of account in considering what charges (if any) should be paid for licences for the first transmission.

F285 (3A ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F286 (4) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F283 Words in s. 134(1) repealed (31.7.2017) by Digital Economy Act 2017 (c. 30), ss. 34(2)(a)(i) , 118(6);

S.I. 2017/765, reg. 2(n) F284 Words in s. 134(1)(3) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F285 S. 134(3A) repealed (31.7.2017) by Digital Economy Act 2017 (c. 30), ss. 34(2)(a)(i) , 118(6); S.I.

2017/765, reg. 2(n) F286 S. 134(4) repealed by Broadcasting Act 1990 (c. 42, SIF 96), s. 203(3), Sch. 21

135 Mention of specific matters not to exclude other relevant considerations.

The mention in sections 129 to 134 of specific matters to which the Copyright Tribunal is to have regard in certain classes of case does not affect the Tribunal’s general obligation in any case to have regard to all relevant considerations.

[F287 Use as of right of sound recordings in broadcasts F288 . . .

Amendments (Textual) F287 Ss. 135A–135G inserted by Broadcasting Act 1990 (c. 42, SIF 96), s. 175(1) F288 Words in heading preceding s. 135A repealed (31.10.2003) by The Copyright and Related Rights

Regulations 2003 (S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40)

135A Circumstances in which right available.

(1) Section 135C applies to the inclusion in a broadcast F289 . . . of any sound recordings if—

(a) a licence to include those recordings in the broadcast . . . could be granted by a licensing body or such a body could procure the grant of a licence to do so,

(b) the condition in subsection (2) or (3) applies, and (c) the person including those recordings in the broadcast . . . has complied with

section 135B.

(2) Where the person including the recordings in the broadcast . . . does not hold a licence to do so, the condition is that the licensing body refuses to grant, or procure the grant of, such a licence, being a licence—

(a) whose terms as to payment for including the recordings in the broadcast . . . would be acceptable to him or comply with an order of the Copyright Tribunal

114 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

under section 135D relating to such a licence or any scheme under which it would be granted, and

(b) allowing unlimited needletime or such needletime as he has demanded.

(3) Where he holds a licence to include the recordings in the broadcast . . . , the condition is that the terms of the licence limit needletime and the licensing body refuses to substitute or procure the substitution of terms allowing unlimited needletime or such needletime as he has demanded, or refuses to do so on terms that fall within subsection (2)(a).

(4) The references in subsection (2) to refusing to grant, or procure the grant of, a licence, and in subsection (3) to refusing to substitute or procure the substitution of terms, include failing to do so within a reasonable time of being asked.

(5) In the group of sections from this section to section 135G— [F290 “ broadcast ” does not include any broadcast which is a transmission

of the kind specified in section 6(1A)(b) or (c); ] “ needletime ” means the time in any period (whether determined as a

number of hours in the period or a proportion of the period, or otherwise) in which any recordings may be included in a broadcast . . . ;

“ sound recording ” does not include a film sound track when accompanying a film.

(6) In sections 135B to 135G, “ terms of payment ” means terms as to payment for including sound recordings in a broadcast . . . . ]

Amendments (Textual) F289 Words in s. 135A repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F290 S. 135A(5): definition of "broadcast" inserted (31.10.2003) by The Copyright and Related Rights

Regulations 2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 15(1) (with regs. 31-40)

[F291135BNotice of intention to exercise right.

(1) A person intending to avail himself of the right conferred by section 135C must— (a) give notice to the licensing body of his intention to exercise the right, asking

the body to propose terms of payment, and (b) after receiving the proposal or the expiry of a reasonable period, give

reasonable notice to the licensing body of the date on which he proposes to begin exercising that right, and the terms of payment in accordance with which he intends to do so.

(2) Where he has a licence to include the recordings in a broadcast F292 . . . , the date specified in a notice under subsection (1)(b) must not be sooner than the date of expiry of that licence except in a case falling within section 135A(3).

(3) Before the person intending to avail himself of the right begins to exercise it, he must— (a) give reasonable notice to the Copyright Tribunal of his intention to exercise

the right, and of the date on which he proposes to begin to do so, and (b) apply to the Tribunal under section 135D to settle the terms of payment. ]

Amendments (Textual) F291 Ss. 135A–135G inserted by Broadcasting Act 1990 (c. 42, SIF 96), s. 175(1) F292 Words in s. 135B(2) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

[F293135CConditions for exercise of right.

(1) A person who, on or after the date specified in a notice under section 135B(1)(b), includes in a broadcast F294 . . . any sound recordings in circumstances in which this section applies, and who—

(a) complies with any reasonable condition, notice of which has been given to him by the licensing body, as to inclusion in the broadcast . . . of those recordings,

(b) provides that body with such information about their inclusion in the broadcast . . . as it may reasonably require, and

(c) makes the payments to the licensing body that are required by this section, shall be in the same position as regards infringement of copyright as if he had at all material times been the holder of a licence granted by the owner of the copyright in question.

(2) Payments are to be made at not less than quarterly intervals in arrears.

(3) The amount of any payment is that determined in accordance with any order of the Copyright Tribunal under section 135D or, if no such order has been made—

(a) in accordance with any proposal for terms of payment made by the licensing body pursuant to a request under section 135B, or

(b) where no proposal has been so made or the amount determined in accordance with the proposal so made is unreasonably high, in accordance with the terms of payment notified to the licensing body under section 135B(1)(b).

(4) Where this section applies to the inclusion in a broadcast . . . of any sound recordings, it does so in place of any licence. ]

Amendments (Textual) F293 Ss. 135A–135G inserted by Broadcasting Act 1990 (c. 42, SIF 96), s. 175(1) F294 Words in s. 135C(1)(4) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

[F295135DApplications to settle payments.

(1) On an application to settle the terms of payment, the Copyright Tribunal shall consider the matter and make such order as it may determine to be reasonable in the circumstances.

(2) An order under subsection (1) has effect from the date the applicant begins to exercise the right conferred by section 135C and any necessary repayments, or further payments, shall be made in respect of amounts that have fallen due. ]

116 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Amendments (Textual) F295 Ss. 135A–135G inserted by Broadcasting Act 1990 (c. 42, SIF 96), s. 175(1)

[F296135EReferences etc. about conditions, information and other terms.

(1) A person exercising the right conferred by section 135C, or who has given notice to the Copyright Tribunal of his intention to do so, may refer to the Tribunal—

(a) any question whether any condition as to the inclusion in a broadcast F297 . . . of sound recordings, notice of which has been given to him by the licensing body in question, is a reasonable condition, or

(b) any question whether any information is information which the licensing body can reasonably require him to provide.

(2) On a reference under this section, the Tribunal shall consider the matter and make such order as it may determine to be reasonable in the circumstances. ]

Amendments (Textual) F296 Ss. 135A–135G inserted by Broadcasting Act 1990 (c. 42, SIF 96), s. 175(1) F297 Words in s. 135E(1)(a) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

[F298135FApplication for review of order.

(1) A person exercising the right conferred by section 135C or the licensing body may apply to the Copyright Tribunal to review any order under section 135D or 135E.

previous application under this section, or (b) if the order was made so as to be in force for fifteen months or less, or as a

result of a decision on a previous application is due to expire within fifteen months of that decision, until the last three months before the expiry date.

(3) On the application the Tribunal shall consider the matter and make such order confirming or varying the original order as it may determine to be reasonable in the circumstances.

(4) An order under this section has effect from the date on which it is made or such later date as may be specified by the Tribunal. ]

Amendments (Textual) F298 Ss. 135A–135G inserted by Broadcasting Act 1990 (c. 42, SIF 96), s. 175(1)

[F299135GFactors to be taken into account.

(1) In determining what is reasonable on an application or reference under section 135D or 135E, or on reviewing any order under section 135F, the Copyright Tribunal shall—

(a) have regard to the terms of any orders which it has made in the case of persons in similar circumstances exercising the right conferred by section 135C, and

(b) exercise its powers so as to secure that there is no unreasonable discrimination between persons exercising that right against the same licensing body.

(2) In settling the terms of payment under section 135D, the Tribunal shall not be guided by any order it has made under any enactment other than that section.

(3) Section 134 (factors to be taken into account: retransmissions) applies on an application or reference under sections 135D to 135F as it applies on an application or reference relating to a licence. ]

Amendments (Textual) F299 Ss. 135A–135G inserted by Broadcasting Act 1990 (c. 42, SIF 96), s. 175(1)

[F300135HPower to amend sections 135A to 135G.

(1) The Secretary of State may by order, subject to such transitional provision as appears to him to be appropriate, amend sections 135A to 135G so as—

(a) to include in any reference to sound recordings any works of a description specified in the order; or

(b) to exclude from any reference to a broadcast F301 . . . any broadcast . . . of a description so specified.

(2) An order shall be made by statutory instrument; and no order shall be made unless a draft of it has been laid before and approved by resolution of each House of Parliament. ]

Amendments (Textual) F300 S. 135H inserted (1.11.1996) by 1996 c. 55, s. 139(1) (with s. 43(6)); S.I. 1996/2120, art. 5, Sch. 2 F301 Words in s. 135H(1)(b) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

Implied indemnity in schemes or licences for reprographic copying

136 Implied indemnity in certain schemes and licences for reprographic copying.

(1) This section applies to— (a) schemes for licensing reprographic copying of published literary, dramatic,

musical or artistic works, or the typographical arrangement of published editions, and

(b) licences granted by licensing bodies for such copying,

118 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

where the scheme or licence does not specify the works to which it applies with such particularity as to enable licensees to determine whether a work falls within the scheme or licence by inspection of the scheme or licence and the work.

(2) There is implied— (a) in every scheme to which this section applies an undertaking by the operator

of the scheme to indemnify a person granted a licence under the scheme, and (b) in every licence to which this section applies an undertaking by the licensing

body to indemnify the licensee, against any liability incurred by him by reason of his having infringed copyright by making or authorising the making of reprographic copies of a work in circumstances within the apparent scope of his licence.

(3) The circumstances of a case are within the apparent scope of a licence if— (a) it is not apparent from inspection of the licence and the work that it does not

fall within the description of works to which the licence applies; and (b) the licence does not expressly provide that it does not extend to copyright of

the description infringed.

(4) In this section “liability” includes liability to pay costs; and this section applies in relation to costs reasonably incurred by a licensee in connection with actual or contemplated proceedings against him for infringement of copyright as it applies to sums which he is liable to pay in respect of such infringement.

(5) A scheme or licence to which this section applies may contain reasonable provision— (a) with respect to the manner in which, and time within which, claims under the

undertaking implied by this section are to be made; (b) enabling the operator of the scheme or, as the case may be, the licensing

body to take over the conduct of any proceedings affecting the amount of his liability to indemnify.

Reprographic copying by educational establishments

137 Power to extend coverage of scheme or licence.

(1) This section applies to— (a) a licensing scheme to which sections 118 to 123 apply (see section 117) and

which is operated by a licensing body, or (b) a licence to which sections 125 to 128 apply (see section 124),

so far as it provides for the grant of licences, or is a licence, authorising the making by or on behalf of educational establishments for the purposes of instruction of reprographic copies of published literary, dramatic, musical or artistic works, or of the typographical arrangement of published editions.

(2) If it appears to the Secretary of State with respect to a scheme or licence to which this section applies that—

(a) works of a description similar to those covered by the scheme or licence are unreasonably excluded from it, and

(b) making them subject to the scheme or licence would not conflict with the normal exploitation of the works or unreasonably prejudice the legitimate interests of the copyright owners,

he may by order provide that the scheme or licence shall extend to those works.

(3) Where he proposes to make such an order, the Secretary of State shall give notice of the proposal to—

(a) the copyright owners, (b) the licensing body in question, and (c) such persons or organisations representative of educational establishments,

and such other persons or organisations, as the Secretary of State thinks fit.

(4) The notice shall inform those persons of their right to make written or oral representations to the Secretary of State about the proposal within six months from the date of the notice; and if any of them wishes to make oral representations, the Secretary of State shall appoint a person to hear the representations and report to him.

(5) In considering whether to make an order the Secretary of State shall take into account any representations made to him in accordance with subsection (4), and such other matters as appear to him to be relevant.

Modifications etc. (not altering text) C59 Ss. 137–141 extended by S.I. 1989/1067, art. 2

138 Variation or discharge of order extending scheme or licence.

(1) The owner of the copyright in a work in respect of which an order is in force under section 137 may apply to the Secretary of State for the variation or discharge of the order, stating his reasons for making the application.

(2) The Secretary of State shall not entertain an application made within two years of the making of the original order, or of the making of an order on a previous application under this section, unless it appears to him that the circumstances are exceptional.

(3) On considering the reasons for the application the Secretary of State may confirm the order forthwith; if he does not do so, he shall give notice of the application to—

(a) the licensing body in question, and (b) such persons or organisations representative of educational establishments,

and such other persons or organisations, as he thinks fit.

(4) The notice shall inform those persons of their right to make written or oral representations to the Secretary of State about the application within the period of two months from the date of the notice; and if any of them wishes to make oral representations, the Secretary of State shall appoint a person to hear the representations and report to him.

(5) In considering the application the Secretary of State shall take into account the reasons for the application, any representations made to him in accordance with subsection (4), and such other matters as appear to him to be relevant.

(6) The Secretary of State may make such order as he thinks fit confirming or discharging the order (or, as the case may be, the order as previously varied), or varying (or further varying) it so as to exclude works from it.

120 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Modifications etc. (not altering text) C60 Ss. 137–141 extended by S.I. 1989/1067, art. 2

139 Appeals against orders.

(1) The owner of the copyright in a work which is the subject of an order under section 137 (order extending coverage of scheme or licence) may appeal to the Copyright Tribunal which may confirm or discharge the order, or vary it so as to exclude works from it, as it thinks fit having regard to the considerations mentioned in subsection (2) of that section.

(2) Where the Secretary of State has made an order under section 138 (order confirming, varying or discharging order extending coverage of scheme or licence)—

(a) the person who applied for the order, or (b) any person or organisation representative of educational establishments who

was given notice of the application for the order and made representations in accordance with subsection (4) of that section,

may appeal to the Tribunal which may confirm or discharge the order or make any other order which the Secretary of State might have made.

(3) An appeal under this section shall be brought within six weeks of the making of the order or such further period as the Tribunal may allow.

(4) An order under section 137 or 138 shall not come into effect until the end of the period of six weeks from the making of the order or, if an appeal is brought before the end of that period, until the appeal proceedings are disposed of or withdrawn.

(5) If an appeal is brought after the end of that period, any decision of the Tribunal on the appeal does not affect the validity of anything done in reliance on the order appealed against before that decision takes effect.

Modifications etc. (not altering text) C61 Ss. 137–141 extended by S.I. 1989/1067, art. 2

140 Inquiry whether new scheme or general licence required.

(1) The Secretary of State may appoint a person to inquire into the question whether new provision is required (whether by way of a licensing scheme or general licence) to authorise the making by or on behalf of educational establishments for the purposes of instruction of reprographic copies of—

(a) published literary, dramatic, musical or artistic works, or (b) the typographical arrangement of published editions,

of a description which appears to the Secretary of State not to be covered by an existing licensing scheme or general licence and not to fall within the power conferred by section 137 (power to extend existing schemes and licences to similar works).

(2) The procedure to be followed in relation to an inquiry shall be such as may be prescribed by regulations made by the Secretary of State.

(3) The regulations shall, in particular, provide for notice to be given to— (a) persons or organisations appearing to the Secretary of State to represent the

owners of copyright in works of that description, and (b) persons or organisations appearing to the Secretary of State to represent

educational establishments, and for the making of written or oral representations by such persons; but without prejudice to the giving of notice to, and the making of representations by, other persons and organisations.

(4) The person appointed to hold the inquiry shall not recommend the making of new provision unless he is satisfied—

(a) that it would be of advantage to educational establishments to be authorised to make reprographic copies of the works in question, and

(b) that making those works subject to a licensing scheme or general licence would not conflict with the normal exploitation of the works or unreasonably prejudice the legitimate interests of the copyright owners.

(5) If he does recommend the making of new provision he shall specify any terms, other than terms as to charges payable, on which authorisation under the new provision should be available.

(7) In this section (and section 141) a “general licence” means a licence granted by a licensing body which covers all works of the description to which it applies.

Modifications etc. (not altering text) C62 Ss. 137–141 extended by S.I. 1989/1067, art. 2

141 Statutory licence where recommendation not implemented.

(1) The Secretary of State may, within one year of the making of a recommendation under section 140 by order provide that if, or to the extent that, provision has not been made in accordance with the recommendation, the making by or on behalf of an educational establishment, for the purposes of instruction, of reprographic copies of the works to which the recommendation relates shall be treated as licensed by the owners of the copyright in the works.

(2) For that purpose provision shall be regarded as having been made in accordance with the recommendation if—

(a) a certified licensing scheme has been established under which a licence is available to the establishment in question, or

(b) a general licence has been— (i) granted to or for the benefit of that establishment, or

122 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(ii) referred by or on behalf of that establishment to the Copyright Tribunal under section 125 (reference of terms of proposed licence), or

(iii) offered to or for the benefit of that establishment and refused without such a reference,

and the terms of the scheme or licence accord with the recommendation.

(3) The order shall also provide that any existing licence authorising the making of such copies (not being a licence granted under a certified licensing scheme or a general licence) shall cease to have effect to the extent that it is more restricted or more onerous than the licence provided for by the order.

(4) The order shall provide for the licence to be free of royalty but, as respects other matters, subject to any terms specified in the recommendation and to such other terms as the Secretary of State may think fit.

(5) The order may provide that where a copy which would otherwise be an infringing copy is made in accordance with the licence provided by the order but is subsequently dealt with, it shall be treated as an infringing copy for the purposes of that dealing, and if that dealing infringes copyright for all subsequent purposes.

In this subsection “dealt with” means sold or let for hire, offered or exposed for sale or hire, or exhibited in public.

(6) The order shall not come into force until at least six months after it is made.

(7) An order may be varied from time to time, but not so as to include works other than those to which the recommendation relates or remove any terms specified in the recommendation, and may be revoked.

(8) An order under this section shall be made by statutory instrument which shall be subject to annulment in pursuance of a resolution of either House of Parliament.

(9) In this section a “certified licensing scheme” means a licensing scheme certified for the purposes of this section under section 143.

Modifications etc. (not altering text) C63 Ss. 137–141 extended by S.I. 1989/1067, art. 2

F302[ Royalty or other sum payable for lending of certain works ]

Amendments (Textual) F302 S. 142 and crossheading substituted (1.12.1996) by S.I. 1996/2967, reg. 13(2) (with Pt. III)

142 [F303 Royalty or other sum payable for lending of certain works.]

(1) An application to settle the royalty or other sum payable in pursuance of section 66 (lending of copies of certain copyright works) may be made to the Copyright Tribunal by the copyright owner or the person claiming to be treated as licensed by him.

(2) The Tribunal shall consider the matter and make such order as it may determine to be reasonable in the circumstances.

(3) Either party may subsequently apply to the Tribunal to vary the order, and the Tribunal shall consider the matter and make such order confirming or varying the original order as it may determine to be reasonable in the circumstances.

(4) An application under subsection (3) shall not, except with the special leave of the Tribunal, be made within twelve months from the date of the original order or of the order on a previous application under that subsection.

(5) An order under subsection (3) has effect from the date on which it is made or such later date as may be specified by the Tribunal.

Amendments (Textual) F303 S. 142 substituted (1.12.1996) by S.I. 1996/2967, reg. 13(2) (with Pt. III)

Certification of licensing schemes

143 Certification of licensing schemes.

(1) A person operating or proposing to operate a licensing scheme may apply to the Secretary of State to certify the scheme for the purposes of—

F304 (a) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (b) section 60 (abstracts of scientific or technical articles),

[F305 (c) section 66 (lending to public of copies of certain works), ] F306 (d) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(e) section 141 (reprographic copying of published works by educational establishments).

(2) The Secretary of State shall by order made by statutory instrument certify the scheme if he is satisfied that it—

(a) enables the works to which it relates to be identified with sufficient certainty by persons likely to require licences, and

(b) sets out clearly the charges (if any) payable and the other terms on which licences will be granted.

(3) The scheme shall be scheduled to the order and the certification shall come into operation for the purposes of section F307 ... 60, 66 F308 ... or 141, as the case may be—

(a) on such date, not less than eight weeks after the order is made, as may be specified in the order, or

(b) if the scheme is the subject of a reference under section 118 (reference of proposed scheme), any later date on which the order of the Copyright Tribunal under that section comes into force or the reference is withdrawn.

(4) A variation of the scheme is not effective unless a corresponding amendment of the order is made; and the Secretary of State shall make such an amendment in the case of a variation ordered by the Copyright Tribunal on a reference under section 118, 119 or 120, and may do so in any other case if he thinks fit.

124 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(5) The order shall be revoked if the scheme ceases to be operated and may be revoked if it appears to the Secretary of State that it is no longer being operated according to its terms.

Amendments (Textual) F304 S. 143(1)(a) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 5(a) F305 S. 143(1)(c) substituted (1.12.1996) by S.I. 1996/2967, reg. 11(4) (with Pt. III) F306 S. 143(1)(d) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances (Disability)

Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 2(a) F307 Word in s. 143(3) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances

(Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 5(b)

F308 Word in s. 143(3) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances (Disability) Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 2(b)

Powers exercisable in consequence of competition report

144 Powers exercisable in consequence of report of [F309Competition and Markets Authority].

[F310 ( 1 ) Subsection (1A) applies where whatever needs to be remedied, mitigated or prevented by the Secretary of State [F311 or (as the case may be) the Competition and Markets Authority ] under section 12(5) of the Competition Act 1980 or section 41(2), 55(2), 66(6), 75(2), 83(2), 138(2), 147(2) [F312 , 147A(2) ] or 160(2) of, or paragraph 5(2) or 10(2) of Schedule 7 to, the Enterprise Act 2002 (powers to take remedial action following references to the [F313 Competition and Markets Authority ] in connection with public bodies and certain other persons, mergers or market investigations) consists of or includes—

(a) conditions in licences granted by the owner of copyright in a work restricting the use of the work by the licensee or the right of the copyright owner to grant other licences; or

(b) a refusal of a copyright owner to grant licences on reasonable terms.

(1A) The powers conferred by Schedule 8 to the Enterprise Act 2002 include power to cancel or modify those conditions and, instead or in addition, to provide that licences in respect of the copyright shall be available as of right.

( 2 ) The references to anything permitted by Schedule 8 to the Enterprise Act 2002 in section 12(5A) of the Competition Act 1980 and in sections 75(4)(a), 83(4)(a), 84(2)(a), 89(1), 160(4)(a), 161(3)(a) and 164(1) of, and paragraphs 5, 10 and 11 of Schedule 7 to, the Act of 2002 shall be construed accordingly. ]

(2) The references in sections 56(2) and 73(2) of that Act, and [F314 section ] 12(5) of the M11 Competition Act 1980, to the powers specified in that Part of that Schedule shall be construed accordingly.

(3) [F315 The Secretary of State [F316 or (as the case may be) the Competition and Markets Authority ]] shall only exercise the powers available by virtue of this section if he

[F317 or it ] is satisfied that to do so does not contravene any Convention relating to copyright to which the United Kingdom is a party.

(4) The terms of a licence available by virtue of this section shall, in default of agreement, be settled by the Copyright Tribunal on an application by the person requiring the licence; and terms so settled shall authorise the licensee to do everything in respect of which a licence is so available.

(5) Where the terms of a licence are settled by the Tribunal, the licence has effect from the date on which the application to the Tribunal was made.

Amendments (Textual) F309 Words in s. 144 heading substituted (1.4.2014) by The Enterprise and Regulatory Reform Act 2013

(Competition) (Consequential, Transitional and Saving Provisions) Order 2014 (S.I. 2014/892), art. 1(1), Sch. 1 para. 57(4) (with art. 3)

F310 S. 144(1)(1A)(2) substituted (20.6.2003 for certain purposes and 29.12.2004 otherwise) for s. 144(1) (2) by 2002 c. 40, ss. 278(1), 279, Sch. 25 para. 18(2); S.I. 2003/1397, arts. 2 , 3(1), Sch. (with arts. 4-12); S.I. 2004/3233, art. 2 , Sch. (with arts. 3-5)

F311 Words in s. 144(1) substituted (1.4.2014) by The Enterprise and Regulatory Reform Act 2013 (Competition) (Consequential, Transitional and Saving Provisions) Order 2014 (S.I. 2014/892), art. 1(1), Sch. 1 para. 57(2)(a) (with art. 3)

F312 Word in s. 144(1) inserted (1.4.2014) by The Enterprise and Regulatory Reform Act 2013 (Competition) (Consequential, Transitional and Saving Provisions) Order 2014 (S.I. 2014/892), art. 1(1), Sch. 1 para. 57(2)(b) (with art. 3)

F313 Words in s. 144(1) substituted (1.4.2014) by The Enterprise and Regulatory Reform Act 2013 (Competition) (Consequential, Transitional and Saving Provisions) Order 2014 (S.I. 2014/892), art. 1(1), Sch. 1 para. 57(2)(c) (with art. 3)

F314 Words in s. 144(2) substituted (1.3.2000) by S.I. 2000/311, art. 22(2) F315 Words in s. 144(3) substituted (20.6.2003 for certain purposes and 29.12.2004 otherwise) by 2002

c. 40, ss. 278(1), 279, Sch. 25 para. 18(3)(a); S.I. 2003/1397, arts. 2 , 3(1), Sch. (with arts. 4-12); S.I. 2004/3233, art. 2 , Sch. (with arts. 3-5)

F316 Words in s. 144(3) substituted (1.4.2014) by The Enterprise and Regulatory Reform Act 2013 (Competition) (Consequential, Transitional and Saving Provisions) Order 2014 (S.I. 2014/892), art. 1(1), Sch. 1 para. 57(3) (with art. 3)

F317 Words in s. 144(3) inserted (20.6.2003 for certain purposes and 29.12.2004 otherwise) by 2002 c. 40, ss. 278(1), 279, Sch. 25 para. 18(3)(b); S.I. 2003/1397, arts. 2 , 3(1), Sch. (with arts. 4-12); S.I. 2004/3233, art. 2 , Sch. (with arts. 3-5)

Modifications etc. (not altering text) C64 S. 144(1) amended (20.6.2003) by The Enterprise Act 2002 (Protection of Legitimate Interests) Order

2003 (S.I. 2003/1592), art. 16, Sch. 4 para. 7(1)(a) (as amended (1.4.2014) by S.I. 2014/891, arts. 1, 19(3) (with arts. 20-23))

C65 S. 144(2) amended (20.6.2003) by The Enterprise Act 2002 (Protection of Legitimate Interests) Order 2003 (S.I. 2003/1592), art. 16, Sch. 4 para. 7(1)(b)

Marginal Citations M11 1980 c. 21.

126 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

[F318 Compulsory collective administration of certain rights ]

Amendments (Textual) F318 S. 144A and crossheading inserted (1.12.1996) by S.I. 1996/2967, reg. 7 (with Pt. III)

[F319144ACollective exercise of certain rights in relation to cable re-transmission.

(1) This section applies to the right of the owner of copyright in a literary, dramatic, musical or artistic work, sound recording or film to grant or refuse authorisation for cable re-transmission of a [F320 wireless ] broadcast from another EEA F321 . . . state in which the work is included. That right is referred to below as “cable re-transmission right”.

(2) Cable re-transmission right may be exercised against a cable operator only through a licensing body.

(3) Where a copyright owner has not transferred management of his cable re-transmission right to a licensing body, the licensing body which manages rights of the same category shall be deemed to be mandated to manage his right. Where more than one licensing body manages rights of that category, he may choose which of them is deemed to be mandated to manage his right.

(4) A copyright owner to whom subsection (3) applies has the same rights and obligations resulting from any relevant agreement between the cable operator and the licensing body as have copyright owners who have transferred management of their cable re- transmission right to that licensing body.

(5) Any rights to which a copyright owner may be entitled by virtue of subsection (4) must be claimed within the period of three years beginning with the date of the cable re-transmission concerned.

(6) This section does not affect any rights exercisable by the maker of the broadcast, whether in relation to the broadcast or a work included in it.

[F322 (7) In this section— “ cable operator ” means a person responsible for cable re-transmission of

a wireless broadcast; and “ cable re-transmission ” means the reception and immediate re-

transmission by cable, including the transmission of microwave energy between terrestrial fixed points, of a wireless broadcast. ]]

Amendments (Textual) F319 S. 144A inserted (1.12.1996) by S.I. 1996/2967, reg. 7 (with Pt. III) F320 Word in s. 144A(1) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 5(6) (with regs. 31-40) F321 Word in s. 144A(1) repealed (29.4.2006) by The Intellectual Property (Enforcement, etc.) Regulations

2006 (S.I. 2006/1028), reg. 2(4), Sch. 4 F322 S. 144A(7) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(1), Sch. 1 para. 15(2) (with regs. 31-40)

Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright Chapter VIII – The Copyright Tribunal Document Generated: 2018-04-19

CHAPTER VIII

THE COPYRIGHT TRIBUNAL

Modifications etc. (not altering text) C66 Pt. I Ch. VIII (ss. 145-152) applied (1.12.1996) by S.I. 1996/2967, reg. 17(4) (with Pt. III)

Pt. I Ch. VIII (ss. 145-152) applied (1.1.1998) by S.I. 1997/3032, reg. 25(2) (with Pt. IV)

The Tribunal

145 The Copyright Tribunal.

(1) The Tribunal established under section 23 of the M12 Copyright Act 1956 is renamed the Copyright Tribunal.

(2) The Tribunal shall consist of a chairman and two deputy chairmen appointed by the Lord Chancellor, after consultation with the Lord Advocate, and not less than two or more than eight ordinary members appointed by the Secretary of State.

(3) A person is not eligible for appointment as chairman or deputy chairman [F323 unless— [F324 (a) he satisfies the judicial-appointment eligibility condition on a 5-year basis; ]

(b) he is an advocate or solicitor in Scotland of at least [F325 5 ] years’ standing; (c) he is a member of the Bar of Northern Ireland or [F326 solicitor of the Court of

Judicature of Northern Ireland ] of at least [F325 5 ] years’ standing; or (d) he has held judicial office. ]

Amendments (Textual) F323 Words substituted by Courts and Legal Services Act 1990 (c. 41, SIF 37), s. 71(2), Sch. 10 para. 73 F324 S. 145(3)(a) substituted (21.7.2008) by Tribunals, Courts and Enforcement Act 2007 (c. 15), ss. 50(6),

148, Sch. 10 para. 20(2) ; S.I. 2008/1653, art. 2(b)(d) (with arts. 3, 4) F325 Words in s. 145(3)(b)(c) substituted (21.7.2008) by Tribunals, Courts and Enforcement Act 2007

(c.15), ss. 50(6), 148, Sch. 10 para. 20(3) ; S.I. 2008/1653, art. 2(b)(d) (with arts. 3, 4) F326 S. 145(3)(c): words wherever they occur in any enactment substituted (1.10.2009) by virtue of

Constitutional Reform Act 2005 (c. 4), ss. 59, 148, Sch. 11 para. 5 ; S.I. 2009/1604, art. 2

Modifications etc. (not altering text) C67 S. 145: functions of the Lord Advocate transferred to the Secretary of State, and all property, rights

and liabilities to which the Lord Advocate is entitled or subject in connection with any such function transferred to the Secretary of State for Scotland (19.5.1999) by S.I. 1999/678, arts. 2, 3, Sch. (with art. 7) S. 145 modified (30.6.1999) by S.I. 1999/1748, art. 3, Sch. 1 para. 10

C68 S. 145(2): transfer of certain functions (1.7.1999) by S.I. 1999/1750, arts. 1, 2, Sch. 1 (with art. 7); S.I. 1998/3178, art. 3

Marginal Citations M12 1956 c. 74.

128 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Chapter VIII – The Copyright Tribunal Document Generated: 2018-04-19

146 Membership of the Tribunal.

(1) The members of the Copyright Tribunal shall hold and vacate office in accordance with their terms of appointment, subject to the following provisions.

(2) A member of the Tribunal may resign his office by notice in writing to the Secretary of State or, in the case of the chairman or a deputy chairman, to the Lord Chancellor.

(3) The Secretary of State or, in the case of the chairman or a deputy chairman, the Lord Chancellor may by notice in writing to the member concerned remove him from office if—

(a) he has become bankrupt or made an arrangement with his creditors or, in Scotland, his estate has been sequestrated or he has executed a trust deed for his creditors or entered into a composition contract, or

(b) he is incapacitated by physical or mental illness, or if he is in the opinion of the Secretary of State or, as the case may be, the Lord Chancellor otherwise unable or unfit to perform his duties as member.

[F327 (3A) A person who is the chairman or a deputy chairman of the Tribunal shall vacate his office on the day on which he attains the age of 70 years; but this subsection is subject to section 26(4) to (6) of the Judicial Pensions and Retirement Act 1993 (power to authorise continuance in office up to the age of 75 years). ]

(4) If a member of the Tribunal is by reason of illness, absence or other reasonable cause for the time being unable to perform the duties of his office, either generally or in relation to particular proceedings, a person may be appointed to discharge his duties for a period not exceeding six months at one time or, as the case may be, in relation to those proceedings.

(5) The appointment shall be made— (a) in the case of the chairman or deputy chairman, by the Lord Chancellor, who

shall appoint a person who would be eligible for appointment to that office, and

(b) in the case of an ordinary member, by the Secretary of State; and a person so appointed shall have during the period of his appointment, or in relation to the proceedings in question, the same powers as the person in whose place he is appointed.

(6) The Lord Chancellor shall consult the Lord Advocate before exercising his powers under this section.

[F328 (7) The Lord Chancellor may exercise his powers to remove a person under subsection (3) or to appoint a person under subsection (4) only with the concurrence of the appropriate senior judge.

(8) The appropriate senior judge is the Lord Chief Justice of England and Wales, unless— (a) the person to be removed exercises functions [F329 , or the person to be

appointed is to exercise functions, ] wholly or mainly in Scotland, in which case it is the Lord President of the Court of Session, or

(b) the person to be removed exercises functions [F329 , or the person to be appointed is to exercise functions, ] wholly or mainly in Northern Ireland, in which case it is the Lord Chief Justice of Northern Ireland.

(9) The Lord Chief Justice of England and Wales may nominate a judicial office holder (as defined in section 109(4) of the Constitutional Reform Act 2005) to exercise

his functions under subsection (7) in relation to the appointment of a person under subsection (4).

(10) The Lord President of the Court of Session may nominate a judge of the Court of Session who is a member of the First or Second Division of the Inner House of that Court to exercise his functions under subsection (7) in relation to the appointment of a person under subsection (4).

(11) The Lord Chief Justice of Northern Ireland may nominate any of the following to exercise his functions under subsection (7) in relation to the appointment of a person under subsection (4)—

(a) the holder of one of the offices listed in Schedule 1 to the Justice (Northern Ireland) Act 2002;

(b) a Lord Justice of Appeal (as defined in section 88 of that Act). ]

Amendments (Textual) F327 S. 146(3A) inserted (31.3.1995) by 1993 c. 8, s. 26, Sch. 6 para.49 ; S.I. 1995/631, art. 2 F328 S. 146(7)-(11) inserted (3.4.2006) by Constitutional Reform Act 2005 (c. 4), ss. 15(1), 148, Sch. 4

para. 199(2) ; S.I. 2006/1014, art. 2(a) , Sch. 1 paras. 10, 11(r) F329 Words in s. 146(8) inserted (3.4.2006) by The Lord Chancellor (Transfer of Functions and

Supplementary Provisions) (No.2) Order 2006 (S.I. 2006/1016), art. 4, Sch. 3

147 Financial provisions.

(1) There shall be paid to the members of the Copyright Tribunal such remuneration (whether by way of salaries or fees), and such allowances, as the Secretary of State with the approval of the Treasury may determine.

(2) The Secretary of State may appoint such staff for the Tribunal as, with the approval of the Treasury as to numbers and remuneration, he may determine.

(3) The remuneration and allowances of members of the Tribunal, the remuneration of any staff and such other expenses of the Tribunal as the Secretary of State with the approval of the Treasury may determine shall be paid out of money provided by Parliament.

148 Constitution for purposes of proceedings.

(1) For the purposes of any proceedings the Copyright Tribunal shall consist of— (a) a chairman, who shall be either the chairman or a deputy chairman of the

Tribunal, and (b) two or more ordinary members.

(2) If the members of the Tribunal dealing with any matter are not unanimous, the decision shall be taken by majority vote; and if, in such a case, the votes are equal the chairman shall have a further, casting vote.

(3) Where part of any proceedings before the Tribunal has been heard and one or more members of the Tribunal are unable to continue, the Tribunal shall remain duly constituted for the purpose of those proceedings so long as the number of members is not reduced to less than three.

130 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(4) If the chairman is unable to continue, the chairman of the Tribunal shall— (a) appoint one of the remaining members to act as chairman, and (b) appoint a suitably qualified person to attend the proceedings and advise the

members on any questions of law arising.

(5) A person is “suitably qualified” for the purposes of subsection (4)(b) if he is, or is eligible for appointment as, a deputy chairman of the Tribunal.

Jurisdiction and procedure

149 Jurisdiction of the Tribunal.

[F330 The Copyright Tribunal has jurisdiction under this Part ] to hear and determine proceedings under—

F331 (za) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F332[ ( zb ) section 93C (application to determine amount of equitable remuneration under

section 93B); ] (a) section 118, 119, or 120 (reference of licensing scheme); (b) section 121 or 122 (application with respect to entitlement to licence under

licensing scheme); (c) section 125, 126 or 127 (reference or application with respect to licensing by

licensing body); [F333 (ca) section 128B (reference by the Secretary of State under section 128A); ] [F334 (cc) section 135D or 135E (application or reference with respect to use as of right

of sound recordings in broadcasts F335 . . . ); ] (d) section 139 (appeal against order as to coverage of licensing scheme or

licence); (e) section 142 (application to settle royalty or other sum payable for [F336 lending

of certain works ] ; (f) section 144(4) (application to settle terms of copyright licence available as

of right); [F337 (fa) paragraph 7 of Schedule ZA1 (application to determine compensation for use

of orphan works). ] F338 (g) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(h) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F330 Words in s. 149 substituted (1.12.1996) by S.I. 1996/2967, reg. 24(2)(a) (with Pt. III) F331 S. 149(za) repealed (31.7.2017) by Digital Economy Act 2017 (c. 30), ss. 34(2)(a)(ii) , 118(6); S.I.

2017/765, reg. 2(n) F332 S. 149(zb) inserted (1.12.1996) by S.I. 1996/2967, reg. 14(2) (with Pt. III) F333 S. 149(ca) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 21(6) (with regs. 31-40) F334 S. 149(cc) inserted by Broadcasting Act 1990 (c. 42, SIF 96), s. 175(2) F335 Words in s. 149(cc) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F336 Words in s. 149(e) substituted (1.12.1996) by S.I. 1996/2967, reg. 13(3) (with Pt. III)

F337 S. 149(fa) inserted (29.10.2014) by The Copyright and Rights in Performances (Certain Permitted Uses of Orphan Works) Regulations 2014 (S.I. 2014/2861), regs. 1, 3(3)

F338 S. 149(g)(h) omitted (1.12.1996) by virtue of S.I. 1996/2967, reg. 24(2)(b) (with Pt. III)

Modifications etc. (not altering text) C69 S. 149 amended by Broadcasting Act 1990 (c. 42, SIF 96), s. 176, Sch. 17 para. 7(1)

150 General power to make rules.

(1) The Lord Chancellor may, after consultation with the Lord Advocate, make rules for regulating proceedings before the Copyright Tribunal and, subject to the approval of the Treasury, as to the fees chargeable in respect of such proceedings.

F339[ (2) The rules may apply in relation to the Tribunal, as respects proceedings in England and Wales or Northern Ireland, any of the provisions of Part I of the Arbitration Act 1996. ]

(3) Provision shall be made by the rules— (a) prohibiting the Tribunal from entertaining a reference under section 118, 119

or 120 by a representative organisation unless the Tribunal is satisfied that the organisation is reasonably representative of the class of persons which it claims to represent;

(b) specifying the parties to any proceedings and enabling the Tribunal to make a party to the proceedings any person or organisation satisfying the Tribunal that they have a substantial interest in the matter; and

(c) requiring the Tribunal to give the parties to proceedings an opportunity to state their case, in writing or orally as the rules may provide.

(4) The rules may make provision for regulating or prescribing any matters incidental to or consequential upon any appeal from the Tribunal under section 152 (appeal to the court on point of law).

(5) Rules under this section shall be made by statutory instrument which shall be subject to annulment in pursuance of a resolution of either House of Parliament.

Amendments (Textual) F339 S. 150(2) substituted (31.1.1997) by 1996 c. 23, s. 107(1), Sch. 3 para. 50 (with s. 81(2)); S.I.

1996/3146, art. 3 (with Sch. 2)

Modifications etc. (not altering text) C70 S. 150: functions of the Lord Advocate transferred to the Secretary of State, and all property, rights

and liabilities to which the Lord Advocate is entitled or subject in connection with any such function transferred to the Secretary of State for Scotland (19.5.1999) by S.I. 1999/678, arts. 2, 3, Sch. (with art. 7) S. 150 modified (30.6.1999) by S.I. 1999/1748, art. 3, Sch. 1 para. 10

C71 S. 150(1): transfer of certain functions (1.7.1999) by S.I. 1999/1750, arts. 1, 2, Sch. 1 (with art. 7); S.I. 1998/3178, art. 3

132 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

151 Costs, proof of orders, &c.

(1) The Copyright Tribunal may order that the costs of a party to proceedings before it shall be paid by such other party as the Tribunal may direct; and the Tribunal may tax or settle the amount of the costs, or direct in what manner they are to be taxed.

(2) A document purporting to be a copy of an order of the Tribunal and to be certified by the chairman to be a true copy shall, in any proceedings, be sufficient evidence of the order unless the contrary is proved.

(3) As respect proceedings in Scotland, the Tribunal has the like powers for securing the attendance of witnesses and the production of documents, and with regard to the examination of witnesses on oath, as an arbiter under a submission.

[F340151AAward of interest.

(1) Any of the following, namely— (a) a direction under section 123(3) so far as relating to a licence for

[F341 communicating a work to the public ] ; (b) a direction under section 128(3) so far as so relating; (c) an order under section 135D(1); and (d) an order under section 135F confirming or varying an order under

section 135D(1), may award simple interest at such rate and for such period, beginning not earlier than the relevant date and ending not later than the date of the order, as the Copyright Tribunal thinks reasonable in the circumstances.

(2) In this section “ the relevant date ” means— (a) in relation to a direction under section 123(3), the date on which the reference

was made; (b) in relation to a direction under section 128(3), the date on which the reference

or application was made; (c) in relation to an order section 135D(1), the date on which the first payment

under section 135C(2) became due; and (d) in relation to an order under section 135F, the date on which the application

was made. ]

Amendments (Textual) F340 S. 151A inserted (1.11.1996 with effect as mentioned in s. 139(3)) by 1996 c. 55, s. 139(2) (with s.

43(6)); S.I. 1996/2120, art. 5, Sch. 2 F341 Words in s. 151A(1)(a) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I.2003/2498), reg. 2(1), Sch. 1 para. 7 (with regs. 31-40)

Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright Chapter IX – Qualification for and Extent of Copyright Protection Document Generated: 2018-04-19

152 Appeal to the court on point of law.

(1) An appeal lies on any point of law arising from a decision of the Copyright Tribunal to the High Court or, in the case of proceedings of the Tribunal in Scotland, to the Court of Session.

(2) Provision shall be made by rules under section 150 limiting the time within which an appeal may be brought.

(3) Provision may be made by rules under that section— (a) for suspending, or authorising or requiring the Tribunal to suspend, the

operation of orders of the Tribunal in cases where its decision is appealed against;

(b) for modifying in relation to an order of the Tribunal whose operation is suspended the operation of any provision of this Act as to the effect of the order;

(c) for the publication of notices or the taking of other steps for securing that persons affected by the suspension of an order of the Tribunal will be informed of its suspension.

QUALIFICATION FOR AND EXTENT OF COPYRIGHT PROTECTION

Qualification for copyright protection

153 Qualification for copyright protection.

(1) Copyright does not subsist in a work unless the qualification requirements of this Chapter are satisfied as regards—

(a) the author (see section 154), or (b) the country in which the work was first published (see section 155), or (c) in the case of a broadcast F342 . . . , the country from which the broadcast was

made . . . (see section 156).

(2) Subsection (1) does not apply in relation to Crown copyright or Parliamentary copyright (see sections 163 to [F343 166D ] ) or to copyright subsisting by virtue of section 168 (copyright of certain international organisations).

(3) If the qualification requirements of this Chapter, or section 163, 165 or 168, are once satisfied in respect of a work, copyright does not cease to subsist by reason of any subsequent event.

Amendments (Textual) F342 Words in s. 153(1)(c) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

134 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Chapter IX – Qualification for and Extent of Copyright Protection Document Generated: 2018-04-19

F343 Word in s. 153(2) substituted by Government of Wales Act 2006 (c. 32), s. 160(1), Sch. 10 para. 25 (with Sch. 11 para. 22), the amending provision coming into force immediately after "the 2007 election" (held on 3.5.2007) subject to s. 161(4)(5) of the amending Act, which provides for certain provisions to come into force for specified purposes immediately after the end of "the initial period" (which ended with the day of the first appointment of a First Minister on 25.5.2007) - see ss. 46, 161(1)(4)(5) of the amending Act.

Modifications etc. (not altering text) C72 Ss. 153, 154 extended by S.I. 1989/988, art. 2(1) C73 S. 153 extended (1.7.1992) by S.I. 1992/1313, art. 2 C74 Ss. 153, 154 applied (with modifications) (4.5.1993) by S.I. 1993/942, arts. 2, 3, 4, 5, Sch. 4 (with art.

6) Ss. 153-155 applied (with modifications) (22.7.1999) by S.I. 1999/1751, arts. 2(1)(2), 5, Sch. 1, Sch. 5 (as amended 22.4.2003 by S.I. 2003/774, arts. 2-5 ) Ss. 153, 154, 155 applied (with modifications) (22.7.1999) by S.I. 1999/1751, arts. 2(1)(2), 3, 5, Sch. 1, Sch. 2, Sch. 5 (as amended 22.4.2003 by S.I. 2003/774, arts. 2-5 ) Ss. 153, 154, 156 applied (with modifications) (22.7.1999) by S.I. 1999/1751, arts. 4(1)(2)(5) , 5 (as amended 22.4.2003 by S.I. 2003/774, arts. 2-5 )

154 Qualification by reference to author.

(1) A work qualifies for copyright protection if the author was at the material time a qualifying person, that is—

(a) a British citizen, [F344 a national of another EEA state, ] a British Dependent Territories citizen, a British National (Overseas), a British Overseas citizen, a British subject or a British protected person within the meaning of the M13 British Nationality Act 1981, or

[F345 (b) an individual domiciled or resident in the United Kingdom or another EEA state or in the Channel Islands, the Isle of Man or Gibraltar or in a country to which the relevant provisions of this Part extend, ] or

[F346 (c) a body incorporated under the law of a part of the United Kingdom or another EEA state or of the Channel Islands, the Isle of Man or Gibraltar or of a country to which the relevant provisions of this Part extend. ]

(2) Where, or so far as, provision is made by Order under section 159 (application of this Part to countries to which it does not extend), a work also qualifies for copyright protection if at the material time the author was a citizen or subject of, an individual domiciled or resident in, or a body incorporated under the law of, a country to which the Order relates.

(3) A work of joint authorship qualifies for copyright protection if at the material time any of the authors satisfies the requirements of subsection (1) or (2); but where a work qualifies for copyright protection only under this section, only those authors who satisfy those requirements shall be taken into account for the purposes of—

section 11(1) and (2) (first ownership of copyright; entitlement of author or author’s employer),

[F347 section 12 (duration of copyright), and section 9(4) (meaning of “unknown authorship”) so far as it applies for the purposes of section 12, and ]

section 57 (anonymous or pseudonymous works: acts permitted on assumptions as to expiry of copyright or death of author).

(4) The material time in relation to a literary, dramatic, musical or artistic work is— (a) in the case of an unpublished work, when the work was made or, if the making

of the work extended over a period, a substantial part of that period; (b) in the case of a published work, when the work was first published or, if the

author had died before that time, immediately before his death.

(5) The material time in relation to other descriptions of work is as follows— (a) in the case of a sound recording or film, when it was made; (b) in the case of a broadcast, when the broadcast was made; (c) F348 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (d) in the case of the typographical arrangement of a published edition, when the

edition was first published.

Amendments (Textual) F344 Words in s. 154(1)(a) inserted (1.12.2016 for specified purposes, 6.4.2017 in so far as not already in

force) by Intellectual Property Act 2014 (c. 18), ss. 22(1)(a) , 24(1); S.I. 2016/1139, arts. 2, 3 (with art. 4)

F345 S. 154(1)(b) substituted (1.12.2016 for specified purposes, 6.4.2017 in so far as not already in force) by Intellectual Property Act 2014 (c. 18), ss. 22(1)(b) , 24(1); S.I. 2016/1139, arts. 2, 3 (with art. 4)

F346 S. 154(1)(c) substituted (1.12.2016 for specified purposes, 6.4.2017 in so far as not already in force) by Intellectual Property Act 2014 (c. 18), ss. 22(1)(c) , 24(1); S.I. 2016/1139, arts. 2, 3 (with art. 4)

F347 Paragraph in s. 154(3) substituted (1.1.1996) by S.I. 1995/3297, reg. 5(3) (with Pt. III) F348 S. 154(5)(c) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

Modifications etc. (not altering text) C16 Pt. 1 applied (with modifications) (6.4.2017) by The Copyright and Performances (Application to

Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 4 (with art. 13) C17 Pt. 1 restricted (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order

2016 (S.I. 2016/1219), arts. 1(1), 6 (with art. 13) C18 Pt. 1 restricted (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order

2016 (S.I. 2016/1219), arts. 1(1), 9 (with art. 13) C19 Pt. 1 applied (with modifications) (6.4.2017) by The Copyright and Performances (Application to

Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 7 (with art. 13) C20 Pt. 1 restricted (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order

2016 (S.I. 2016/1219), arts. 1(1), 2 (with art. 13) C21 Pt. 1 restricted (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order

2016 (S.I. 2016/1219), arts. 1(1), 3 (with art. 13) C22 Pt. 1 applied (with modifications) (6.4.2017) by The Copyright and Performances (Application to

Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 5, Sch. Pt. 1 (with art. 13) C23 Pt. 1 applied (with modifications) (6.4.2017) by The Copyright and Performances (Application to

Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 8 (with art. 13) C75 Ss. 153, 154 extended by S.I. 1989/988, art. 2(1) C76 S. 154 extended (1.7.1992) by S.I. 1992/1313, art. 2 C77 Ss. 153, 154 applied (with modifications) (4.5.1993) by S.I. 1993/942, arts. 2, 3, 4, 5, Sch. 4 (with art.

6) Ss. 153-155 applied (with modifications) (22.7.1999) by S.I. 1999/1751, arts. 2(1)(2), 5, Sch. 1, Sch. 5 (as amended 22.4.2003 by S.I. 2003/774, arts. 2-5 )

136 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Ss. 153, 154, 155 applied (with modifications) (22.7.1999) by S.I. 1999/1751, arts. 2(1)(2), 3, 5, Sch. 1, Sch. 2, Sch. 5 (as amended 22.4.2003 by S.I. 2003/774, arts. 2-5 ) Ss. 153, 154, 156 applied (with modifications) (22.7.1999) by S.I. 1999/1751, arts. 4(1)(2)(5), 5, Sch. 5 (as amended 22.4.2003 by S.I. 2003/774, arts. 2-5 )

Marginal Citations M13 1981 c. 61.

155 Qualification by reference to country of first publication.

(1) A literary, dramatic, musical or artistic work, a sound recording or film, or the typographical arrangement of a published edition, qualifies for copyright protection if it is first published—

(a) in the United Kingdom [F349 , another EEA state, the Channel Islands, the Isle of Man or Gibraltar ] , or

(b) in [F350 a country ] to which the relevant provisions of this Part extend.

(2) Where, or so far as, provision is made by Order under section 159 (application of this Part to countries to which it does not extend), such a work also qualifies for copyright protection if it is first published in a country to which the Order relates.

(3) For the purposes of this section, publication in one country shall not be regarded as other than the first publication by reason of simultaneous publication elsewhere; and for this purpose publication elsewhere within the previous 30 days shall be treated as simultaneous.

Amendments (Textual) F349 Words in s. 155(1)(a) inserted (1.12.2016 for specified purposes, 6.4.2017 in so far as not already in

force) by Intellectual Property Act 2014 (c. 18), ss. 22(2)(a) , 24(1); S.I. 2016/1139, arts. 2, 3 (with art. 4)

F350 Words in s. 155(1)(b) substituted (1.12.2016 for specified purposes, 6.4.2017 in so far as not already in force) by Intellectual Property Act 2014 (c. 18), ss. 22(2)(b) , 24(1); S.I. 2016/1139, arts. 2, 3 (with art. 4)

Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 5, Sch. Pt. 1 (with art. 13)

C78 S. 155 extended with modifications by S.I. 1989/1293, arts. 2(1), 3, 5, 6, Schs. 1, 2, 3, 4 C79 S. 155 extended (1.7.1992) by S.I. 1992/1313, art.2 C80 S. 155 applied (with modifications) (4.5.1993) by S.I. 1993/942, arts.2, 3, 5, Sch. 4 (with art. 6)

Ss. 153-155 applied (with modifications) (22.7.1999) by S.I. 1999/1751, arts. 2(1)(2), 5, Sch. 1, Sch. 5 (as amended 22.4.2003 by S.I. 2003/774, arts. 2-5 ) Ss. 153, 154, 155 applied (with modifications) (22.7.1999) by S.I. 1999/1751, arts. 2(1)(2), 3, 5, Sch. 1, Sch. 2, Sch. 5 (as amended 22.4.2003 by S.I. 2003/774, arts. 2-5 )

156 Qualification by reference to place of transmission.

(1) F351 A broadcast qualifies for copyright protection if it is made from . . . a place in— (a) the United Kingdom [F352 , another EEA state, the Channel Islands, the Isle of

Man or Gibraltar ] , or (b) [F353 a country ] to which the relevant provisions of this Part extend.

(2) Where, or so far as, provision is made by Order under section 159 (application of this Part to countries to which it does not extend), a broadcast . . . also qualifies for copyright protection if it is made from . . . a place in a country to which the Order relates.

Amendments (Textual) F351 Words in s. 156(1)(2) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F352 Words in s. 156(1)(a) inserted (1.12.2016 for specified purposes, 6.4.2017 in so far as not already in

force) by Intellectual Property Act 2014 (c. 18), ss. 22(3)(a) , 24(1); S.I. 2016/1139, arts. 2, 3 (with art. 4)

F353 Words in s. 156(1)(b) substituted (1.12.2016 for specified purposes, 6.4.2017 in so far as not already in force) by Intellectual Property Act 2014 (c. 18), ss. 22(3)(b) , 24(1); S.I. 2016/1139, arts. 2, 3 (with art. 4)

Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 8 (with art. 13) C81 S. 156 extended (1.7.1992) by S.I. 1992/1313, art.2

138 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

C82 S. 156 applied (with modifications) (4.5.1993) by S.I. 1993/942, art.4, 5, Sch. 4 (with art. 6) Ss. 153, 154, 156 applied (with modifications) (22.7.1999) by S.I. 1999/1751, arts. 4(1)(2)(5) , 5 (as amended 22.4.2003 by S.I. 2003/774, arts. 2-5 )

Extent and application of this Part

157 Countries to which this Part extends.

(1) This Part extends to England and Wales, Scotland and Northern Ireland.

(2) Her Majesty may by Order in Council direct that this Part shall extend, subject to such exceptions and modifications as may be specified in the Order, to—

(a) any of the Channel Islands, (b) the Isle of Man, or (c) any colony.

(3) That power includes power to extend, subject to such exceptions and modifications as may be specified in the Order, any Order in Council made under the following provisions of this Chapter.

(4) The legislature of a country to which this Part has been extended may modify or add to the provisions of this Part, in their operation as part of the law of that country, as the legislature may consider necessary to adapt the provisions to the circumstances of that country—

(a) as regards procedure and remedies, or (b) as regards works qualifying for copyright protection by virtue of a connection

with that country.

(5) Nothing in this section shall be construed as restricting the extent of paragraph 36 of Schedule 1 (transitional provisions: dependent territories where the M14 Copyright Act 1956 or the M15 Copyright Act 1911 remains in force) in relation to the law of a dependent territory to which this Part does not extend.

Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 8 (with art. 13)

C83 S. 157(2)(c) extended (8.4.2010) by Digital Economy Act 2010 (c. 24), ss. 46(4) , 47(2)(c) C84 S. 157(2)(c): power to extend conferred (27.4.2017) by Digital Economy Act 2017 (c. 30), ss. 118(1),

Marginal Citations M14 1956 c. 74. M15 1911 c. 46.

158 Countries ceasing to be colonies.

(1) The following provisions apply where a country to which this Part has been extended ceases to be a colony of the United Kingdom.

(2) As from the date on which it ceases to be a colony it shall cease to be regarded as a country to which this Part extends for the purposes of—

(a) section 160(2)(a) (denial of copyright protection to citizens of countries not giving adequate protection to British works), and

(b) sections 163 and 165 (Crown and Parliamentary copyright).

(3) But it shall continue to be treated as a country to which this Part extends for the purposes of sections 154 to 156 (qualification for copyright protection) until—

(a) an Order in Council is made in respect of that country under section 159 (application of this Part to countries to which it does not extend), or

(b) an Order in Council is made declaring that it shall cease to be so treated by reason of the fact that the provisions of this Part as part of the law of that country have been repealed or amended.

(4) A statutory instrument containing an Order in Council under subsection (3)(b) shall be subject to annulment in pursuance of a resolution of either House of Parliament.

140 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

[F354159 Application of this Part to countries to which it does not extend

(1) Where a country is a party to the Berne Convention or a member of the World Trade Organisation, this Part, so far as it relates to literary, dramatic, musical and artistic works, films and typographical arrangements of published editions—

(a) applies in relation to a citizen or subject of that country or a person domiciled or resident there as it applies in relation to a person who is a British citizen or is domiciled or resident in the United Kingdom,

(b) applies in relation to a body incorporated under the law of that country as it applies in relation to a body incorporated under the law of a part of the United Kingdom, and

(c) applies in relation to a work first published in that country as it applies in relation to a work first published in the United Kingdom.

(2) Where a country is a party to the Rome Convention, this Part, so far as it relates to sound recordings and broadcasts—

(a) applies in relation to that country as mentioned in paragraphs (a), (b) and (c) of subsection (1), and

(b) applies in relation to a broadcast made from that country as it applies to a broadcast made from the United Kingdom.

(3) Where a country is a party to the WPPT, this Part, so far as relating to sound recordings, applies in relation to that country as mentioned in paragraphs (a), (b) and (c) of subsection (1).

(4) Her Majesty may by Order in Council— (a) make provision for the application of this Part to a country by subsection (1),

(2) or (3) to be subject to specified restrictions; (b) make provision for applying this Part, or any of its provisions, to a specified

country; (c) make provision for applying this Part, or any of its provisions, to any country

of a specified description; (d) make provision for the application of legislation to a country under

paragraph (b) or (c) to be subject to specified restrictions.

(5) Provision made under subsection (4) may apply generally or in relation to such classes of works, or other classes of case, as are specified.

(6) Her Majesty may not make an Order in Council containing provision under subsection (4)(b) or (c) unless satisfied that provision has been or will be made under the law of the country or countries in question, in respect of the classes to which the provision under subsection (4)(b) or (c) relates, giving adequate protection to the owners of copyright under this Part.

(7) Application under subsection (4)(b) or (c) is in addition to application by subsections (1) to (3).

(8) Provision made under subsection (4)(c) may cover countries that become (or again become) of the specified description after the provision comes into force.

(9) In this section— “the Berne Convention” means any Act of the International Convention for

the Protection of Literary and Artistic Works signed at Berne on 9 September 1886;

“the Rome Convention” means the International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations done at Rome on 26 October 1961;

“the WPPT” means the World Intellectual Property Organisation Performances and Phonograms Treaty adopted in Geneva on 20 December 1996.

(10) A statutory instrument containing an Order in Council under this section is subject to annulment in pursuance of a resolution of either House of Parliament. ]

Amendments (Textual) F354 S. 159 substituted (1.12.2016 for specified purposes, 6.4.2017 in so far as not already in force) by

Intellectual Property Act 2014 (c. 18), ss. 22(4) , 24(1); S.I. 2016/1139, arts. 2, 3 (with art. 4)

Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 8 (with art. 13) C24 Pt. 1: power to extend conferred (27.4.2017) by Digital Economy Act 2017 (c. 30), ss. 118(1),

119(7) (8)(a)

160 Denial of copyright protection to citizens of countries not giving adequate protection to British works.

(1) If it appears to Her Majesty that the law of a country fails to give adequate protection to British works to which this section applies, or to one or more classes of such works, Her Majesty may make provision by Order in Council in accordance with this section restricting the rights conferred by this Part in relation to works of authors connected with that country.

(2) An Order in Council under this section shall designate the country concerned and provide that, for the purposes specified in the Order, works first published after a date

142 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

specified in the Order shall not be treated as qualifying for copyright protection by virtue of such publication if at that time the authors are—

(a) citizens or subjects of that country (not domiciled or resident in the United Kingdom or another country to which the relevant provisions of this Part extend), or

(b) bodies incorporated under the law of that country; and the Order may make such provision for all the purposes of this Part or for such purposes as are specified in the Order, and either generally or in relation to such class of cases as are specified in the Order, having regard to the nature and extent of that failure referred to in subsection (1).

(3) This section applies to literary, dramatic, musical and artistic works, sound recordings and films; and “British works” means works of which the author was a qualifying person at the material time within the meaning of section 154.

(4) A statutory instrument containing an Order in Council under this section shall be subject to annulment in pursuance of a resolution of either House of Parliament.

161 Territorial waters and the continental shelf.

(1) For the purposes of this Part the territorial waters of the United Kingdom shall be treated as part of the United Kingdom.

(2) This Part applies to things done in the United Kingdom sector of the continental shelf on a structure or vessel which is present there for purposes directly connected with the exploration of the sea bed or subsoil or the exploitation of their natural resources as it applies to things done in the United Kingdom.

Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright Chapter X – Miscellaneous and General Document Generated: 2018-04-19

(3) The United Kingdom sector of the continental shelf means the areas designated by order under section 1(7) of the M16 Continental Shelf Act 1964.

Modifications etc. (not altering text) C85 Ss. 161, 162, 171(1)(3), 172-179 applied (1.12.1996) by S.I. 1996/2967, reg. 17(4) (with Pt. III)

Marginal Citations M16 1964 c. 29.

162 British ships, aircraft and hovercraft.

(1) This Part applies to things done on a British ship, aircraft or hovercraft as it applies to things done in the United Kingdom.

(2) In this section— “British ship” means a ship which is a British ship for the purposes of the

[F355 Merchant Shipping Act 1995 ] otherwise than by virtue of registration in a country outside the United Kingdom; and

“British aircraft” and “British hovercraft” mean an aircraft or hovercraft registered in the United Kingdom.

Amendments (Textual) F355 Words in s. 162(2) substituted (1.1.1996) by 1995 c. 21, ss. 314(2), 316(2), Sch. 13 para. 84(a) (with

Modifications etc. (not altering text) C86 Ss. 161, 162, 171(1)(3), 172-179 applied (1.12.1996) by S.I. 1996/2967, reg. 17(4) (with Pt. III)

MISCELLANEOUS AND GENERAL

Crown and Parliamentary copyright

163 Crown copyright.

(1) Where a work is made by Her Majesty or by an officer or servant of the Crown in the course of his duties—

(a) the work qualifies for copyright protection notwithstanding section 153(1) (ordinary requirement as to qualification for copyright protection), and

(b) Her Majesty is the first owner of any copyright in the work.

(1A) F356 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

144 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

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(2) Copyright in such a work is referred to in this Part as “Crown copyright”, notwithstanding that it may be, or have been, assigned to another person.

(3) Crown copyright in a literary, dramatic, musical or artistic work continues to subsist— (a) until the end of the period of 125 years from the end of the calendar year in

which the work was made, or (b) if the work is published commercially before the end of the period of 75 years

from the end of the calendar year in which it was made, until the end of the period of 50 years from the end of the calendar year in which it was first so published.

(4) In the case of a work of joint authorship where one or more but not all of the authors are persons falling within subsection (1), this section applies only in relation to those authors and the copyright subsisting by virtue of their contribution to the work.

(5) Except as mentioned above, and subject to any express exclusion elsewhere in this Part, the provisions of this Part apply in relation to Crown copyright as to other copyright.

(6) This section does not apply to a work if, or to the extent that, Parliamentary copyright subsists in the work (see sections 165 [F357 to [F358 166D ]] ).

Amendments (Textual) F356 S. 163(1A) repealed by Government of Wales Act 2006 (c. 32), ss. 160(1), 163, Sch. 10 para. 26(2) ,

Sch. 12 (with Sch. 11 para. 22), the amending provision coming into force immediately after "the 2007 election" (held on 3.5.2007) subject to s. 161(4)(5) of the amending Act, which provides for certain provisions to come into force for specified purposes immediately after the end of "the initial period" (which ended with the day of the first appointment of a First Minister on 25.5.2007) - see ss. 46, 161(1)(4)(5) of the amending Act.

F357 Words in s. 163(6) substituted (6.5.1999) by 1998 c. 46, s. 125(1), Sch. 8 para. 25(4) ; S.I. 1998/3178, art. 2(2), Sch. 3

F358 Word in s. 163(6) substituted by Government of Wales Act 2006 (c. 32), s. 160(1), Sch. 10 para. 26(3) (with Sch. 11 para. 22), the amending provision coming into force immediately after "the 2007 election" (held on 3.5.2007) subject to s. 161(4)(5) of the amending Act, which provides for certain provisions to come into force for specified purposes immediately after the end of "the initial period" (which ended with the day of the first appointment of a First Minister on 25.5.2007) - see ss. 46, 161(1)(4)(5) of the amending Act.

164 Copyright in Acts and Measures.

(1) Her Majesty is entitled to copyright in every Act of Parliament [F359 Act of the Scottish Parliament ][F360 , [F361 Measure of the National Assembly for Wales, Act of the National Assembly for Wales, ] Act of the Northern Ireland Assembly ] or Measure of the General Synod of the Church of England.

(2) The copyright subsists [F362 (a) in the case of an Act or a Measure of the General Synod of the Church of

England, until the end of the period of 50 years from the end of the calendar year in which Royal Assent was given, and

(b) in the case of a Measure of the National Assembly for Wales, until the end of the period of 50 years from the end of the calendar year in which the Measure was approved by Her Majesty in Council. ]

(3) References in this Part to Crown copyright (except in section 163) include copyright under this section; and, except as mentioned above, the provisions of this Part apply in relation to copyright under this section as to other Crown copyright.

(4) No other copyright, or right in the nature of copyright, subsists in an Act or Measure.

Amendments (Textual) F359 Words in s. 164(1) inserted (6.5.1999) by 1998 c. 46, s. 125(1), Sch. 8 para. 25(5) ; S.I. 1998/3178, art.

2(2), Sch. 3 F360 Words in s. 164(1) inserted (2.12.1999) by 1998 c. 47, s. 99, Sch. 13 para. 8(5) (with s. 95); S.I.

1999/3209, art. 2, Sch. F361 Words in s. 164(1) inserted by Government of Wales Act 2006 (c. 32), s. 160(1), Sch. 10 para.

27(2) (with Sch. 11 para. 22), the amending provision coming into force immediately after "the 2007 election" (held on 3.5.2007) subject to s. 161(4)(5) of the amending Act, which provides for certain provisions to come into force for specified purposes immediately after the end of "the initial period" (which ended with the day of the first appointment of a First Minister on 25.5.2007) - see ss. 46, 161(1)(4)(5) of the amending Act.

F362 S. 164(2)(a)(b) substituted for words in s. 164(2) by Government of Wales Act 2006 (c. 32), s. 160(1), Sch. 10 para. 27(3) (with Sch. 11 para. 22), the amending provision coming into force immediately after "the 2007 election" (held on 3.5.2007) subject to s. 161(4)(5) of the amending Act, which provides for certain provisions to come into force for specified purposes immediately after the end of "the initial period" (which ended with the day of the first appointment of a First Minister on 25.5.2007) - see ss. 46, 161(1)(4)(5) of the amending Act.

165 Parliamentary copyright.

(1) Where a work is made by or under the direction or control of the House of Commons or the House of Lords—

(b) the House by whom, or under whose direction or control, the work is made is the first owner of any copyright in the work, and if the work is made by or under the direction or control of both Houses, the two Houses are joint first owners of copyright.

(2) Copyright in such a work is referred to in this Part as “Parliamentary copyright”, notwithstanding that it may be, or have been, assigned to another person.

(3) Parliamentary copyright in a literary, dramatic, musical or artistic work continues to subsist until the end of the period of 50 years from the end of the calendar year in which the work was made.

(4) For the purposes of this section, works made by or under the direction or control of the House of Commons or the House of Lords include—

(a) any work made by an officer or employee of that House in the course of his duties, and

146 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(b) any sound recording, film [F363 or live broadcast ] of the proceedings of that House;

but a work shall not be regarded as made by or under the direction or control of either House by reason only of its being commissioned by or on behalf of that House.

(5) In the case of a work of joint authorship where one or more but not all of the authors are acting on behalf of, or under the direction or control of, the House of Commons or the House of Lords, this section applies only in relation to those authors and the copyright subsisting by virtue of their contribution to the work.

(6) Except as mentioned above, and subject to any express exclusion elsewhere in this Part, the provisions of this Part apply in relation to Parliamentary copyright as to other copyright.

(7) The provisions of this section also apply, subject to any exceptions or modifications specified by Order in Council, to works made by or under the direction or control of any other legislative body of a country to which this Part extends; and references in this Part to “Parliamentary copyright” shall be construed accordingly.

(8) A statutory instrument containing an Order in Council under subsection (7) shall be subject to annulment in pursuance of a resolution of either House of Parliament.

Amendments (Textual) F363 Words in s. 165(4)(b) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 11(b) (with regs. 31-40)

Modifications etc. (not altering text) C87 S. 165 modified (6.5.1999) by S.I. 1999/676, art. 2

S. 165 modified (2.12.1999) by S.I. 1999/3146, arts. 1(1) , 2; S.I. 1999/3208, art. 2 C88 S. 165 modified (3.5.2007 in accordance with art. 1(2) of the amending S.I.) by The Parliamentary

Copyright (National Assembly for Wales) Order 2007 (S.I. 2007/1116), art. 2

166 Copyright in Parliamentary Bills.

(1) Copyright in every Bill introduced into Parliament belongs, in accordance with the following provisions, to one or both of the Houses of Parliament.

(2) Copyright in a public Bill belongs in the first instance to the House into which the Bill is introduced, and after the Bill has been carried to the second House to both Houses jointly, and subsists from the time when the text of the Bill is handed in to the House in which it is introduced.

(3) Copyright in a private Bill belongs to both Houses jointly and subsists from the time when a copy of the Bill is first deposited in either House.

(4) Copyright in a personal Bill belongs in the first instance to the House of Lords, and after the Bill has been carried to the House of Commons to both Houses jointly, and subsists from the time when it is given a First Reading in the House of Lords.

(5) Copyright under this section ceases— (a) on Royal Assent, or

(b) if the Bill does not receive Royal Assent, on the withdrawal or rejection of the Bill or the end of the Session:

Provided that, copyright in a Bill continues to subsist notwithstanding its rejection in any Session by the House of Lords if, by virtue of the Parliament Acts 1911 and 1949, it remains possible for it to be presented for Royal Assent in that Session.

(6) References in this Part to Parliamentary copyright (except in section 165) include copyright under this section; and, except as mentioned above, the provisions of this Part apply in relation to copyright under this section as to other Parliamentary copyright.

(7) No other copyright, or right in the nature of copyright, subsists in a Bill after copyright has once subsisted under this section; but without prejudice to the subsequent operation of this section in relation to a Bill which, not having passed in one Session, is reintroduced in a subsequent Session.

[F364166ACopyright in Bills of the Scottish Parliament.

(1) Copyright in every Bill introduced into the Scottish Parliament belongs to the Scottish Parliamentary Corporate Body.

(2) Copyright under this section subsists from the time when the text of the Bill is handed in to the Parliament for introduction—

(a) until the Bill receives Royal Assent, or (b) if the Bill does not receive Royal Assent, until it is withdrawn or rejected or

no further parliamentary proceedings may be taken in respect of it.

(3) References in this Part to Parliamentary copyright (except in section 165) include copyright under this section; and, except as mentioned above, the provisions of this Part apply in relation to copyright under this section as to other Parliamentary copyright.

(4) No other copyright, or right in the nature of copyright, subsists in a Bill after copyright has once subsisted under this section; but without prejudice to the subsequent operation of this section in relation to a Bill which, not having received Royal Assent, is later reintroduced into the Parliament. ]

Amendments (Textual) F364 S. 166A inserted (6.5.1999) by 1998 c. 46, s. 125(1), Sch. 8 para. 25(6) ; S.I. 1998/3178, art. 2(2), Sch.

[F365166BCopyright in Bills of the Northern Ireland Assembly.

(1) Copyright in every Bill introduced into the Northern Ireland Assembly belongs to the Northern Ireland Assembly Commission.

(2) Copyright under this section subsists from the time when the text of the Bill is handed in to the Assembly for introduction—

(a) until the Bill receives Royal Assent, or

148 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(b) if the Bill does not receive Royal Assent, until it is withdrawn or rejected or no further proceedings of the Assembly may be taken in respect of it.

(4) No other copyright, or right in the nature of copyright, subsists in a Bill after copyright has once subsisted under this section; but without prejudice to the subsequent operation of this section in relation to a Bill which, not having received Royal Assent, is later reintroduced into the Assembly. ]

Amendments (Textual) F365 S. 166B inserted (2.12.1999) by 1998 c. 47, s. 99, Sch. 13 para. 8(6) (with s. 95); S.I. 1999/3209, art.

[F366166CCopyright in proposed Measures of the National Assembly for Wales

(1) Copyright in every proposed Assembly Measure introduced into the National Assembly for Wales belongs to the National Assembly for Wales Commission.

(2) Copyright under this section subsists from the time when the text of the proposed Assembly Measure is handed in to the Assembly for introduction—

(a) until the proposed Assembly Measure is approved by Her Majesty in Council, or

(b) if the proposed Assembly Measure is not approved by Her Majesty in Council, until it is withdrawn or rejected or no further proceedings of the Assembly may be taken in respect of it.

(4) No other copyright, or right in the nature of copyright, subsists in a proposed Assembly Measure after copyright has once subsisted under this section; but without prejudice to the subsequent operation of this section in relation to a proposed Assembly Measure which, not having been approved by Her Majesty in Council, is later reintroduced into the Assembly.

Amendments (Textual) F366 Ss. 166C, 166D inserted by Government of Wales Act 2006 (c. 32), s. 160(1), Sch. 10 para. 28

(with Sch. 11 para. 22), the amending provision coming into force immediately after "the 2007 election" (held on 3.5.2007) subject to s. 161(4)(5) of the amending Act, which provides for certain provisions to come into force for specified purposes immediately after the end of "the initial period" (which ended with the day of the first appointment of a First Minister on 25.5.2007) - see ss. 46, 161(1)(4)(5) of the amending Act.

166D Copyright in Bills of the National Assembly for Wales

(1) Copyright in every Bill introduced into the National Assembly for Wales belongs to the National Assembly for Wales Commission.

no further proceedings of the Assembly may be taken in respect of it.

167 Houses of Parliament: supplementary provisions with respect to copyright.

(1) For the purposes of holding, dealing with and enforcing copyright, and in connection with all legal proceedings relating to copyright, each House of Parliament shall be treated as having the legal capacities of a body corporate, which shall not be affected by a prorogation or dissolution.

(2) The functions of the House of Commons as owner of copyright shall be exercised by the Speaker on behalf of the House; and if so authorised by the Speaker, or in case of a vacancy in the office of Speaker, those functions may be discharged by the Chairman of Ways and Means or a Deputy Chairman.

(3) For this purpose a person who on the dissolution of Parliament was Speaker of the House of Commons, Chairman of Ways and Means or a Deputy Chairman may continue to act until the corresponding appointment is made in the next Session of Parliament.

(4) The functions of the House of Lords as owner of copyright shall be exercised by the Clerk of the Parliaments on behalf of the House; and if so authorised by him, or in case of a vacancy in the office of Clerk of the Parliaments, those functions may be discharged by the Clerk Assistant or the Reading Clerk.

(5) Legal proceedings relating to copyright—

150 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(a) shall be brought by or against the House of Commons in the name of “The Speaker of the House of Commons”; and

(b) shall be brought by or against the House of Lords in the name of “The Clerk of the Parliaments”.

Other miscellaneous provisions

168 Copyright vesting in certain international organisations.

(1) Where an original literary, dramatic, musical or artistic work— (a) is made by an officer or employee of, or is published by, an international

organisation to which this section applies, and (b) does not qualify for copyright protection under section 154 (qualification by

reference to author) or section 155 (qualification by reference to country of first publication),

copyright nevertheless subsists in the work by virtue of this section and the organisation is first owner of that copyright.

(2) The international organisations to which this section applies are those as to which Her Majesty has by Order in Council declared that it is expedient that this section should apply.

(3) Copyright of which an international organisation is first owner by virtue of this section continues to subsist until the end of the period of 50 years from the end of the calendar year in which the work was made or such longer period as may be specified by Her Majesty by Order in Council for the purpose of complying with the international obligations of the United Kingdom.

(4) An international organisation to which this section applies shall be deemed to have, and to have had at all material times, the legal capacities of a body corporate for the purpose of holding, dealing with and enforcing copyright and in connection with all legal proceedings relating to copyright.

(5) A statutory instrument containing an Order in Council under this section shall be subject to annulment in pursuance of a resolution of either House of Parliament.

169 Folklore, &c.: anonymous unpublished works.

(1) Where in the case of an unpublished literary, dramatic, musical or artistic work of unknown authorship there is evidence that the author (or, in the case of a joint work, any of the authors) was a qualifying individual by connection with a country outside the United Kingdom, it shall be presumed until the contrary is proved that he was such a qualifying individual and that copyright accordingly subsists in the work, subject to the provisions of this Part.

(2) If under the law of that country a body is appointed to protect and enforce copyright in such works, Her Majesty may by Order in Council designate that body for the purposes of this section.

(3) A body so designated shall be recognised in the United Kingdom as having authority to do in place of the copyright owner anything, other than assign copyright, which it is empowered to do under the law of that country; and it may, in particular, bring proceedings in its own name.

(5) In subsection (1) a “qualifying individual” means an individual who at the material time (within the meaning of section 154) was a person whose works qualified under that section for copyright protection.

(6) This section does not apply if there has been an assignment of copyright in the work by the author of which notice has been given to the designated body; and nothing in this section affects the validity of an assignment of copyright made, or licence granted, by the author or a person lawfully claiming under him.

Transitional provisions and savings

170 Transitional provisions and savings.

[F367 (1) ] Schedule 1 contains transitional provisions and savings relating to works made, and acts or events occurring, before the commencement of this Part, and otherwise with respect to the operation of the provisions of this Part.

[F368 (2) The Secretary of State may by regulations amend Schedule 1 to reduce the duration of copyright in existing works which are unpublished, other than photographs or films.

(3) The regulations may provide for the copyright to expire— (a) with the end of the term of protection of copyright laid down by Directive

2006/116/ EC or at any later time; (b) subject to that, on the commencement of the regulations or at any later time.

(4) “ Existing works ” has the same meaning as in Schedule 1.

(5) Regulations under subsection (2) may— (a) make different provision for different purposes; (b) make supplementary or transitional provision; (c) make consequential provision, including provision amending any enactment

or subordinate legislation passed or made before that subsection comes into force.

(6) The power to make regulations under subsection (2) is exercisable by statutory instrument.

(7) A statutory instrument containing regulations under subsection (2) may not be made unless a draft of the instrument has been laid before and approved by resolution of each House of Parliament. ]

Amendments (Textual) F367 S. 170 renumbered as s. 170(1) (25.4.2013) by Enterprise and Regulatory Reform Act 2013 (c. 24), ss.

76(2) , 103(1) F368 S. 170(2)-(7) inserted (25.4.2013) by Enterprise and Regulatory Reform Act 2013 (c. 24), ss. 76(3) ,

152 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

171 Rights and privileges under other enactments or the common law.

(1) Nothing in this Part affects— (a) any right or privilege of any person under any enactment (except where the

enactment is expressly repealed, amended or modified by this Act); (b) any right or privilege of the Crown subsisting otherwise than under an

enactment; (c) any right or privilege of either House of Parliament; (d) the right of the Crown or any person deriving title from the Crown to sell,

use or otherwise deal with articles forfeited under the laws relating to customs and excise;

(e) the operation of any rule of equity relating to breaches of trust or confidence.

(2) Subject to those savings, no copyright or right in the nature of copyright shall subsist otherwise than by virtue of this Part or some other enactment in that behalf.

(3) Nothing in this Part affects any rule of law preventing or restricting the enforcement of copyright, on grounds of public interest or otherwise.

(4) Nothing in this Part affects any right of action or other remedy, whether civil or criminal, available otherwise than under this Part in respect of acts infringing any of the rights conferred by Chapter IV (moral rights).

(5) The savings in subsection (1) have effect subject to section 164(4) and section 166(7) (copyright in Acts, Measures and Bills: exclusion of other rights in the nature of copyright).

Modifications etc. (not altering text) C89 Ss. 161, 162, 171(1)(3), 172-179 applied (1.12.1996) by S.I. 1996/2967, reg. 17(4) (with Pt. III)

Interpretation

172 General provisions as to construction.

(1) This Part restates and amends the law of copyright, that is, the provisions of the M17 Copyright Act 1956, as amended.

(2) A provision of this Part which corresponds to a provision of the previous law shall not be construed as departing from the previous law merely because of a change of expression.

(3) Decisions under the previous law may be referred to for the purpose of establishing whether a provision of this Part departs from the previous law, or otherwise for establishing the true construction of this Part.

Modifications etc. (not altering text) C90 Ss. 161, 162, 171(1)(3), 172-179 applied (1.12.1996) by S.I. 1996/2967, reg. 17(4) (with Pt. III)

Marginal Citations M17 1956 c. 74.

[F369172AMeaning of EEA and related expressions.

[F371 (1) In this Part— “ the EEA ” means the European Economic Area; and “ EEA state ” means a member State, Iceland, Liechtenstein or Norway. ]]

(2) References in this Part to a person being [F372 a national of an EEA State ] shall be construed in relation to a body corporate as references to its being incoporated under the law of an EEA state.

(3) F373 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ]

Amendments (Textual) F369 S. 172A inserted (1.1.1996) by S.I. 1995/3297, reg. 11(1) (with Pt. III) F370 S. 172A(1) and sidenote substituted (1.12.1996) by S.I. 1996/2967, reg. 9(5) (with Pt. III) F371 S. 172A(1) substituted (29.4.2006) by The Intellectual Property (Enforcement, etc.) Regulations 2006

(S.I. 2006/1028), reg. 2(2), Sch. 2 para. 8(2) F372 Words in s. 172A(2) substituted (29.4.2006) by The Intellectual Property (Enforcement, etc.)

Regulations 2006 (S.I. 2006/1028), reg. 2(2), Sch. 2 para. 8(3) F373 S. 172A(3) repealed (29.4.2006) by The Intellectual Property (Enforcement, etc.) Regulations 2006

(S.I. 2006/1028), reg. 2(4), Sch. 4

Modifications etc. (not altering text) C91 Ss. 161, 162, 171(1)(3), 172-179 applied (1.12.1996) by S.I. 1996/2967, reg. 17(4) (with Pt. III)

173 Construction of references to copyright owner.

(1) Where different persons are (whether in consequence of a partial assignment or otherwise) entitled to different aspects of copyright in a work, the copyright owner for any purpose of this Part is the person who is entitled to the aspect of copyright relevant for that purpose.

(2) Where copyright (or any aspect of copyright) is owned by more than one person jointly, references in this Part to the copyright owner are to all the owners, so that, in particular, any requirement of the licence of the copyright owner requires the licence of all of them.

Modifications etc. (not altering text) C92 Ss. 161, 162, 171(1)(3), 172-179 applied (1.12.1996) by S.I. 1996/2967, reg. 17(4) (with Pt. III)

174 Meaning of “educational establishment” and related expressions.

(1) The expression “educational establishment” in a provision of this Part means—

154 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(a) any school, and (b) any other description of educational establishment specified for the purposes

of this Part, or that provision, by order of the Secretary of State.

(2) The Secretary of State may by order provide that the provisions of this Part relating to educational establishments shall apply, with such modifications and adaptations as may be specified in the order, in relation to teachers who are employed by a [F374 local authority (as defined in section 579(1) of the Education Act 1996) or (in Northern Ireland) a local education authority, ] to give instruction elsewhere to pupils who are unable to attend an educational establishment.

(3) In subsection (1)(a) “school”— (a) in relation to England and Wales, has the same meaning as in [F375 the

Education Act 1996 ] ; (b) in relation to Scotland, has the same meaning as in the M18 Education (Scotland)

Act 1962, except that it includes an approved school within the meaning of the M19 Social Work (Scotland) Act 1968; and

(c) in relation to Northern Ireland, has the same meaning as in the M20 Education and Libraries (Northern Ireland) Order 1986.

(4) An order under subsection (1)(b) may specify a description of educational establishment by reference to the instruments from time to time in force under any enactment specified in the order.

(5) In relation to an educational establishment the expressions “teacher” and “pupil” in this Part include, respectively, any person who gives and any person who receives instruction.

(6) References in this Part to anything being done “on behalf of” an educational establishment are to its being done for the purposes of that establishment by any person.

Amendments (Textual) F374 Words in s. 174(2) substituted (5.5.2010) by The Local Education Authorities and Children's Services

Authorities (Integration of Functions) Order 2010 (S.I. 2010/1158), arts. 1, 5(1), Sch. 2 para. 36 F375 Words in s. 174(3) substituted (1.11.1996) by 1996 c. 56, ss. 582(1), 583(2), Sch. 37 Pt. I para. 83

(with Sch. 39)

Modifications etc. (not altering text) C93 Ss. 161, 162, 171(1)(3), 172-179 applied (1.12.1996) by S.I. 1996/2967, reg. 17(4) (with Pt. III)

Marginal Citations M18 1962 c. 47. M19 1968 c. 49. M20 S.I. 1986/594 (N.I.3).

175 Meaning of publication and commercial publication.

(1) In this Part “publication”, in relation to a work— (a) means the issue of copies to the public, and (b) includes, in the case of a literary, dramatic, musical or artistic work, making

it available to the public by means of an electronic retrieval system; and related expressions shall be construed accordingly.

(2) In this Part “commercial publication”, in relation to a literary, dramatic, musical or artistic work means—

(a) issuing copies of the work to the public at a time when copies made in advance of the receipt of orders are generally available to the public, or

(b) making the work available to the public by means of an electronic retrieval system;

and related expressions shall be construed accordingly.

(3) In the case of a work of architecture in the form of a building, or an artistic work incorporated in a building, construction of the building shall be treated as equivalent to publication of the work.

(4) The following do not constitute publication for the purposes of this Part and references to commercial publication shall be construed accordingly—

(a) in the case of a literary, dramatic or musical work— (i) the performance of the work, or

(ii) the [F376 communication to the public of the work ] (otherwise than for the purposes of an electronic retrieval system);

(b) in the case of an artistic work— (i) the exhibition of the work,

(ii) the issue to the public of copies of a graphic work representing, or of photographs of, a work of architecture in the form of a building or a model for a building, a sculpture or a work of artistic craftsmanship,

(iii) the issue to the public of copies of a film including the work, or (iv) the [F376 communication to the public of the work ] (otherwise than for

the purposes of an electronic retrieval system); (c) in the case of a sound recording or film—

(i) the work being played or shown in public, or (ii) the [F376 communication to the public of the work ] .

(5) References in this Part to publication or commercial publication do not include publication which is merely colourable and not intended to satisfy the reasonable requirements of the public.

(6) No account shall be taken for the purposes of this section of any unauthorised act.

Amendments (Textual) F376 Words in s. 175(4)(a)(ii)(b)(iv)(c)(ii) substituted (31.10.2003) by The Copyright and Related Rights

Regulations 2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 6(1) (with regs. 31-40)

156 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

Modifications etc. (not altering text) C94 Ss. 161, 162, 171(1)(3), 172-179 applied (1.12.1996) by S.I. 1996/2967, reg. 17(4) (with Pt. III)

176 Requirement of signature: application in relation to body corporate.

(1) The requirement in the following provisions that an instrument be signed by or on behalf of a person is also satisfied in the case of a body corporate by the affixing of its seal—

section 78(3)(b) (assertion by licensor of right to identification of author in case of public exhibition of copy made in pursuance of the licence), section 90(3) (assignment of copyright), section 91(1) (assignment of future copyright), section 92(1) (grant of exclusive licence).

(2) The requirement in the following provisions that an instrument be signed by a person is satisfied in the case of a body corporate by signature on behalf of the body or by the affixing of its seal—

section 78(2)(b) (assertion by instrument in writing of right to have author identified), section 87(2) (waiver of moral rights).

Modifications etc. (not altering text) C95 Ss. 161, 162, 171(1)(3), 172-179 applied (1.12.1996) by S.I. 1996/2967, reg. 17(4) (with Pt. III)

177 Adaptation of expressions for Scotland.

In the application of this Part to Scotland— “account of profits” means accounting and payment of profits; “accounts” means count, reckoning and payment; “assignment” means assignation; “costs” means expenses; “defendant” means defender; “delivery up” means delivery; “estoppel” means personal bar; “injunction” means interdict; “interlocutory relief” means interim remedy; and “plaintiff” means pursuer.

Modifications etc. (not altering text) C96 Ss. 161, 162, 171(1)(3), 172-179 applied (1.12.1996) by S.I. 1996/2967, reg. 17(4) (with Pt. III)

178 Minor definitions.

In this Part— “article”, in the context of an article in a periodical, includes an item of any description; “business”includes a trade or profession; “collective work” means—

(a) a work of joint authorship, or (b) a work in which there are distinct contributions by different authors or in

which works or parts of works of different authors are incorporated; “computer-generated”, in relation to a work, means that the work is generated by computer in circumstances such that there is no human author of the work; “country” includes any territory; “the Crown” includes the Crown in right of [F377 the Scottish Administration [F378 , of the Welsh Assembly Government ] or of ] Her Majesty’s Government in Northern Ireland or in any country outside the United Kingdom to which this Part extends; “electronic” means actuated by electric, magnetic, electro-mechanical energy, and “in electronic form” means in a form usable only by electronic means; “employed”, “employee”, “employer”, and “employment” refer to employment under a contract of service or of apprenticeship; “facsimile copy” includes a copy which is reduced or enlarged in scale; “international organisation” means an organisation the members of which include one or more states; “judicial proceedings”includes proceedings before any court, tribunal or person having authority to decide any matter affecting a person’s legal rights or liabilities; “parliamentary proceedings” includes proceedings of the Northern Ireland Assembly [F379 of the Scottish Parliament ][F380 , of the New Northern Ireland Assembly ] or of the European Parliament [F381 and Assembly proceedings within the meaning of section 1(5) of the Government of Wales Act 2006 ] ; [F382 “ private study ” does not include any study which is directly or indirectly for a commercial purpose; ] [F383 “producer”, in relation to a sound recording or a film, means the person by whom the arrangements necessary for the making of the sound recording or film are undertaken; ] [F384 “public library” means a library administered by or on behalf of—

(a) in England and Wales, a library authority within the meaning of the Public Libraries and Museums Act 1964;

(b) in Scotland, a statutory library authority within the meaning of the Public Libraries (Scotland) Act 1955;

(c) in Northern Ireland, an Education and Library Board within the meaning of the Education and Libraries (Northern Ireland) Order 1986; ]

F385 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [F386 “rental right” means the right of a copyright owner to authorise or prohibit the rental of copies of the work (see section 18A); ] “reprographic copy” and “reprographic copying” refer to copying by means of a reprographic process; “reprographic process” means a process—

(a) for making facsimile copies, or

158 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

(b) involving the use of an appliance for making multiple copies,

and includes, in relation to a work held in electronic form, any copying by electronic means, but does not include the making of a film or sound recording; “sufficient acknowledgement” means an acknowledgement identifying the work in question by its title or other description, and identifying the author unless—

(a) in the case of a published work, it is published anonymously; (b) in the case of an unpublished work, it is not possible for a person to

ascertain the identity of the author by reasonable inquiry; “sufficient disclaimer”, in relation to an act capable of infringing the right conferred by section 80 (right to object to derogatory treatment of work), means a clear and reasonably prominent indication—

(a) given at the time of the act, and (b) if the author or director is then identified, appearing along with the

identification,

that the work has been subjected to treatment to which the author or director has not consented, “telecommunications system” means a system for conveying visual images, sounds or other information by electronic means; “typeface” includes an ornamental motif used in printing; “unauthorised”, as regards anything done in relation to a work, means done otherwise than—

(a) by or with the licence of the copyright owner, or (b) if copyright does not subsist in the work, by or with the licence of the

author or, in a case where section 11(2) would have applied, the author’s employer or, in either case, persons lawfully claiming under him, or

(c) in pursuance of section 48 (copying, &c of certain material by the Crown); [F387 “ wireless broadcast ” means a broadcast by means of wireless telegraphy; ] “wireless telegraphy” means the sending of electro-magnetic energy over paths not provided by a material substance constructed or arranged for that purpose [F388 , but does not include the transmission of microwave energy between terrestrial fixed points ] ; “writing” includes any form of notation or code, whether by hand or otherwise and regardless of the method by which, or medium in or on which, it is recorded, and “written” shall be construed accordingly

Amendments (Textual) F377 Words in s. 178 inserted (6.5.1999) by 1998 c. 46, s. 125(1), Sch. 8 para. 25(7)(a) ; S.I. 1998/3178, art.

2(2), Sch. 3 F378 S. 178: words in definition of "the Crown" inserted by Government of Wales Act 2006 (c. 32), s.

160(1), Sch. 10 para. 29(2) (with Sch. 11 para. 22), the amending provision coming into force immediately after "the 2007 election" (held on 3.5.2007) subject to s. 161(4)(5) of the amending Act, which provides for certain provisions to come into force for specified purposes immediately after the end of "the initial period" (which ended with the day of the first appointment of a First Minister on 25.5.2007) - see ss. 46, 161(1)(4)(5) of the amending Act.

F379 Words in s. 178 inserted (6.5.1999) by 1998 c. 46, s. 125(1), Sch. 8 para. 25(7)(b) ; S.I. 1998/3178, art. 2(2), Sch. 3

F380 Words in s. 178 cease to have effect (2.12.1999) by virtue of 1998 c. 47, s. 99, Sch. 13 para. 8(7) (with s. 95); S.I. 1999/3209, art. 2, Sch.

F381 S. 178: words in definition of "parliamentary proceedings" inserted by Government of Wales Act 2006 (c. 32), s. 160(1), Sch. 10 para. 29(3) (with Sch. 11 para. 22), the amending provision coming into force immediately after "the 2007 election" (held on 3.5.2007) subject to s. 161(4)(5) of the amending Act, which provides for certain provisions to come into force for specified purposes immediately after the end of "the initial period" (which ended with the day of the first appointment of a First Minister on 25.5.2007) - see ss. 46, 161(1)(4)(5) of the amending Act.

F382 S. 178: definition of "private study" inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 15(3) (with regs. 31-40)

F383 Definition in s. 178 inserted (1.12.1996 with effect in relation to films made on or after 31.7.1994) by S.I. 1996/2967, regs. 18(5) , 36 (with Pt. III)

F384 Definition in s. 178 inserted (1.12.1996) by S.I. 1996/2967, reg. 11(5) (with Pt. III) F385 Definition in s. 178 omitted (1.12.1996) by virtue of S.I. 1996/2967, reg. 10(3) (with Pt. III) F386 Definition in s. 178 inserted (1.12.1996) by S.I. 1996/2967, reg. 10(3) (with Pt. III) F387 S. 178: definition of "wireless broadcast" inserted (31.10.2003) by The Copyright and Related Rights

Regulations 2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 15(3) (with regs. 31-40) F388 Words in s. 178 inserted (1.12.1996) by S.I. 1996/2967, reg. 8 (with Pt. III)

Modifications etc. (not altering text) C97 Ss. 161, 162, 171(1)(3), 172-179 applied (1.12.1996) by S.I. 1996/2967, reg. 17(4) (with Pt. III)

179 Index of defined expressions.

The following Table shows provisions defining or otherwise explaining expressions used in this Part (other than provisions defining or explaining an expression used only in the same section)—

[F389 accessible copy (in sections 31A to 31F)

section 31F(4) ]

account of profits and accounts (in Scotland)

section 177

acts restricted by copyright section 16(1) adaptation section 21(3) F390

. . . . . .

[F391 archivist (in sections 40A to 43) section 43A(5) ] article (in a periodical) section 178 artistic work section 4(1) assignment (in Scotland) section 177 author sections 9 and 10(3) [F392 authorised body (in sections 31B to 31BB)

section 31F(6) ]

broadcast (and related expressions) section 6 building section 4(2)

160 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

business section 178 F393

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . collective work section 178 commencement (in Schedule 1) paragraph 1(2) of that Schedule commercial publication section 175 [F395 communication to the public section 20 ] computer-generated section 178 [F396 conducted for profit (in sections 40A to 43)

section 43A(4) ]

copy and copying section 17 copyright (generally) section 1 copyright (in Schedule 1) paragraph 2(2) of that Schedule copyright owner sections 101(2) and 173 Copyright Tribunal section 145 copyright work section 1(2) costs (in Scotland) section 177 country section 178 [F397 country of origin ] [F397 section 15A. ] the Crown section 178 Crown copyright sections 163(2) and 164(3) [F396 curator (in sections 40A to 43) section 43A(5) ] [F398 database ] [F398 section 3A(1) ] defendant (in Scotland) section 177 delivery up (in Scotland) section 177 [F392 disabled person (in sections 31A to 31F)

section 31F(2) and (3) ]

dramatic work section 3(1) educational establishment sections 174(1) to (4) electronic and electronic form section 178 employed, employee, employer and employment

section 178

[F399 excepted sound recording section 72(1A) ] exclusive licence section 92(1) [F400 the EEA , EEA state and national of an EEA state ]

[F401 section 172A ]

existing works (in Schedule 1) paragraph 1(3) of that Schedule

facsimile copy section 178 film [F402 section 5B ] future copyright section 91(2) general licence (in sections 140 and 141) section 140(7) graphic work section 4(2) infringing copy section 27 injunction (in Scotland) section 177 interlocutory relief (in Scotland) section 177 international organisation section 178 issue of copies to the public [F403 section 18 ] joint authorship (work of) sections 10(1) and (2) judicial proceedings section 178 [F404 lawful user (in sections 50A to 50C) ] [F404 section 50A(2). ] [F405 lending ] [F405 section 18A(2) to (6) ] [F406 librarian (in sections 40A to 43 section 43A(5) ] [F396 library (in sections 40A to 43) section 43A(2) ] licence (in sections 125 to 128) section 124 licence of copyright owner sections 90(4), 91(3) and 173 licensing body (in Chapter VII) section 116(2) licensing scheme (generally) section 116(1) licensing scheme (in sections 118 to 121) section 117 literary work section 3(1) made (in relation to a literary, dramatic or musical work)

section 3(2)

[F396 museum (in sections 40A to 43) section 43A(3) ] musical work section 3(1) [F407 needletime ] [F407 section 135A ] the new copyright provisions (in Schedule 1)

paragraph 1(1) of that Schedule

the 1911 Act (in Schedule 1) paragraph 1(1) of that Schedule the 1956 Act (in Schedule 1) paragraph 1(1) of that Schedule on behalf of (in relation to an educational establishment)

section 174(5)

[F398 original (in relation to a database) ] [F398 section 3A(2) ] Parliamentary copyright sections 165(2) and (7) [F408 166(6)

[F409 166A(3) [F410 166B(3) 166C(3) and 166D(3) ]]]

162 Copyright, Designs and Patents Act 1988 (c. 48) Part I – Copyright

parliamentary proceedings section 178 performance section 19(2) photograph section 4(2) plaintiff (in Scotland) section 177 F411

. . . . . . [F412 private study section 178 ] [F413 producer (in relation to a sound recording or film ]

[F413 section 178. ]

programme (in the context of broadcasting)

section 6(3)

prospective owner (of copyright) section 91(2) [F414 public library ] [F414 section 178. ] publication and related expressions section 175 published edition (in the context of copyright in the typographical arrangement)

pupil section 174(5) rental [F415 section 18A(2) to (6) ] [F405 rental right ] [F405 section 178. ] reprographic copies and repographic copying

reprographic process section 178 sculpture section 4(2) signed section 176 sound recording [F416 sections 5A and 135A ] sufficient acknowledgement section 178 sufficient disclaimer section 178 [F392 supply (in sections 31B to 31BB) section 31F(7) ] teacher section 174(5) telecommunications system section 178 [F407 terms of payment ] [F407 section 135A ] typeface section 178 unauthorised (as regards things done in relation to a work)

unknown (in relation to the author of a work)

section 9(5)

unknown authorship (work of) section 9(4) . . . . . . [F417 wireless broadcast section 178 ] wireless telegraphy section 178 work (in Schedule 1) paragraph 2(1) of that Schedule work of more than one author (in Chapter VII)

section 116(4)

writing and written section 178

Amendments (Textual) F389 Words in s. 179 substituted (1.6.2014) by The Copyright and Rights in Performances (Disability)

Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 3(a) F390 Words in s. 179 omitted (1.6.2014) by virtue of The Copyright and Rights in Performances (Disability)

Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 3(c) F391 Words in s. 179 substituted (1.6.2014) by The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 6(a) F392 Words in s. 179 inserted (1.6.2014) by The Copyright and Rights in Performances (Disability)

Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 3(b) F393 S. 179: entry for "cable programme, cable programme service (and related expressions)" repealed

(31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40)

F394 Words in s. 179 repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 32, 33)

F395 Words in s. 179 inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 15(4) (with regs. 31-40)

F396 Words in s. 179 inserted (1.6.2014) by The Copyright and Rights in Performances (Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 6(c)

F397 Words in s. 179 inserted (1.1.1996) by S.I. 1995/3297, reg. 8(2) (with Pt. III) F398 Words in s. 179 inserted (1.1.1998) by S.I. 1997/3032, reg. 11 (with Pt. IV) F399 Words in s. 179 inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 21(7) (with regs. 31-40) F400 Words in s. 179 substituted (29.4.2006) by The Intellectual Property (Enforcement, etc.) Regulations

2006 (S.I. 2006/1028), reg. 2(2), Sch. 2 para. 9 F401 Words in s. 179 inserted (1.1.1996) by S.I. 1995/3297, reg. 11(2) (with Pt. III) F402 Words in s. 179 substituted (1.1.1996) by S.I. 1995/3297, reg. 9(5)(a) (with Pt. III) F403 Words in s. 179 inserted (1.12.1996) by S.I. 1996/2967, reg. 9(6)(b) (with Pt. III) F404 Words in s. 179 inserted (1.1.1993) by S.I. 1992/3233, reg. 9 F405 Words in s. 179 inserted (1.12.1996) by S.I. 1996/2967, reg. 10(4) (with Pt. III) F406 Words in s. 179 substituted (1.6.2014) by The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 6(b) F407 Words inserted by Broadcasting Act 1990 (c.42, SIF 96), s. 175(3) F408 Words in s. 179 substituted (6.5.1999) by 1998 c. 46, s. 125(1), Sch. 8 para. 25(8) ; S.I. 1998/3178, art.

2(2), Sch. 3 F409 Words in s. 179 substituted (2.12.1999) by 1998 c. 47, s. 99, Sch. 13 para. 8(8) (with s. 95); S.I.

1999/3209, art. 2, Sch. F410 Words in s. 179 substituted by Government of Wales Act 2006 (c. 32), s. 160(1), Sch. 10 para.

30 (with Sch. 11 para. 22), the amending provision coming into force immediately after "the

164 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

2007 election" (held on 3.5.2007) subject to s. 161(4)(5) of the amending Act, which provides for certain provisions to come into force for specified purposes immediately after the end of "the initial period" (which ended with the day of the first appointment of a First Minister on 25.5.2007) - see ss. 46, 161(1)(4)(5) of the amending Act.

F411 Words in s. 179 omitted (1.6.2014) by virtue of The Copyright and Rights in Performances (Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 6(d)

F412 Words in s. 179 inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 15(4) (with regs. 31-40)

F413 Words in s. 179 inserted (1.12.1996 with effect in relation to films made on or after 1.7.1994) by S.I. 1996/2967, regs. 18(6) , 36 (with Pt. III)

F414 Words in s. 179 inserted (1.12.1996) by S.I. 1996/2967, reg. 11(6) (with Pt. III) F415 Words in s. 179 substituted (1.12.1996) by S.I. 1996/2967, reg. 10(4) (with Pt. III) F416 Words in s. 179 substituted (1.1.1996) by S.I. 1995/3297, reg. 9(5)(b) (with Pt. III) F417 Words in s. 179 inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(1), Sch. 1 para. 15(4) (with regs. 31-40)

Modifications etc. (not altering text) C98 Ss. 161, 162, 171(1)(3), 172-179 applied (1.12.1996) by S.I. 1996/2967, reg. 17(4) (with Pt. III)

RIGHTS IN PERFORMANCES

Modifications etc. (not altering text) C99 Pt. 2 (ss. 180-212) restricted (22.4.2003) by The Performances (Reciprocal Protection) (Convention

Countries and Isle of Man) Order 2003 (S.I. 2003/773), art. 3 (which S.I. was revoked (1.5.2005) by S.I. 2005/852, art. 8(c))

C100 Pt. 2 (ss. 180-212) extended (with modifications) (1.5.2005) by The Copyright and Performances (Application to Other Countries) Order 2005 (S.I. 2005/852), art. 6 , Sch. (with art. 7) (which S.I. was revoked (6.4.2006) by S.I. 2006/316, art. 1(3))

C101 Pt. 2 (ss. 180-212) extended (with modifications) (6.4.2006) by The Copyright and Performances (Application to Other Countries) Order 2006 (S.I. 2006/316), art. 6 , Sch. (with art. 7) (which S.I. was revoked (6.4.2007) by S.I. 2007/273, art. 1(3))

C102 Pt. 2 (ss. 180-212) extended (with modifications) (6.4.2007) by The Copyright and Performances (Application to Other Countries) Order 2007 (S.I. 2007/273), art. 6 , Sch. (with art. 7) (which S.I. was revoked (6.4.2008) by S.I. 2008/677, art. 1(3))

C103 Pt. 2 (ss. 180-212) extended (with modifications) (6.4.2008) by The Copyright and Performances (Application to Other Countries) Order 2008 (S.I. 2008/677), art. 6 , Sch. (with art. 7)

C104 Pt. 2 extended (with modifications) (6.4.2012) by The Copyright and Performances (Application to Other Countries) Order 2012 (S.I. 2012/799), arts. 1(1), 6, 7, Schs. (with art. 8)

C105 Pt. 2 applied in part (with modifications) (6.4.2013) by The Copyright and Performances (Application to Other Countries) Order 2013 (S.I. 2013/536), arts. 1(1), 6, 7, Schs. (with art. 8)

C106 Pt. 2 applied (with modifications) (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 12, Sch. Pt. 2 (with art. 13)

C107 Pt. 2 applied (with modifications) (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 11, Sch. Pt. 2 (with art. 13)

C108 Pt. 2 applied (with modifications) (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 10 (with art. 13)

Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances Chapter 1 – INTRODUCTORY Document Generated: 2018-04-19

[F418CHAPTER 1

INTRODUCTORY

Amendments (Textual) F418 Cross-headings before ss. 180, 181 omitted (1.2.2006) and ss. 180, 181 become Pt. 2 Ch. 1 by virtue of

The Performances (Moral Rights, etc.) Regulations 2006 (S.I. 2006/18), reg. 4(1)-(3) (with reg. 8)

X1180 Rights conferred on performers and persons having recording rights.

(1) [F419 Chapter 2 of this Part (economic rights) ] confers rights— (a) on a performer, by requiring his consent to the exploitation of his

performances (see sections 181 to 184), and (b) on a person having recording rights in relation to a performance, in relation

to recordings made without his consent or that of the performer (see sections 185 to 188),

and creates offences in relation to dealing with or using illicit recordings and certain other related acts (see sections 198 and 201).

[F420 (1A) Rights are also conferred on a performer by the following provisions of Chapter 3 of this Part (moral rights)—

(a) section 205C (right to be identified); (b) section 205F (right to object to derogatory treatment of performance). ]

(2) In this Part — “performance” means — (a) a dramatic performance (which includes dance and mime), (b) a musical performance, (c) a reading or recitation of a literary work, or (d) a performance of a variety act or any similar presentation,

which is, or so far as it is, a live performance given by one or more individuals; and “recording”, in relation to a performance, means a film or sound recording—

(a) made directly from the live performance, (b) made from a broadcast of F421 . . . the performance, or (c) made, directly or indirectly, from another recording of the performance.

(3) The rights conferred by this Part apply in relation to performances taking place before the commencement of this Part; but no act done before commencement, or in pursuance of arrangements made before commencement, shall be regarded as infringing those rights.

(4) The rights conferred by this Part are independent of— (a) any copyright in, or moral rights relating to, any work performed or any film

or sound recording of, or broadcast F422 . . . the performance, and (b) any other right or obligation arising otherwise than under this Part.

166 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

Chapter 2 – ECONOMIC RIGHTS Document Generated: 2018-04-19

Editorial Information X1 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Moral Rights" and "Chapter 4 Qualification for Protection, Extent and Interpretation" in Pt. II on 1.2.2006 gives rise to a change in the structure of this legislation on SLD which breaks the continuity of historical versions of the existing provisions which are now brought under those new headings.

Amendments (Textual) F419 Words in s. 180(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006

(S.I. 2006/18), reg. 5(1) (with reg. 8) F420 S. 180(1A) inserted 1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006 (S.I.

2006/18), reg. 5(2) (with reg. 8) F421 Words in s. 180(1)(4)(a) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F422 Words in s. 180(1)(4)(a) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 32, 33)

X2181 Qualifying performances.

A performance is a qualifying performance for the purposes of the provisions of this Part relating to performers’ right if it is given by a qualifying individual (as defined in section 206) or takes place in a qualifying country (as so defined). ]

Editorial Information X2 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

[F423CHAPTER 2

ECONOMIC RIGHTS

Amendments (Textual) F423 Ss. 182-205B become Pt. 2 Ch. 2 (1.2.2006) by virtue of The Performances (Moral Rights, etc.)

Regulations 2006 (S.I. 2006/18), reg. 4(4) (with reg. 8)

Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances Chapter 2 – ECONOMIC RIGHTS Document Generated: 2018-04-19

X3[F424 Performers' rights ]

Editorial Information X3 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F424 Pt. 2 Ch. 2: cross-heading inserted (1.2.2006) at beginning of Chapter by The Performances (Moral

Rights, etc.) Regulations 2006 (S.I. 2006/18), reg. 4(5) (with reg. 8)

X4182 Consent required for recording, &c. of live performance.

(1) A performer’s rights are infringed by a person who, without his consent— (a) makes a recording of the whole or any substantial part of a qualifying

performance directly from the live performance, (b) broadcasts live, F426 . . . the whole or any substantial part of a qualifying

performance, (c) makes a recording of the whole or any substantial part of a qualifying

performance directly from a broadcast of, F427 . . . the live performance.

(2) F428 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(3) In an action for infringement of a performer’s rights brought by virtue of this section damages shall not be awarded against a defendant who shows that at the time of the infringement he believed on reasonable grounds that consent had been given. ]

Editorial Information X4 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F425 S. 182 substituted (1.12.1996) by S.I. 1996/2967, reg. 20(1) (with Pt. III) F426 Words in s. 182(1)(b) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F427 Words in s. 182(1)(c) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F428 S. 182(2) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

X5182A Consent required for copying of recording.

(1) A performer’s rights are infringed by a person who, without his consent, makes F430 . . . a copy of a recording of the whole or any substantial part of a qualifying performance.

168 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

[F431 (1A) In subsection (1), making a copy of a recording includes making a copy which is transient or is incidental to some other use of the original recording. ]

(2) It is immaterial whether the copy is made directly or indirectly.

(3) The right of a performer under this section to authorise or prohibit the making of such copies is referred to in [F432 this Chapter ] as “reproduction right”. ]

Editorial Information X5 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F429 S. 182A inserted (1.12.1996) by S.I. 1996/2967, reg. 20(2) (with Pt. III) F430 Words in s. 182A(1) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I.2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F431 S. 182A(1A) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 8(3) (with regs. 31-40) F432 Words in S. 182A(3) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

2006 (S.I. 2006/18), reg. 2, Sch. para. 8 (with reg. 8)

X6182B Consent required for issue of copies to public.

(1) A performer’s rights are infringed by a person who, without his consent, issues to the public copies of a recording of the whole or any substantial part of a qualifying performance.

(2) References in this Part to the issue to the public of copies of a recording are to— (a) the act of putting into circulation in the EEA copies not previously put into

circulation in the EEA by or with the consent of the performer, or (b) the act of putting into circulation outside the EEA copies not previously put

(3) References in this Part to the issue to the public of copies of a recording do not include —

(a) any subsequent distribution, sale, hiring or loan of copies previously put into circulation (but see section 182C: consent required for rental or lending), or

(b) any subsequent importation of such copies into the United Kingdom or another EEA state,

except so far as paragraph (a) of subsection (2) applies to putting into circulation in the EEA copies previously put into circulation outside the EEA.

(4) References in this Part to the issue of copies of a recording of a performance include the issue of the original recording of the live performance.

(5) The right of a performer under this section to authorise or prohibit the issue of copies to the public is referred to in [F434 this Chapter ] as “distribution right”. ]

Editorial Information X6 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F433 S. 182B inserted (1.12.1996) by S.I. 1996/2967, reg. 20(2) (with Pt. III) F434 Words in s. 182B(5) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006

(S.I. 2006/18), reg. 2, Sch. para. 8 (with reg. 8)

X7182C Consent required for rental or lending of copies to public.

(1) A performer’s rights are infringed by a person who, without his consent, rents or lends to the public copies of a recording of the whole or any substantial part of a qualifying performance.

(2) In [F436 this Chapter ] , subject to the following provisions of this section— (a) “rental” means making a copy of a recording available for use, on terms that

(b) “lending” means making a copy of a recording available for use, on terms that it will or may be returned, otherwise than for direct or indirect economic or commercial advantage, through an establishment which is accessible to the public.

in public [F437 or communication to the public ] ; (b) making available for the purpose of exhibition in public; or (c) making available for on-the-spot reference use.

(6) References in [F436 this Chapter ] to the rental or lending of copies of a recording of a performance include the rental or lending of the original recording of the live performance.

(7) In [F436 this Chapter ] —

“rental right” means the right of a performer under this section to authorise or prohibit the rental of copies to the public, and

“lending right” means the right of a performer under this section to authorise or prohibit the lending of copies to the public. ]

170 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

Editorial Information X7 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F435 S. 182C inserted (1.12.1996) by S.I. 1996/2967, reg. 20(2) (with Pt. III) F436 Words in s. 182C(2)(6)(7) substituted (1.2.2006) by The Performances (Moral Rights, etc.)

Regulations 2006 (S.I. 2006/18), reg. 2, Sch. para. 8 (with reg. 8) F437 Words in s. 182C(3)(a) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg.2(1), Sch. 1 para. 6(2)(c) (with regs. 31-40)

X8182CAConsent required for making available to the public

(1) A performer’s rights are infringed by a person who, without his consent, makes available to the public a recording of the whole or any substantial part of a qualifying performance by electronic transmission in such a way that members of the public may access the recording from a place and at a time individually chosen by them.

(2) The right of a performer under this section to authorise or prohibit the making available to the public of a recording is referred to in [F439 this Chapter ] as “making available right. ]

Editorial Information X8 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F438 S. 182CA inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 7(1) (with regs. 31-40) F439 Words in s. 182CA(2) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

X9 182D Right to equitable remuneration for exploitation of sound recording.

(1) Where a commercially published sound recording of the whole or any substantial part of a qualifying performance—

(a) is played in public, or [F441 (b) is communicated to the public otherwise than by its being made available to

the public in the way mentioned in section 182CA(1), ] the performer is entitled to equitable remuneration from the owner of the copyright in the sound recording [F442 or, where copyright in the sound recording has expired

pursuant to section 191HA(4), from a person who plays the sound recording in public or communicates the sound recording to the public ] .

[F443 (1A) In subsection (1), the reference to publication of a sound recording includes making it available to the public by electronic transmission in such a way that members of the public may access it from a place and at a time individually chosen by them. ]

(2) The right to equitable remuneration under this section may not be assigned by the performer except to a collecting society for the purpose of enabling it to enforce the right on his behalf.

(3) The amount payable by way of equitable remuneration is as agreed by or on behalf of the persons by and to whom it is payable, subject to the following provisions.

(4) In default of agreement as to the amount payable by way of equitable remuneration, the person by or to whom it is payable may apply to the Copyright Tribunal to determine the amount payable.

(5) A person to or by whom equitable remuneration is payable may also apply to the Copyright Tribunal—

(a) to vary any agreement as to the amount payable, or (b) to vary any previous determination of the Tribunal as to that matter;

but except with the special leave of the Tribunal no such application may be made within twelve months from the date of a previous determination.

(6) On an application under this section the Tribunal shall consider the matter and make such order as to the method of calculating and paying equitable remuneration as it may determine to be reasonable in the circumstances, taking into account the importance of the contribution of the performer to the sound recording.

(7) An agreement is of no effect in so far as it purports— (a) to exclude or restrict the right to equitable remuneration under this section, or (b) to prevent a person questioning the amount of equitable remuneration or to

restrict the powers of the Copyright Tribunal under this section.

[F444 (8) In this section “ collecting society ” means a society or other organisation which has as its main object, or one of its main objects, the exercise of the right to equitable remuneration on behalf of more than one performer. ]]

Editorial Information X9 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

172 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

Amendments (Textual) F440 S. 182D inserted (1.12.1996) by S.I. 1996/2967, reg. 20(2) (with Pt. III) F441 S. 182D(1)(b) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 7(2) (with regs. 31-40) F442 Words in s. 182D(1) inserted (1.11.2013) by The Copyright and Duration of Rights in Performances

Regulations 2013 (S.I. 2013/1782), regs. 1, 7 (with regs. 11-27) F443 S. 182D(1A) inserted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006 (S.I.

2006/18), reg. 2, Sch. para. 3(2) (with reg. 8) F444 S. 182D(8) inserted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006 (S.I.

2006/18), reg. 2, Sch. para. 3(3) (with reg. 8)

Modifications etc. (not altering text) C109 S. 182D modified (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 34 (with regs. 31-40)

X10183 Infringement of performer’s rights by use of recording made without consent.

A performer’s rights are infringed by a person who, without his consent— (a) shows or plays in public the whole or any substantial part of a qualifying

performance, or (b) [F445 communicates to the public ] the whole or any substantial part of a

qualifying performance, by means of a recording which was, and which that person knows or has reason to believe was, made without the performer’s consent.

Editorial Information X10 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F445 Words in s. 183(b) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 13(1)(a) (with regs. 31-40)

X11184 Infringement of performer’s rights by importing, possessing or dealing with illicit recording.

(1) A performer’s rights are infringed by a person who, without his consent— (a) imports into the United Kingdom otherwise than for his private and domestic

use, or (b) in the course of a business possesses, sells or lets for hire, offers or exposes

for sale or hire, or distributes, a recording of a qualifying performance which is, and which that person knows or has reason to believe is, an illicit recording.

(2) Where in an action for infringement of a performer’s rights brought by virtue of this section a defendant shows that the illicit recording was innocently acquired by him

or a predecessor in title of his, the only remedy available against him in respect of the infringement is damages not exceeding a reasonable payment in respect of the act complained of.

(3) In subsection (2) “innocently acquired” means that the person acquiring the recording did not know and had no reason to believe that it was an illicit recording.

Editorial Information X11 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

X12 Rights of person having recording rights

Editorial Information X12 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

X13185 Exclusive recording contracts and persons having recording rights.

(1) In [F446 this Chapter ] an “exclusive recording contract” means a contract between a performer and another person under which that person is entitled to the exclusion of all other persons (including the performer) to make recordings of one or more of his performances with a view to their commercial exploitation.

(2) References in [F446 this Chapter ] to a “person having recording rights”, in relation to a performance, are (subject to subsection (3)) to a person—

(a) who is party to and has the benefit of an exclusive recording contract to which the performance is subject, or

(b) to whom the benefit of such a contract has been assigned, and who is a qualifying person.

(3) If a performance is subject to an exclusive recording contract but the person mentioned in subsection (2) is not a qualifying person, references in [F446 this Chapter ] to a “person having recording rights” in relation to the performance are to any person—

(a) who is licensed by such a person to make recordings of the performance with a view to their commercial exploitation, or

(b) to whom the benefit of such a licence has been assigned, and who is a qualifying person.

(4) In this section “with a view to commercial exploitation” means with a view to the recordings being sold or let for hire, or shown or played in public.

174 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

Editorial Information X13 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F446 Words in s. 185(1)-(3) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

X14186 Consent required for recording of performance subject to exclusive contract.

(1) A person infringes the rights of a person having recording rights in relation to a performance who, without his consent or that of the performer, makes a recording of the whole or any substantial part of the performance F447 . . . .

(2) In an action for infringement of those rights brought by virtue of this section damages shall not be awarded against a defendant who shows that at the time of the infringement he believed on reasonable grounds that consent had been given.

Editorial Information X14 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F447 Words in s. 186(1) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

X15187 Infringement of recording rights by use of recording made without consent.

(1) A person infringes the rights of a person having recording rights in relation to a performance who, without his consent or, in the case of a qualifying performance, that of the performer—

(a) shows or plays in public the whole or any substantial part of the performance, or

(b) [F448 communicates to the public ] the whole or any substantial part of the performance,

by means of a recording which was, and which that person knows or has reason to believe was, made without the appropriate consent.

(2) The reference in subsection (1) to “the appropriate consent” is to the consent of— (a) the performer, or

(b) the person who at the time the consent was given had recording rights in relation to the performance (or, if there was more than one such person, of all of them).

Editorial Information X15 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F448 Words in s. 187(1)(b) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 13(1)(b) (with regs. 31-40)

X16188 Infringement of recording rights by importing, possessing or dealing with illicit recording.

(a) imports into the United Kingdom otherwise than for his private and domestic use, or

(b) in the course of a business possesses, sells or lets for hire, offers or exposes for sale or hire, or distributes,

a recording of the performance which is, and which that person knows or has reason to believe is, an illicit recording.

(2) Where in an action for infringement of those rights brought by virtue of this section a defendant shows that the illicit recording was innocently acquired by him or a predecessor in title of his, the only remedy available against him in respect of the infringement is damages not exceeding a reasonable payment in respect of the act complained of.

Editorial Information X16 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

176 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

X17 Exceptions to rights conferred

Editorial Information X17 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

X18189 Acts permitted notwithstanding rights conferred by [F449this Chapter].

The provisions of Schedule 2 specify acts which may be done notwithstanding the rights conferred by [F450 this Chapter ] , being acts which correspond broadly to certain of those specified in Chapter III of Part I (acts permitted notwithstanding copyright).

Editorial Information X18 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F449 Words in heading to s. 189 substituted (1.2.2006) by The Performances (Moral Rights, etc.)

Regulations 2006 (S.I. 2006/18), reg. 2, Sch. para. 8 (with reg. 8) F450 Words in s. 189 substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006

X19190 Power of tribunal to give consent on behalf of performer in certain cases.

[F451 (1) The Copyright Tribunal may, on the application of a person wishing to make a copy of a recording of a performance, give consent in a case where the identity or whereabouts of the person entitled to the reproduction right cannot be ascertained by reasonable inquiry. ]

(2) Consent given by the Tribunal has effect as consent of [F452 the person entitled to the reproduction right ] for the purposes of—

(a) the provisions of [F453 this Chapter ] relating to performers’ rights, and (b) section 198(3)(a) (criminal liability: sufficient consent in relation to

qualifying performances), and may be given subject to any conditions specified in the Tribunal’s order.

(3) The Tribunal shall not give consent under subsection (1)(a) except after the service or publication of such notices as may be required by rules made under section 150 (general procedural rules) or as the Tribunal may in any particular case direct.

F454 (4) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(5) In any case the Tribunal shall take into account the following factors—

(a) whether the original recording was made with the performer’s consent and is lawfully in the possession or control of the person proposing to make the further recording;

(b) whether the making of the further recording is consistent with the obligations of the parties to the arrangements under which, or is otherwise consistent with the purposes for which, the original recording was made.

(6) Where the Tribunal gives consent under this section it shall, in default of agreement between the applicant and [F455 the person entitled to the reproduction right ] , make such order as it thinks fit as to the payment to be made to [F456 that person ] in consideration of consent being given.

Editorial Information X19 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F451 S. 190(1) substituted (1.12.1996) by S.I. 1996/2967, reg. 23(2) (with Pt. III) F452 Words in s. 190(2) substituted (1.12.1996) by S.I. 1996/2967, reg. 23(3) (with Pt. III) F453 Words in s. 190(2)(a) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

2006 (S.I. 2006/18), reg. 2, Sch. para. 8 (with reg. 8) F454 S. 190(4) omitted (1.12.1996) by virtue of S.I. 1996/2967, reg. 23(4) (with Pt. III) F455 Words in s. 190(6) substituted (1.12.1996) by S.I. 1996/2967, reg. 23(5)(a) (with Pt. III) F456 Words in s. 190(6) substituted (1.12.1996) by S.I. 1996/2967, reg. 23(5)(b) (with Pt. III)

X20F457[ Duration of rights ]

Editorial Information X20 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F457 Crossheading substituted (1.12.1996) by S.I. 1996/2967, reg. 21(5)(a) (with Pt. III)

X21 191 Duration of rights.]

(1) The following provisions have effect with respect to the duration of the rights conferred by [F459 this Chapter ] .

(2) The rights conferred by [F459 this Chapter ] in relation to a performance expire— (a) at the end of the period of 50 years from the end of the calendar year in which

the performance takes place, or

178 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

(b) if during that period a recording of the performance [F460 , other than a sound recording, ] is released, 50 years from the end of the calendar year in which it is released, [F461 or

(c) if during that period a sound recording of the performance is released, 70 years from the end of the calendar year in which it is released, ]

(3) For the purposes of subsection (2) a recording is “released” when it is first published, played or shown in public [F462 or communicated to the public ] ; but in determining whether a recording has been released no account shall be taken of any unauthorised act.

(4) Where a performer is not a national of an EEA state, the duration of the rights conferred by [F459 this Chapter ] in relation to his performance is that to which the performance is entitled in the country of which he is a national, provided that does not exceed the period which would apply under subsections (2) and (3).

(5) If or to the extent that the application of subsection (4) would be at variance with an international obligation to which the United Kingdom became subject prior to 29th October 1993, the duration of the rights conferred by [F459 this Chapter ] shall be as specified in subsections (2) and (3). ]

Editorial Information X21 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F458 S. 191 substituted (1.1.1996) by S.I. 1995/3297, reg. 10 (with Pt. III) F459 Words in s. 191(1)(2)(4)(5) substituted (1.2.2006) by The Performances (Moral Rights, etc.)

Regulations 2006 (S.I. 2006/18), reg. 2, Sch. para. 8 (with reg. 8) F460 Words in s. 191(2)(b) inserted (1.11.2013) by The Copyright and Duration of Rights in Performances

Regulations 2013 (S.I. 2013/1782), regs. 1, 8(a) (with regs. 11-27) F461 S. 191(2)(c) and word inserted (1.11.2013) by The Copyright and Duration of Rights in Performances

Regulations 2013 (S.I. 2013/1782), regs. 1, 8(b) (with regs. 11-27) F462 Words in s. 191(3) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 8(2)(d) (with regs. 31-40)

X22[F463 Performers’ property rights ]

Editorial Information X22 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F463 Crossheading inserted (1.12.1996) by S.I. 1996/2967, reg. 21(1) (with Pt. III)

X23[F464191APerformers’ property rights.

(1) The following rights conferred by [F465 this Chapter ] on a performer— reproduction right (section 182A), distribution right (section 182B), rental right and lending right (section 182C), [F466 making available right (section 182CA), ]

are property rights (“ F467 . . . performer’s property rights”).

(2) References in [F465 this Chapter ] to the consent of the performer shall be construed in relation to a performer’s property rights as references to the consent of the rights owner.

(3) Where different persons are (whether in consequence of a partial assignment or otherwise) entitled to different aspects of a performer’s property rights in relation to a performance, the rights owner for any purpose of [F465 this Chapter ] is the person who is entitled to the aspect of those rights relevant for that purpose.

(4) Where a performer’s property rights (or any aspect of them) is owned by more than one person jointly, references in [F465 this Chapter ] to the rights owner are to all the owners, so that, in particular, any requirement of the licence of the rights owner requires the licence of all of them. ]

Editorial Information X23 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F464 Ss. 191A-191M inserted (1.12.1996) by S.I. 1996/2967, reg. 21(1) (with Pt. III) F465 Words in s. 191A(1)-(4) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

2006 (S.I. 2006/18), reg. 2, Sch. para. 8 (with reg. 8) F466 Words in s. 191A(1) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 7(3) (with regs. 31-40) F467 Word in s. 191A(1) omitted by virtue of The Performances (Moral Rights, etc.) Regulations 2006 (S.I.

2006/18), reg. 2, Sch. para. 4 (with reg. 8)

X24[F468191BAssignment and licences.

(1) A performer’s property rights are transmissible by assignment, by testamentary disposition or by operation of law, as personal or moveable property.

(2) An assignment or other transmission of a performer’s property rights may be partial, that is, limited so as to apply—

180 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

(a) to one or more, but not all, of the things requiring the consent of the rights owner;

(b) to part, but not the whole, of the period for which the rights are to subsist.

(3) An assignment of a performer’s property rights is not effective unless it is in writing signed by or on behalf of the assignor.

(4) A licence granted by the owner of a performer’s property rights is binding on every successor in title to his interest in the rights, except a purchaser in good faith for valuable consideration and without notice (actual or constructive) of the licence or a person deriving title from such a purchaser; and references in [F469 this Chapter ] to doing anything with, or without, the licence of the rights owner shall be construed accordingly. ]

Editorial Information X24 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F468 Ss. 191A-191M inserted (1.12.1996) by S.I. 1996/2967, reg. 21(1) (with Pt. III) F469 Words in s. 191B(4) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006

X25[F470191CProspective ownership of a performer’s property rights.

(1) This section applies where by an agreement made in relation to a future recording of a performance, and signed by or on behalf of the performer, the performer purports to assign his performer’s property rights (wholly or partially) to another person.

(2) If on the rights coming into existence the assignee or another person claiming under him would be entitled as against all other persons to require the rights to be vested in him, they shall vest in the assignee or his successor in title by virtue of this subsection.

(3) A licence granted by a prospective owner of a performer’s property rights is binding on every successor in title to his interest (or prospective interest) in the rights, except a purchaser in good faith for valuable consideration and without notice (actual or constructive) of the licence or a person deriving title from such a purchaser.

References in [F471 this Chapter ] to doing anything with, or without, the licence of the rights owner shall be construed accordingly.

(4) In subsection (3) “prospective owner” in relation to a performer’s property rights means a person who is prospectively entitled to those rights by virtue of such an agreement as is mentioned in subsection (1). ]

Editorial Information X25 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F470 Ss. 191A-191M inserted (1.12.1996) by S.I. 1996/2967, reg. 21(1) (with Pt. III) F471 Words in s. 191C(3) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006

X26[F472191DExclusive licences.

(1) In [F473 this Chapter ] an “exclusive licence” means a licence in writing signed by or on behalf of the owner of a performer’s property rights authorising the licensee to the exclusion of all other persons, including the person granting the licence, to do anything requiring the consent of the rights owner.

(2) The licensee under an exclusive licence has the same rights against a successor in title who is bound by the licence as he has against the person granting the licence. ]

Editorial Information X26 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F472 Ss. 191A-191M inserted (1.12.1996) by S.I. 1996/2967, reg. 21(1) (with Pt. III) F473 Words in s. 191D(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

X27[F474191EPerformer’s property right to pass under will with unpublished original recording.

Where under a bequest (whether general or specific) a person is entitled beneficially or otherwise to any material thing containing an original recording of a performance which was not published before the death of the testator, the bequest shall, unless a contrary intention is indicated in the testator’s will or a codicil to it, be construed as including any performer’s rights in relation to the recording to which the testator was entitled immediately before his death. ]

182 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

Editorial Information X27 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F474 Ss. 191A-191M inserted (1.12.1996) by S.I. 1996/2967, reg. 21(1) (with Pt. III)

X28[F475191FPresumption of transfer of rental right in case of film production agreement.

(1) Where an agreement concerning film production is concluded between a performer and a film producer, the performer shall be presumed, unless the agreement provides to the contrary, to have transferred to the film producer any rental right in relation to the film arising from the inclusion of a recording of his performance in the film.

(2) Where this section applies, the absence of signature by or on behalf of the performer does not exclude the operation of section 191C (effect of purported assignment of future rights).

(3) The reference in subsection (1) to an agreement concluded between a performer and a film producer includes any agreement having effect between those persons, whether made by them directly or through intermediaries.

(4) Section 191G (right to equitable remuneration on transfer of rental right) applies where there is a presumed transfer by virtue of this section as in the case of an actual transfer. ]

Editorial Information X28 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F475 Ss. 191A-191M inserted (1.12.1996) by S.I. 1996/2967, reg. 21(1) (with Pt. III)

Modifications etc. (not altering text) C110 S. 191F applied (1.12.1996) by S.I. 1996/2967, reg. 32(1) (with Pt. III)

X29[F476191GRight to equitable remuneration where rental right transferred.

(1) Where a performer has transferred his rental right concerning a sound recording or a film to the producer of the sound recording or film, he retains the right to equitable remuneration for the rental.

The reference above to the transfer of rental right by one person to another includes any arrangement having that effect, whether made by them directly or through intermediaries.

(4) The amount payable by way of equitable remuneration is as agreed by or on behalf of the persons by and to whom it is payable, subject to section 191H (reference of amount to Copyright Tribunal).

(6) In this section a “collecting society” means a society or other organisation which has as its main object, or one of its main objects, the exercise of the right to equitable remuneration on behalf of more than one performer. ]

Editorial Information X29 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F476 Ss. 191A-191M inserted (1.12.1996) by S.I. 1996/2967, reg. 21(1) (with Pt. III)

Modifications etc. (not altering text) C111 S. 191G applied (with modifications) (1.12.1996) by S.I. 1996/2967, reg. 32(2) (with Pt. III) C112 S. 191G restricted (1.12.1996) by S.I. 1996/2967, reg. 33 (with Pt. III)

X30[F477191HEquitable remuneration: reference of amount to Copyright Tribunal.

(1) In default of agreement as to the amount payable by way of equitable remuneration under section 191G, the person by or to whom it is payable may apply to the Copyright Tribunal to determine the amount payable.

(2) A person to or by whom equitable remuneration is payable may also apply to the Copyright Tribunal—

184 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

(3) On an application under this section the Tribunal shall consider the matter and make such order as to the method of calculating and paying equitable remuneration as it may determine to be reasonable in the circumstances, taking into account the importance of the contribution of the performer to the film or sound recording.

Editorial Information X30 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F477 Ss. 191A-191M inserted (1.12.1996) by S.I. 1996/2967, reg. 21(1) (with Pt. III)

[F478191HAAssignment of performer’s property rights in a sound recording

(1) This section applies where a performer has [F479 by an agreement ] assigned the following rights concerning a sound recording to the producer of the sound recording —

(a) reproduction, distribution and making available rights, or (b) performer’s property rights.

(2) If, at the end of the 50-year period, the producer has failed to meet one or both of the following conditions, the performer may give a notice in writing to the producer of the performer’s intention to terminate the agreement—

(a) condition 1 is to issue to the public copies of the sound recording in sufficient quantities;

(b) condition 2 is to make the sound recording available to the public by electronic transmission in such a way that a member of the public may access the recording from a place and at a time chosen by him or her.

(3) If, at any time after the end of the 50-year period, the producer, having met one or both of the conditions referred to in subsection (2), fails to do so, the performer may give a notice in writing to the producer of the performer’s intention to terminate the agreement.

(4) If at the end of the period of 12 months beginning with the date of the notice, the producer has not met the conditions referred to in subsection (2), the agreement terminates and the copyright in the sound recording expires with immediate effect.

(5) An agreement is of no effect in so far as it purports to exclude or restrict the right to give a notice under subsection (2) or (3).

(6) A reference in this section to the assignment of rights includes any arrangement having that effect, whether made directly between the parties or through intermediaries.

(7) In this section— “50-year period” means

(a) where the sound recording is published during the initial period, the period of 50 years from the end of the calendar year in which the sound recording is first published, or

(b) where during the initial period the sound recording is not published but is made available to the public by being played in public or communicated to the public, the period of 50 years from the end of the calendar year in which it was first made available to the public,

but in determining whether a sound recording has been published, played in public or communicated to the public, no account shall be taken of any unauthorised act,

“initial period” means the period beginning on the date the recording is made and ending 50 years from the end of the calendar year in which the sound recording is made,

“producer” means the person for the time being entitled to the copyright in the sound recording,

“sufficient quantities” means such quantity as to satisfy the reasonable requirements of the public for copies of the sound recording,

“unauthorised act” has the same meaning as in section 178.

Amendments (Textual) F478 Ss. 191HA-191HB inserted (1.11.2013) by The Copyright and Duration of Rights in Performances

Regulations 2013 (S.I. 2013/1782), regs. 1, 9 (with regs. 11-27) F479 Words in s. 191HA(1) inserted (6.4.2014) by The Copyright and Duration of Rights in Performances

(Amendment) Regulations 2014 (S.I. 2014/434), regs. 1, 2

191HB Payment in consideration of assignment

(1) A performer who, under an agreement relating to the assignment of rights referred to in section 191HA(1) (an “assignment agreement”), is entitled to a non-recurring payment in consideration of the assignment, is entitled to an annual payment for each relevant period from—

(a) the producer, or (b) where the producer has granted an exclusive licence of the copyright in the

sound recording, the licensee under the exclusive licence (the “exclusive licensee”).

(2) In this section, “relevant period” means— (a) the period of 12 months beginning at the end of the 50-year period, and (b) each subsequent period of 12 months beginning with the end of the previous

period, until the date on which copyright in the sound recording expires.

186 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

(3) The producer or, where relevant, the exclusive licensee gives effect to the entitlement under subsection (1) by remitting to a collecting society for distribution to the performer in accordance with its rules an amount for each relevant period equal to 20% of the gross revenue received during that period in respect of—

(a) the reproduction and issue to the public of copies of the sound recording, and (b) the making available to the public of the sound recording by electronic

transmission in such a way that members of the public may access it from a place and at a time individually chosen by them.

(4) The amount required to be remitted under subsection (3) is payable within 6 months of the end of each relevant period and is recoverable by the collecting society as a debt.

(5) Subsection (6) applies where— (a) the performer makes a written request to the producer or, where relevant, the

exclusive licensee for information in that person’s possession or under that person’s control to enable the performer—

(i) to ascertain the amount of the annual payment to which the performer is entitled under subsection (1), or

(ii) to secure its distribution by the collecting society, and (b) the producer or, where relevant, the exclusive licensee does not supply the

information within the period of 90 days beginning with the date of the request.

(6) The performer may apply to the county court, or in Scotland to the sheriff, for an order requiring the producer or, where relevant, the exclusive licensee to supply the information.

(7) An agreement is of no effect in so far as it purports to exclude or restrict the entitlement under subsection (1).

(8) In the event of any dispute as to the amount required to be remitted under subsection (3), the performer may apply to the Copyright Tribunal to determine the amount payable.

(9) Where a performer is entitled under an assignment agreement to recurring payments in consideration of the assignment, the payments must, from the end of the 50-year period, be made in full, regardless of any provision in the agreement which entitles the producer to withhold or deduct sums from the amounts payable.

(10) In this section— “producer” and “50-year period” each has the same meaning as in

section 191HA, “exclusive licence” has the same meaning as in section 92, and “collecting society” has the same meaning as in section 191G. ]

Regulations 2013 (S.I. 2013/1782), regs. 1, 9 (with regs. 11-27)

X31[F480191IInfringement actionable by rights owner.

(1) An infringement of a performer’s property rights is actionable by the rights owner.

(2) In an action for infringement of a performer’s property rights all such relief by way of damages, injunctions, accounts or otherwise is available to the plaintiff as is available in respect of the infringement of any other property right.

(3) This section has effect subject to the following provisions of [F481 this Chapter ] . ]

Editorial Information X31 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F480 Ss. 191A-191M inserted (1.12.1996) by S.I. 1996/2967, reg. 21(1) (with Pt. III) F481 Words in s. 191I(3) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006

X32[F482191JProvisions as to damages in infringement action.

(1) Where in an action for infringement of a performer’s property rights it is shown that at the time of the infringement the defendant did not know, and had no reason to believe, that the rights subsisted in the recording to which the action relates, the plaintiff is not entitled to damages against him, but without prejudice to any other remedy.

(2) The court may in an action for infringement of a performer’s property rights having regard to all the circumstances, and in particular to—

award such additional damages as the justice of the case may require. ]

Editorial Information X32 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F482 Ss. 191A-191M inserted (1.12.1996) by S.I. 1996/2967, reg. 21(1) (with Pt. III)

X33[F483191JAInjunctions against service providers

188 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

(1) The High Court (in Scotland, the Court of Session) shall have power to grant an injunction against a service provider, where that service provider has actual knowledge of another person using their service to infringe a performer’s property right.

(3) In this section “ service provider ” has the meaning given to it by regulation 2 of the Electronic Commerce ( EC Directive) Regulations 2002.

(4) Section 177 applies in respect of this section as it applies in respect of Part 1. ]

Editorial Information X33 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F483 S. 191JA inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 27(2) (with regs. 32, 33)

X34[F484191KUndertaking to take licence of right in infringement proceedings.

(1) If in proceedings for infringement of a performer’s property rights in respect of which a licence is available as of right under paragraph 17 of Schedule 2A (powers exercisable in consequence of competition report) the defendant undertakes to take a licence on such terms as may be agreed or, in default of agreement, settled by the Copyright Tribunal under that paragraph—

(a) no injunction shall be granted against him, (b) no order for delivery up shall be made under section 195, and (c) the amount recoverable against him by way of damages or on an account of

(3) Nothing in this section affects the remedies available in respect of an infringement committed before licences of right were available. ]

Editorial Information X34 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F484 Ss. 191A-191M inserted (1.12.1996) by S.I. 1996/2967, reg. 21(1) (with Pt. III)

X35[F485191LRights and remedies for exclusive licensee.

(1) An exclusive licensee has, except against the owner of a performer’s property rights, the same rights and remedies in respect of matters occurring after the grant of the licence as if the licence had been an assignment.

(2) His rights and remedies are concurrent with those of the rights owner; and references in the relevant provisions of [F486 this Chapter ] to the rights owner shall be construed accordingly.

(3) In an action brought by an exclusive licensee by virtue of this section a defendant may avail himself of any defence which would have been available to him if the action had been brought by the rights owner. ]

Editorial Information X35 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F485 Ss. 191A-191M inserted (1.12.1996) by S.I. 1996/2967, reg. 21(1) (with Pt. III) F486 Words in s. 191L(2) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006

X36[F487191MExercise of concurrent rights.

(1) Where an action for infringement of a performer’s property rights brought by the rights owner or an exclusive licensee relates (wholly or partly) to an infringement in respect of which they have concurrent rights of action, the rights owner or, as the case may be, the exclusive licensee may not, without the leave of the court, proceed with the action unless the other is either joined as plaintiff or added as a defendant.

(2) A rights owner or exclusive licensee who is added as a defendant in pursuance of subsection (1) is not liable for any costs in the action unless he takes part in the proceedings.

(3) The above provisions do not affect the granting of interlocutory relief on an application by the rights owner or exclusive licensee alone.

190 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

(4) Where an action for infringement of a performer’s property rights is brought which relates (wholly or partly) to an infringement in respect of which the rights owner and an exclusive licensee have or had concurrent rights of action—

(c) the court shall if an account of profits is directed apportion the profits between them as the court considers just, subject to any agreement between them; and these provisions apply whether or not the rights owner and the exclusive licensee are both parties to the action.

(5) The owner of a performer’s property rights shall notify any exclusive licensee having concurrent rights before applying for an order under section 195 (order for delivery up) or exercising the right conferred by section 196 (right of seizure); and the court may on the application of the licensee make such order under section 195 or, as the case may be, prohibiting or permitting the exercise by the rights owner of the right conferred by section 196, as it thinks fit having regard to the terms of the licence. ]

Editorial Information X36 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F487 Ss. 191A-191M inserted (1.12.1996) by S.I. 1996/2967, reg. 21(1) (with Pt. III)

X37[F488 Non-property rights ]

Editorial Information X37 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F488 Ss. 192A, 192B and crossheading substituted for s. 192 (1.12.1996) by S.I. 1996/2967, reg. 21(2)

X38[F489 192A

Performers’ non-property rights.

(1) the rights conferred on a performer by -

section 182 (consent required for recording, &c. of live performance),

section 183 (infringement of performer’s rights by use of recording made without consent), F490 ...

section 184 (infringement of performer’s rights importing, possessing or dealing with illicit recording),

[F491 section 191HA (assignment of performer’s property rights in a sound recording), and

section 191HB (payment in consideration of assignment), ] are not assignable or transmissible, except to the following extent. They are referred to in [F492 this Chapter ] as “ F493 . . . performer’s non-property rights”.

(2) On the death of a person entitled to any such right— (a) the right passes to such person as he may by testamentary disposition

specifically direct, and (b) if or to the extent that there is no such direction, the right is exercisable by

his personal representatives.

(3) References in [F492 this Chapter ] to the performer, in the context of the person having any such right, shall be construed as references to the person for the time being entitled to exercise those rights.

(4) Where by virtue of subsection (2)(a) a right becomes exercisable by more than one person, it is exercisable by each of them independently of the other or others.

(5) Any damages recovered by personal representatives by virtue of this section in respect of an infringement after a person’s death shall devolve as part of his estate as if the right of action had subsisted and been vested in him immediately before his death. ]

Editorial Information X38 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F489 Ss. 192A, 192B and crossheading substituted for s. 192 (1.12.1996) by S.I. 1996/2967, reg. 21(2)

(with Pt. III) F490 Word in s. 192A(1) deleted (1.11.2013) by The Copyright and Duration of Rights in Performances

Regulations 2013 (S.I. 2013/1782), regs. 1, 10 (with regs. 11-27) F491 Words in s. 192A(1) inserted (1.11.2013) by The Copyright and Duration of Rights in Performances

Regulations 2013 (S.I. 2013/1782), regs. 1, 10 (with regs. 11-27) F492 Words in s. 192A(1)(3) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

192 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

F493 Word in s. 192A(1) omitted by virtue of The Performances (Moral Rights, etc.) Regulations 2006 (S.I. 2006/18), reg. 2, Sch. para. 5 (with reg. 8)

X39[F494192BTransmissibility of rights of person having recording rights.

(1) The rights conferred by [F495 this Chapter ] on a person having recording rights are not assignable or transmissible.

(2) This does not affect section 185(2)(b) or (3)(b), so far as those provisions confer rights under [F495 this Chapter ] on a person to whom the benefit of a contract or licence is assigned. ]

Editorial Information X39 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F494 Ss. 192A, 192B and crossheading substituted for s. 192 (1.12.1996) by S.I. 1996/2967, reg. 21(2)

(with Pt. III) F495 Words in s. 192B(1)(2) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

X40193 Consent.

(1) Consent for the purposes of [F496 this Chapter ][F497 by a person having a performer’s non-property rights, or by a person having recording rights, ] may be given in relation to a specific performance, a specified description of performances or performances generally, and may relate to past or future performances.

(2) A person having recording rights in a performance is bound by any consent given by a person through whom he derives his rights under the exclusive recording contract or licence in question, in the same way as if the consent had been given by him.

(3) Where [F498 a performer’s non-property right ] passes to another person, any consent binding on the person previously entitled binds the person to whom the right passes in the same way as if the consent had been given by him.

Editorial Information X40 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F496 Words in s. 193(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006

F497 Words in s. 193(1) inserted (1.12.1996) by S.I. 1996/2967, reg. 21(3)(a) (with Pt. III) F498 Words in s. 193(3) substituted (1.12.1996) by S.I. 1996/2967, reg. 21(3)(b) (with Pt. III)

X41F499 . . .

Editorial Information X41 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F499 Crossheading before s. 194 omitted (1.12.1996) by virtue of S.I. 1996/2967, reg. 21(5)(b) (with Pt. III)

X42194 Infringement actionable as breach of statutory duty.

An infringement of [F500 — (a) a performer’s non-property rights, or (b) any right conferred by [F501 this Chapter ] on a person having recording rights, ]

is actionable by the person entitled to the right as a breach of statutory duty.

Editorial Information X42 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F500 Words in s. 194 substituted (1.12.1996) by S.I. 1996/2967, reg. 21(4) (with Pt. III) F501 Words in s. 194(b) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006

X43[F502 Delivery up or seizure of illicit recordings ]

Editorial Information X43 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F502 Heading before s. 195 inserted (1.12.1996) by S.I. 1996/2967, reg. 21(5)(c) (with Pt. III)

194 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

X44195 Order for delivery up.

(1) Where a person has in his possession, custody or control in the course of a business an illicit recording of a performance, a person having performer’s rights or recording rights in relation to the performance under [F503 this Chapter ] may apply to the court for an order that the recording be delivered up to him or to such other person as the court may direct.

(2) An application shall not be made after the end of the period specified in section 203; and no order shall be made unless the court also makes, or it appears to the court that there are grounds for making, an order under section 204 (order as to disposal of illicit recording).

(3) A person to whom a recording is delivered up in pursuance of an order under this section shall, if an order under section 204 is not made, retain it pending the making of an order, or the decision not to make an order, under that section.

Editorial Information X44 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F503 Words in s. 195(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006

Modifications etc. (not altering text) C113 S. 195 extended by S.I. 1991/724, art. 2(1)(n)

X45196 Right to seize illicit recordings.

(1) An illicit recording of a performance which is found exposed or otherwise immediately available for sale or hire, and in respect of which a person would be entitled to apply for an order under section 195, may be seized and detained by him or a person authorised by him.

The right to seize and detain is exercisable subject to the following conditions and is subject to any decision of the court under section 204 (order as to disposal of illicit recording).

(3) A person may for the purpose of exercising the right conferred by this section enter premises to which the public have access but may not seize anything in the possession, custody or control of a person at a permanent or regular place of business of his and may not use any force.

(5) In this section— “premises” includes land, buildings, fixed or moveable structures, vehicles,

vessels, aircraft and hovercraft; and “prescribed” means prescribed by order of the Secretary of State.

Editorial Information X45 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

X46197 Meaning of “illicit recording”.

(1) In [F504 this Chapter ] “illicit recording”, in relation to a performance, shall be construed in accordance with this section.

(2) For the purposes of a performer’s rights, a recording of the whole or any substantial part of a performance of his is an illicit recording if it is made, otherwise than for private purposes, without his consent.

(3) For the purposes of the rights of a person having recording rights, a recording of the whole or any substantial part of a performance subject to the exclusive recording contract is an illicit recording if it is made, otherwise than for private purposes, without his consent or that of the performer.

(4) For the purposes of sections 198 and 199 (offences and orders for delivery up in criminal proceedings), a recording is an illicit recording if it is an illicit recording for the purposes mentioned in subsection (2) or subsection (3).

(5) In [F504 this Chapter ] “illicit recording” includes a recording falling to be treated as an illicit recording by virtue of any of the following provisions of Schedule 2—

[F505 paragraph 1D(3) (copies for text and data analysis for non-commercial research), ] [F506 paragraph 3A(5) or (6) or 3B(10) (accessible copies of recordings made for disabled persons) ] [F507 paragraph 1B(5) and (7) (personal copies of recordings for private use), ] F508 ... [F509 paragraph 6(5) (recording by educational establishments of broadcasts), ] [F505 paragraph 6F(5)(b) (copying by librarians: single copies of published recordings), ]

196 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

[F505 paragraph 6G(5)(b) (copying by librarians or archivists: single copies of unpublished recordings), ] [F505 paragraph 6ZA(7) (copying and use of extracts of recordings by educational establishments), ] paragraph 12(2) (recordings of performance in electronic form retained on transfer of principal recording), F510 . . . [F505 paragraph 14(6)(b) (recordings of folksongs), ] paragraph 16(3) (recordings made for purposes of broadcast F511 . . . ), [F512 paragraph 17A(2) (recording for the purposes of time-shifting), or paragraph 17B(2) (photographs of broadcasts), ]

but otherwise does not include a recording made in accordance with any of the provisions of that Schedule.

(6) It is immaterial for the purposes of this section where the recording was made.

Editorial Information X46 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F504 Words in s. 197(1)(5) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

2006 (S.I. 2006/18), reg. 2, Sch. para. 8 (with reg. 8) F505 Words in s. 197(5) inserted (1.6.2014) by The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 7(a) F506 Words in s. 197(5) inserted (1.6.2014) by The Copyright and Rights in Performances (Disability)

Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 4 F507 Words in s. 197(5) inserted (1.10.2014) by The Copyright and Rights in Performances (Personal

Copies for Private Use) Regulations 2014 (S.I. 2014/2361), regs. 1(1), 4(2) (with reg. 5) (but note that the amending S.I. was quashed with prospective effect by the High Court in the case of R (British Academy of Songwriters, Composers and Authors and others) v Secretary of State for Business, Innovation and Skills [2015] EWHC 2041 (Admin), 17 July 2015)

F508 Words in s. 197(5) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances (Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 7(b)

F509 Words in s. 197(5) substituted (1.6.2014) by The Copyright and Rights in Performances (Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 7(c)

F510 Words in s. 197(5) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40)

F511 Words in s. 197(5) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40)

F512 Words in s. 197(5) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 20(4) (with regs. 31-40)

[F513197APresumptions relevant to recordings of performances

(1) In proceedings brought by virtue of this Part with respect to the rights in a performance, where copies of a recording of the performance as issued to the public bear a statement

that a named person was the performer, the statement shall be admissible as evidence of the fact stated and shall be presumed to be correct until the contrary is proved.

(2) Subsection (1) does not apply to proceedings for an offence under section 198 (criminal liability for making etc. illicit recordings); but without prejudice to its application in proceedings for an order under section 199 (order for delivery up in criminal proceedings). ]

Amendments (Textual) F513 S. 197A inserted (29.4.2006) by The Intellectual Property (Enforcement, etc.) Regulations 2006 (S.I.

2006/1028), reg. 2(2), Sch. 2 para. 10

X47 Offences

Editorial Information X47 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

X48198 Criminal liability for making, dealing with or using illicit recordings.

(1) A person commits an offence who without sufficient consent— (a) makes for sale or hire, or (b) imports into the United Kingdom otherwise than for his private and domestic

infringing the rights conferred by [F514 this Chapter ] , or (d) in the course of a business—

(iii) distributes, a recording which is, and which he knows or has reason to believe is, an illicit recording.

[F515 (1A) A person (“P”) who infringes a performer's making available right in a recording commits an offence if P—

(a) knows or has reason to believe that P is infringing the right, and (b) either—

(i) intends to make a gain for P or another person, or (ii) knows or has reason to believe that infringing the right will cause loss

to the owner of the right, or expose the owner of the right to a risk of loss.

(1B) For the purposes of subsection (1A)—

198 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

(a) “gain” and “loss”— (i) extend only to gain or loss in money, and

(ii) include any such gain or loss whether temporary or permanent, and (b) “loss” includes a loss by not getting what one might get. ]

(2) A person commits an offence who causes a recording of a performance made without sufficient consent to be—

(a) shown or played in public, or [F516 (b) communicated to the public, ]

thereby infringing any of the rights conferred by [F514 this Chapter ] , if he knows or has reason to believe that those rights are thereby infringed.

(3) In subsections (1) and (2) “sufficient consent” means— (a) in the case of a qualifying performance, the consent of the performer, and (b) in the case of a non-qualifying performance subject to an exclusive recording

contract— (i) for the purposes of subsection (1)(a) (making of recording), the

consent of the performer or the person having recording rights, and (ii) for the purposes of subsection (1)(b), (c) and (d) and subsection (2)

(dealing with or using recording), the consent of the person having recording rights.

The references in this subsection to the person having recording rights are to the person having those rights at the time the consent is given or, if there is more than one such person, to all of them.

(4) No offence is committed under subsection (1) or (2) by the commission of an act which by virtue of any provision of Schedule 2 may be done without infringing the rights conferred by [F514 this Chapter ] .

(5) A person guilty of an offence under subsection (1)(a), (b) or (d)(iii) is liable— (a) on summary conviction to imprisonment for a term not exceeding six months

or [F517 a fine ] , or both; (b) on conviction on indictment to a fine or imprisonment for a term not exceeding

[F518 ten ] years, or both.

[F519 (5A) A person guilty of an offence under subsection (1A) is liable— (a) on summary conviction to imprisonment for a term not exceeding three

months or [F520 a fine ] , or both; (b) on conviction on indictment to a fine or imprisonment for a term not exceeding

[F521 ten ] years, or both. ]

(6) A person guilty of any other offence under this section is liable on summary conviction to a fine not exceeding level 5 on the standard scale or imprisonment for a term not exceeding six months, or both.

Editorial Information X48 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F514 Words in s. 198(1)(c)(2)(4) substituted (1.2.2006) by The Performances (Moral Rights, etc.)

Regulations 2006 (S.I. 2006/18), reg. 2, Sch. para. 8 (with reg. 8) F515 S. 198(1A)(1B) substituted for s. 198(1A) (1.10.2017) by Digital Economy Act 2017 (c. 30), ss. 32(4) ,

118(6) (with s. 32(6)); S.I. 2017/765, reg. 3(a) F516 S. 198(2)(b) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(1), Sch. 1 para. 4(5) (with regs. 31-40) F517 Words in s. 198(5)(a) substituted (12.3.2015) by The Legal Aid, Sentencing and Punishment of

Offenders Act 2012 (Fines on Summary Conviction) Regulations 2015 (S.I. 2015/664), reg. 1(1), Sch. 4 para. 17(3)(a) (with reg. 5(1))

F518 S. 198(5)(b) substituted (20.11.2002) by 2002 c. 25, s. 1(3)(5) ; S.I. 2002/2749, art. 2 F519 S. 198(5A) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 26(3)(b) (with regs. 31-40) F520 Words in s. 198(5A)(a) substituted (12.3.2015) by The Legal Aid, Sentencing and Punishment of

Offenders Act 2012 (Fines on Summary Conviction) Regulations 2015 (S.I. 2015/664), reg. 1(1), Sch. 4 para. 17(3)(b) (with reg. 5(1))

F521 Word in s. 198(5A)(b) substituted (1.10.2017) by Digital Economy Act 2017 (c. 30), ss. 32(5) , 118(6) (with s. 32(6)); S.I. 2017/765, reg. 3(a)

X49[F522198AEnforcement by local weights and measures authority.

(1) It is the duty of every local weights and measures authority to enforce within their area the provisions of section 198.

F523 (2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(3) Subsection (1) above does not apply in relation to the enforcement of section 198 in Northern Ireland, but it is the duty of the Department of Economic Development to enforce that section in Northern Ireland. F524 ...

[F525 (3A) For the investigatory powers available to a local weights and measures authority or the Department of Enterprise, Trade and Investment in Northern Ireland for the purposes of the duties in this section, see Schedule 5 to the Consumer Rights Act 2015. ]

(4) Any enactment which authorises the disclosure of information for the purpose of facilitating the enforcement of the Trade Descriptions Act 1968 shall apply as if section 198 were contained in that Act and as if the functions of any person in relation to the enforcement of that section were functions under that Act.

Editorial Information X49 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

200 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

Amendments (Textual) F522 S. 198A inserted (6.4.2007) by 1994 c. 33, ss. 165(3) , 172(2); S.I. 2007/621, art. 2 F523 S. 198A(2) omitted (1.10.2015) by virtue of Consumer Rights Act 2015 (c. 15), s. 100(5), Sch. 6 para.

50(2) ; S.I. 2015/1630, art. 3(i) (with art. 8) F524 Words in s. 198A(3) omitted (1.10.2015) by virtue of Consumer Rights Act 2015 (c. 15), s. 100(5),

Sch. 6 para. 50(3) ; S.I. 2015/1630, art. 3(i) (with art. 8) F525 S. 198A(3A) inserted (1.10.2015) by Consumer Rights Act 2015 (c. 15), s. 100(5), Sch. 6 para. 50(4) ;

X50199 Order for delivery up in criminal proceedings.

(1) The court before which proceedings are brought against a person for an offence under section 198 may, if satisfied that at the time of his arrest or charge he had in his possession, custody or control in the course of a business an illicit recording of a performance, order that it be delivered up to a person having performers’ rights or recording rights in relation to the performance or to such other person as the court may direct.

(a) after the end of the period specified in section 203 (period after which remedy of delivery up not available), or

(b) if it appears to the court unlikely that any order will be made under section 204 (order as to disposal of illicit recording).

and in Scotland, where an order has been made under this section, the person from whose possession, custody or control the illicit recording has been been removed may, without predudice to any other form of appeal under any rule of law, appeal against that order in the same manner as against sentence.

(5) A person to whom an illicit recording is delivered up in pursuance of an order under this section shall retain it pending the making of an order, or the decision not to make an order, under section 204.

(6) Nothing in in this section affects the powers of the court under [F526 section 143 of the Powers of Criminal Courts (Sentencing) Act 2000 ] , [F527 Part II of the Proceeds of Crime (Scotland) Act 1995 ] or [F528 Article 11 of the Criminal Justice (Northern Ireland) Order 1994 ] (general provisions as to forfeiture in criminal proceedings).

Editorial Information X50 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F526 Words in s. 199(6) substituted (25.8.2000) by 2000 c. 6 ss. 165, 168, Sch. 9 para. 116 F527 Words in s. 199(6) substituted (1.4.1996) by 1995 c. 20, ss. 5, 7(2), Sch. 4 para. 70(3) F528 Words in s. 199(6) substituted (9.1.1995) by S.I. 1994/2795 (N.I. 15), art. 26(1), Sch. 2 para. 14 ; S.R.

X51200 Search warrants.

(a) that an offence under [F529 section 198(1) or (1A) ] (offences of making, importing [F530 , possessing, selling etc. ] or distributing illicit recordings) has been or is about to be committed in any premises, and

(2) The power conferred by subsection (1) does not, in England and Wales, extend to authorising a search for material of the kinds mentioned in section 9(2) of the M21 Police and Criminal Evidence Act 1984 (certain classes of personal or confidential material).

(3) A warrant under subsection (1)— (a) may authorise persons to accompany any constable executing the warrant, and (b) remains in force for [F531 three months ] from the date of its issue.

[F532 (3A) In executing a warrant issued under subsection (1) a constable may seize an article if he reasonably believes that it is evidence that any offence under [F533 section 198(1) or (1A) ] has been or is about to be committed. ]

(4) In this section “premises” includes land, buildings, fixed or moveable structures, vehicles, vessels, aircraft and hovercraft.

Editorial Information X51 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

202 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

Amendments (Textual) F529 Words in s. 200(1)(a) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 26(4)(a) (with regs. 31-40) F530 Words in s. 200(1)(a) inserted (20.11.2002) by 2002 c. 25, s. 2(3)(a)(ii) ; S.I. 2002/2749, art. 2 F531 Words in s. 200(3)(b) substituted (1.1.2006) by Serious Organised Crime and Police Act 2005 (c. 15),

ss. 174(1), 178, Sch. 16 para. 6(3) ; S.I. 2005/3495, art. 2(1)(s) (subject to art. 2(2)) F532 S. 200(3A) inserted (20.11.2002) by 2002 c. 25, s. 2(3)(b) ; S.I. 2002/2749, art. 2 F533 Words in s. 200(3A) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 26(4)(b) (with reg. 31-40)

Marginal Citations M21 1984 c. 60.

X52201 False representation of authority to give consent.

(1) It is an offence for a person to represent falsely that he is authorised by any person to give consent for the purposes of [F534 this Chapter ] in relation to a performance, unless he believes on reasonable grounds that he is so authorised.

(2) A person guilty of an offence under this section is liable on summary conviction to imprisonment for a term not exceeding six months or a fine not exceeding level 5 on the standard scale or both.

Editorial Information X52 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F534 Words in s. 201(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006

X53202 Offence by body corporate: liability of officers.

(1) Where an offence under [F535 this Chapter ] committed by a body corporate is proved to have been committed with the consent or connivance of a director, manager, secretary or other similar officer of the body, or a person purporting to act in any such capacity, he as well as the body corporate is guilty of the offence and liable to be proceeded against and punished accordingly.

Editorial Information X53 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Moral Rights" and "Chapter 4 Qualification for Protection, Extent and Interpretation" in Pt. II on

1.2.2006 gives rise to a change in the structure of this legislation on SLD which breaks the continuity of historical versions of the existing provisions which are now brought under those new headings.

Amendments (Textual) F535 Words in s. 202(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006

X54 Supplementary provisions with respect to delivery up and seizure

Editorial Information X54 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

X55203 Period after which remedy of delivery up not available.

(1) An application for an order under section 195 (order for delivery up in civil proceedings) may not be made after the end of the period of six years from the date on which the illicit recording in question was made, subject to the following provisions.

(2) If during the whole or any part of that period a person entitled to apply for an order— (a) is under a disability, or (b) is prevented by fraud or concealment from discovering the facts entitling him

to apply, an application may be made by him at any time before the end of the period of six years from the date on which he ceased to be under a disability or, as the case may be, could with reasonable diligence have discovered those facts.

(3) In subsection (2) “disability”— (a) in England and Wales, has the same meaning as in the M22 Limitation Act 1980; (b) in Scotland, means legal disability within the meaning of the M23 Prescription

and Limitations (Scotland) Act 1973; (c) in Northern Ireland, has the same meaning as in the M24 Statute of Limitation

(4) An order under section 199 (order for delivery up in criminal proceedings) shall not, in any case, be made after the end of the period of six years from the date on which the illicit recording in question was made.

Editorial Information X55 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

204 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

Marginal Citations M22 1980 c. 58. M23 1973 c. 52. M24 1958 c. 10 (N.I.).

X56204 Order as to disposal of illicit recording.

(1) An application may be made to the court for an order that an illicit recording of a performance delivered up in pursuance of an order under section 195 or 199, or seized and detained in pursuance of the right conferred by section 196, shall be—

(a) forfeited to such person having performer’s rights or recording rights in relation to the performance as the court may direct, or

(b) destroyed or otherwise dealt with as the court may think fit, or for a decision that no such order should be made.

(2) In considering what order (if any) should be made, the court shall consider whether other remedies available in an action for infringement of the rights conferred by [F536 this Chapter ] would be adequate to compensate the person or persons entitled to the rights and to protect their interests.

(3) Provision shall be made by rules of court as to the service of notice on persons having an interest in the recording, and any such person is entitled—

(4) Where there is more than one person interested in a recording, the court shall make such order as it thinks just and may (in particular) direct that the recording be sold, or otherwise dealt with, and the proceeds divided.

(5) If the court decides that no order should be made under this section, the person in whose possession, custody or control the recording was before being delivered up or seized is entitled to its return.

(6) References in this section to a person having an interest in a recording include any person in whose favour an order could be made in respect of the recording

[F537 (a) under this section or under section 114 or 231 of this Act; (b) under section 24D of the Registered Designs Act 1949; (c) under section 19 of Trade Marks Act 1994 (including that section as

Editorial Information X56 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F536 Words in s. 204(2) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006

(S.I. 2006/18), reg. 2, Sch. para. 8 (with reg. 8) F537 Words in s. 204(6) substituted (29.4.2006) by The Intellectual Property (Enforcement, etc.)

Regulations 2006 (S.I. 2006/1028), reg. 2(2), Sch. 2 para. 11

Modifications etc. (not altering text) C114 S. 204 extended by S.I. 1991/724, art. 2(1)(n)

X57[F538204AForfeiture of illicit recordings: England and Wales or Northern Ireland

(1) In England and Wales or Northern Ireland where illicit recordings of a performance have come into the possession of any person in connection with the investigation or prosecution of a relevant offence, that person may apply under this section for an order for the forfeiture of the illicit recordings.

(2) For the purposes of this section “relevant offence” means— (a) an offence under [F539 section 198(1) or (1A) ] (criminal liability for making or

dealing with illicit recordings), (b) an offence under the Trade Descriptions Act 1968 (c. 29),

[F540 (ba) an offence under the Business Protection from Misleading Marketing Regulations 2008,

relating to some or all of the illicit recordings, to that court, or (b) where no application for the forfeiture of the illicit recordings has been made

under paragraph (a), by way of complaint to a magistrates’ court.

(4) On an application under this section, the court shall make an order for the forfeiture of any illicit recordings only if it is satisfied that a relevant offence has been committed in relation to the illicit recordings.

(5) A court may infer for the purposes of this section that such an offence has been committed in relation to any illicit recordings if it is satisfied that such an offence has been committed in relation to illicit recordings which are representative of the illicit recordings in question (whether by reason of being part of the same consignment or batch or otherwise).

206 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

(7) An order under this section may contain such provision as appears to the court to be appropriate for delaying the coming into force of the order pending the making and determination of any appeal (including any application under section 111 of the Magistrates’ Courts Act 1980 (c. 43) or Article 146 of the Magistrates’ Courts (Northern Ireland) Order 1981 (S.I. 1987/1675 (N.I. 26)) (statement of case)).

(8) Subject to subsection (9), where any illicit recordings are forfeited under this section they shall be destroyed in accordance with such directions as the court may give.

(9) On making an order under this section the court may direct that the illicit recordings to which the order relates shall (instead of being destroyed) be forfeited to the person having the performers’ rights or recording rights in question or dealt with in such other way as the court considers appropriate. ]

Editorial Information X57 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F538 S. 204A inserted (20.11.2002) by 2002 c. 25, s. 4 ; S.I. 2002/2749, art. 2 F539 Words in s. 204A(2)(a) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 26(4)(c) (with regs. 31-40) F540 S. 204A(2)(ba)(bb) and word substituted (26.5.2008) for word by The Consumer Protection from

Unfair Trading Regulations 2008 (S.I. 2008/1277), reg. 1, Sch. 2 para. 42 (with reg. 28(2)(3))

X58F541204BForfeiture: Scotland

(1) In Scotland the court may make an order under this section for the forfeiture of any illicit recordings.

(3) On an application under subsection (2)(a), the court shall make an order for the forfeiture of any illicit recordings only if it is satisfied that a relevant offence has been committed in relation to the illicit recordings.

(4) The court may infer for the purposes of this section that such an offence has been committed in relation to any illicit recordings if it is satisfied that such an offence has

been committed in relation to illicit recordings which are representative of the illicit recordings in question (whether by reason of being part of the same consignment or batch or otherwise).

(5) The procurator-fiscal making the application under subsection (2)(a) shall serve on any person appearing to him to be the owner of, or otherwise to have an interest in, the illicit recordings to which the application relates a copy of the application, together with a notice giving him the opportunity to appear at the hearing of the application to show cause why the illicit recordings should not be forfeited.

(7) Any person upon whom notice is served under subsection (5) and any other person claiming to be the owner of, or otherwise to have an interest in, illicit recordings to which an application under this section relates shall be entitled to appear at the hearing of the application to show cause why the illicit recordings should not be forfeited.

(9) Where an order for the forfeiture of any illicit recordings is made following an application under subsection (2)(a), any person who appeared, or was entitled to appear, to show cause why the illicit recordings should not be forfeited may, within 21 days of the making of the order, appeal to the High Court by Bill of Suspension.

(10) Section 182(5)(a) to (e) of the Criminal Procedure (Scotland) Act 1995 shall apply to an appeal under subsection (9) as it applies to a stated case under Part 2 of that Act.

brought under the Criminal Procedure (Scotland) Act 1995 (c. 46), or (b) if an appeal is made within that period, until the appeal is determined or

(13) Subject to subsection (14), illicit recordings forfeited under this section shall be destroyed in accordance with such directions as the court may give.

(14) On making an order under this section the court may direct that the illicit recordings to which the order relates shall (instead of being destroyed) be forfeited to the person having the performers’ rights or recording rights in question or dealt with in such other way as the court considers appropriate.

(15) For the purposes of this section— [F542 “relevant offence” means—

208 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

(a) an offence under section 198(1) or (1A) (criminal liability for making or dealing with illicit recordings),

Editorial Information X58 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F541 S. 204B inserted (20.11.2002) by 2002 c. 25, s. 4 ; S.I. 2002/2749, art. 2 F542 Words in s. 204(15) substituted (26.5.2008) by The Consumer Protection from Unfair Trading

Regulations 2008 (S.I. 2008/1277), reg. 1, Sch. 2 para. 43 (with reg. 28(2)(3))

X59205 Jurisdiction of county court and sheriff court.

(1) In England [F543 and Wales the county court and in ] Northern Ireland a county court may entertain proceedings under—

section 195 (order for delivery up of illicit recording), or section 204 (order as to disposal of illicit recording),

[F544 save that, in Northern Ireland, a county court may entertain such proceedings only ] where the value of the illicit recordings in question does not exceed the county court limit for actions in tort.

(2) In Scotland proceedings for an order under either of those provisions may be brought in the sheriff court.

Editorial Information X59 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F543 Words in s. 205(1) substituted (22.4.2014) by Crime and Courts Act 2013 (c. 22), s. 61(3), Sch.

F544 Words in s. 205(1) inserted by S.I. 1991/724, art. 2(8), Schedule Part I

X60F545[ Licensing of performers’ F546 ... rights ]

Editorial Information X60 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F545 S. 205A and crossheading inserted (1.12.1996) by S.I. 1996/2967, reg. 22(1) (with Pt. III) F546 Word in s. 205A cross-heading omitted (25.4.2013) by virtue of Enterprise and Regulatory Reform Act

2013 (c. 24), s. 103(1), Sch. 22 para. 6

X61[F548 205A

Licensing of performers’ F547... rights.

The provisions of Schedule 2A have effect with respect to the licensing of performers’ ... rights. ]

Editorial Information X61 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F547 Word in s. 205A omitted (25.4.2013) by virtue of Enterprise and Regulatory Reform Act 2013 (c. 24),

s. 103(1), Sch. 22 para. 6 F548 S. 205A inserted (1.12.1996) by S.I. 1996/2967, reg. 22(1) (with Pt. III)

X62F549[ Jurisdiction of Copyright Tribunal ]

Editorial Information X62 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

210 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

Amendments (Textual) F549 S. 205B and crossheading inserted (1.12.1996) by S.I. 1996/2967, reg. 24 (with Pt. III)

X63[F550205BJurisdiction of Copyright Tribunal.

(1) The Copyright Tribunal has jurisdiction under [F551 this Chapter ] to hear and determine proceedings under—

(a) section 182D (amount of equitable remuneration for exploitation of commercial sound recording);

(b) section 190 (application to give consent on behalf of owner of reproduction right);

(c) section 191H (amount of equitable remuneration on transfer of rental right); F552 (cc) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(d) paragraph 3, 4 or 5 of Schedule 2A (reference of licensing scheme); (e) paragraph 6 or 7 of that Schedule (application with respect to licence under

licensing scheme); (f) paragraph 10, 11 or 12 of that Schedule (reference or application with respect

to licensing by licensing body); (g) paragraph 15 of that Schedule (application to settle royalty for certain

lending); (h) paragraph 17 of that Schedule (application to settle terms of licence available

as of right).

(2) The provisions of Chapter VIII of Part I (general provisions relating to the Copyright Tribunal) apply in relation to the Tribunal when exercising any jurisdiction under [F551 this Chapter ] .

(3) Provision shall be made by rules under section 150 prohibiting the Tribunal from entertaining a reference under paragraph 3, 4 or 5 of Schedule 2A (reference of licensing scheme) by a representative organisation unless the Tribunal is satisfied that the organisation is reasonably representative of the class of persons which it claims to represent. ]

Editorial Information X63 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F550 S. 205B inserted (1.12.1996) by S.I. 1996/2967, reg. 24 (with Pt. III) F551 Words in s. 205B(1)(2) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

2006 (S.I. 2006/18), reg. 2, Sch. para. 8 (with reg. 8) F552 S. 205B(1)(cc) repealed (31.7.2017) by Digital Economy Act 2017 (c. 30), ss. 34(2)(a)(iii) , 118(6); S.I.

2017/765, reg. 2(n)

Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances Chapter 3 – MORAL RIGHTS Document Generated: 2018-04-19

[F553CHAPTER 3

Amendments (Textual) F553 Ss. 205C-205N and cross-headings inserted (1.2 2006) by The Performances (Moral Rights, etc.)

Regulations 2006 (S.I. 2006/18), art. 6 (with reg. 8) (which inserted provisions accordingly become Pt. 2 Ch. 3 (1.2.2006) by virtue of S.I. 2006/18, art. 4(6) (with reg. 8))

Right to be identified as performer

205C Right to be identified as performer

(1) Whenever a person— (a) produces or puts on a qualifying performance that is given in public, (b) broadcasts live a qualifying performance, (c) communicates to the public a sound recording of a qualifying performance, or (d) issues to the public copies of such a recording,

the performer has the right to be identified as such.

(2) The right of the performer under this section is— (a) in the case of a performance that is given in public, to be identified in any

programme accompanying the performance or in some other manner likely to bring his identity to the notice of a person seeing or hearing the performance,

(b) in the case of a performance that is broadcast, to be identified in a manner likely to bring his identity to the notice of a person seeing or hearing the broadcast,

(c) in the case of a sound recording that is communicated to the public, to be identified in a manner likely to bring his identity to the notice of a person hearing the communication,

(d) in the case of a sound recording that is issued to the public, to be identified in or on each copy or, if that is not appropriate, in some other manner likely to bring his identity to the notice of a person acquiring a copy,

or (in any of the above cases) to be identified in such other manner as may be agreed between the performer and the person mentioned in subsection (1).

(3) The right conferred by this section in relation to a performance given by a group (or so much of a performance as is given by a group) is not infringed—

(a) in a case falling within paragraph (a), (b) or (c) of subsection (2), or (b) in a case falling within paragraph (d) of that subsection in which it is not

reasonably practicable for each member of the group to be identified, if the group itself is identified as specified in subsection (2).

(4) In this section “group” means two or more performers who have a particular name by which they may be identified collectively.

212 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

Chapter 3 – MORAL RIGHTS Document Generated: 2018-04-19

(5) If the assertion under section 205D specifies a pseudonym, initials or some other particular form of identification, that form shall be used; otherwise any reasonable form of identification may be used.

(6) This section has effect subject to section 205E (exceptions to right).

205D Requirement that right be asserted

(1) A person does not infringe the right conferred by section 205C (right to be identified as performer) by doing any of the acts mentioned in that section unless the right has been asserted in accordance with the following provisions so as to bind him in relation to that act.

(a) by instrument in writing signed by or on behalf of the performer, or (b) on an assignment of a performer's property rights, by including in the

instrument effecting the assignment a statement that the performer asserts in relation to the performance his right to be identified.

(3) The persons bound by an assertion of the right under subsection (2) are— (a) in the case of an assertion under subsection (2)(a), anyone to whose notice

the assertion is brought; (b) in the case of an assertion under subsection (2)(b), the assignee and anyone

claiming through him, whether or not he has notice of the assertion.

(4) In an action for infringement of the right the court shall, in considering remedies, take into account any delay in asserting the right.

205E Exceptions to right

(1) The right conferred by section 205C (right to be identified as performer) is subject to the following exceptions.

(2) The right does not apply where it is not reasonably practicable to identify the performer (or, where identification of a group is permitted by virtue of section 205C(3), the group).

(3) The right does not apply in relation to any performance given for the purposes of reporting current events.

(4) The right does not apply in relation to any performance given for the purposes of advertising any goods or services.

(5) The right is not infringed by an act which by virtue of any of the following provisions of Schedule 2 would not infringe any of the rights conferred by Chapter 2—

(a) paragraph 2(1A) (news reporting); (b) paragraph 3 (incidental inclusion of a performance or recording); (c) paragraph 4(2) (things done for the purposes of examination); (d) paragraph 8 (parliamentary and judicial proceedings); (e) paragraph 9 (Royal Commissions and statutory inquiries).

Right to object to derogatory treatment

205F Right to object to derogatory treatment of performance

(1) The performer of a qualifying performance has a right which is infringed if— (a) the performance is broadcast live, or (b) by means of a sound recording the performance is played in public or

communicated to the public, with any distortion, mutilation or other modification that is prejudicial to the reputation of the performer.

(2) This section has effect subject to section 205G (exceptions to right).

205G Exceptions to right

(1) The right conferred by section 205F (right to object to derogatory treatment of performance) is subject to the following exceptions.

(2) The right does not apply in relation to any performance given for the purposes of reporting current events.

(3) The right is not infringed by modifications made to a performance which are consistent with normal editorial or production practice.

(4) Subject to subsection (5), the right is not infringed by anything done for the purpose of—

(a) avoiding the commission of an offence, (b) complying with a duty imposed by or under an enactment, or (c) in the case of the British Broadcasting Corporation, avoiding the inclusion in

a programme broadcast by them of anything which offends against good taste or decency or which is likely to encourage or incite crime or lead to disorder or to be offensive to public feeling.

(5) Where— (a) the performer is identified in a manner likely to bring his identity to the

notice of a person seeing or hearing the performance as modified by the act in question; or

(b) he has previously been identified in or on copies of a sound recording issued to the public,

subsection (4) applies only if there is sufficient disclaimer.

(6) In subsection (5) “sufficient disclaimer”, in relation to an act capable of infringing the right, means a clear and reasonably prominent indication—

(a) given in a manner likely to bring it to the notice of a person seeing or hearing the performance as modified by the act in question, and

(b) if the performer is identified at the time of the act, appearing along with the identification,

that the modifications were made without the performer's consent.

214 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

205H Infringement of right by possessing or dealing with infringing article

(1) The right conferred by section 205F (right to object to derogatory treatment of performance) is also infringed by a person who—

(a) possesses in the course of business, or (b) sells or lets for hire, or offers or exposes for sale or hire, or (c) distributes,

an article which is, and which he knows or has reason to believe is, an infringing article.

(2) An “infringing article” means a sound recording of a qualifying performance with any distortion, mutilation or other modification that is prejudicial to the reputation of the performer.

205I Duration of rights

(1) A performer's rights under this Chapter in relation to a performance subsist so long as that performer's rights under Chapter 2 subsist in relation to the performance.

(2) In subsection (1) “performer's rights” includes rights of a performer that are vested in a successor of his.

205J Consent and waiver of rights

(1) It is not an infringement of the rights conferred by this Chapter to do any act to which consent has been given by or on behalf of the person entitled to the right.

(2) Any of those rights may be waived by instrument in writing signed by or on behalf of the person giving up the right.

(3) A waiver— (a) may relate to a specific performance, to performances of a specified

description or to performances generally, and may relate to existing or future performances, and

(b) may be conditional or unconditional and may be expressed to be subject to revocation,

and if made in favour of the owner or prospective owner of a performer's property rights in the performance or performances to which it relates, it shall be presumed to extend to his licensees and successors in title unless a contrary intention is expressed.

(4) Nothing in this Chapter shall be construed as excluding the operation of the general law of contract or estoppel in relation to an informal waiver or other transaction in relation to either of the rights conferred by this Chapter.

205K Application of provisions to parts of performances

(1) The right conferred by section 205C (right to be identified as performer) applies in relation to the whole or any substantial part of a performance.

(2) The right conferred by section 205F (right to object to derogatory treatment of performance) applies in relation to the whole or any part of a performance.

205L Moral rights not assignable

The rights conferred by this Chapter are not assignable.

205M Transmission of moral rights on death

(1) On the death of a person entitled to a right conferred by this Chapter— (a) the right passes to such person as he may by testamentary disposition

specifically direct, (b) if there is no such direction but the performer's property rights in respect of the

performance in question form part of his estate, the right passes to the person to whom the property rights pass,

(2) Where a performer's property rights pass in part to one person and in part to another, as for example where a bequest is limited so as to apply—

(a) to one or more, but not all, of the things to which the owner has the right to consent, or

(b) to part, but not the whole, of the period for which the rights subsist, any right which by virtue of subsection (1) passes with the performer's property rights is correspondingly divided.

(3) Where by virtue of subsection (1)(a) or (1)(b) a right becomes exercisable by more than one person—

(a) it is, in the case of the right conferred by section 205F (right to object to derogatory treatment of performance), a right exercisable by each of them and is satisfied in relation to any of them if he consents to the treatment or act in question, and

(b) any waiver of the right in accordance with section 205J by one of them does not affect the rights of the others.

(5) Any damages recovered by personal representatives by virtue of this section in respect of an infringement after a person's death shall devolve as part of his estate as if the right of action had subsisted and been vested in him immediately before his death.

205N Remedies for infringement of moral rights

(1) An infringement of a right conferred by this Chapter is actionable as a breach of statutory duty owed to the person entitled to the right.

(2) Where— (a) there is an infringement of a right conferred by this Chapter, (b) a person falsely claiming to act on behalf of a performer consented to the

relevant conduct or purported to waive the right, and (c) there would have been no infringement if he had been so acting,

that person shall be liable, jointly and severally with any person liable in respect of the infringement by virtue of subsection (1), as if he himself had infringed the right.

216 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

Chapter 4 – QUALIFICATION FOR PROTECTION, EXTENT AND INTERPRETATION Document Generated: 2018-04-19

(3) Where proceedings for infringement of the right conferred on a performer by this Chapter, it shall be a defence to prove—

(a) that a person claiming to act on behalf of the performer consented to the defendant's conduct or purported to waive the right, and

(b) that the defendant reasonably believed that the person was acting on behalf of the performer.

(4) In proceedings for infringement of the right conferred by section 205F the court may, if it thinks it an adequate remedy in the circumstances, grant an injunction on terms prohibiting the doing of any act unless a disclaimer is made, in such terms and in such manner as may be approved by the court, dissociating the performer from the broadcast or sound recording of the performance. ]

[F554CHAPTER 4

QUALIFICATION FOR PROTECTION, EXTENT AND INTERPRETATION

Amendments (Textual) F554 Ss. 206-212 become Pt. 2 Ch. 4 (1.2.2006) by virtue of The Performances (Moral Rights, etc.)

Regulations 2006 (S.I. 2006/18), reg. 4(7) (with reg. 8)

X64 Qualification for protection and extent

Editorial Information X64 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

X65206 Qualifying countries, individuals and persons.

(1) In this Part— “qualifying country” means—

(a) the United Kingdom, [F555 (b) another EEA state, ]

[F556 (ba) the Channel Islands, the Isle of Man or Gibraltar, ] or [F557 (bb) a country which is a party to the Rome Convention, ] or

(c) to the extent that an Order under section 208 so provides, a country designated under that section as enjoying reciprocal protection;

“qualifying individual” means a citizen or subject of, or an individual resident in, a qualifying country; and

“qualifying person” means a qualifying individual or a body corporate or other body having legal personality which—

Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances Chapter 4 – QUALIFICATION FOR PROTECTION, EXTENT AND INTERPRETATION Document Generated: 2018-04-19

(a) is formed under the law of a part of the United Kingdom or another qualifying country, and

(b) has in any qualifying country a place of business at which substantial business activity is carried on.

(2) The reference in the definition of “qualifying individual” to a person’s being a citizen or subject of a qualifying country shall be construed—

(a) in relation to the United Kingdom, as a reference to his being a British citizen, and

(b) in relation to a colony of the United Kingdom, as a reference to his being a British Dependent Territories’ citizen by connection with that colony.

(3) In determining for the purpose of the definition of “qualifying person” whether substantial business activity is carried on at a place of business in any country, no account shall be taken of dealings in goods which are at all material times outside that country.

[F558 (4) Her Majesty may by Order in Council— (a) make provision for the application of this Part to a country by virtue of

paragraph (bb) or (c) of the definition of “qualifying country” in subsection (1) to be subject to specified restrictions;

(b) amend the definition of “qualifying country” in subsection (1) so as to add a country which is not a party to the Rome Convention;

(c) make provision for the application of this Part to a country added under paragraph (b) to be subject to specified restrictions.

(5) A statutory instrument containing an Order in Council under this section is subject to annulment in pursuance of a resolution of either House of Parliament. ]

[F559 (6) In this section, “the Rome Convention” means the International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations done at Rome on 26 October 1961. ]

Editorial Information X65 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F555 Words in s. 206(1) substituted (1.12.2016 for specified purposes, 6.4.2017 in so far as not already in

force) by Intellectual Property Act 2014 (c. 18), ss. 22(5)(a) , 24(1); S.I. 2016/1139, arts. 2, 3 (with art. 4)

F556 Words in s. 206(1) inserted (1.12.2016 for specified purposes, 6.4.2017 in so far as not already in force) by Intellectual Property Act 2014 (c. 18), ss. 22(5)(b) , 24(1); S.I. 2016/1139, arts. 2, 3 (with art. 4)

F557 Words in s. 206(1) inserted (1.12.2016 for specified purposes, 6.4.2017 in so far as not already in force) by Intellectual Property Act 2014 (c. 18), ss. 22(5)(c) , 24(1); S.I. 2016/1139, arts. 2, 3 (with art. 4)

F558 S. 206(4)(5) inserted (1.12.2016 for specified purposes, 6.4.2017 in so far as not already in force) by Intellectual Property Act 2014 (c. 18), ss. 22(6) , 24(1); S.I. 2016/1139, arts. 2, 3 (with art. 4)

218 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

F559 S. 206(6) inserted (1.12.2016 for specified purposes, 6.4.2017 in so far as not already in force) by Intellectual Property Act 2014 (c. 18), ss. 22(7) , 24(1); S.I. 2016/1139, arts. 2, 3 (with art. 4)

X66207 Countries to which this Part extends.

This Part extends to England and Wales, Scotland and Northern Ireland.

Editorial Information X66 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

X67208 Countries enjoying reciprocal protection.

(1) Her Majesty may by Order in Council designate as enjoying reciprocal protection under this Part—

(a) a Convention country, or (b) a country as to which Her Majesty is satisfied that provision has been or will

be made under its law giving adequate protection for British performances.

(2) A “Convention country” means a country which is a party to a Convention relating to performers’ rights to which the United Kingdom is also a party.

(3) A “British performance” means a performance— (a) given by an individual who is a British citizen or resident in the United

Kingdom, or (b) taking place in the United Kingdom.

(4) If the law of that country provides adequate protection only for certain descriptions of performance, an Order under subsection (1)(b) designating that country shall contain provision limiting to a corresponding extent the protection afforded by this Part in relation to performances connected with that country.

(5) The power conferred by subsection (1)(b) is exercisable in relation to F560 ... any colony of the United Kingdom, as in relation to a foreign country.

(6) A statutory instrument containing an Order in Council under this section shall be subject to annulment in pursuance of a resolution of either House of Parliament.

Editorial Information X67 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F560 Words in s. 208(5) omitted (1.12.2016 for specified purposes, 6.4.2017 in so far as not already in

force) by virtue of Intellectual Property Act 2014 (c. 18), ss. 22(8) , 24(1); S.I. 2016/1139, arts. 2, 3 (with art. 4)

X68209 Territorial waters and the continental shelf.

(3) The United Kingdom sector of the continental shelf means the areas designated by order under section 1(7) of the M25 Continental Shelf Act 1964.

Editorial Information X68 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Marginal Citations M25 1964 c. 29.

X69210 British ships, aircraft and hovercraft.

[F561 Merchant Shipping Act 1995 ] otherwise than by virtue of registration in a country outside the United Kingdom; and

Editorial Information X69 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

220 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

Amendments (Textual) F561 Words in s. 210(2) substituted (1.1.1996) by 1995 c. 21, ss. 314(2), 316(2), Sch. 13 para. 84(b) (with

210A Requirement of signature: application in relation to body corporate

section 191B(3) (assignment of performer's property rights); section 191C(1) (assignment of future performer's property rights); section 191D(1) (grant of exclusive licence).

(2) The requirement in the following provisions that an instrument be signed by a person is also satisfied in the case of a body corporate by signature on behalf of the body or by the affixing of its seal—

section 205D(2)(a) (assertion of performer's moral rights); section 205J(2) (waiver of performer's moral rights). ]

Amendments (Textual) F562 S. 210A inserted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006 (S.I.

2006/18), reg. 7 (with reg. 8)

X70 Interpretation

Editorial Information X70 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

X71211 Expressions having same meaning as in copyright provisions.

(1) The following expressions have the same meaning in this Part as in Part I (copyright) —

[F563 assignment (in Scotland), ] broadcast, business, F564 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F565 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [F566 communication to the public, ] country, defendant (in Scotland),

delivery up (in Scotland), [F567 the EEA, ] [F567 EEA state, ] film, [F568 injunction (in Scotland) ] literary work, published, F569 . . . [F570 signed, ] [F571 sound recording, and ] [F572 wireless broadcast. ]

(2) [F573 The provisions of— (a) section 5B(2) and (3) (supplementary provisions relating to films), and (b) section 6(3) to (5A) and section 19(4) (supplementary provisions relating to

broadcasting), apply ] for the purposes of this Part, and in relation to an infringement of the rights conferred by this Part, as they apply for the purposes of Part I and in relation to an infringement of copyright.

Editorial Information X71 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F563 S. 211(1): entry inserted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006 (S.I.

2006/18), reg. 2, Sch. para. 6(2) (with reg. 8) F564 S. 211(1): entry repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F565 S. 211(1): entry repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F566 S. 211(1): entry inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(1), Sch. 1 para. 15(5)(a)(i) (with regs. 31-40) F567 S. 211(1): entries relating to "the EEA," and "EEA state," substituted (29.4.2006) for entry relating to

"EEA national," by The Intellectual Property (Enforcement, etc.) Regulations 2006 (S.I. 2006/1028), reg. 2(2), Sch. 2 para. 12

F568 S. 211(1): entry inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 15(5)(a)(i) (with regs. 31-40)

F569 Word in s. 211(1) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40)

F570 S. 211(1): entry inserted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006 (S.I. 2006/18), reg. 2, Sch. para. 6(2) (with reg. 8)

F571 S. 211(1): entry substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 2(1) , {Sch. 1para. 15(5)(a)(ii)} (with regs. 31-40)

F572 S. 211(1): entry inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 15(5)(a)(i) (with regs. 31-40)

222 Copyright, Designs and Patents Act 1988 (c. 48) Part II – Rights in performances

F573 Words in s. 211(2) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006 (S.I. 2006/18), reg. 2, Sch. para. 6(3) (with reg. 8)

X72212 Index of defined expressions.

[F574 accessible copy (in paragraphs 3A to 3E of Schedule 2)

paragraph 3E(4) of Schedule 2 ]

[F575 assignment (in Scotland) section 211(1) (and section 177); ] broadcast (and related expressions) section 211 (and section 6) business section 211(1) (and section 178) F576

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [F577 communication to the public section 211(1) (and section 20) ] [F578 consent of performer (in relation to performer’s property rights) ]

[F579 section 191A(2) ]

country section 211(1) (and section 178) defendant (in Scotland) section 211(1) (and section 177) delivery up (in Scotland) section 211(1) (and section 177) [F574 disabled person (in paragraphs 3A to 3E of Schedule 2)

paragraph 3E(2) and (3) of Schedule 2 ]

[F580 distribution right ] [F581 section 182B(5) ] [F582 the EEA and EEA state ] [F583 section 211(1) (and section 172A) ] exclusive recording contract section 185(1) film section 211(1) (and [F584 section 5B ] ) [F585 group section 205C(4); ] illicit recording section 197 [F586 injunction (in Scotland) section 211(1) (and section 177) ] [F587 issue to the public section 182B; ] literary work section 211(1) (and section 3(1)) [F588 lending right ] [F589 section 182C(7) ] [F590 making available right section 182CA ] performance section 180(2) [F591 performer’s non-property rights ] [F592 section 192A(1) ] [F593 performer’s property rights ] [F594 section 191A(1) ] published section 211(1) (and section 175)

qualifying country section 206(1) qualifying individual section 206(1) and (2) qualifying performance section 181 qualifying person section 206(1) and (3) recording (of a performance) section 180(2) recording rights (person having) section 185(2) and (3) [F595 rental right) ] [F596 section 182C(7) ] [F597 reproduction right ] [F598 section 182A(3) ] [F599 rights owner (in relation to performer’s property rights) ]

[F600 section 191A(3) and (4). ]

[F601 signed section 211(1) (and section 176); ] sound recording section 211(1) (and [F602 section 5A ] ). [F603 wireless broadcast section 211(1) (and section 178). ]]

Editorial Information X72 The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3

Amendments (Textual) F574 Words in s. 212 inserted (1.6.2014) by The Copyright and Rights in Performances (Disability)

Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 5 F575 S. 212: entry inserted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006 (S.I.

2006/18), reg. 2, Sch. para. 7 (with reg. 8) F576 S. 212: entry repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F577 S. 212: entry inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(1), Sch. 1 para. 15(6) (with regs. 31-40) F578 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 21(6) (with Pt. III) F579 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 21(6) (with Pt. III) F580 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 20(4) (with Pt. III) F581 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 20(4) (with Pt. III) F582 S. 212: words in entry substituted (29.4.2006) by The Intellectual Property (Enforcement, etc.)

Regulations 2006 (S.I. 2006/1028), reg. 2(2), Sch. 2 para. 13 F583 Words in s. 212 inserted (1.1.1996) by S.I. 1995/3297, reg. 11(4) (with Pt. III) F584 Words in s. 212 substituted (1.1.1996) by S.I. 1995/3297, reg. 9(6)(a) (with Pt. III) F585 S. 212: entry inserted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006 (S.I.

2006/18), reg. 2, Sch. para. 7 (with reg. 8) F586 S. 212: entry inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(1), Sch. 1 para. 15(6) (with regs. 31-40) F587 S. 212: entry inserted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006 (S.I.

2006/18), reg. 2, Sch. para. 7 (with reg. 8) F588 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 20(4) (with Pt. III)

224 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

F589 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 20(4) (with Pt. III) F590 S. 212: entry inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(1), Sch. 1 para. 15(6) (with regs. 31-40) F591 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 21(6) (with Pt. III) F592 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 21(6) (with Pt. III) F593 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 21(6) (with Pt. III) F594 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 21(6) (with Pt. III) F595 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 20(4) (with Pt. III) F596 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 20(4) (with Pt. III) F597 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 20(4) (with Pt. III) F598 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 20(4) (with Pt. III) F599 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 21(6) (with Pt. III) F600 Words in s. 212 inserted (1.12.1996) by S.I. 1996/2967, reg. 21(6) (with Pt. III) F601 S. 212: entry inserted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006 (S.I.

2006/18), reg. 2, Sch. para. 7 (with reg. 8) F602 Words in s. 212 substituted (1.1.1996) by S.I. 1995/3297, reg. 9(6)(b) (with Pt. III) F603 S. 212: entry inserted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006 (S.I.

2006/18), reg. 2, Sch. para. 7 (with reg. 8)

[F604 Supplementary

Amendments (Textual) F604 S. 212A and cross-heading inserted (1.12.2016 for specified purposes, 6.4.2017 in so far as not already

in force) by Intellectual Property Act 2014 (c. 18), ss. 22(9) , 24(1); S.I. 2016/1139, arts. 2, 3 (with art. 4)

212A Power to amend in consequence of changes to international law

(1) The Secretary of State may by order amend this Part in consequence of changes to international law in the area of performance rights.

(2) An order under this section must be made by statutory instrument; and no order may be made unless a draft of it has been laid before and approved by a resolution of each House of Parliament. ]

DESIGN RIGHT

Modifications etc. (not altering text) C115 Pt. III (ss. 213–264) modified by S.I. 1989/1100, art. 3

Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right Chapter I – Design right in original designs Document Generated: 2018-04-19

DESIGN RIGHT IN ORIGINAL DESIGNS

213 Design right.

(1) Design right is a property right which subsists in accordance with this Part in an original design.

(2) In this Part “design” means the design of F605 ... the shape or configuration (whether internal or external) of the whole or part of an article.

(3) Design right does not subsist in— (a) a method or principle of construction, (b) features of shape or configuration of an article which—

(i) enable the article to be connected to, or placed in, around or against, another article so that either article may perform its function, or

(ii) are dependent upon the appearance of another article of which the article is intended by the designer to form an integral part, or

(c) surface decoration.

(4) A design is not “original” for the purposes of this Part if it is commonplace [F606 in a qualifying country ] in the design field in question at the time of its creation [F607 ; and “qualifying country” has the meaning given in section 217(3) ] .

(5) Design right subsists in a design only if the design qualifies for design right protection by reference to—

(a) the designer or the person by whom [F608 the designer was employed ] (see sections 218 and 219), or

(b) the person by whom and country in which articles made to the design were first marketed (see section 220),

or in accordance with any Order under section 221 (power to make further provision with respect to qualification).

F609[ ( 5A ) Design right does not subsist in a design which consists of or contains a controlled representation within the meaning of the Olympic Symbol etc. (Protection) Act 1995. ]

(6) Design right does not subsist unless and until the design has been recorded in a design document or an article has been made to the design.

(7) Design right does not subsist in a design which was so recorded, or to which an article was made, before the commencement of this Part.

Amendments (Textual) F605 Words in s. 213(2) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 1(1) ,

24(1); S.I. 2014/2330, art. 3, Sch. F606 Words in s. 213(4) inserted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 1(3)(a) , 24(1)

(with s. 1(4)); S.I. 2014/2330, art. 3, Sch.

226 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

Chapter I – Design right in original designs Document Generated: 2018-04-19

F607 Words in s. 213(4) inserted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 1(3)(b) , 24(1) (with s. 1(4)); S.I. 2014/2330, art. 3, Sch.

F608 Words in s. 213(5)(a) substituted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 2(2)(a) , 24(1) (with s. 2(3)); S.I. 2014/2330, art. 3, Sch.

F609 S. 213(5A) inserted (20.9.1995 with effect as mentioned in s. 14(2)(3) of the amending Act) by 1995 c. 32, s. 14(1) ; S.I. 1995/2472, art. 2

214 The designer.

(1) In this Part the “designer”, in relation to a design, means the person who creates it.

(2) In the case of a computer-generated design the person by whom the arrangements necessary for the creation of the design are undertaken shall be taken to be the designer.

215 Ownership of design right.

(1) The designer is the first owner of any design right in a design which is not created F610 ... in the course of employment.

F611 (2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(3) Where F612 ... a design is created by an employee in the course of his employment, his employer is the first owner of any design right in the design.

(4) If a design qualifies for design right protection by virtue of section 220 (qualification by reference to first marketing of articles made to the design), the above rules do not apply and the person by whom the articles in question are marketed is the first owner of the design right.

Amendments (Textual) F610 Words in s. 215(1) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 2(1)(a) ,

24(1) (with s. 2(3)); S.I. 2014/2330, art. 3, Sch. F611 S. 215(2) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 2(1)(b) , 24(1)

(with s. 2(3)); S.I. 2014/2330, art. 3, Sch. F612 Words in s. 215(3) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 2(1)(c) ,

24(1) (with s. 2(3)); S.I. 2014/2330, art. 3, Sch.

216 Duration of design right.

(1) Design right expires— (a) fifteen years from the end of the calendar year in which the design was first

recorded in a design document or an article was first made to the design, whichever first occurred, or

(b) if articles made to the design are made available for sale or hire within five years from the end of that calendar year, ten years from the end of the calendar year in which that first occurred.

(2) The reference in subsection (1) to articles being made available for sale or hire is to their being made so available anywhere in the world by or with the licence of the design right owner.

Qualification for design right protection

217 Qualifying individuals and qualifying persons.

(1) In this Part— F613 ... [F614 “ qualifying person ” means—

(a) an individual habitually resident in a qualifying country, or (b) a body corporate or other body having legal personality which—

(i) is formed under the law of a part of the United Kingdom or another qualifying country, and

(ii) has in any qualifying country a place of business at which substantial business activity is carried on. ]

(2) References in this Part to a qualifying person include the Crown and the government of any other qualifying country.

(3) In this section “qualifying country” means— (a) the United Kingdom, (b) a country to which this Part extends by virtue of an Order under section 255, (c) another member State of the [F615 European Union ] , or (d) to the extent that an Order under section 256 so provides, a country designated

under that section as enjoying reciprocal protection. F616 (4) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(5) In determining for the purpose of the definition of “qualifying person” whether substantial business activity is carried on at a place of business in any country, no account shall be taken of dealings in goods which are at all material times outside that country.

Amendments (Textual) F613 Words in s. 217(1) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 3(1)(a) ,

24(1) (with s. 3(6)); S.I. 2014/2330, art. 3, Sch. F614 Words in s. 217(1) substituted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 3(1)(b) , 24(1)

(with s. 3(6)); S.I. 2014/2330, art. 3, Sch. F615 Words substituted (22.4.2011) by The Treaty of Lisbon (Changes in Terminology) Order 2011 (S.I.

2011/1043), arts. 3, 4 F616 S. 217(4) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 3(2) , 24(1) (with

s. 3(6)); S.I. 2014/2330, art. 3, Sch.

218 Qualification by reference to designer.

(1) This section applies to a design which is not created F617 ...in the course of employment.

(2) A design to which this section applies qualifies for design right protection if the designer is F618 ... a qualifying person.

(3) A joint design to which this section applies qualifies for design right protection if any of the designers is F619 ... a qualifying person.

228 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

(4) Where a joint design qualifies for design right protection under this section, only those designers who are F620 ... qualifying persons are entitled to design right under section 215(1) (first ownership of design right: entitlement of designer).

Amendments (Textual) F617 Words in s. 218(1) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 2(2)(b) ,

24(1) (with s. 2(3)); S.I. 2014/2330, art. 3, Sch. F618 Words in s. 218(2) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 3(3)(a) ,

24(1) (with s. 3(6)); S.I. 2014/2330, art. 3, Sch. F619 Words in s. 218(3) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 3(3)(b) ,

24(1) (with s. 3(6)); S.I. 2014/2330, art. 3, Sch. F620 Words in s. 218(4) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 3(3)(c) ,

24(1) (with s. 3(6)); S.I. 2014/2330, art. 3, Sch.

219 [F621Qualification by reference to employer].

(1) A design qualifies for design right protection if it is created [F622 in the course of employment with ] a qualifying person.

(2) In the case of F623 ... joint employment a design qualifies for design right protection if any of the ... employers is a qualifying person.

(3) Where a design which is F624 ... created in the course of joint employment qualifies for design right protection under this section, only those ... employers who are qualifying persons are entitled to design right under section [F625 215(3) ] (first ownership of design right: entitlement of ... employer).

Amendments (Textual) F621 S. 219 heading substituted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 2(2)(c) , 24(1)

(with s. 2(3)); S.I. 2014/2330, art. 3, Sch. F622 Words in s. 219(1) substituted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 2(2)(c) , 24(1)

(with s. 2(3)); S.I. 2014/2330, art. 3, Sch. F623 Words in s. 219(2) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 2(2)(d) ,

24(1) (with s. 2(3)); S.I. 2014/2330, art. 3, Sch. F624 Words in s. 219(3) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 2(2)(e) ,

24(1) (with s. 2(3)); S.I. 2014/2330, art. 3, Sch. F625 Word in s. 219(3) substituted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 2(2)(f) , 24(1)

(with s. 2(3)); S.I. 2014/2330, art. 3, Sch.

220 Qualification by reference to first marketing.

(1) A design which does not qualify for design right protection under section 218 or 219 (qualification by reference to designer F626 ... or employer) qualifies for design right protection if the first marketing of articles made to the design—

(a) is by a qualifying person F627 ..., and

(b) takes place in the United Kingdom, another country to which this Part extends by virtue of an Order under section 255, or another member State of the [F628 European Union ] .

(2) If the first marketing of articles made to the design is done jointly by two or more persons, the design qualifies for design right protection if any of those persons meets the [F629 requirement ] specified in subsection (1)(a).

(3) In such a case only the persons who meet [F630 that requirement ] are entitled to design right under section 215(4) (first ownership of design right: entitlement of first marketer of articles made to the design).

F631 (4) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F626 Word in s. 220(1) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 2(2)(g) ,

24(1) (with s. 2(3)); S.I. 2014/2330, art. 3, Sch. F627 Words in s. 220(1)(a) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 3(4)

(a) , 24(1) (with s. 3(6)); S.I. 2014/2330, art. 3, Sch. F628 Words substituted (22.4.2011) by The Treaty of Lisbon (Changes in Terminology) Order 2011 (S.I.

2011/1043), arts. 3, 4 F629 Word in s. 220(2) substituted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 3(4)(b) , 24(1)

(with s. 3(6)); S.I. 2014/2330, art. 3, Sch. F630 Words in s. 220(3) substituted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 3(4)(c) , 24(1)

(with s. 3(6)); S.I. 2014/2330, art. 3, Sch. F631 S. 220(4) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 3(4)(d) , 24(1)

(with s. 3(6)); S.I. 2014/2330, art. 3, Sch.

221 Power to make further provision as to qualification.

(1) Her Majesty may, with a view to fulfilling an international obligation of the United Kingdom, by Order in Council provide that a design qualifies for design right protection if such requirements as are specified in the Order are met.

(2) An Order may make different provision for different descriptions of design or article; and may make such consequential modifications of the operation of sections 215 (ownership of design right) and sections 218 to 220 (other means of qualification) as appear to Her Majesty to be appropriate.

(3) A statutory instrument containing an Order in Council under this section shall be subject to annulment in pursuance of a resolution of either House of Parliament.

Dealings with design right

222 Assignment and licences.

(1) Design right is transmissible by assignment, by testamentary disposition or by operation of law, as personal or moveable property.

(2) An assignment or other transmission of design right may be partial, that is, limited so as to apply—

230 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

(a) to one or more, but not all, of the things the design right owner has the exclusive right to do;

(b) to part, but not the whole, of the period for which the right is to subsist.

(3) An assignment of design right is not effective unless it is in writing signed by or on behalf of the assignor.

(4) A licence granted by the owner of design right is binding on every successor in title to his interest in the right, except a purchaser in good faith for valuable consideration and without notice (actual or constructive) of the licence or a person deriving title from such a purchaser; and references in this Part to doing anything with, or without, the licence of the design right owner shall be construed accordingly.

223 Prospective ownership of design right.

(1) Where by an agreement made in relation to future design right, and signed by or on behalf of the prospective owner of the design right, the prospective owner purports to assign the future design right (wholly or partially) to another person, then if, on the right coming into existence, the assignee or another person claiming under him would be entitled as against all other persons to require the right to be vested in him, the right shall vest in him by virtue of this section.

(2) In this section— “future design right” means design right which will or may come into

existence in respect of a future design or class of designs or on the occurrence of a future event; and

“prospective owner” shall be construed accordingly, and includes a person who is prospectively entitled to design right by virtue of such an agreement as is mentioned in subsection (1).

(3) A licence granted by a prospective owner of design right is binding on every successor in title to his interest (or prospective interest) in the right, except a purchaser in good faith for valuable consideration and without notice (actual or constructive) of the licence or a person deriving title from such a purchaser; and references in this Part to doing anything with, or without, the licence of the design right owner shall be construed accordingly.

224 Assignment of right in registered design presumed to carry with it design right.

Where a design consisting of a design in which design right subsists is registered under the M26 Registered Designs Act 1949 and the proprietor of the registered design is also the design right owner, an assignment of the right in the registered design shall be taken to be also an assignment of the design right, unless a contrary intention appears.

Marginal Citations M26 1949 c. 88.

Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right Chapter II – Rights of Design Right Owner and Remedies Document Generated: 2018-04-19

225 Exclusive licences.

(1) In this Part an “exclusive licence” means a licence in writing signed by or on behalf of the design right owner authorising the licensee to the exclusion of all other persons, including the person granting the licence, to exercise a right which would otherwise be exercisable exclusively by the design right owner.

(2) The licensee under an exclusive licence has the same rights against any successor in title who is bound by the licence as he has against the person granting the licence.

RIGHTS OF DESIGN RIGHT OWNER AND REMEDIES

Infringement of design right

226 Primary infringement of design right.

(1) The owner of design right in a design has the exclusive right to reproduce the design for commercial purposes—

(a) by making articles to that design, or (b) by making a design document recording the design for the purpose of enabling

such articles to be made.

(2) Reproduction of a design by making articles to the design means copying the design so as to produce articles exactly or substantially to that design, and references in this Part to making articles to a design shall be construed accordingly.

(3) Design right is infringed by a person who without the licence of the design right owner does, or authorises another to do, anything which by virtue of this section is the exclusive right of the design right owner.

(4) For the purposes of this section reproduction may be direct or indirect, and it is immaterial whether any intervening acts themselves infringe the design right.

(5) This section has effect subject to the provisions of Chapter III (exceptions to rights of design right owner).

227 Secondary infringement: importing or dealing with infringing article.

(1) Design right is infringed by a person who, without the licence of the design right owner—

(a) imports into the United Kingdom for commercial purposes, or (b) has in his possession for commercial purposes, or (c) sells, lets for hire, or offers or exposes for sale or hire, in the course of a

business, an article which is, and which he knows or has reason to believe is, an infringing article.

(2) This section has effect subject to the provisions of Chapter III (exceptions to rights of design right owner).

232 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

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228 Meaning of “infringing article”.

(1) In this Part “infringing article”, in relation to a design, shall be construed in accordance with this section.

(2) An article is an infringing article if its making to that design was an infringement of design right in the design.

(3) An article is also an infringing article if— (a) it has been or is proposed to be imported into the United Kingdom, and (b) its making to that design in the United Kingdom would have been an

infringement of design right in the design or a breach of an exclusive licence agreement relating to the design.

(4) Where it is shown that an article is made to a design in which design right subsists or has subsisted at any time, it shall be presumed until the contrary is proved that the article was made at a time when design right subsisted.

(5) Nothing in subsection (3) shall be construed as applying to an article which may lawfully be imported into the United Kingdom by virtue of any enforceable [F632 EU ] right within the meaning of section 2(1) of the M27 European Communities Act 1972.

(6) The expression “infringing article” does not include a design document, notwithstanding that its making was or would have been an infringement of design right.

Amendments (Textual) F632 Word substituted (22.4.2011) by The Treaty of Lisbon (Changes in Terminology) Order 2011 (S.I.

2011/1043), arts. 3, 6

Marginal Citations M27 1972 c. 68.

Remedies for infringement

229 Rights and remedies of design right owner.

(1) An infringement of design right is actionable by the design right owner.

(2) In an action for infringement of design right all such relief by way of damages, injunctions, accounts or otherwise is available to the plaintiff as is available in respect of the infringement of any other property right.

(3) The court may in an action for infringement of design right, having regard to all the circumstances and in particular to—

(4) This section has effect subject to section 233 (innocent infringement).

230 Order for delivery up.

(1) Where a person— (a) has in his possession, custody or control for commercial purposes an

infringing article, or (b) has in his possession, custody or control anything specifically designed or

adapted for making articles to a particular design, knowing or having reason to believe that it has been or is to be used to make an infringing article,

the owner of the design right in the design in question may apply to the court for an order that the infringing article or other thing be delivered up to him or to such other person as the court may direct.

(2) An application shall not be made after the end of the period specified in the following provisions of this section; and no order shall be made unless the court also makes, or it appears to the court that there are grounds for making, an order under section 231 (order as to disposal of infringing article, &c.).

(3) An application for an order under this section may not be made after the end of the period of six years from the date on which the article or thing in question was made, subject to subsection (4).

(4) If during the whole or any part of that period the design right owner— (a) is under a disability, or (b) is prevented by fraud or concealment from discovering the facts entitling him

to apply for an order, an application may be made at any time before the end of the period of six years from the date on which he ceased to be under a disability or, as the case may be, could with reasonable diligence have discovered those facts.

(5) In subsection (4) “disability”— (a) in England and Wales, has the same meaning as in the M28 Limitation Act 1980; (b) in Scotland, means legal disability within the meaning of the M29 Prescription

and Limitation (Scotland) Act 1973; (c) in Northern Ireland, has the same meaning as in the M30 Statute of Limitations

(6) A person to whom an infringing article or other thing is delivered up in pursuance of an order under this section shall, if an order under section 231 is not made, retain it pending the making of an order, or the decision not to make an order, under that section.

(7) Nothing in this section affects any other power of the court.

Modifications etc. (not altering text) C116 S. 230 extended by S.I.1991/724, art. 2(1)(n)

Marginal Citations M28 1980 c. 58. M29 1973 c. 52. M30 1958 c. 10 (N.I.).

234 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

231 Order as to disposal of infringing articles, &c.

(1) An application may be made to the court for an order that an infringing article or other thing delivered up in pursuance of an order under section 230 shall be—

(a) forfeited to the design right owner, or (b) destroyed or otherwise dealt with as the court may think fit,

(2) In considering what order (if any) should be made, the court shall consider whether other remedies available in an action for infringement of design right would be adequate to compensate the design right owner and to protect his interests.

(3) Provision shall be made by rules of court as to the service of notice on persons having an interest in the article or other thing, and any such person is entitled—

(4) Where there is more than one person interested in an article or other thing, the court shall make such order as it thinks just and may (in particular) direct that the thing be sold, or otherwise dealt with, and the proceeds divided.

(5) If the court decides that no order should be made under this section, the person in whose possession, custody or control the article or other thing was before being delivered up F633 . . . is entitled to its return.

(6) References in this section to a person having an interest in an article or other thing include any person in whose favour an order could be made in respect of it

[F634 (a) under this section or under section 114 or 204 of this Act; (b) under section 24D of the Registered Designs Act 1949; (c) under section 19 of Trade Marks Act 1994 (including that section as

Amendments (Textual) F633 Words in s. 231(5) repealed (29.4.2006) by The Intellectual Property (Enforcement, etc.) Regulations

2006 (S.I. 2006/1028), reg. 2(4), Sch. 4 F634 Words in s. 231(6) substituted (29.4.2006) by The Intellectual Property (Enforcement, etc.)

Regulations 2006 (S.I. 2006/1028), reg. 2(2), Sch. 2 para. 14

Modifications etc. (not altering text) C117 S. 231 extended by S.I. 1991/724, art. 2(1)(n)

232 Jurisdiction of county court and sheriff court.

(1) In England [F635 and Wales the county court and in ] Northern Ireland a county court may entertain proceedings under—

section 230 (order for delivery up of infringing article, &c.), section 231 (order as to disposal of infringing article, &c.), or section 235(5) (application by exclusive licensee having concurrent rights),

[F636 save that, in Northern Ireland, a county court may entertain such proceedings only ] where the value of the infringing articles and other things in question does not exceed the county court limit for actions in tort.

Amendments (Textual) F635 Words in s. 232(1) substituted (22.4.2014) by Crime and Courts Act 2013 (c. 22), s. 61(3), Sch.

F636 Words in s. 232(1) inserted by S.I. 1991/724, art. 2(8), Schedule Part I

233 Innocent infringement.

(1) Where in an action for infringement of design right brought by virtue of section 226 (primary infringement) it is shown that at the time of the infringement the defendant did not know, and had no reason to believe, that design right subsisted in the design to which the action relates, the plaintiff is not entitled to damages against him, but without prejudice to any other remedy.

(2) Where in an action for infringement of design right brought by virtue of section 227 (secondary infringement) a defendant shows that the infringing article was innocently acquired by him or a predecessor in title of his, the only remedy available against him in respect of the infringement is damages not exceeding a reasonable royalty in respect of the act complained of.

(3) In subsection (2) “innocently acquired” means that the person acquiring the article did not know and had no reason to believe that it was an infringing article.

234 Rights and remedies of exclusive licensee.

(1) An exclusive licensee has, except against the design right owner, the same rights and remedies in respect of matters occurring after the grant of the licence as if the licence had been an assignment.

(2) His rights and remedies are concurrent with those of the design right owner; and references in the relevant provisions of this Part to the design right owner shall be construed accordingly.

236 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

(3) In an action brought by an exclusive licensee by virtue of this section a defendant may avail himself of any defence which would have been available to him if the action had been brought by the design right owner.

235 Exercise of concurrent rights.

(1) Where an action for infringement of design right brought by the design right owner or an exclusive licensee relates (wholly or partly) to an infringement in respect of which they have concurrent rights of action, the design right owner or, as the case may be, the exclusive licensee may not, without the leave of the court, proceed with the action unless the other is either joined as a plaintiff or added as a defendant.

(2) A design right owner or exclusive licensee who is added as a defendant in pursuance of subsection (1) is not liable for any costs in the action unless he takes part in the proceedings.

(3) The above provisions do not affect the granting of interlocutory relief on the application of the design right owner or an exclusive licensee.

(4) Where an action for infringement of design right is brought which relates (wholly or partly) to an infringement in respect of which the design right owner and an exclusive licensee have concurrent rights of action—

(a) the court shall, in assessing damages, take into account— (i) the terms of the licence, and

and these provisions apply whether or not the design right owner and the exclusive licensee are both parties to the action.

(5) The design right owner shall notify any exclusive licensee having concurrent rights before applying for an order under section 230 (order for delivery up of infringing article, &c.); and the court may on the application of the licensee make such order under that section as it thinks fit having regard to the terms of the licence.

Modifications etc. (not altering text) C118 S. 235(5) extended by S.I. 1991/724, art. 2(1)(n)

Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right Chapter III – Exceptions to Rights of Design Right Owners Document Generated: 2018-04-19

EXCEPTIONS TO RIGHTS OF DESIGN RIGHT OWNERS

Infringement of copyright

236 Infringement of copyright.

Where copyright subsists in a work which consists of or includes a design in which design right subsists, it is not an infringement of design right in the design to do anything which is an infringement of the copyright in that work.

Availability of licences of right

237 Licences available in last five years of design right.

(1) Any person is entitled as of right to a licence to do in the last five years of the design right term anything which would otherwise infringe the design right.

(2) The terms of the licence shall, in default of agreement, be settled by the comptroller.

(3) The Secretary of State may if it appears to him necessary in order to— (a) comply with an international obligation of the United Kingdom, or (b) secure or maintain reciprocal protection for British designs in other countries,

by order exclude from the operation of subsection (1) designs of a description specified in the order or designs applied to articles of a description so specified.

238 Powers exercisable for protection of the public interest.

[F637 ( 1 ) Subsection (1A) applies where whatever needs to be remedied, mitigated or prevented by the Secretary of State [F638 or (as the case may be) the Competition and Markets Authority ] under section 12(5) of the Competition Act 1980 or section 41(2), 55(2), 66(6), 75(2), 83(2), 138(2), 147(2) [F639 , 147A(2) ] or 160(2) of, or paragraph 5(2) or 10(2) of Schedule 7 to, the Enterprise Act 2002 (powers to take remedial action following references to the [F640 Competition and Markets Authority ] in connection with public bodies and certain other persons, mergers or market investigations etc. ) consists of or includes—

(a) conditions in licences granted by a design right owner restricting the use of the design by the licensee or the right of the design right owner to grant other licences, or

(b) a refusal of a design right owner to grant licences on reasonable terms.

(1A) The powers conferred by Schedule 8 to the Enterprise Act 2002 include power to cancel or modify those conditions and, instead or in addition, to provide that licences in respect of the design right shall be available as of right.

( 2 ) The references to anything permitted by Schedule 8 to the Enterprise Act 2002 in section 12(5A) of the Competition Act 1980 and in sections 75(4)(a), 83(4)(a),

238 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

Chapter III – Exceptions to Rights of Design Right Owners Document Generated: 2018-04-19

84(2)(a), 89(1), 160(4)(a), 161(3)(a) and 164(1) of, and paragraphs 5, 10 and 11 of Schedule 7 to, the Act of 2002 shall be construed accordingly. ]

(3) The terms of a licence available by virtue of this section shall, in default of agreement, be settled by the comptroller.

Amendments (Textual) F637 S. 238(1)(1A)(2) substituted (20.6.2003 for certain purposes and 29.12.2004 otherwise) for s. 238(1)

(2) by 2002 c. 40, ss. 278(1), 279, Sch. 25 para. 18(4); S.I. 2003/1397, arts. 2 , 3(1), Sch. (with arts. 4-12); S.I. 2004/3233, art. 2 , Sch. (with arts. 3-5)

F638 Words in s. 238(1) substituted (1.4.2014) by The Enterprise and Regulatory Reform Act 2013 (Competition) (Consequential, Transitional and Saving Provisions) Order 2014 (S.I. 2014/892), art. 1(1), Sch. 1 para. 58(a) (with art. 3)

F639 Word in s. 238(1) inserted (1.4.2014) by The Enterprise and Regulatory Reform Act 2013 (Competition) (Consequential, Transitional and Saving Provisions) Order 2014 (S.I. 2014/892), art. 1(1), Sch. 1 para. 58(b) (with art. 3)

F640 Words in s. 238(1) substituted (1.4.2014) by The Enterprise and Regulatory Reform Act 2013 (Competition) (Consequential, Transitional and Saving Provisions) Order 2014 (S.I. 2014/892), art. 1(1), Sch. 1 para. 58(c) (with art. 3)

Modifications etc. (not altering text) C119 S. 238(1) amended (20.6.2003) by The Enterprise Act 2002 (Protection of Legitimate Interests) Order

2003 (S.I. 2003/1592), Sch. 4 para. 7(2)(a) C120 S. 238(2) amended (20.6.2003) by The Enterprise Act 2002 (Protection of Legitimate Interests) Order

2003 (S.I. 2003/1592), Sch. 4 para. 7(2)(a)

239 Undertaking to take licence of right in infringement proceedings.

(1) If in proceedings for infringement of design right in a design in respect of which a licence is available as of right under section 237 or 238 the defendant undertakes to take a licence on such terms as may be agreed or, in default of agreement, settled by the comptroller under that section—

(a) no injunction shall be granted against him, (b) no order for delivery up shall be made under section 230, and (c) the amount recoverable against him by way of damages or on an account of

Crown use of designs

240 Crown use of designs.

(1) A government department, or a person authorised in writing by a government department, may without the licence of the design right owner—

(a) do anything for the purpose of supplying articles for the services of the Crown, or

(b) dispose of articles no longer required for the services of the Crown; and nothing done by virtue of this section infringes the design right.

(2) References in this Part to “the services of the Crown” are to— (a) the defence of the realm, (b) foreign defence purposes, and (c) health service purposes.

(3) The reference to the supply of articles for “foreign defence purposes” is to their supply —

(a) for the defence of a country outside the realm in pursuance of an agreement or arrangement to which the government of that country and Her Majesty’s Government in the United Kingdom are parties; or

(b) for use by armed forces operating in pursuance of a resolution of the United Nations or one of its organs.

(4) The reference to the supply of articles for “health service purposes” are to their supply for the purpose of providing—

[F641 (za) primary medical services or primary dental services under [F642 the National Health Service Act 2006 or the National Health Service (Wales) Act 2006, ][F643 or primary medical services under Part 1 of the National Health Service (Scotland) Act 1978 ]]

F644[ (a) pharmaceutical services, general medical services or general dental services under— [F645 (i) Chapter 1 of Part 7 of the National Health Service Act 2006, or

Chapter 1 of Part 7 of the National Health Service (Wales) Act 2006 (in the case of pharmaceutical services), ]

(ii) Part II of the National Health Service (Scotland) Act 1978 [F646 (in the case of pharmaceutical services or general dental services) ] , or

(iii) the corresponding provisions of the law in force in Northern Ireland; or

(b) personal medical services or personal dental services in accordance with arrangements made under—

(i) F647 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (ii) section 17C of the 1978 Act [F648 (in the case of personal dental

services) ] , or (iii) the corresponding provisions of the law in force in Northern

Ireland ][F649 or (c) local pharmaceutical services provided under [F650 the National Health Service

Act 2006 or the National Health Service (Wales) Act 2006 ] . ]

(5) In this Part—

240 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

“Crown use”, in relation to a design, means the doing of anything by virtue of this section which would otherwise be an infringement of design right in the design; and

“the government department concerned”, in relation to such use, means the government department by whom or on whose authority the act was done.

(6) The authority of a government department in respect of Crown use of a design may be given to a person either before or after the use and whether or not he is authorised, directly or indirectly, by the design right owner to do anything in relation to the design.

(7) A person acquiring anything sold in the exercise of powers conferred by this section, and any person claiming under him, may deal with it in the same manner as if the design right were held on behalf of the Crown.

Amendments (Textual) F641 S. 240(4)(za) inserted (1.4.2004) by Health and Social Care (Community Health and Standards) Act

2003 (c. 43), ss. 184, 199(1), Sch. 11 para. 52(a) ; S.I. 2004/288, art. 5 (with art. 8) (as amended by S.I. 2004/866, art. 2) and by S.I. 2004/480, art. 4 (with art. 7) (as amended by S.I. 2004/1019, art. 2)

F642 Words in s. 240(4)(za) substituted (1.3.2007) by National Health Service (Consequential Provisions) Act 2006 (c. 43), ss. 2, 8, Sch. 1 para. 113(a) (with s. 5, Sch. 3 Pt. 1)

F643 Words in s. 240(4)(za) inserted (1.4.2004) by The Primary Medical Services (Scotland) Act 2004 (Consequential Modifications) Order 2004 (S.I. 2004/957), art. 2, Sch. para. 5(a)

F644 S. 240(4)(a)(b) substituted (1.4.1998) by 1997 c. 46, s. 41(10), Sch. 2 Pt. I para. 63 ; S.I. 1998/631, art. 2(1)(b), Sch. 2 (subject to arts. 3-5)

F645 S. 240(4)(a)(i) substituted (1.3.2007) by National Health Service (Consequential Provisions) Act 2006 (c. 43), ss. 2, 8, Sch. 1 para. 113(b) (with s. 5, Sch. 3 Pt. 1)

F646 Words in s. 240(4)(a)(ii) inserted (1.4.2004) by The Primary Medical Services (Scotland) Act 2004 (Consequential Modifications) Order 2004 (S.I. 2004/957), art. 2, Sch. para. 5(b)

F647 S. 240(4)(b)(i) repealed (1.4.2004) by Health and Social Care (Community Health and Standards) Act 2003 (c. 43), ss. 184, 196, 199(1), Sch. 11 para. 52(c), Sch. 14 Pt. 4 ; S.I. 2004/288, art. 5 (with art. 8) (as amended by S.I. 2004/866, art. 2) and by S.I. 2004/480, art. 4 (with art. 7) (as amended by S.I. 2004/1019, art. 2)

F648 Words in s. 240(4)(b)(ii) inserted (1.4.2004) by The Primary Medical Services (Scotland) Act 2004 (Consequential Modifications) Order 2004 (S.I. 2004/957), art. 2, Sch. para. 5(c)

F649 S. 240(4)(c) and the word "or" immediately preceding it inserted (1.7.2002 for W. and 1.1.2003 for E.) by 2001 c. 15, ss. 67(1), 70(2), Sch. 5 Pt. 1 para. 7 (with ss. 64(9), 65(4)); S.I. 2002/1475, art. 2(1), Sch. Pt. I; S.I. 2003/53, art. 2

F650 Words in s. 240(4)(c) substituted (1.3.2007) for s. 240(4)(c)(i)(ii) by National Health Service (Consequential Provisions) Act 2006 (c. 43), ss. 2, 8, Sch. 1 para. 113(c) (with s. 5, Sch. 3 Pt. 1)

241 Settlement of terms for Crown use.

(1) Where Crown use is made of a design, the government department concerned shall— (a) notify the design right owner as soon as practicable, and (b) give him such information as to the extent of the use as he may from time to

time require, unless it appears to the department that it would be contrary to the public interest to do so or the identity of the design right owner cannot be ascertained on reasonable inquiry.

(2) Crown use of a design shall be on such terms as, either before or after the use, are agreed between the government department concerned and the design right owner with the approval of the Treasury or, in default of agreement, are determined by the court.

In the application of this subsection to Northern Ireland the reference to the Treasury shall, where the government department referred to in that subsection is a Northern Ireland department, be construed as a reference to the Department of Finance and Personnel.

[F651 In the application of this subsection to Scotland, where the government department referred to in that subsection is any part of the Scottish Administration, the words “with the approval of the Treasury” are omitted. ]

(3) Where the identity of the design right owner cannot be ascertained on reasonable inquiry, the government department concerned may apply to the court who may order that no royalty or other sum shall be payable in respect of Crown use of the design until the owner agrees terms with the department or refers the matter to the court for determination.

Amendments (Textual) F651 Paragraph in s. 241(2) inserted (1.7.1999) by S.I. 1999/1820, arts. 1(2), 4, Sch. 2 Pt. I para. 93(2) ; S.I.

1998/3178, art. 3

242 Rights of third parties in case of Crown use.

(1) The provisions of any licence, assignment or agreement made between the design right owner (or anyone deriving title from him or from whom he derives title) and any person other than a government department are of no effect in relation to Crown use of a design, or any act incidental to Crown use, so far as they—

(a) restrict or regulate anything done in relation to the design, or the use of any model, document or other information relating to it, or

(b) provide for the making of payments in respect of, or calculated by reference to such use;

and the copying or issuing to the public of copies of any such model or document in connection with the thing done, or any such use, shall be deemed not to be an infringement of any copyright in the model or document.

(2) Subsection (1) shall not be construed as authorising the disclosure of any such model, document or information in contravention of the licence, assignment or agreement.

(3) Where an exclusive licence is in force in respect of the design— (a) if the licence was granted for royalties—

(i) any agreement between the design right owner and a government department under section 241 (settlement of terms for Crown use) requires the consent of the licensee, and

(ii) the licensee is entitled to recover from the design right owner such part of the payment for Crown use as may be agreed between them or, in default of agreement, determined by the court;

(b) if the licence was granted otherwise than for royalties—

242 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

(i) section 241 applies in relation to anything done which but for section 240 (Crown use) and subsection (1) above would be an infringement of the rights of the licensee with the substitution for references to the design right owner of references to the licensee, and

(ii) section 241 does not apply in relation to anything done by the licensee by virtue of an authority given under section 240.

(4) Where the design right has been assigned to the design right owner in consideration of royalties—

(a) section 241 applies in relation to Crown use of the design as if the references to the design right owner included the assignor, and any payment for Crown use shall be divided between them in such proportion as may be agreed or, in default of agreement, determined by the court; and

(b) section 241 applies in relation to any act incidental to Crown use as it applies in relation to Crown use of the design.

(5) Where any model, document or other information relating to a design is used in connection with Crown use of the design, or any act incidental to Crown use, section 241 applies to the use of the model, document or other information with the substitution for the references to the design right owner of references to the person entitled to the benefit of any provision of an agreement rendered inoperative by subsection (1) above.

(6) In this section— “act incidental to Crown use” means anything done for the services of the

Crown to the order of a government department by the design right owner in respect of a design;

“payment for Crown use” means such amount as is payable by the government department concerned by virtue of section 241; and

“royalties” includes any benefit determined by reference to the use of the design.

243 Crown use: compensation for loss of profit.

(1) Where Crown use is made of a design, the government department concerned shall pay—

(a) to the design right owner, or (b) if there is an exclusive licence in force in respect of the design, to the exclusive

licensee, compensation for any loss resulting from his not being awarded a contract to supply the articles made to the design.

(2) Compensation is payable only to the extent that such a contract could have been fulfilled from his existing manufacturing capacity; but is payable notwithstanding the existence of circumstances rendering him ineligible for the award of such a contract.

(3) In determining the loss, regard shall be had to the profit which would have been made on such a contract and to the extent to which any manufacturing capacity was under- used.

(4) No compensation is payable in respect of any failure to secure contracts for the supply of articles made to the design otherwise than for the services of the Crown.

(5) The amount payable shall, if not agreed between the design right owner or licensee and the government department concerned with the approval of the Treasury, be determined by the court on a reference under section 252; and it is in addition to any amount payable under section 241 or 242.

(6) In the application of this section to Northern Ireland, the reference in subsection (5) to the Treasury shall, where the government department concerned is a Northern Ireland department, be construed as a reference to the Department of Finance and Personnel.

[F652 (7) In the application of this section to Scotland, where the government department referred to in subsection (5) is any part of the Scottish Administration, the words “with the approval of the Treasury” in that subsection are omitted. ]

Amendments (Textual) F652 S. 243(7) inserted (1.7.1999) by S.I. 1999/1820, arts. 1(2), 4, Sch. 2 Pt. I para. 93(3) ; S.I. 1998/3178,

244 Special provision for Crown use during emergency.

(1) During a period of emergency the powers exercisable in relation to a design by virtue of section 240 (Crown use) include power to do any act which would otherwise be an infringement of design right for any purpose which appears to the government department concerned necessary or expedient—

(a) for the efficient prosecution of any war in which Her Majesty may be engaged; (b) for the maintenance of supplies and services essential to the life of the

community; (c) for securing a sufficiency of supplies and services essential to the well-being

of the community; (d) for promoting the productivity of industry, commerce and agriculture; (e) for fostering and directing exports and reducing imports, or imports of any

classes, from all or any countries and for redressing the balance of trade; (f) generally for ensuring that the whole resources of the community are available

for use, and are used, in a manner best calculated to serve the interests of the community; or

(g) for assisting the relief of suffering and the restoration and distribution of essential supplies and services in any country outside the United Kingdom which is in grave distress as the result of war.

(2) References in this Part to the services of the Crown include, as respects a period of emergency, those purposes; and references to “Crown use” include any act which would apart from this section be an infringement of design right.

(3) In this section “period of emergency” means a period beginning with such date as may be declared by Order in Council to be the beginning, and ending with such date as may be so declared to be the end, of a period of emergency for the purposes of this section.

(4) No Order in Council under this section shall be submitted to Her Majesty unless a draft of it has been laid before and approved by a resolution of each House of Parliament.

244 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

[F653 Miscellaneous

Amendments (Textual) F653 Ss. 244A, 244B and cross-heading inserted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 4 ,

244A Exception for private acts, experiments and teaching

Design right is not infringed by— (a) an act which is done privately and for purposes which are not commercial; (b) an act which is done for experimental purposes; or (c) an act of reproduction for teaching purposes or for the purpose of making

citations provided that— (i) the act of reproduction is compatible with fair trade practice and does

not unduly prejudice the normal exploitation of the design, and (ii) mention is made of the source.

244B Exception for overseas ships and aircraft

Design right is not infringed by— (a) the use of equipment on ships or aircraft which are registered in another

country but which are temporarily in the United Kingdom; (b) the importation into the United Kingdom of spare parts or accessories for the

purpose of repairing such ships or aircraft; or (c) the carrying out of repairs on such ships or aircraft. ]

245 Power to provide for further exceptions.

(1) The Secretary of State may if it appears to him necessary in order to— (a) comply with an international obligation of the United Kingdom, or (b) secure or maintain reciprocal protection for British designs in other countries,

by order provide that acts of a description specified in the order do not infringe design right.

(2) An order may make different provision for different descriptions of design or article.

(3) An order shall be made by statutory instrument and no order shall be made unless a draft of it has been laid before and approved by a resolution of each House of Parliament.

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JURISDICTION OF THE COMPTROLLER AND THE COURT

Jurisdiction of the comptroller

246 Jurisdiction to decide matters relating to design right.

(1) A party to a dispute as to any of the following matters may refer the dispute to the comptroller for his decision—

(a) the subsistence of design right, (b) the term of design right, or (c) the identity of the person in whom design right first vested;

and the comptroller’s decision on the reference is binding on the parties to the dispute.

(2) No other court or tribunal shall decide any such matter except— (a) on a reference or appeal from the comptroller, (b) in infringement or other proceedings in which the issue arises incidentally, or (c) in proceedings brought with the agreement of the parties or the leave of the

comptroller.

(3) The comptroller has jurisdiction to decide any incidental question of fact or law arising in the course of a reference under this section.

247 Application to settle terms of licence of right.

(1) A person requiring a licence which is available as of right by virtue of— (a) section 237 (licences available in last five years of design right), or (b) an order under section 238 (licences made available in the public interest),

may apply to the comptroller to settle the terms of the licence.

(2) No application for the settlement of the terms of a licence available by virtue of section 237 may be made earlier than one year before the earliest date on which the licence may take effect under that section.

(3) The terms of a licence settled by the comptroller shall authorise the licensee to do— (a) in the case of licence available by virtue of section 237, everything which

would be an infringement of the design right in the absence of a licence; (b) in the case of a licence available by virtue of section 238, everything in respect

of which a licence is so available.

(4) In settling the terms of a licence the comptroller shall have regard to such factors as may be prescribed by the Secretary of State by order made by statutory instrument.

(5) No such order shall be made unless a draft of it has been laid before and approved by a resolution of each House of Parliament.

(6) Where the terms of a licence are settled by the comptroller, the licence has effect— (a) in the case of an application in respect of a licence available by virtue of

section 237 made before the earliest date on which the licence may take effect under that section, from that date;

246 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

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(b) in any other case, from the date on which the application to the comptroller was made.

248 Settlement of terms where design right owner unknown.

(1) This section applies where a person making an application under section 247 (settlement of terms of licence of right) is unable on reasonable inquiry to discover the identity of the design right owner.

(2) The comptroller may in settling the terms of the licence order that the licence shall be free of any obligation as to royalties or other payments.

(3) If such an order is made the design right owner may apply to the comptroller to vary the terms of the licence with effect from the date on which his application is made.

(4) If the terms of a licence are settled by the comptroller and it is subsequently established that a licence was not available as of right, the licensee shall not be liable in damages for, or for an account of profits in respect of, anything done before he was aware of any claim by the design right owner that a licence was not available.

249 Appeals as to terms of licence of right.

(1) An appeal lies from any decision of the comptroller under section 247 or 248 (settlement of terms of licence of right) to [F654 a person appointed under section 27A of the Registered Designs Act 1949 ] .

F655 (2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F654 Words in s. 249(1) substituted (6.4.2015) by Intellectual Property Act 2014 (c. 18), ss. 10(7)(a) , 24(1);

S.I. 2015/165, art. 3 F655 S. 249(2) omitted (6.4.2015) by virtue of Intellectual Property Act 2014 (c. 18), ss. 10(7)(b) , 24(1);

S.I. 2015/165, art. 3

[F656249AOpinions service

The descriptions of designs which may be specified in regulations under subsection (1) (b) of section 28A of the Registered Designs Act 1949 (requests to the comptroller for opinions on designs) include, in particular—

(a) designs in which design right subsists in accordance with this Part, and (b) designs in relation to which there is a question whether design right so

subsists. ]

Amendments (Textual) F656 S. 249A inserted (1.10.2014) by Intellectual Property Act 2014 (c. 18), ss. 11(2) , 24(1); S.I.

2014/2330, art. 3, Sch.

(1) The Secretary of State may make rules for regulating the procedure to be followed in connection with any proceeding before the comptroller under this Part.

(2) Rules may, in particular, make provision— (a) prescribing forms; (b) requiring fees to be paid; (c) authorising the rectification of irregularities of procedure; (d) regulating the mode of giving evidence and empowering the comptroller to

compel the attendance of witnesses and the discovery of and production of documents;

(e) providing for the appointment of advisers to assist the comptroller in proceedings before him;

(f) prescribing time limits for doing anything required to be done (and providing for the alteration of any such limit); and

(g) empowering the comptroller to award costs and to direct how, to what party and from what parties, costs are to be paid.

(3) Rules prescribing fees require the consent of the Treasury.

(4) The remuneration of an adviser appointed to assist the comptroller shall be determined by the Secretary of State with the consent of the Treasury and shall be defrayed out of money provided by Parliament.

(5) Rules shall be made by statutory instrument which shall be subject to annulment in pursuance of a resolution of either House of Parliament.

Jurisdiction of the court

251 References and appeals on design right matters.

(1) In any proceedings before him under section 246 (reference of matter relating to design right), the comptroller may at any time order the whole proceedings or any question or issue (whether of fact or law) to be referred, on such terms as he may direct, to the High Court or, in Scotland, the Court of Session.

(2) The comptroller shall make such an order if the parties to the proceedings agree that he should do so.

(3) On a reference under this section the court may exercise any power available to the comptroller by virtue of this Part as respects the matter referred to it and, following its determination, may refer any matter back to the comptroller.

(4) An appeal lies from any decision of the comptroller in proceedings before him under section 246 (decisions on matters relating to design right) to [F657 —

(a) ] the High Court or, in Scotland, the Court of Session [F658 , or (b) a person appointed under section 27A of the Registered Designs Act 1949 ] .

248 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

Amendments (Textual) F657 Words in s. 251(4) renumbered as s. 251(4)(a) (6.4.2015) by Intellectual Property Act 2014 (c. 18), ss.

10(8)(a) , 24(1); S.I. 2015/165, art. 3 F658 S. 251(4)(b) and word preceding it inserted (6.4.2015) by Intellectual Property Act 2014 (c. 18), ss.

10(8)(b) , 24(1); S.I. 2015/165, art. 3

252 Reference of disputes relating to Crown use.

(1) A dispute as to any matter which falls to be determined by the court in default of agreement under—

(a) section 241 (settlement of terms for Crown use), (b) section 242 (rights of third parties in case of Crown use), or (c) section 243 (Crown use: compensation for loss of profit),

may be referred to the court by any party to the dispute.

(2) In determining a dispute between a government department and any person as to the terms for Crown use of a design the court shall have regard to—

(a) any sums which that person or a person from whom he derives title has received or is entitled to receive, directly or indirectly, from any government department in respect of the design; and

(b) whether that person or a person from whom he derives title has in the court’s opinion without reasonable cause failed to comply with a request of the department for the use of the design on reasonable terms.

(3) One of two or more joint owners of design right may, without the concurrence of the others, refer a dispute to the court under this section, but shall not do so unless the others are made parties; and none of those others is liable for any costs unless he takes part in the proceedings.

(4) Where the consent of an exclusive licensee is required by section 242(3)(a)(i) to the settlement by agreement of the terms for Crown use of a design, a determination by the court of the amount of any payment to be made for such use is of no effect unless the licensee has been notified of the reference and given an opportunity to be heard.

(5) On the reference of a dispute as to the amount recoverable as mentioned in section 242(3)(a)(ii) (right of exclusive licensee to recover part of amount payable to design right owner) the court shall determine what is just having regard to any expenditure incurred by the licensee—

(a) in developing the design, or (b) in making payments to the design right owner in consideration of the licence

(other than royalties or other payments determined by reference to the use of the design).

(6) In this section “the court” means— (a) in England and Wales, the High [F659 Court, ] (b) in Scotland, the Court of Session, and (c) in Northern Ireland, the High Court.

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Amendments (Textual) F659 Word in s. 252(6)(a) substituted (1.10.2013) by Crime and Courts Act 2013 (c. 22), s. 61(3), Sch. 9

para. 30(2) ; S.I. 2013/1725, art. 3(c)

[F660 Unjustified threats

Amendments (Textual) F660 S. 253 253 and crossheading substituted for (1.10.2017) by Intellectual Property (Unjustified Threats)

Act 2017 (c. 14), ss. 5(2) , 8 (with art. 7(4)); S.I. 2017/771, reg. 2(1)(b) (with reg. 3)

253 Threats of infringement proceedings

(1) A communication contains a “threat of infringement proceedings” if a reasonable person in the position of a recipient would understand from the communication that—

(a) design right subsists in a design, and (b) a person intends to bring proceedings (whether in a court in the United

Kingdom or elsewhere) against another person for infringement of the design right by—

(i) an act done in the United Kingdom, or (ii) an act which, if done, would be done in the United Kingdom.

(2) References in this section and in section 253C to a “recipient” include, in the case of a communication directed to the public or a section of the public, references to a person to whom the communication is directed.

253A Actionable threats

(1) Subject to subsections (2) to (5), a threat of infringement proceedings made by any person is actionable by any person aggrieved by the threat.

(2) A threat of infringement proceedings is not actionable if the infringement is alleged to consist of—

(a) making an article for disposal, or (b) importing an article for disposal.

(3) A threat of infringement proceedings is not actionable if the infringement is alleged to consist of an act which, if done, would constitute an infringement of a kind mentioned in subsection (2)(a) or (b).

(4) A threat of infringement proceedings is not actionable if the threat—

250 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

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(a) is made to a person who has done, or intends to do, an act mentioned in subsection (2)(a) or (b) in relation to an article, and

(b) is a threat of proceedings for an infringement alleged to consist of doing anything else in relation to that article.

(5) A threat of infringement proceedings which is not an express threat is not actionable if it is contained in a permitted communication.

(6) In sections 253C and 253D an “actionable threat” means a threat of infringement proceedings that is actionable in accordance with this section.

253B Permitted communications

(1) For the purposes of section 253A(5), a communication containing a threat of infringement proceedings is a “permitted communication” if—

(a) the communication, so far as it contains information that relates to the threat, is made for a permitted purpose;

(b) all of the information that relates to the threat is information that— (i) is necessary for that purpose (see subsection (5)(a) to (c) for some

examples of necessary information), and (ii) the person making the communication reasonably believes is true.

(2) Each of the following is a “permitted purpose”— (a) giving notice that design right subsists in a design; (b) discovering whether, or by whom, design right in a design has been infringed

by an act mentioned in section 253A(2)(a) or (b); (c) giving notice that a person has a right in or under the design right in a design,

where another person's awareness of the right is relevant to any proceedings that may be brought in respect of the design right in the design.

(3) The court may, having regard to the nature of the purposes listed in subsection (2)(a) to (c), treat any other purpose as a “permitted purpose” if it considers that it is in the interests of justice to do so.

(4) But the following may not be treated as a “permitted purpose”— (a) requesting a person to cease doing, for commercial purposes, anything in

relation to an article made to a design, (b) requesting a person to deliver up or destroy an article made to a design, or (c) requesting a person to give an undertaking relating to an article made to a

(5) If any of the following information is included in a communication made for a permitted purpose, it is information that is “necessary for that purpose” (see subsection (1)(b)(i))—

(a) a statement that design right subsists in a design; (b) details of the design, or of a right in or under the design right in the design,

which— (i) are accurate in all material respects, and

(ii) are not misleading in any material respect; and (c) information enabling the identification of articles that are alleged to be

infringing articles in relation to the design.

253C Remedies and defences

(1) Proceedings in respect of an actionable threat may be brought against the person who made the threat for—

(a) a declaration that the threat is unjustified; (b) an injunction against the continuance of the threat; (c) damages in respect of any loss sustained by the aggrieved person by reason

of the threat.

(2) It is a defence for the person who made the threat to show that the act in respect of which proceedings were threatened constitutes (or if done would constitute) an infringement of design right.

(3) It is a defence for the person who made the threat to show— (a) that, despite having taken reasonable steps, the person has not identified

anyone who has done an act mentioned in section 253A(2)(a) or (b) in relation to the article which is the subject of the threat, and

(b) that the person notified the recipient, before or at the time of making the threat, of the steps taken.

253D Professional advisers

(1) Proceedings in respect of an actionable threat may not be brought against a professional adviser (or any person vicariously liable for the actions of that professional adviser) if the conditions in subsection (3) are met.

(2) In this section “professional adviser” means a person who, in relation to the making of the communication containing the threat—

(a) is acting in a professional capacity in providing legal services or the services of a trade mark attorney or a patent attorney, and

(b) is regulated in the provision of legal services, or the services of a trade mark attorney or a patent attorney, by one or more regulatory bodies (whether through membership of a regulatory body, the issue of a licence to practise or any other means).

(3) The conditions are that— (a) in making the communication the professional adviser is acting on the

instructions of another person, and (b) when the communication is made the professional adviser identifies the

person on whose instructions the adviser is acting.

(4) This section does not affect any liability of the person on whose instructions the professional adviser is acting.

(5) It is for a person asserting that subsection (1) applies to prove (if required) that at the material time—

(a) the person concerned was acting as a professional adviser, and (b) the conditions in subsection (3) were met.

253E Supplementary: proceedings for delivery up etc.

In section 253(1)(b) the reference to proceedings for infringement of design right includes a reference to—

252 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

(a) proceedings for an order under section 230 (order for delivery up), and (b) proceedings for an order under section 231 (order as to disposal of infringing

articles). ]

[F661 Licensee under licence of right not to claim connection with design right owner ]

Amendments (Textual) F661 S. 254 cross-heading inserted (1.10.2017) by Intellectual Property (Unjustified Threats) Act 2017

(c. 14), ss. 5(3) , 8; S.I. 2017/771, reg. 2(1)(b) (with reg. 3)

254 Licensee under licence of right not to claim connection with design right owner.

(1) A person who has a licence in respect of a design by virtue of section 237 or 238 (licences of right) shall not, without the consent of the design right owner—

(a) apply to goods which he is marketing, or proposes to market, in reliance on that licence a trade description indicating that he is the licensee of the design right owner, or

(b) use any such trade description in an advertisement in relation to such goods.

(2) A contravention of subsection (1) is actionable by the design right owner.

(3) In this section “trade description”, the reference to applying a trade description to goods and “advertisement” have the same meaning as in the M31 Trade Descriptions Act 1968.

Marginal Citations M31 1968 c. 29.

Extent of operation of this Part

255 Countries to which this Part extends.

(3) That power includes power to extend, subject to such exceptions and modifications as may be specified in the Order, any Order in Council made under section 221 (further provision as to qualification for design right protection) or section 256 (countries enjoying reciprocal protection).

(4) The legislature of a country to which this Part has been extended may modify or add to the provisions of this Part, in their operation as part of the law of that country, as the legislature may consider necessary to adapt the provisions to the circumstances of that country; but not so as to deny design right protection in a case where it would otherwise exist.

(5) Where a country to which this Part extends ceases to be a colony of the United Kingdom, it shall continue to be treated as such a country for the purposes of this Part until—

(a) an Order in Council is made under section 256 designating it as a country enjoying reciprocal protection, or

(b) an Order in Council is made declaring that it shall cease to be so treated by reason of the fact that the provisions of this Part as part of the law of that country have been amended or repealed.

(6) A statutory instrument containing an Order in Council under subsection (5)(b) shall be subject to annulment in pursuance of a resolution of either House of Parliament.

256 Countries enjoying reciprocal protection.

(1) Her Majesty may, if it appears to Her that the law of a country provides adequate protection for British designs, by Order in Council designate that country as one enjoying reciprocal protection under this Part.

(2) If the law of a country provides adequate protection only for certain classes of British design, or only for designs applied to certain classes of article, any Order designating that country shall contain provision limiting, to a corresponding extent, the protection afforded by this Part in relation to designs connected with that country.

(3) An Order under this section shall be subject to annulment in pursuance of a resolution of either House of Parliament.

257 Territorial waters and the continental shelf.

(3) The United Kingdom sector of the continental shelf means the areas designated by order under section 1(7) of the M32 Continental Shelf Act 1964.

Marginal Citations M32 1964 c. 29.

254 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

258 Construction of references to design right owner.

(1) Where different persons are (whether in consequence of a partial assignment or otherwise) entitled to different aspects of design right in a work, the design right owner for any purpose of this Part is the person who is entitled to the right in the respect relevant for that purpose.

(2) Where design right (or any aspect of design right) is owned by more than one person jointly, references in this Part to the design right owner are to all the owners, so that, in particular, any requirement of the licence of the design right owner requires the licence of all of them.

259 Joint designs.

(1) In this Part a “joint design” means a design produced by the collaboration of two or more designers in which the contribution of each is not distinct from that of the other or others.

(2) References in this Part to the designer of a design shall, except as otherwise provided, be construed in relation to a joint design as references to all the designers of the design.

260 Application of provisions to articles in kit form.

(1) The provisions of this Part apply in relation to a kit, that is, a complete or substantially complete set of components intended to be assembled into an article, as they apply in relation to the assembled article.

(2) Subsection (1) does not affect the question whether design right subsists in any aspect of the design of the components of a kit as opposed to the design of the assembled article.

261 Requirement of signature: application in relation to body corporate.

The requirement in the following provisions that an instrument be signed by or on behalf of a person is also satisfied in the case of a body corporate by the affixing of its seal—

section 222(3) (assignment of design right), section 223(1) (assignment of future design right), section 225(1) (grant of exclusive licence).

262 Adaptation of expressions in relation to Scotland.

In the application of this Part to Scotland— “account of profits” means accounting and payment of profits; “accounts” means count, reckoning and payment; “assignment” means assignation; “costs” means expenses; [F662 “declaration” means “declarator”; ] “defendant” means defender;

“delivery up” means delivery; “injunction” means interdict; “interlocutory relief” means interim remedy; and “plaintiff” means pursuer.

Amendments (Textual) F662 Words in s. 262 inserted (1.10.2017) by Intellectual Property (Unjustified Threats) Act 2017 (c. 14), ss.

5(4) , 8; S.I. 2017/771, reg. 2(1)(b) (with reg. 3)

263 Minor definitions.

(1) In this Part— “British design” means a design which qualifies for design right protection

by reason of a connection with the United Kingdom of the designer or the person by whom F663 ... the designer is employed;

“business” includes a trade or profession; F664 ... “the comptroller” means the Comptroller-General of Patents, Designs and

Trade Marks; “computer-generated”, in relation to a design, means that the design is

generated by computer in circumstances such that there is no human designer, “country” includes any territory; “the Crown” includes the Crown in right of Her Majesty’s Government

in Northern Ireland [F665 and the Crown in right of the Scottish Administration ][F666 and the Crown in right of the Welsh Assembly Government ] ;

“design document” means any record of a design, whether in the form of a drawing, a written description, a photograph, data stored in a computer or otherwise;

“employee”, “employment” and “employer” refer to employment under a contract of service or of apprenticeship;

“government department” includes a Northern Ireland department [F667 and any part of the Scottish Administration ][F668 and any part of the Welsh Assembly Government ] .

(2) References in this Part to “marketing”, in relation to an article, are to its being sold or let for hire, or offered or exposed for sale or hire, in the course of a business, and related expressions shall be construed accordingly; but no account shall be taken for the purposes of this Part of marketing which is merely colourable and not intended to satisfy the reasonable requirements of the public.

(3) References in this Part to an act being done in relation to an article for “commercial purposes” are to its being done with a view to the article in question being sold or hired in the course of a business.

256 Copyright, Designs and Patents Act 1988 (c. 48) Part III – Design Right

Amendments (Textual) F663 Words in s. 263(1) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 2(2)(i) ,

24(1) (with s. 2(3)); S.I. 2014/2330, art. 3, Sch. F664 Words in s. 263(1) omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 2(2)(j) ,

24(1) (with s. 2(3)); S.I. 2014/2330, art. 3, Sch. F665 Words in definition of "the Crown" in s. 263(1) inserted (1.7.1999) by S.I. 1999/1820, arts. 1(2), 4,

Sch. 2 Pt. I para. 93(4)(a) ; S.I. 1998/3178, art. 3 F666 S. 263(1): words in definition of "the Crown" inserted by Government of Wales Act 2006 (c. 32),

s. 160(1), Sch. 10 para. 31(2) (with Sch. 11 para. 22), the amending provision coming into force immediately after "the 2007 election" (held on 3.5.2007) subject to s. 161(4)(5) of the amending Act, which provides for certain provisions to come into force for specified purposes immediately after the end of "the initial period" (which ended with the day of the first appointment of a First Minister on 25.5.2007) - see ss. 46, 161(1)(4)(5) of the amending Act.

F667 Words in definition of "government department" in s. 263(1) inserted (1.7.1999) by S.I. 1999/1820, arts. 1(2), 4, Sch. 2 Pt. I para. 93(4)(b) ; S.I. 1998/3178, art. 3

F668 S. 263(1): words in definition of "government department" inserted by Government of Wales Act 2006 (c. 32), s. 160(1), Sch. 10 para. 31(3) (with Sch. 11 para. 22), the amending provision coming into force immediately after "the 2007 election" (held on 3.5.2007) subject to s. 161(4)(5) of the amending Act, which provides for certain provisions to come into force for specified purposes immediately after the end of "the initial period" (which ended with the day of the first appointment of a First Minister on 25.5.2007) - see ss. 46, 161(1)(4)(5) of the amending Act.

264 Index of defined expressions.

section 262

assignment (in Scotland) section 262 British designs section 263(1) business section 263(1) commercial purposes section 263(3) F669

the comptroller section 263(1) computer-generated section 263(1) costs (in Scotland) section 262 country section 263(1) the Crown section 263(1) Crown use sections 240(5) and 244(2) defendant (in Scotland) section 262

delivery up (in Scotland) section 262 design section 213(2) design document section 263(1) designer sections 214 and 259(2) design right section 213(1) design right owner sections 234(2) and 258 employee, employment and employer section 263(1) exclusive licence section 225(1) government department section 263(1) government department concerned (in relation to Crown use)

section 240(5)

infringing article section 228 injunction (in Scotland) section 262 interlocutory relief (in Scotland) section 262 joint design section 259(1) licence (of the design right owner) sections 222(4), 223(3) and 258 making articles to a design section 226(2) marketing (and related expressions) section 263(2) original section 213(4) plaintiff (in Scotland) section 262 F670

qualifying person sections 217(1) and (2) signed section 261

Amendments (Textual) F669 Words in s. 264 omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 2(2)(k) ,

24(1) (with s. 2(3)); S.I. 2014/2330, art. 3, Sch. F670 Words in s. 264 omitted (1.10.2014) by virtue of Intellectual Property Act 2014 (c. 18), ss. 3(5) , 24(1)

258 Copyright, Designs and Patents Act 1988 (c. 48) Part IV – Registered Designs

REGISTERED DESIGNS

Modifications etc. (not altering text) C121 Pt. IV (ss. 265-273) extended (with modifications) (Isle of Man) (9.12.2001) by S.I. 2001/3678, art. 3,

Sch. 3 C122 Pt. 4 extended (Isle of Man) (with modifications) (11.11.2013) by The Registered Designs (Isle of

Man) Order 2013 (S.I. 2013/2533), arts. 1, 3(2), Sch. 2

Amendments of the Registered Designs Act 1949

F671265 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F671 S. 265 repealed (9.12.2001) by S.I. 2001/3949, reg. 9(2), Sch. 2 (with transitional provisions in regs.

266 Provisions with respect to certain designs registered in pursuance of application made before commencement.

(1) Where a design is registered under the Registered Designs Act 1949 in pursuance of an application made after 12th January 1988 and before the commencement of this part which could not have been registered under section 1 of that Act as substituted by section 265 above—

(a) the right in the registered design expires ten years after the commencement of this part, if it does not expire earlier in accordance with the 1949 Act, and

(b) any person is, after the commencement of this Part, entitled as of right to a licence to do anything which would otherwise infringe the right in the registered design.

(2) The terms of a licence available by virtue of this section shall, in default of agreement, be settled by the registrar on an application by the person requiring the licence; and the terms so settled shall authorise the licensee to do everything which would be an infringement of the right in the registered design in the absence of a licence.

(3) In settling the terms of a licence the registrar shall have regard to such factors as may be prescribed by the Secretary of State by order made by statutory instrument.

No such order shall be made unless a draft of it has been laid before and approved by a resolution of each House of Parliament.

(4) Where the terms of a licence are settled by the registrar, the licence has effect from the date on which the application to the registrar was made.

(5) Section 11B of the 1949 Act (undertaking to take licence of right in infringement proceedings), as inserted by section 270 below, applies where a licence is available as

Copyright, Designs and Patents Act 1988 (c. 48) Part IV – Registered Designs Chapter V – Miscellaneous and General Document Generated: 2018-04-19

of right under this section, as it applies where a licence is available as of right under section 11A of that Act.

(6) Where a licence is available as of right under this section, a person to whom a licence was granted before the commencement of this part may apply to the registrar for an order adjusting the terms of that licence.

(7) an appeal lies from any decision of the registrar under this section.

(8) This section shall be construed as one with the Registered Designs Act 1949.

267 Authorship and first ownership of designs.

(1) Section 2 of the Registered Designs Act 1949 (proprietorship of designs) is amended as follows.

(2) For subsection (1) substitute—

“(1) The author of a design shall be treated for the purposes of this Act as the original proprietor of the design, subject to the following provisions.

(1A) Where a design is created in pursuance of a commission for money or money’s worth, the person commissioning the design shall be treated as the original proprietor of the design.

(1B) Where, in a case not falling within subsection (1A), a design is created by an employee in the course of his employment, his employer shall be treated as the original proprietor of the design.”.

(3) After subsection (2) insert—

“(3) In this Act the “author” of a design means the person who creates it.

(4) In the case of a design generated by computer in circumstances such that there is no human author, the person by whom the arrangements necessary for the creation of thee design are made shall be taken to be the author.”.

(4) The amendments made by this section do not apply in relation to an application for registration made before the commencement of this Part.

F672268 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F672 S. 268 repealed (9.12.2001) by S.I. 2001/3949, reg. 9(2), Sch. 2 (with transitional provisions in regs.

269 Duration of right in registered design.

(1) For section 8 of the M33 Registered Designs Act 1949 (period of right) substitute—

260 Copyright, Designs and Patents Act 1988 (c. 48) Part IV – Registered Designs

“ 8 Duration of right in registered design.

(1) The right in a registered design subsists in the first instance for a period of five years from the date of the registration of the design.

(2) The period for which the right subsists may be extended for a second, third, fourth and fifth period of five years, by applying to the registrar for an extension and paying the prescribed renewal fee.

(3) If the first, second, third or fourth period expires without such application and payment being made, the right shall cease to have effect; and the registrar shall, in accordance with rules made by the Secretary of State, notify the proprietor of that fact.

(4) If during the period of six months immediately following the end of that period an application for extension is made and the prescribed renewal fee and any prescribed additional fee is paid, the right shall be treated as if it had never expired, with the result that—

(a) anything done under or in relation to the right during that further period shall be treated as valid,

(b) an act which would have constituted an infringement of the right if it had not expired shall be treated as an infringement, and

(c) an act which would have constituted use of the design for the services of the Crown if the right had not expired shall be treated as such use.

(5) Where it is shown that a registered design— (a) was at the time it was registered a corresponding design in relation to

an artistic work in which copyright subsists, and (b) by reason of a previous use of that work would not have been

registrable but for section 6(4) of this Act (registration despite certain prior applications of design),

the right in the registered design expires when the copyright in that work expires, if that is earlier than the time at which it would otherwise expire, and it may not thereafter be renewed.

(6) The above provisions have effect subject to the proviso to section 4(1) (registration of same design in respect of other articles, &c.).

8A Restoration of lapsed right in design.

(1) Where the right in a registered design has expired by reason of a failure to extend, in accordance with section 8(2) or (4), the period for which the right subsists, an application for the restoration of the right in the design may be made to the registrar within the prescribed period.

(2) The application may be made by the person who was the registered proprietor of the design or by any other person who would have been entitled to the right in the design if it had not expired; and where the design was held by two or more persons jointly, the application may, with the leave of the registrar, be made by one or more of them without joining the others.

(3) Notice of the application shall be published by the registrar in the prescribed manner.

(4) If the registrar is satisfied that the proprietor took reasonable care to see that the period for which the right subsisted was extended in accordance with section 8(2) or (4), he shall, on payment of any unpaid renewal fee and any prescribed additional fee, order the restoration of the right in the design.

(5) The order may be made subject to such conditions as the registrar thinks fit, and if the proprietor of the design does not comply with any condition the registrar may revoke the order and give such consequential directions as he thinks fit.

(6) Rules altering the period prescribed for the purposes of subsection (1) may contain such transitional provisions and savings as appear to the Secretary of State to be necessary or expedient.

8B Effect of order for restoration of right.

The effect of an order under section 8A for the restoration of the right in a registered design is as follows.

(2) Anything done under or in relation to the right during the period between expiry and restoration shall be treated as valid.

(3) Anything done during that period which would have constituted an infringement if the right had not expired shall be treated as an infringement—

(a) if done at a time when it was possible for an application for extension to be made under section 8(4); or

(b) if it was a continuation or repetition of an earlier infringing act.

(4) If, after it was no longer possible for such an application for extension to be made and before publication of notice of the application for restoration, a person—

(a) began in good faith to do an act which would have constituted an infringement of the right in the design if it had not expired, or

(b) made in good faith effective and serious preparations to do such an act,

he has the right to continue to do the act or, as the case may be, to do the act, notwithstanding the restoration of the right in the design; but this does not extend to granting a licence to another person to do the act.

(5) If the act was done, or the preparations were made, in the course of a business, the person entitled to the right conferred by subsection (4) may—

(a) authorise the doing of that act by any partners of his for the time being in that business, and

(b) assign that right, or transmit it on death (or in the case of a body corporate on its dissolution), to any person who acquires that part of the business in the course of which the act was done or the preparations were made.

(6) Where an article is disposed of to another in exercise of the rights conferred by subsection (4) or subsection (5), that other and any person claiming through

262 Copyright, Designs and Patents Act 1988 (c. 48) Part IV – Registered Designs

him may deal with the article in the same way as if it had been disposed of by the registered proprietor of the design.

(7) The above provisions apply in relation to the use of a registered design for the services of the Crown as they apply in relation to infringement of the right in the design.”.

(2) The above amendment does not apply in relation to the right in a design registered in pursuance of an application made before the commencement of this Part.

Marginal Citations M33 1949 c. 88.

270 Powers exercisable for protection of the public interest.

In the M34 Registered Designs Act 1949 after section 11 insert—

“ 11A Powers exercisable for protection of the public interest.

(1) Where a report of the Monopolies and Mergers Commission has been laid before Parliament containing conclusions to the effect—

(a) on a monopoly reference, that a monopoly situation exists and facts found by the Commission operate or may be expected to operate against the public interest,

(b) on a merger reference, that a merger situation qualifying for investigation has been created and the creation of the situation, or particular elements in or consequences of it specified in the report, operate or may be expected to operate against the public interest,

(c) on a competition reference, that a person was engaged in an anti- competitive practice which operated or may be expected to operate against the public interest, or

(d) on a reference under section 11 of the Competition Act 1980 (reference of public bodies and certain other persons), that a person is pursuing a course of conduct which operates against the public interest,

the appropriate Minister or Ministers may apply to the registrar to take action under this section.

(2) Before making an application the appropriate Minister or Ministers shall publish, in such a manner as he or they think appropriate, a notice describing the nature of the proposed application and shall consider any representations which may be made within 30 days of such publication by persons whose interests appear to him or them to be affected.

(3) If on an application under this section it appears to the registrar that the matters specified in the Commission’s report as being those which in the Commission’s opinion operate or operated or may be expected to operate against the public interest include—

(a) conditions in licences granted in respect of a registered design by its proprietor restricting the use of the design by the licensee or the right of the proprietor to grant other licences, or

(b) a refusal by the proprietor of a registered design to grant licences on reasonable terms,

he may by order cancel or modify any such condition or may, instead or in addition, make an entry in the register to the effect that licences in respect of the design are to be available as of right.

(4) The terms of a licence available by virtue of this section shall, in default of agreement, be settled by the registrar on an application by the person requiring the licence; and terms so settled shall authorise the licensee to do everything which would be an infringement of the right in the registered design in the absence of a licence.

(5) Where the terms of a licence are settled by the registrar the licence has effect from the date on which the application to him was made.

(6) An appeal lies from any order of the registrar under this section.

(7) In this section “the appropriate Minister or Ministers” means the Minister or Ministers to whom the report of the Monopolies and Mergers Commission was made.

11B Undertaking to take licence of right in infringement proceedings.

(1) If in proceedings for infringement of the right in a registered design in respect of which a licence is available as of right under section 11A of this Act the defendant undertakes to take a licence on such terms as may be agreed or, in default of agreement, settled by the registrar under that section—

(a) no injunction shall be granted against him, and (b) the amount recoverable against him by way of damages or on an

account of profits shall not exceed double the amount which would have been payable by him as licensee if such a licence on those terms had been granted before the earliest infringement.

(3) Nothing in this section affects the remedies available in respect of an infringement committed before licences of right were available.”.

Marginal Citations M34 1949 c. 88.

271 Crown use: compensation for loss of profit.

(1) In Schedule 1 to the M35 Registered Designs Act 1949 (Crown use), after paragraph 2 insert—

“2A (1) Where Crown use is made of a registered design, the government department concerned shall pay—

(a) to the registered proprietor, or

264 Copyright, Designs and Patents Act 1988 (c. 48) Part IV – Registered Designs

(b) if there is an exclusive licence in force in respect of the design, to the exclusive licensee,

compensation for any loss resulting from his not being awarded a contract to supply the articles to which the design is applied.

(3) In determining the loss, regard shall be had to the profit which would have been made on such a contract and to the extent to which any manufacturing capacity was underused.

(4) No compensation is payable in respect of any failure to secure contracts for the supply of articles to which the design is applied otherwise than for the services of the Crown.

(5) The amount payable under this paragraph shall, if not agreed between the registered proprietor or licensee and the government department concerned with the approval of the Treasury, be determined by the court on a reference under paragraph 3; and it is in addition to any amount payable under paragraph 1 or 2 of this Schedule.

(6) In this paragraph— “Crown use”, in relation to a design, means the doing of

anything by virtue of paragraph 1 which would otherwise be an infringement of the right in the design; and

“the government department concerned”, in relation to such use, means the government department by whom or on whose authority the act was done.”.

(2) In paragraph 3 of that Schedule (reference of disputes as to Crown use), for sub- paragraph (1) substitute—

“(1) Any dispute as to— (a) the exercise by a Government department, or a person authorised

by a Government department, of the powers conferred by paragraph 1 of this Schedule,

(b) terms for the use of a design for the services of the Crown under that paragraph,

(c) the right of any person to receive any part of a payment made under paragraph 1(3), or

(d) the right of any person to receive a payment under paragraph 2A, may be referred to the court by either party to the dispute.”.

(3) The above amendments apply in relation to any Crown use of a registered design after the commencement of this section, even if the terms for such use were settled before commencement.

Copyright, Designs and Patents Act 1988 (c. 48) Part V – Patent Agents and Trade Mark Agents Chapter V – Miscellaneous and General Document Generated: 2018-04-19

Marginal Citations M35 1949 c. 88.

272 Minor and consequential amendments.

The M36 Registered Designs Act 1949 is further amended in accordance with Schedule 3 which contains minor amendments and amendments consequential upon the provisions of this Act.

Marginal Citations M36 1949 c. 88.

273 Text of Registered Designs Act 1949 as amended.

Schedule 4 contains the text of the Registered Designs Act 1949 as amended.

PATENT AGENTS AND TRADE MARK AGENTS

Patent agents

274 Persons permitted to carry on business of a patent agent.

(1) Any individual, partnership or body corporate may, subject to the following provisions of this Part [F673 and to the Legal Services Act 2007 ] , carry on the business of acting as agent for others for the purpose of—

(a) applying for or obtaining patents, in the United Kingdom or elsewhere, or (b) conducting proceedings before the comptroller relating to applications for, or

otherwise in connection with, patents.

(2) This does not affect any restriction under the European Patent Convention as to who may act on behalf of another for any purpose relating to European patents.

Amendments (Textual) F673 Words in s. 274(1) inserted (1.1.2010) by Legal Services Act 2007 (c. 29), ss. 185(2) , 211 (with ss. 29,

192, 193); S.I. 2009/3250, art. 2(f)(i) (with art. 9)

266 Copyright, Designs and Patents Act 1988 (c. 48) Part V – Patent Agents and Trade Mark Agents

[F674275 The register of patent attorneys

(1) There is to continue to be a register of persons who act as agent for others for the purpose of applying for or obtaining patents.

(2) In this Part a registered patent attorney means an individual whose name is entered on the register kept under this section.

(3) The register is to be kept by the Chartered Institute of Patent Attorneys.

(4) The Secretary of State may, by order, amend subsection (3) so as to require the register to be kept by the person specified in the order.

(5) Before making an order under subsection (4), the Secretary of State must consult the Legal Services Board.

(6) An order under this section must be made by statutory instrument.

(7) An order under this section may not be made unless a draft of it has been laid before, and approved by a resolution of, each House of Parliament. ]

Amendments (Textual) F674 Ss. 275, 275A substituted (1.1.2010) for s. 275 by Legal Services Act 2007 ( c. 29), {ss. 185(3)}, 211

(with ss. 29, 192, 193); S.I. 2009/3250, art. 2(f)(i) (with art. 9)

[F675275ARegulation of patent attorneys

(1) The person who keeps the register under section 275 may make regulations which regulate—

(a) the keeping of the register and the registration of persons; (b) the carrying on of patent attorney work by registered persons.

(2) Those regulations may, amongst other things, make— (a) provision as to the educational and training qualifications, and other

requirements, which must be satisfied before an individual may be registered or for an individual to remain registered;

(b) provision as to the requirements which must be met by a body (corporate or unincorporate) before it may be registered, or for it to remain registered, including provision as to the management and control of the body;

(c) provision as to the educational, training and other requirements to be met by regulated persons;

(d) provision regulating the practice, conduct and discipline of registered persons or regulated persons;

(e) provision authorising in such cases as may be specified in the regulations the erasure from the register of the name of any person registered in it, or the suspension of a person's registration;

(f) provision requiring the payment of such fees as may be specified in or determined in accordance with the regulations;

(g) provision about the provision to be made by registered persons in respect of complaints made against them;

(h) provision about the keeping by registered persons or regulated persons of records and accounts;

(i) provision for reviews of or appeals against decisions made under the regulations;

(j) provision as to the indemnification of registered persons or regulated persons against losses arising from claims in respect of civil liability incurred by them.

(3) Regulations under this section may make different provision for different purposes.

(4) Regulations under this section which are not regulatory arrangements within the meaning of the Legal Services Act 2007 are to be treated as such arrangements for the purposes of that Act.

(5) Before the appointed day, regulations under this section may be made only with the approval of the Secretary of State.

(6) The powers conferred to make regulations under this section are not to be taken to prejudice—

(a) any other power which the person who keeps the register may have to make rules or regulations (however they may be described and whether they are made under an enactment or otherwise);

(b) any rules or regulations made by that person under any such power.

(7) In this section— “appointed day” means the day appointed for the coming into force of

paragraph 1 of Schedule 4 to the Legal Services Act 2007; “manager”, in relation to a body, has the same meaning as in the Legal

Services Act 2007 (see section 207); “patent attorney work” means work done in the course of carrying on the

business of acting as agent for others for the purpose of— (a) applying for or obtaining patents, in the United Kingdom or elsewhere,

or (b) conducting proceedings before the comptroller relating to applications

for, or otherwise in connection with, patents; “registered person” means—

(a) a registered patent attorney, or (b) a body (corporate or unincorporate) registered in the register kept under

section 275; “regulated person” means a person who is not a registered person but is a

manager or employee of a body which is a registered person. ]

Amendments (Textual) F675 Ss. 275, 275A substituted (1.1.2010) for s. 275 by Legal Services Act 2007 ( c. 29), {ss. 185(3)}, 211

276 Persons entitled to describe themselves as patent agents.

(1) An individual who is not a [F676 registered patent attorney ] shall not—

268 Copyright, Designs and Patents Act 1988 (c. 48) Part V – Patent Agents and Trade Mark Agents

(a) carry on a business (otherwise than in partnership) under any name or other description which contains the words “patent agent” or “patent attorney”; or

(b) in the course of a business otherwise describe himself, or permit himself to be described, as a “patent agent” or “patent attorney”.

(2) A partnership [F677 or other unincorporated body ] shall not— (a) carry on a business under any name or other description which contains the

words “patent agent” or “patent attorney”; or (b) in the course of a business otherwise describe itself, or permit itself to be

described as, a firm of “patent agents” or “patent attorneys”, unless [F678 the partnership or other body is registered in the register kept under section 275 ] .

(3) A body corporate shall not— (a) carry on a business (otherwise than in partnership) under any name or other

description which contains the words “patent agent” or “patent attorney”; or (b) in the course of a business otherwise describe itself, or permit itself to be

described as, a “patent agent” or “patent attorney”, unless [F679 the body corporate is registered in the register kept under section 275. ]

(4) Subsection (3) does not apply to a company which began to carry on business as a patent agent before 17th November 1917 if the name of a director or the manager of the company who is a registered patent [F680 attorney ] is mentioned as being so registered in all professional advertisements, circulars or letters issued by or with the company’s consent on which its name appears.

(5) Where this section would be contravened by the use of the words “patent agent” or “patent attorney” in reference to an individual, partnership or body corporate, it is equally contravened by the use of other expressions in reference to that person, or his business or place of business, which are likely to be understood as indicating that he is entitled to be described as a “patent agent” or “patent attorney”.

(6) A person who contravenes this section commits an offence and is liable on summary conviction to a fine not exceeding level 5 on the standard scale; and proceedings for such an offence may be begun at any time within a year from the date of the offence.

(7) This section has effect subject to— (a) section 277 (persons entitled to describe themselves as European patent

attorneys, &c.), and (b) section 278(1) (use of term “patent attorney” in reference to solicitors).

Amendments (Textual) F676 Words in s. 276(1) substituted (1.1.2010) by Legal Services Act 2007 ( c. 29), ss. 208(1), 211, {Sch. 21

para. 76(a)} (with ss. 29, 192, 193); S.I. 2009/3250, art. 2(h) (with art. 9) F677 Words in s. 276(2) substituted (1.1.2010) by Legal Services Act 2007 (c. 29), ss. 185(4)(a)(i) , 211

(with ss. 29, 192, 193); S.I. 2009/3250, art. 2(f)(i) (with art. 9) F678 Words in s. 276(2) substituted (1.1.2010) by Legal Services Act 2007 (c. 29), ss. 185(4)(a)(ii) , 211

(with ss. 29, 192, 193); S.I. 2009/3250, art. 2(f)(i) (with art. 9) F679 Words in s. 276(3) substituted (1.1.2010) by Legal Services Act 2007 (c. 29), ss. 185(4)(b) , 211 (with

ss. 29, 192, 193); S.I. 2009/3250, art. 2(f)(i) (with art. 9)

F680 Words in s. 276(4) substituted (1.1.2010) by Legal Services Act 2007 ( c. 29), ss. 208(1), 211, {Sch. 21 para. 76(b)} (with ss. 29, 192, 193); S.I. 2009/3250, art. 2(h) (with art. 9)

Modifications etc. (not altering text) C123 S. 276(7)(b) amended (E.W.) (1.1.1992) by S.I. 1991/2684 arts. 2, 4, Sch.1 C124 S. 276(7)(b) applied (with modifications) (23.12.2011) by The Legal Services Act 2007 (Designation

as a Licensing Authority) (No. 2) Order 2011 (S.I. 2011/2866), arts. 1(2), 8(1)(2), Sch. 2

277 Persons entitled to describe themselves as European patent attorneys, &c.

(1) The term “European patent attorney” or “European patent agent” may be used in the following cases without any contravention of section 276.

(2) An individual who is on the European list may— (a) carry on business under a name or other description which contains the words

“European patent attorney” or “European patent agent”, or (b) otherwise describe himself, or permit himself to be described, as a “European

patent attorney” or “European patent agent”.

(3) A partnership of which not less than the prescribed number or proportion of partners is on the European list may—

(a) carry on a business under a name or other description which contains the words “European patent attorneys” or “European patent agents”, or

(b) otherwise describe itself, or permit itself to be described, as a firm which carries on the business of a “European patent attorney” or “European patent agent”.

(4) A body corporate of which not less than the prescribed number or proportion of directors is on the European list may—

(a) carry on a business under a name or other description which contains the words “European patent attorney” or “European patent agent”, or

(b) otherwise describe itself, or permit itself to be described as, a company which carries on the business of a “European patent attorney” or “European patent agent”.

(5) Where the term “European patent attorney” or “European patent agent” may, in accordance with this section, be used in reference to an individual, partnership or body corporate, it is equally permissible to use other expressions in reference to that person, or to his business or place of business, which are likely to be understood as indicating that he is entitled to be described as a “European patent attorney” or “European patent agent.”

278 Use of the term “patent attorney”: supplementary provisions.

(1) The term “patent attorney” may be used in reference to a solicitor, and a firm of solicitors may be described as a firm of “patent attorneys”, without any contravention of section 276.

(2) No offence is committed under the enactments restricting the use of certain expressions in reference to persons not qualified to act as solicitors—

(a) by the use of the term “patent attorney” in reference to a registered patent agent, or

270 Copyright, Designs and Patents Act 1988 (c. 48) Part V – Patent Agents and Trade Mark Agents

(b) by the use of the term “European patent attorney” in reference to a person on the European list.

(3) The enactments referred to in subsection (2) are section 21 of the M37 Solicitors Act 1974, section 31 of the M38 Solicitors (Scotland) Act 1980 and Article 22 of the M39 Solicitors (Northern Ireland) Order 1976.

Modifications etc. (not altering text) C125 S. 278(1) applied (with modifications) (23.12.2011) by The Legal Services Act 2007 (Designation as a

Licensing Authority) (No. 2) Order 2011 (S.I. 2011/2866), arts. 1(2), 8(2)(3), Sch. 3

Marginal Citations M37 1974 c. 37. M38 1980 c. 46. M39 S.I. 1976/582 (N.I.12).

279 Power to prescribe conditions, &c. for mixed partnerships and bodies corporate. F681 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F681 S. 279 omitted (1.1.2010) and repealed (1.10.2011) by virtue of Legal Services Act 2007 (c. 29), ss.

185(5), 210, 211, Sch. 23 (with ss. 29, 192, 193); S.I. 2009/3250, art. 2(f)(i) ; S.I. 2011/2196, art. 2(1) (h)(iii)

280 Privilege for communications with patent agents.

(1) This section applies to communications as to any matter relating to the protection of any invention, design, technical information, [F682 or trade mark ] , or as to

[F683 (a) ] any matter involving passing off [F684 , and (b) documents, material or information relating to any matter mentioned in

paragraph (a). ]

[F685 (2) Where a patent attorney acts for a client in relation to a matter mentioned in subsection (1), any communication, document, material or information to which this section applies is privileged from disclosure in like manner as if the patent attorney had at all material times been acting as the client's solicitor. ]

(3) In subsection (2) “patent [F686 attorney ] ” means— (a) a registered patent [F686 attorney ] or a person who is on the European list, (b) a partnership entitled to describe itself as a firm of patent [F687 attorneys ] or as

a firm carrying on the business of a European patent attorney, F688 . . . [F689 (ba) an unincorporated body (other than a partnership) entitled to describe itself

as a patent attorney, or ] (c) a body corporate entitled to describe itself as a patent [F686 attorney ] or as a

company carrying on the business of a European patent attorney.

(4) F690 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F682 Words in s. 280(1) substituted (31.10.1994) by 1994 c. 26, s. 106(1), Sch. 4 para. 8(3) ; S.I.

1994/2550, art. 2 F683 Words in s. 280(1) renumbered (1.1.2010) as s. 280(1)(a) by virtue of Legal Services Act 2007 ( c. 29),

ss. 208(1), 211, {Sch. 21 para. 77(a)} (with ss. 29, 192, 193); S.I. 2009/3250, art. 2(h) (with art. 9) F684 S. 280(1)(b) and preceding word inserted (1.1.2010) by Legal Services Act 2007 (c. 29), ss. 208(1),

211, Sch. 21 para. 77(b) (with ss. 29, 192, 193); S.I. 2009/3250, art. 2(h) (with art. 9) F685 S. 280(2) substituted (1.1.2010) by Legal Services Act 2007 (c. 29), ss. 208(1), 211, Sch. 21 para.

77(c) (with ss. 29, 192, 193); S.I. 2009/3250, art. 2(h) (with art. 9) F686 Words in s. 280(3) substituted (1.1.2010) by Legal Services Act 2007 (c. 29), ss. 280(1), 211, Sch. 21

para. 77(d)(i) (with ss. 29, 192, 193); S.I. 2009/3250, art. 2(h) (with art. 9) F687 Word in s. 280(3) substituted (1.1.2010) by Legal Services Act 2007 (c. 29), ss. 208(1), 211, Sch. 21

para. 77(d)(ii) (with ss. 29, 192, 193); S.I. 2009/3250, art. 2(h) (with art. 9) F688 Word in s. 280(3)(b) repealed (1.10.2011) by Legal Services Act 2007 (c. 29), ss. 210, 211, Sch. 23

(with ss. 29, 192, 193); S.I. 2011/2196, art. 2(1)(h)(iii) F689 S. 280(3)(ba) inserted (1.1.2010) by Legal Services Act 2007 (c. 29), ss. 185(6) , 211 (with ss. 29, 192,

193); S.I. 2009/3250, art. 2(f)(i) (with art. 9) F690 S. 280(4) omitted (1.1.2010) and repealed (1.10.2011) by virtue of Legal Services Act 2007 (c. 29), ss.

208(1), 210, 211, Sch. 21 para 77(e), Sch. 23 (with ss. 29, 192, 193); S.I. 2009/3250, art. 2(h) (with art. 9); S.I. 2011/2196, art. 2(1)(h)(iii)

281 Power of comptroller to refuse to deal with certain agents.

(1) This section applies to business under the M40 Patents Act 1949, the M41 Registered Designs Act 1949 or the M42 Patents Act 1977.

(2) The Secretary of State may make rules authorising the comptroller to refuse to recognise as agent in respect of any business to which this section applies—

(a) a person who has been convicted of an offence under section 88 of the Patents Act 1949, section 114 of the Patents Act 1977 or section 276 of this Act;

(b) [F691 a person ] whose name has been erased from and not restored to, or who is suspended from, the register of patent [F692 attorneys ] on the ground of misconduct;

(c) a person who is found by the Secretary of State to have been guilty of such conduct as would, in the case of [F693 a person ] registered in the register of patent [F692 attorneys ] , render [F694 the person ] liable to have [F695 the person's ] name erased from the register on the ground of misconduct;

(d) a partnership or body corporate of which one of the partners or directors is a person whom the comptroller could refuse to recognise under paragraph (a), (b) or (c) above.

(3) The rules may contain such incidental and supplementary provisions as appear to the Secretary of State to be appropriate and may, in particular, prescribe circumstances in which a person is or is not to be taken to have been guilty of misconduct.

(4) Rules made under this section shall be made by statutory instrument which shall be subject to annulment in pursuance of a resolution of either House of Parliament.

272 Copyright, Designs and Patents Act 1988 (c. 48) Part V – Patent Agents and Trade Mark Agents

(5) The comptroller shall refuse to recognise as agent in respect of any business to which this section applies a person who neither resides nor has a place of business in the United Kingdom, the Isle of Man or another member State of the [F696 European Union ] .

Amendments (Textual) F691 Words in s. 281(2)(b) substituted (1.1.2010) by The Legal Services Act 2007 (Consequential

Amendments) Order 2009 (S.I. 2009/3348), arts. 2(1), 3(2) ; S.I. 2009/3250, art. 2(b)(i) F692 Words in s. 281(2) substituted (1.1.2010) by Legal Services Act 2007 (c. 29), ss. 208(1), 211, Sch. 21

para. 78 (with ss. 29, 192, 193); S.I. 2009/3250, art. 2(h) (with art. 9) F693 Words in s. 281(2)(c) substituted (1.1.2010) by The Legal Services Act 2007 (Consequential

Amendments) Order 2009 (S.I. 2009/3348), arts. 2(1), 3(3)(a) ; S.I. 2009/3250, art. 2(b)(i) F694 Words in s. 281(2)(c) substituted (1.1.2010) by The Legal Services Act 2007 (Consequential

Amendments) Order 2009 (S.I. 2009/3348), arts. 2(1), 3(3)(b) ; S.I. 2009/3250, art. 2(b)(i) F695 Words in s. 281(2)(c) substituted (1.1.2010) by The Legal Services Act 2007 (Consequential

Amendments) Order 2009 (S.I. 2009/3348), arts. 2(1), 3(3)(c) ; S.I. 2009/3250, art. 2(b)(i) F696 Words substituted (22.4.2011) by The Treaty of Lisbon (Changes in Terminology) Order 2011 (S.I.

2011/1043), arts. 3, 4

Marginal Citations M40 1949 c. 88. M41 1949 c. 87. M42 1977 c. 37.

Trade mark agents

F697282 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F697 S. 282 repealed (31.10.1994) by 1994 c. 26, s. 106(2), Sch. 5 ; S.I. 1994/2550, art. 2

F698283 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F698 S. 283 repealed (31.10.1994) by 1994 c. 26, s. 106(2), Sch. 5 ; S.I. 1994/2550, art. 2

F699284 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F699 S. 284 repealed (31.10.1994) by 1994 c. 26, s. 106(2), Sch. 5 ; S.I. 1994/2550, art. 2

285 Offences committed by partnerships and bodies corporate.

(1) Proceedings for an offence under this Part alleged to have been committed by a partnership shall be brought in the name of the partnership and not in that of the partners; but without prejudice to any liability of theirs under subsection (4) below.

(2) The following provisions apply for the purposes of such proceedings as in relation to a body corporate—

(a) any rules of court relating to the service of documents; (b) in England, Wales or Northern Ireland, Schedule 3 to the M43 Magistrates’

Courts Act 1980 or Schedule 4 to the M44 Magistrates’ Courts (Northern Ireland) Order 1981 (procedure on charge of offence).

(3) A fine imposed on a partnership on its conviction in such proceedings shall be paid out of the partnership assets.

(4) Where a partnership is guilty of an offence under this Part, every partner, other than a partner who is proved to have been ignorant of or to have attempted to prevent the commission of the offence, is also guilty of the offence and liable to be proceeded against and punished accordingly.

(5) Where an offence under this Part committed by a body corporate is proved to have been committed with the consent or connivance of a director, manager, secretary or other similar officer of the body, or a person purporting to act in any such capacity, he as well as the body corporate is guilty of the offence and liable to be proceeded against and punished accordingly.

Marginal Citations M43 1980 c. 43. M44 S.I. 1981/1675 (N.I. 26).

286 Interpretation.

In this Part— “the comptroller” means the Comptroller-General of Patents, Designs and

Trade Marks; “director”, in relation to a body corporate whose affairs are managed by its

members, means any member of the body corporate; “the European list” means the list of professional representatives maintained

by the European Patent Office in pursuance of the European Patent Convention;

274 Copyright, Designs and Patents Act 1988 (c. 48) Part VI – Patents

“registered patent [F700 attorney” ] has the meaning given by section 275 [F701 (2) ] ;

F702 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F700 Words in s. 286 substituted (1.1.2010) by Legal Services Act 2007 (c. 29), ss. 208(1), 211, Sch. 21

para. 79(a) (with ss. 29, 192, 193); S.I. 2009/3250, art. 2(h) (with art. 9) F701 Word in s. 286 substituted (1.1.2010) by Legal Services Act 2007 (c. 29), ss. 208(1), 211, Sch. 21

para. 79(b) (with ss. 29, 192, 193); S.I. 2009/2350, art. 2(h) (with art. 9) F702 Definition in s. 286 repealed (31.10.1994) by 1994 c. 26, s. 106(2), Sch. 5 ; S.I. 1994/2550, art. 2

Patents county courts

F703287 Patents county courts: special jurisdiction.

Amendments (Textual) F703 Ss. 287-289 omitted (1.10.2013) by virtue of Crime and Courts Act 2013 (c. 22), s. 61(3), Sch. 9 para.

30(3) ; S.I. 2013/1725, art. 3(c)

288 Financial limits in relation to proceedings within special jurisdiction of patents county court.

289 Transfer of proceedings between High Court and patents county court.

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[F704290 Limitation of costs where pecuniary claim could have been brought in patents county court.

(1) Where an action is commenced in the High Court which could have been commenced in a patents county court and in which a claim for a pecuniary remedy is made, then, subject to the provisions of this section, if the plaintiff recovers less than the prescribed amount, he is not entitled to recover any more costs than those to which he would have been entitled if the action had been brought in the county court.

(2) For this purpose a plaintiff shall be treated as recovering the full amount recoverable in respect of his claim without regard to any deduction made in respect of matters not falling to be taken into account in determining whether the action could have been commenced in a patents county court.

(3) This section does not affect any question as to costs if it appears to the High Court that there was reasonable ground for supposing the amount recoverable in respect of the plaintiff’s claim to be in excess of the prescribed amount.

(4) The High Court, if satisfied that there was sufficient reason for bringing the action in the High Court, may make an order allowing the costs or any part of the costs on the High Court scale or on such one of the county court scales as it may direct.

(5) This section does not apply to proceedings brought by the Crown.

(6) In this section “the prescribed amount” means such amount as may be prescribed by Her Majesty for the purposes of this section by Order in Council.

(7) No recommendation shall be made to Her Majesty to make an Order under this section unless a draft of the Order has been laid before and approved by a resolution of each House of Parliament. ]

Amendments (Textual) F704 S. 290 repealed ( prosp. ) by Courts and Legal Services Act 1990 (c. 41, SIF 37), ss. 124(3), 125(7),

F705291 Proceedings in patents county court.

Amendments (Textual) F705 S. 291 omitted (1.10.2013) by virtue of Crime and Courts Act 2013 (c. 22), s. 61(3), Sch. 9 para.

276 Copyright, Designs and Patents Act 1988 (c. 48) Part VI – Patents

292 Rights and duties of registered patent agents in relation to proceedings in patents county court.

F706 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F706 S. 292 repealed (1.1.2010) by Legal Services Act 2007 (c. 29), ss. 208(1), 210, 211, Sch. 21 para. 80,

Sch. 23 (with ss. 29, 192, 193); S.I. 2009/3250, art. 2(h)(i)(vi) (with art. 9)

Licences of right in respect of certain patents

293 Restriction of acts authorised by certain licences.

In paragraph 4(2)(c) of Schedule 1 to the M45 Patents Act 1977 (licences to be available as of right where term of existing patent extended), at the end insert “, but subject to paragraph 4A below”, and after that paragraph insert—

“4A (1) If the proprietor of a patent for an invention which is a product files a declaration with the Patent Office in accordance with this paragraph, the licences to which persons are entitled by virtue of paragraph 4(2)(c) above shall not extend to a use of the product which is excepted by or under this paragraph.

(2) Pharmaceutical use is excepted, that is— (a) use as a medicinal product within the meaning of the Medicines

Act 1968, and (b) the doing of any other act mentioned in section 60(1)(a) above with

a view to such use.

(3) The Secretary of State may by order except such other uses as he thinks fit; and an order may—

(a) specify as an excepted use any act mentioned in section 60(1)(a) above, and

(b) make different provision with respect to acts done in different circumstances or for different purposes.

(4) For the purposes of this paragraph the question what uses are excepted, so far as that depends on—

(a) orders under section 130 of the Medicines Act 1968 (meaning of “medicinal product”), or

(b) orders under sub-paragraph (3) above, shall be determined in relation to a patent at the beginning of the sixteenth year of the patent.

(5) A declaration under this paragraph shall be in the prescribed form and shall be filed in the prescribed manner and within the prescribed time limits.

(6) A declaration may not be filed—

(a) in respect of a patent which has at the commencement of section 293 of the Copyright, Designs and Patents Act 1988 passed the end of its fifteenth year; or

(b) if at the date of filing there is— (i) an existing licence for any description of excepted use of

the product, or (ii) an outstanding application under section 46(3)(a) or (b)

above for the settlement by the comptroller of the terms of a licence for any description of excepted use of the product,

and, in either case, the licence took or is to take effect at or after the end of the sixteenth year of the patent.

(7) Where a declaration has been filed under this paragraph in respect of a patent—

(a) section 46(3)(c) above (restriction of remedies for infringement where licences available as of right) does not apply to an infringement of the patent in so far as it consists of the excepted use of the product after the filing of the declaration; and

(b) section 46(3)(d) above (abatement of renewal fee if licences available as of right) does not apply to the patent.”.

Marginal Citations M45 1977 c. 37.

294 When application may be made for settlement of terms of licence.

In Schedule 1 to the M46 Patents Act 1977, after the paragraph inserted by section 293 above, insert—

“4B (1) An application under section 46(3)(a) or (b) above for the settlement by the comptroller of the terms on which a person is entitled to a licence by virtue of paragraph 4(2)(c) above is ineffective if made before the beginning of the sixteenth year of the patent.

(2) This paragraph applies to applications made after the commencement of section 294 of the Copyright, Designs and Patents Act 1988 and to any application made before the commencement of that section in respect of a patent which has not at the commencement of that section passed the end of its fifteenth year.”.

Marginal Citations M46 1977 c. 37.

278 Copyright, Designs and Patents Act 1988 (c. 48) Part VII – Miscellaneous and General

Patents: miscellaneous amendments

295 Patents: miscellaneous amendments.

The M47 Patents Act 1949 and the M48 Patents Act 1977 are amended in accordance with Schedule 5.

Marginal Citations M47 1949 c. 87. M48 1977 c. 37.

[F707 Circumvention of protection measures ]

Amendments (Textual) F707 Ss. 296-296ZF and cross-heading substituted (31.10.2003) for s. 296 and cross-heading by The

Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 24(1) (with regs. 31-40)

[F708296 Devices designed to circumvent copy-protection.

(1) This section applies where— (a) a technical device has been applied to a computer program; and (b) a person (A) knowing or having reason to believe that it will be used to make

infringing copies— (i) manufactures for sale or hire, imports, distributes, sells or lets for

hire, offers or exposes for sale or hire, advertises for sale or hire or has in his possession for commercial purposes any means the sole intended purpose of which is to facilitate the unauthorised removal or circumvention of the technical device; or

(ii) publishes information intended to enable or assist persons to remove or circumvent the technical device.

(2) The following persons have the same rights against A as a copyright owner has in respect of an infringement of copyright—

(a) a person— (i) issuing to the public copies of, or

(ii) communicating to the public, the computer program to which the technical device has been applied;

(b) the copyright owner or his exclusive licensee, if he is not the person specified in paragraph (a);

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(c) the owner or exclusive licensee of any intellectual property right in the technical device applied to the computer program.

(3) The rights conferred by subsection (2) are concurrent, and sections 101(3) and 102(1) to (4) apply, in proceedings under this section, in relation to persons with concurrent rights as they apply, in proceedings mentioned in those provisions, in relation to a copyright owner and exclusive licensee with concurrent rights.

(4) Further, the persons in subsection (2) have the same rights under section 99 or 100 (delivery up or seizure of certain articles) in relation to any such means as is referred to in subsection (1) which a person has in his possession, custody or control with the intention that it should be used to facilitate the unauthorised removal or circumvention of any technical device which has been applied to a computer program, as a copyright owner has in relation to an infringing copy.

(5) The rights conferred by subsection (4) are concurrent, and section 102(5) shall apply, as respects anything done under section 99 or 100 by virtue of subsection (4), in relation to persons with concurrent rights as it applies, as respects anything done under section 99 or 100, in relation to a copyright owner and exclusive licensee with concurrent rights.

(6) In this section references to a technical device in relation to a computer program are to any device intended to prevent or restrict acts that are not authorised by the copyright owner of that computer program and are restricted by copyright.

(7) The following provisions apply in relation to proceedings under this section as in relation to proceedings under Part 1 (copyright)—

(a) sections 104 to 106 of this Act (presumptions as to certain matters relating to copyright); and

(b) section 72 of the [F709 Senior Courts Act 1981 ] , section 15 of the Law Reform (Miscellaneous Provisions) (Scotland) Act 1985 and section 94A of the Judicature (Northern Ireland) Act 1978 (withdrawal of privilege against self- incrimination in certain proceedings relating to intellectual property);

and section 114 of this Act applies, with the necessary modifications, in relation to the disposal of anything delivered up or seized by virtue of subsection (4).

(8) Expressions used in this section which are defined for the purposes of Part 1 of this Act (copyright) have the same meaning as in that Part. ]

Amendments (Textual) F708 Ss. 296-296ZF and cross-heading substituted (31.10.2003) for s. 296 and cross-heading by The

Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 24(1) (with regs. 31-40) F709 S. 296(7)(b): words wherever they occur in any enactment substituted (1.10.2009) by virtue of

Constitutional Reform Act 2005 (c. 4), ss. 59, 148, Sch. 11 para. 1(2) ; S.I. 2009/1604, art. 2

[F710296ZACircumvention of technological measures

(1) This section applies where— (a) effective technological measures have been applied to a copyright work other

than a computer program; and

280 Copyright, Designs and Patents Act 1988 (c. 48) Part VII – Miscellaneous and General

(b) a person (B) does anything which circumvents those measures knowing, or with reasonable grounds to know, that he is pursuing that objective.

(2) This section does not apply where a person, for the purposes of research into cryptography, does anything which circumvents effective technological measures unless in so doing, or in issuing information derived from that research, he affects prejudicially the rights of the copyright owner.

(3) The following persons have the same rights against B as a copyright owner has in respect of an infringement of copyright—

(ii) communicating to the public, the work to which effective technological measures have been applied; and

(b) the copyright owner or his exclusive licensee, if he is not the person specified in paragraph (a).

(4) The rights conferred by subsection (3) are concurrent, and sections 101(3) and 102(1) to (4) apply, in proceedings under this section, in relation to persons with concurrent rights as they apply, in proceedings mentioned in those provisions, in relation to a copyright owner and exclusive licensee with concurrent rights.

(5) The following provisions apply in relation to proceedings under this section as in relation to proceedings under Part 1 (copyright)—

(b) section 72 of the [F711 Senior Courts Act 1981 ] , section 15 of the Law Reform (Miscellaneous Provisions) (Scotland) Act 1985 and section 94A of the Judicature (Northern Ireland) Act 1978 (withdrawal of privilege against self- incrimination in certain proceedings relating to intellectual property).

(6) Subsections (1) to (4) and (5)(b) and any other provision of this Act as it has effect for the purposes of those subsections apply, with any necessary adaptations, to rights in performances, publication right and database right.

(7) The provisions of regulation 22 (presumptions relevant to database right) of the Copyright and Rights in Databases Regulations 1997 (SI 1997/3032) apply in proceedings brought by virtue of this section in relation to database right.

Amendments (Textual) F710 Ss. 296-296ZF and cross-heading substituted (31.10.2003) for s. 296 and cross-heading by The

Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 24(1) (with regs. 31-40) F711 S. 296ZA(5)(b): words wherever they occur in any enactment substituted (1.10.2009) by virtue of

296ZB Devices and services designed to circumvent technological measures

(1) A person commits an offence if he— (a) manufactures for sale or hire, or (b) imports otherwise than for his private and domestic use, or

(c) in the course of a business— (i) sells or lets for hire, or

(ii) offers or exposes for sale or hire, or (iii) advertises for sale or hire, or (iv) possesses, or (v) distributes, or

(d) distributes otherwise than in the course of a business to such an extent as to affect prejudicially the copyright owner,

any device, product or component which is primarily designed, produced, or adapted for the purpose of enabling or facilitating the circumvention of effective technological measures.

(2) A person commits an offence if he provides, promotes, advertises or markets— (a) in the course of a business, or (b) otherwise than in the course of a business to such an extent as to affect

prejudicially the copyright owner, a service the purpose of which is to enable or facilitate the circumvention of effective technological measures.

(3) Subsections (1) and (2) do not make unlawful anything done by, or on behalf of, law enforcement agencies or any of the intelligence services—

(a) in the interests of national security; or (b) for the purpose of the prevention or detection of crime, the investigation of an

offence, or the conduct of a prosecution, and in this subsection “ intelligence services ” has the meaning given in section 81 of the Regulation of Investigatory Powers Act 2000.

(4) A person guilty of an offence under subsection (1) or (2) is liable— (a) on summary conviction, to imprisonment for a term not exceeding three

months, or to a fine not exceeding the statutory maximum, or both; (b) on conviction on indictment to a fine or imprisonment for a term not exceeding

two years, or both.

(5) It is a defence to any prosecution for an offence under this section for the defendant to prove that he did not know, and had no reasonable ground for believing, that—

(a) the device, product or component; or (b) the service,

enabled or facilitated the circumvention of effective technological measures.

296ZC Devices and services designed to circumvent technological measures: search warrants and forfeiture

(1) The provisions of sections 297B (search warrants), 297C (forfeiture of unauthorised decoders: England and Wales or Northern Ireland) and 297D (forfeiture of

282 Copyright, Designs and Patents Act 1988 (c. 48) Part VII – Miscellaneous and General

unauthorised decoders: Scotland) apply to offences under section 296ZB with the following modifications.

(2) In section 297B the reference to an offence under section 297A(1) shall be construed as a reference to an offence under section 296ZB(1) or (2).

(3) In sections 297C(2)(a) and 297D(15) the references to an offence under section 297A(1) shall be construed as a reference to an offence under section 296ZB(1).

(4) In sections 297C and 297D references to unauthorised decoders shall be construed as references to devices, products or components for the purpose of circumventing effective technological measures.

296ZD Rights and remedies in respect of devices and services designed to circumvent technological measures

than a computer program; and (b) a person (C) manufactures, imports, distributes, sells or lets for hire, offers or

exposes for sale or hire, advertises for sale or hire, or has in his possession for commercial purposes any device, product or component, or provides services which—

(i) are promoted, advertised or marketed for the purpose of the circumvention of, or

(ii) have only a limited commercially significant purpose or use other than to circumvent, or

(iii) are primarily designed, produced, adapted or performed for the purpose of enabling or facilitating the circumvention of,

those measures.

(2) The following persons have the same rights against C as a copyright owner has in respect of an infringement of copyright—

(ii) communicating to the public, the work to which effective technological measures have been applied;

(b) the copyright owner or his exclusive licensee, if he is not the person specified in paragraph (a); and

(c) the owner or exclusive licensee of any intellectual property right in the effective technological measures applied to the work.

(3) The rights conferred by subsection (2) are concurrent, and sections 101(3) and 102(1) to (4) apply, in proceedings under this section, in relation to persons with concurrent

rights as they apply, in proceedings mentioned in those provisions, in relation to a copyright owner and exclusive licensee with concurrent rights.

(4) Further, the persons in subsection (2) have the same rights under section 99 or 100 (delivery up or seizure of certain articles) in relation to any such device, product or component which a person has in his possession, custody or control with the intention that it should be used to circumvent effective technological measures, as a copyright owner has in relation to any infringing copy.

(6) The following provisions apply in relation to proceedings under this section as in relation to proceedings under Part 1 (copyright)—

(b) section 72 of the [F712 Senior Courts Act 1981 ] , section 15 of the Law Reform (Miscellaneous Provisions) (Scotland) Act 1985 and section 94A of the Judicature (Northern Ireland) Act 1978 (withdrawal of privilege against self- incrimination in certain proceedings relating to intellectual property);

(7) In section 97(1) (innocent infringement of copyright) as it applies to proceedings for infringement of the rights conferred by this section, the reference to the defendant not knowing or having reason to believe that copyright subsisted in the work shall be construed as a reference to his not knowing or having reason to believe that his acts enabled or facilitated an infringement of copyright.

(8) Subsections (1) to (5), (6)(b) and (7) and any other provision of this Act as it has effect for the purposes of those subsections apply, with any necessary adaptations, to rights in performances, publication right and database right.

(9) The provisions of regulation 22 (presumptions relevant to database right) of the Copyright and Rights in Databases Regulations 1997 (SI 1997/3032) apply in proceedings brought by virtue of this section in relation to database right.

Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 24(1) (with regs. 31-40) F712 S. 296ZD(6)(b): words wherever they occur in any enactment substituted (1.10.2009) by virtue of

296ZE Remedy where effective technological measures prevent permitted acts

(1) In this section—

284 Copyright, Designs and Patents Act 1988 (c. 48) Part VII – Miscellaneous and General

“ permitted act ” means an act which may be done in relation to copyright works, notwithstanding the subsistence of copyright, by virtue of a provision of this Act listed in Part 1 of Schedule 5A;

“ voluntary measure or agreement ” means— (a) any measure taken voluntarily by a copyright owner, his exclusive

licensee or a person issuing copies of, or communicating to the public, a work other than a computer program, or

(b) any agreement between a copyright owner, his exclusive licensee or a person issuing copies of, or communicating to the public, a work other than a computer program and another party,

the effect of which is to enable a person to carry out a permitted act.

(2) Where the application of any effective technological measure to a copyright work other than a computer program prevents a person from carrying out a permitted act in relation to that work then that person or a person being a representative of a class of persons prevented from carrying out a permitted act may issue a notice of complaint to the Secretary of State.

(3) Following receipt of a notice of complaint, the Secretary of State may give to the owner of that copyright work or an exclusive licensee such directions as appear to the Secretary of State to be requisite or expedient for the purpose of—

(a) establishing whether any voluntary measure or agreement relevant to the copyright work the subject of the complaint subsists; or

(b) (where it is established there is no subsisting voluntary measure or agreement) ensuring that the owner or exclusive licensee of that copyright work makes available to the complainant the means of carrying out the permitted act the subject of the complaint to the extent necessary to so benefit from that permitted act.

(4) The Secretary of State may also give directions— (a) as to the form and manner in which a notice of complaint in subsection (2)

may be delivered to him; (b) as to the form and manner in which evidence of any voluntary measure or

agreement may be delivered to him; and (c) generally as to the procedure to be followed in relation to a complaint made

under this section; and shall publish directions given under this subsection in such manner as in his opinion will secure adequate publicity for them.

(5) It shall be the duty of any person to whom a direction is given under subsection (3) (a) or (b) to give effect to that direction.

(6) The obligation to comply with a direction given under subsection (3)(b) is a duty owed to the complainant or, where the complaint is made by a representative of a class of persons, to that representative and to each person in the class represented; and a breach of the duty is actionable accordingly (subject to the defences and other incidents applying to actions for breach of statutory duty).

(7) Any direction under this section may be varied or revoked by a subsequent direction under this section.

(8) Any direction given under this section shall be in writing.

(9) This section does not apply to copyright works made available to the public on agreed contractual terms in such a way that members of the public may access them from a place and at a time individually chosen by them.

(10) This section applies only where a complainant has lawful access to the protected copyright work, or where the complainant is a representative of a class of persons, where the class of persons have lawful access to the work.

(11) Subsections (1) to (10) apply with any necessary adaptations to— (a) rights in performances, and in this context the expression “ permitted act ”

refers to an act that may be done by virtue of a provision of this Act listed in Part 2 of Schedule 5A;

(b) database right, and in this context the expression “ permitted act ” refers to an act that may be done by virtue of a provision of this Act listed in Part 3 of Schedule 5A; and

(c) publication right.

296ZEA.Remedy where restrictive measures prevent or restrict personal copying

(1) This section applies where an individual is prevented from making a personal copy of a copyright work, or is restricted in the number of personal copies of it which may be made, because of a restrictive measure applied by or on behalf of the copyright owner.

(2) That individual, or a person being a representative of a class of such individuals, may issue a notice of complaint to the Secretary of State.

(a) establishing whether any voluntary measure or agreement relevant to the copyright work subsists, or

(b) (where it is established there is no subsisting voluntary measure or agreement) ensuring that the owner or exclusive licensee of that copyright work makes available to the complainant or the class of individuals represented by the complainant the means of benefiting from section 28B to the extent necessary to benefit from that section.

(4) In deciding whether to give such directions, the Secretary of State must consider whether the restrictive measure unreasonably prevents or restricts the making of personal copies, in particular having regard to—

(a) the right of the copyright owner to adopt adequate measures limiting the number of personal copies which may be made, and

(b) whether other copies of the work are commercially available on reasonable terms by or with the authority of the copyright owner in a form which does not prevent or unreasonably restrict the making of personal copies.

286 Copyright, Designs and Patents Act 1988 (c. 48) Part VII – Miscellaneous and General

(5) The Secretary of State may also give directions— (a) as to the form and manner in which a notice of complaint in subsection (2)

may be delivered, (b) as to the form and manner in which evidence of any voluntary measure or

agreement may be delivered, and (c) generally as to the procedure to be followed in relation to a complaint made

under this section, and shall publish directions given under this subsection in such manner as the Secretary of State thinks will secure adequate publicity for them.

(6) Subsections (5) to (8) of section 296ZE— (a) apply to directions under subsection (3)(a) or (b) as they apply to directions

under section 296ZE(3)(a) or (b), and (b) apply to directions under subsection (5) as they apply to directions under

section 296ZE(4).

(7) This section does not apply to copyright works made available to the public on agreed contractual terms in such a way that members of the public may access them from a place and at a time individually chosen by them.

(8) In this section— “restrictive measure” means any technology, device or component

designed, in the normal course of its operation, to protect the rights of copyright owners, which has the effect of preventing a copyright work from being copied (in whole or in part) or restricting the number of copies which may be made;

“personal copy” means a copy of a copyright work which may be made under section 28B;

“voluntary measure or agreement” has the same meaning as in section 296ZE, except that the reference to carrying out a permitted act is to be read as a reference to making a personal copy.

(9) Subsections (1) to (8) apply with any necessary adaptations to— (a) rights in performances, and in this context “personal copy” refers to a copy

of a recording of a performance which may be made under paragraph 1B of Schedule 2 without infringing the rights conferred by Chapter 2 of Part II (rights in performances), and

(b) publication right. ]

Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 24(1) (with regs. 31-40) F713 S. 296ZEA inserted (1.10.2014) by The Copyright and Rights in Performances (Personal Copies

for Private Use) Regulations 2014 (S.I. 2014/2361), regs. 1(1), 3(2) (with reg. 5) (but note that the amending S.I. was quashed with prospective effect by the High Court in the case of R (British Academy of Songwriters, Composers and Authors and others) v Secretary of State for Business, Innovation and Skills [2015] EWHC 2041 (Admin), 17 July 2015)

296ZF Interpretation of sections 296ZA to [F714296ZEA]

(1) In sections 296ZA to 296ZE, “technological measures” are any technology, device or component which is designed, in the normal course of its operation, to protect a copyright work other than a computer program.

(2) Such measures are “effective” if the use of the work is controlled by the copyright owner through—

(a) an access control or protection process such as encryption, scrambling or other transformation of the work, or

(b) a copy control mechanism, which achieves the intended protection.

(3) In this section, the reference to— (a) protection of a work is to the prevention or restriction of acts that are not

authorised by the copyright owner of that work and are restricted by copyright; and

(b) use of a work does not extend to any use of the work that is outside the scope of the acts restricted by copyright.

(4) Expressions used in sections 296ZA to [F715 296ZEA ] which are defined for the purposes of Part 1 of this Act (copyright) have the same meaning as in that Part. ]

Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 24(1) (with regs. 31-40) F714 Word in s. 296ZF heading substituted (1.10.2014) by The Copyright and Rights in Performances

(Personal Copies for Private Use) Regulations 2014 (S.I. 2014/2361), regs. 1(1), 4(3) (with reg. 5) (but note that the amending S.I. was quashed with prospective effect by the High Court in the case of R (British Academy of Songwriters, Composers and Authors and others) v Secretary of State for Business, Innovation and Skills [2015] EWHC 2041 (Admin), 17 July 2015)

F715 Word in s. 296ZF(4) substituted (1.10.2014) by The Copyright and Rights in Performances (Personal Copies for Private Use) Regulations 2014 (S.I. 2014/2361), regs. 1(1), 4(3) (with reg. 5) (but note that the amending S.I. was quashed with prospective effect by the High Court in the case of R (British Academy of Songwriters, Composers and Authors and others) v Secretary of State for Business, Innovation and Skills [2015] EWHC 2041 (Admin), 17 July 2015)

[F716 Rights management information

Amendments (Textual) F716 S. 296ZG and cross-heading inserted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 25 (with regs. 31-40)

296ZG Electronic rights management information

(1) This section applies where a person (D), knowingly and without authority, removes or alters electronic rights management information which—

288 Copyright, Designs and Patents Act 1988 (c. 48) Part VII – Miscellaneous and General

(a) is associated with a copy of a copyright work, or (b) appears in connection with the communication to the public of a copyright

work, and where D knows, or has reason to believe, that by so doing he is inducing, enabling, facilitating or concealing an infringement of copyright.

(2) This section also applies where a person (E), knowingly and without authority, distributes, imports for distribution or communicates to the public copies of a copyright work from which electronic rights management information—

(a) associated with the copies, or (b) appearing in connection with the communication to the public of the work,

has been removed or altered without authority and where E knows, or has reason to believe, that by so doing he is inducing, enabling, facilitating or concealing an infringement of copyright.

(3) A person issuing to the public copies of, or communicating, the work to the public, has the same rights against D and E as a copyright owner has in respect of an infringement of copyright.

(4) The copyright owner or his exclusive licensee, if he is not the person issuing to the public copies of, or communicating, the work to the public, also has the same rights against D and E as he has in respect of an infringement of copyright.

(5) The rights conferred by subsections (3) and (4) are concurrent, and sections 101(3) and 102(1) to (4) apply, in proceedings under this section, in relation to persons with concurrent rights as they apply, in proceedings mentioned in those provisions, in relation to a copyright owner and exclusive licensee with concurrent rights.

(b) section 72 of the [F717 Senior Courts Act 1981 ] , section 15 of the Law Reform (Miscellaneous Provisions) (Scotland) Act 1985 and section 94A of the Judicature (Northern Ireland) Act 1978 (withdrawal of privilege against self- incrimination in certain proceedings relating to intellectual property).

(7) In this section— (a) expressions which are defined for the purposes of Part 1 of this Act (copyright)

have the same meaning as in that Part; and (b) “ rights management information ” means any information provided by the

copyright owner or the holder of any right under copyright which identifies the work, the author, the copyright owner or the holder of any intellectual property rights, or information about the terms and conditions of use of the work, and any numbers or codes that represent such information.

(8) Subsections (1) to (5) and (6)(b), and any other provision of this Act as it has effect for the purposes of those subsections, apply, with any necessary adaptations, to rights in performances, publication right and database right.

(9) The provisions of regulation 22 (presumptions relevant to database right) of the Copyright and Rights in Databases Regulations 1997 (SI 1997/3032) apply in proceedings brought by virtue of this section in relation to database right. ]

Amendments (Textual) F717 S. 296ZG(6)(b): words wherever they occur in any enactment substituted (1.10.2009) by virtue of

[F718 Computer programs

Amendments (Textual) F718 Cross heading and s. 296A inserted (1.1.1993) by S.I. 1992/3233, reg.11

F719296AAvoidance of certain terms.

(1) Where a person has the use of a computer program under an agreement, any term or condition in the agreement shall be void in so far as it purports to prohibit or restrict—

(a) the making of any back up copy of the program which it is necessary for him to have for the purposes of the agreed use;

(b) where the conditions in section 50B(2) are met, the decompiling of the program; or

[F720 (c) the observing, studying or testing of the functioning of the program in accordance with section 50BA. ]

(2) In this section, decompile, in relation to a computer program, has the same meaning as in section 50B ]

Amendments (Textual) F719 S. 296A inserted (1.1.1993) by S.I. 1992/3233, reg.11 . F720 S. 296A(1)(c) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 15(4) (with regs. 31-40)

F721[ Databases ]

Amendments (Textual) F721 S. 296B and crossheading inserted (1.1.1998) by S.I. 1997/3032, reg. 10 (with Pt. IV)

296B [F722 Avoidance of certain terms relating to databases]

Where under an agreement a person has a right to use a database or part of a database, any term or condition in the agreement shall be void in so far as it purports to prohibit or restrict the performance of any act which would but for section 50D infringe the copyright in the database.

290 Copyright, Designs and Patents Act 1988 (c. 48) Part VII – Miscellaneous and General

Amendments (Textual) F722 S. 296B inserted (1.1.1998) by S.I. 1997/3032, reg. 10 (with Pt. IV)

Fraudulent reception of transmissions

297 Offence of fraudulently receiving programmes.

(1) A person who dishonestly receives a programme included in a broadcasting F723 . . . service provided from a place in the United Kingdom with intent to avoid payment of any charge applicable to the reception of the programme commits an offence and is liable on summary conviction to a fine not exceeding level 5 on the standard scale.

(2) Where an offence under this section committed by a body corporate is proved to have been committed with the consent or connivance of a director, manager, secretary or other similar officer of the body, or a person purporting to act in any such capacity, he as well as the body corporate is guilty of the offence and liable to be proceeded against and punished accordingly.

In relation to a body corporate whose affairs are managed by its members “director” means a member of the body corporate.

Amendments (Textual) F723 Words in s. 297(1) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

[F724297AUnauthorised decoders.

(1) A person commits an offence if he— (a) makes, imports, distributes, sells or lets for hire or offers or exposes for sale

or hire any unauthorised decoder; (b) has in his possession for commercial purposes any unauthorised decoder; (c) instals, maintains or replaces for commercial purposes any unauthorised

decoder; or (d) advertises any unauthorised decoder for sale or hire or otherwise promotes

any unauthorised decoder by means of commercial communications.

(2) A person guilty of an offence under subsection (1) is liable— [F725 (a) on summary conviction, to imprisonment for a term not exceeding six months,

or to a fine not exceeding the statutory maximum, or to both; ]] (b) on conviction on indictment, to imprisonment for a term not exceeding

[F726 ten ] years, or to a fine, or to both.

(3) It is a defence to any prosecution for an offence under this section for the defendant to prove that he did not know, and had no reasonable ground for believing, that the decoder was an unauthorised decoder.

(4) In this section—

“apparatus” includes any device, component or electronic data (including software); “conditional access technology” means any technical measure or arrangement whereby access to encrypted transmissions in an intelligbile form is made conditional on prior individual authorisation; “decoder” means any apparatus which is designed or adapted to enable (whether on its own or with any other apparatus) an encrypted transmission to be decoded; “encrypted” includes subjected to scrambling or the operation of cryptographic envelopes, electronic locks, passwords or any other analogous application; “transmission” means—

(a) any programme included in a broadcasting F727 . . . service which is provided from a place in the United Kingdom or any other member State; or

(b) an information society service (within the meaning of Directive 98/34/ EC of the European Parliament and of the Council of 22nd June 1998 F728 , as amended by Directive 98/48/EC of the European Parliament and of the Council of 20th July 1998 F729 ) which is provided from a place in the United Kingdom or any other member State; and

“unauthorised”, in relation to a decoder, means that the decoder is designed or adapted to enable an encrypted transmission, or any service of which it forms part, to be accessed in an intelligible form without payment of the fee (however imposed) which the person making the transmission, or on whose behalf it is made, charges for accessing the transmission or service (whether by the circumvention of any conditional access technology related to the transmission or service or by any other means).

Amendments (Textual) F724 S. 297A substituted (28.5.2000) by S.I. 2000/1175, art. 2(2) F725 S. 297A(2)(a) substituted (20.11.2002) by 2002 c. 25, s. 1(4)(a)(5) ; S.I. 2002/2749, art. 2 F726 Word in s. 297A(2)(b) substituted (20.11.2002) by 2002 c. 25, s. 1(4)(b)(5) ; S.I. 2002/2749, art. 2 F727 Words in s. 297A(4) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F728 O.J. L204, 21.7.98, p.37 F729 O.J. L217, 5.8.98, p.18

[F730297BSearch warrants

(a) that an offence under section 297A(1) has been or is about to be committed in any premises, and

292 Copyright, Designs and Patents Act 1988 (c. 48) Part VII – Miscellaneous and General

(2) The power conferred by subsection (1) does not, in England and Wales, extend to authorising a search for material of the kinds mentioned in section 9(2) of the Police and Criminal Evidence Act 1984 (c. 60) (certain classes of personal or confidential material).

(3) A warrant under subsection (1)— (a) may authorise persons to accompany any constable executing the warrant, and (b) remains in force for [F731 three months ] from the date of its issue.

(4) In executing a warrant issued under subsection (1) a constable may seize an article if he reasonably believes that it is evidence that any offence under section 297A(1) has been or is about to be committed.

(5) In this section “ premises ” includes land, buildings, fixed or moveable structures, vehicles, vessels, aircraft and hovercraft. ]

Amendments (Textual) F730 S. 297B inserted (20.11.2002) by 2002 c. 25, s. 2(4) ; S.I. 2002/2749, art. 2 F731 Words in s. 297B(3)(b) substituted (1.1.2006) by Serious Organised Crime and Police Act 2005

(c. 15), ss. 174(1), 178, Sch. 16 para. 6(4) ; S.I. 2004/3495, art. 2(1)(s) (subject to art. 2(2))

[F732297CForfeiture of unauthorised decoders: England and Wales or Northern Ireland

(1) In England and Wales or Northern Ireland where unauthorised decoders have come into the possession of any person in connection with the investigation or prosecution of a relevant offence, that person may apply under this section for an order for the forfeiture of the unauthorised decoders.

(2) For the purposes of this section “relevant offence” means— (a) an offence under section 297A(1) (criminal liability for making, importing,

etc. unauthorised decoders), (b) an offence under the Trade Descriptions Act 1968,

[F733 (ba) an offence under the Business Protection from Misleading Marketing Regulations 2008,

relating to some or all of the unauthorised decoders, to that court, or (b) where no application for the forfeiture of the unauthorised decoders has been

made under paragraph (a), by way of complaint to a magistrates’ court.

(4) On an application under this section, the court shall make an order for the forfeiture of any unauthorised decoders only if it is satisfied that a relevant offence has been committed in relation to the unauthorised decoders.

(5) A court may infer for the purposes of this section that such an offence has been committed in relation to any unauthorised decoders if it is satisfied that such an offence

has been committed in relation to unauthorised decoders which are representative of the unauthorised decoders in question (whether by reason of being of the same design or part of the same consignment or batch or otherwise).

(8) Subject to subsection (9), where any unauthorised decoders are forfeited under this section they shall be destroyed in accordance with such directions as the court may give.

(9) On making an order under this section the court may direct that the unauthorised decoders to which the order relates shall (instead of being destroyed) be forfeited to a person who has rights or remedies under section 298 in relation to the unauthorised decoders in question, or dealt with in such other way as the court considers appropriate. ]

Amendments (Textual) F732 Ss. 297C, 297D inserted (20.11.2002) by 2002 c. 25, s. 5 ; S.I. 2002/2749, art. 2 F733 S. 297C(2)(ba)(bb) and word substituted (26.5.2008) for word by The Consumer Protection from

Unfair Trading Regulations 2008 (S.I. 2008/1277), reg. 1, Sch. 2 para. 44 (with reg. 28(2)(3))

F734297DForfeiture of unauthorised decoders: Scotland

(1) In Scotland the court may make an order under this section for the forfeiture of unauthorised decoders.

(3) On an application under subsection (2)(a), the court shall make an order for the forfeiture of any unauthorised decoders only if it is satisfied that a relevant offence has been committed in relation to the unauthorised decoders.

(4) The court may infer for the purposes of this section that such an offence has been committed in relation to any unauthorised decoders if it is satisfied that such an offence has been committed in relation to unauthorised decoders which are representative of the unauthorised decoders in question (whether by reason of being of the same design or part of the same consignment or batch or otherwise).

294 Copyright, Designs and Patents Act 1988 (c. 48) Part VII – Miscellaneous and General

(5) The procurator-fiscal making the application under subsection (2)(a) shall serve on any person appearing to him to be the owner of, or otherwise to have an interest in, the unauthorised decoders to which the application relates a copy of the application, together with a notice giving him the opportunity to appear at the hearing of the application to show cause why the unauthorised decoders should not be forfeited.

(6) Service under subsection (5) shall be carried out, and such service may be proved, in the manner specified for citation of an accused in summary proceedings under the Criminal Procedure (Scotland) Act 1995 (c. 46).

(7) Any person upon whom notice is served under subsection (5) and any other person claiming to be the owner of, or otherwise to have an interest in, unauthorised decoders to which an application under this section relates shall be entitled to appear at the hearing of the application to show cause why the unauthorised decoders should not be forfeited.

(9) Where an order for the forfeiture of any unauthorised decoders is made following an application under subsection (2)(a), any person who appeared, or was entitled to appear, to show cause why the unauthorised decoders should not be forfeited may, within 21 days of the making of the order, appeal to the High Court by Bill of Suspension.

(13) Subject to subsection (14), where any unauthorised decoders are forfeited under this section they shall be destroyed in accordance with such directions as the court may give.

(14) On making an order under this section the court may direct that the unauthorised decoders to which the order relates shall (instead of being destroyed) be forfeited to a person who has rights or remedies under section 298 in relation to the unauthorised decoders in question, or dealt with in such other way as the court considers appropriate.

(15) For the purposes of this section— [F735 “relevant offence” means—

(a) an offence under section 297A(1) (criminal liability for making, importing, etc unauthorised decoders),

Amendments (Textual) F734 Ss. 297C, 297D inserted (20.11.2002) by 2002 c. 25, s. 5 ; S.I. 2002/2749, art. 2 F735 Words in s. 297D(15) substituted (26.5.2008) by The Consumer Protection from Unfair Trading

Regulations 2008 (S.I. 2008/1277), reg. 1, Sch. 2 para. 45 (with reg. 28(2)(3))

[F736298 Rights and remedies in respect of apparatus, &c. for unauthorised reception of transmissions.

(1) A person who— (a) makes charges for the reception of programmes included in a broadcasting

F737 . . . service provided from a place in the United Kingdom or any other member State,

(b) sends encrypted tranmissions of any other description from a place in the United Kingdom or any other member State, or

(c) provides conditional access services from a place in the United Kingdom or any other member State,

is entitled to the following rights and remedies.

(2) He has the same rights and remedies against a person— (a) who—

(i) makes, imports, distributes, sells or lets for hire, offers or exposes for sale or hire, or advertises for sale or hire,

(ii) has in his possession for commercial purposes, or (iii) instals, maintains or replaces for commercial purposes,

any apparatus designed or adapted to enable or assist persons to access the programmes or other transmissions or circumvent conditional access technology related to the programmes or other transmissions when they are not entitled to do so, or

(b) who publishes or otherwise promotes by means of commercial communications any information which is calculated to enable or assist persons to access the programmes or other transmissions or circumvent conditional access technology related to the programmes or other transmissions when they are not entitled to do so,

296 Copyright, Designs and Patents Act 1988 (c. 48) Part VII – Miscellaneous and General

as a copyright owner has in respect of an infringement of copyright.

(3) Further, he has the same rights under section 99 or 100 (delivery up or seizure of certain articles) in relation to any such apparatus as a copyright owner has in relation to an infringing copy.

(4) Section 72 of the M49[F738 Senior Courts Act 1981 ] , section 15 of the M50 Law Reform (Miscellaneous Provisions) (Scotland) Act 1985 and section 94A of the M51 Judicature (Northern Ireland) Act 1978 (withdrawal of privilege against self-incrimination in certain proceedings relating to intellectual property) apply to proceedings under this section as to proceedings under Part I of this Act (copyright).

(5) In section 97(1) (innocent infringement of copyright) as it applies to proceedings for infringement of the rights conferred by this section, the reference to the defendant not knowing or having reason to believe that copyright subsisted in the work shall be construed as a reference to his not knowing or having reason to believe that his acts infringed the rights conferred by this section.

(6) Section 114 applies, with the necessary modifications, in relation to the disposal of anything delivered up or seized by virtue of subsection (3) above.

(7) In this section “apparatus”, “conditional access technology” and “encrypted” have the same meanings as in section 297A, “transmission” includes transmissions as defined in that section and “conditional access services” means services comprising the provision of conditional access technology. ]

Amendments (Textual) F736 S. 298 substituted (25.5.2000) by S.I. 2000/1175, art. 2(3) F737 Words in s. 298(1)(a) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F738 S. 298(4): words wherever they occur in any enactment substituted (1.10.2009) by virtue of

Marginal Citations M49 1981 c. 54. M50 1985 c. 37. M51 1978 c. 23.

299 Supplementary provisions as to fraudulent reception.

(1) Her Majesty may by Order in Council— (a) provide that section 297 applies in relation to programmes included in services

provided from a country or territory outside the United Kingdom, and (b) provide that section 298 applies in relation to such programmes and to

encrypted transmissions sent from such a country or territory. F739 (2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(3) A statutory instrument containing an Order in Council under subsection (1) shall be subject to annulment in pursuance of a resolution of either House of Parliament.

(4) Where sections 297 and 298 apply in relation to a broadcasting service F740 . . . , they also apply to any service run for the person providing that service, or a person providing programmes for that service, which consists wholly or mainly in the sending by means of a telecommunications system of sounds or visual images, or both.

(5) In sections 297 [F741 , 297A ] and 298, and this section, “programme” [F742 and “broadcasting” ] , and related expressions, have the same meaning as in Part I (copyright).

Amendments (Textual) F739 S. 299(2) repealed by Broadcasting Act 1990 (c. 42, SIF 96), ss. 179(2)(a), 203(3), Sch. 21 F740 Words in s. 299(4) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F741 S. 299(5): ", 297A" inserted by Broadcasting Act 1990 (c. 42, SIF 96), s. 179(2)(b) F742 Words in s. 299(5) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003

(S.I. 2003/2498), reg. 2(1), Sch. 1 para. 3(3) (with regs. 31-40)

Fraudulent application or use of trade mark

F743300 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F743 S. 300 repealed (31.10.1994) by 1994 c. 26, s. 106(2), Sch. 5 ; S.I. 1994/2550, art. 2

Provisions for the benefit of [F744 Great Ormond Street Hospital for Children ]

Amendments (Textual) F744 Words in s. 301 cross-heading substituted (23.5.2016) by NHS (Charitable Trusts Etc) Act 2016

(c. 10), ss. 3(2)(b) , 5(3)

301 Provisions for the benefit of [F745Great Ormond Street Hospital for Children].

The provisions of Schedule 6 have effect for conferring on [F746 GOSH Children's Charity for the benefit of Great Ormond Street Hospital for Children ] a right to a royalty in respect of the public performance, commercial publication [F747 or communication to the public ] of the play “Peter Pan” by Sir James Matthew Barrie, or of any adaptation of that work, notwithstanding that copyright in the work expired on 31st December 1987.

298 Copyright, Designs and Patents Act 1988 (c. 48) Part VII – Miscellaneous and General

Amendments (Textual) F745 Words in s. 301 heading substituted (23.5.2016) by NHS (Charitable Trusts Etc) Act 2016 (c. 10), ss.

3(2)(a) , 5(3) F746 Words in s. 301 substituted (23.5.2016) by NHS (Charitable Trusts Etc) Act 2016 (c. 10), ss. 3(3) , 5(3) F747 Words in s. 301 substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(1), Sch. 1 para. 6(2)(d) (with regs. 31-40)

Financial assistance for certain international bodies

302 Financial assistance for certain international bodies.

(1) The Secretary of State may give financial assistance, in the form of grants, loans or guarantees to—

(a) any international organisation having functions relating to trade marks or other intellectual property, or

(b) any [F748 EU ] institution or other body established under any of the [F748 EU ] Treaties having any such functions,

with a view to the establishment or maintenance by that organisation, institution or body of premises in the United Kingdom.

(2) Any expenditure of the Secretary of State under this section shall be defrayed out of money provided by Parliament; and any sums received by the Secretary of State in consequence of this section shall be paid into the Consolidated Fund.

Amendments (Textual) F748 Words substituted (22.4.2011) by The Treaty of Lisbon (Changes in Terminology) Order 2011 (S.I.

303 Consequential amendments and repeals.

(1) The enactments specified in Schedule 7 are amended in accordance with that Schedule, the amendments being consequential on the provisions of this Act.

(2) The enactments specified in Schedule 8 are repealed to the extent specified.

304 Extent.

(1) Provision as to the extent of Part I (copyright), Part II (rights in performances) and Part III (design right) is to be found in sections 157, 207 and 255 respectively; the extent of the other provisions of this Act is as follows.

(2) Parts IV to VII extend to England and Wales, Scotland and Northern Ireland, except that—

(a) sections 287 to 292 (patents county courts) extend to England and Wales only,

F749 (b) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (c) the amendments and repeals in Schedules 7 and 8 have the same extent as the

enactments amended or repealed.

(3) The following provisions extend to the Isle of Man subject to any modifications contained in an Order made by Her Majesty in Council—

(a) sections 293 and 294 (patents: licences of right), and (b) paragraphs 24 and 29 of Schedule 5 (patents: effect of filing international

application for patent and power to extend time limits).

(4) Her Majesty may by Order in Council direct that the following provisions extend to the Isle of Man, with such exceptions and modifications as may be specified in the Order—

(a) Part IV (registered designs), (b) Part V (patent agents), (c) the provisions of Schedule 5 (patents: miscellaneous amendments) not

mentioned in subsection (3) above, (d) sections 297 to 299 (fraudulent reception of transmissions), and (e) section 300 (fraudulent application or use of trade mark).

(5) Her Majesty may by Order in Council direct that sections 297 to 299 (fraudulent reception of transmissions) extend to any of the Channel Islands, with such exceptions and modifications as may be specified in the Order.

(6) Any power conferred by this Act to make provision by Order in Council for or in connection with the extent of provisions of this Act to a country outside the United Kingdom includes power to extend to that country, subject to any modifications specified in the Order, any provision of this Act which amends or repeals an enactment extending to that country.

Amendments (Textual) F749 S. 304(2)(b) omitted (23.5.2016) by virtue of NHS (Charitable Trusts Etc) Act 2016 (c. 10), ss. 3(4) ,

305 Commencement.

(1) The following provisions of this Act come into force on Royal Assent— paragraphs 24 and 29 of Schedule 5 (patents: effect of filing international application for patent and power to extend time limits); section 301 and Schedule 6 (provisions for the benefit of the Hospital for Sick Children).

(2) Sections 293 and 294 (licences of right) come into force at the end of the period of two months beginning with the passing of this Act.

(3) The other provisions of this Act come into force on such day as the Secretary of State may appoint by order made by statutory instrument, and different days may be appointed for different provisions and different purposes.

300 Copyright, Designs and Patents Act 1988 (c. 48) Part VII – Miscellaneous and General

Modifications etc. (not altering text) C126 Power of appointment conferred by s. 305(3) partly exercised: S.I. 1989/816, 955, 1032, 1303,

1990/1400, 2168

306 Short title.

This Act may be cited as the Copyright, Designs and Patents Act 1988.

Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE ZA1 – CERTAIN PERMITTED USES OF ORPHAN WORKS Document Generated: 2018-04-19

S C H E D U L E S

[F750 SCHEDULE ZA1 Section 76A

Amendments (Textual) F750 Sch. ZA1 inserted (29.10.2014) by The Copyright and Rights in Performances (Certain Permitted Uses

of Orphan Works) Regulations 2014 (S.I. 2014/2861), reg. 3(5), Sch. para. 1

GENERAL PROVISIONS

Certain permitted uses of orphan works by relevant bodies 1. (1) A relevant body does not infringe the copyright in a relevant work in its collection

which is an orphan work by— (a) making the orphan work available to the public; or (b) reproducing the orphan work for the purposes of digitisation, making

available, indexing, cataloguing, preservation or restoration.

(2) A relevant body does not infringe the rights conferred by Chapter 2 of Part 2 by doing either of the following in relation to a relevant work in its collection which is an orphan work—

(a) making the orphan work available to the public; or (b) reproducing the orphan work for the purposes of digitisation, making

(3) A relevant body does not commit an offence under section 107 or 198 by using an orphan work in a way which, by virtue of this Schedule, does not infringe copyright or the rights conferred by Chapter 2 of Part 2.

(4) This paragraph is subject to paragraph 6 (further requirements for use of orphan works).

Meaning of “relevant body”, “relevant work” and “rightholder” 2. (1) In this Schedule “relevant body” means—

(a) a publicly accessible library, educational establishment or museum, (b) an archive, (c) a film or audio heritage institution, or (d) a public service broadcasting organisation.

302 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE ZA1 – CERTAIN PERMITTED USES OF ORPHAN WORKS

(2) Subject to sub-paragraph (4), in this Schedule “relevant work” means a work to which sub-paragraph (3) applies which is—

(a) a work in the form of a book, journal, newspaper, magazine or other writing which is contained in the collection of a publicly accessible library, educational establishment or museum, an archive or a film or audio heritage institution;

(b) a cinematographic or audiovisual work or a sound recording which is contained in the collection of a publicly accessible library, educational establishment or museum, an archive or a film or audio heritage institution; or

(c) a cinematographic or audiovisual work or a sound recording which was commissioned for exclusive exploitation by, or produced by, one or more public service broadcasting organisations on or before 31 December 2002 and is contained in the archives of that organisation or one or more of those organisations.

(3) This sub-paragraph applies to a work if— (a) it is protected by copyright or rights conferred by Chapter 2 of Part 2, and (b) the first publication or first broadcast of the work was in a member State.

(4) In this Schedule “relevant work” also includes a work listed in any of paragraphs (a) to (c) of sub-paragraph (2) which—

(a) is protected by copyright or rights conferred by Chapter 2 of Part 2, and (b) has never been published or broadcast, but (c) has been made publicly accessible by a relevant body with the consent of

the rightholders, as long as it is reasonable to assume that the rightholders would not oppose the use of the work as mentioned in paragraph 1(1) or (2).

(5) References in this Schedule to a relevant work include— (a) a work that is embedded or incorporated in, or constitutes an integral part

of, a relevant work, and (b) a performance in relation to which rights are conferred by Chapter 2 of Part

2 and which is embedded or incorporated in, or constitutes an integral part of, a relevant work.

(6) In this Schedule “rightholder” in relation to a relevant work means— (a) an owner of the copyright in the work, (b) a licensee under an exclusive licence in relation to the work, (c) a person with rights under Chapter 2 of Part 2 in relation to a performance

recorded by the work, or (d) a licensee under an exclusive licence in relation to those rights.

(7) In the application of sub-paragraph (6) to a performance by virtue of sub- paragraph (5), the reference in sub-paragraph (6)(c) to a performance recorded by the work is to be read as a reference to the performance.

(8) In this paragraph “public service broadcasting organisation” includes a public service broadcaster within the meaning of section 264 of the Communications Act 2003.

Meaning of “orphan work” 3. (1) For the purposes of this Schedule a relevant work is an orphan work if—

(a) there is a single rightholder in the work and the rightholder has not been identified or located, or

(b) there is more than one rightholder in the work and none of the rightholders has been identified or located,

despite a diligent search for the rightholder or rightholders having been carried out and recorded in accordance with paragraph 5.

(2) Subject as follows, a relevant work with more than one rightholder is also an orphan work for the purposes of this Schedule if—

(a) one or more of the rightholders has been identified or located, and (b) one or more of the rightholders has not been identified or located despite

a diligent search for the rightholder or rightholders having been carried out and recorded in accordance with paragraph 5.

Mutual recognition of orphan work status 4. A relevant work which is designated as an orphan work in another member State

is an orphan work for the purposes of this Schedule.

Diligent searches 5. (1) For the purposes of establishing whether a relevant work is an orphan work, a relevant

body must ensure that a diligent search is carried out in good faith in respect of the work by consulting the appropriate sources for the category of work in question.

(2) The relevant body must carry out the diligent search prior to the use of the relevant work.

(3) The sources that are appropriate for each category of relevant work must as a minimum include—

(a) the relevant databases maintained by the Office for Harmonization in the Internal Market; and

(b) where there is no record that the relevant work is an orphan work in the databases referred to in paragraph (a), the relevant sources listed in Part 2 of this Schedule for that category.

(4) The Comptroller-General of Patents, Designs and Trade Marks may issue guidance on the appropriate sources to be consulted under this paragraph for any particular category of work.

(5) Subject to sub-paragraphs (6) to (8), a search of the sources mentioned in sub- paragraph (3)(b) must be carried out in the member State in which the relevant work was first published or broadcast.

(6) If the relevant work is a cinematographic or audiovisual work and the producer of the work has his or her headquarters or habitual residence in a member State, the search must be carried out in the member State of the headquarters or habitual residence.

(7) If the relevant work falls within paragraph 2(4), the search must be carried out in the member State where the organisation that made the work publicly accessible with the consent of the rightholders is established.

304 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE ZA1 – CERTAIN PERMITTED USES OF ORPHAN WORKS

(8) If there is evidence to suggest that relevant information on rightholders is to be found in other countries, a relevant body carrying out a search in accordance with sub- paragraph (3)(b) must also consult the sources of information available in those other countries.

(9) A relevant body that makes use of orphan works in accordance with this Schedule must maintain records of its diligent searches and must provide the following information to the Office for Harmonization in the Internal Market—

(a) the results of the diligent searches which the relevant body has carried out and which first established that a work is an orphan work;

(b) the use that the relevant body makes of the orphan works; (c) any change, pursuant to paragraph 7, of the orphan work status of a relevant

work that the relevant body has used and in respect of which the relevant body has been supplied with evidence by a rightholder in accordance with paragraph 7(2); and

(d) the contact information for the relevant body.

Further requirements for use of orphan works 6. This Schedule does not prevent the use by a relevant body of an orphan work

as mentioned in paragraph 1 from infringing copyright or the rights conferred by Chapter 2 of Part 2 if—

(a) the revenues generated in the course of the use of the orphan work are used otherwise than for the exclusive purpose of covering the costs of the relevant body in digitising orphan works and making them available to the public;

(b) the relevant body uses the orphan work in order to achieve aims which are not related to its public-interest mission (and the aims which are to be treated as related to its public interest mission include, in particular, the preservation of, the restoration of, and the provision of cultural and educational access to, works contained in its collection);

(c) any rightholder who has been identified or located has, in relation to the rightholder’s rights, not authorised the relevant body’s use of the orphan work as mentioned in paragraph 1; or

(d) the relevant body fails, in the course of the permitted use of the orphan work, to acknowledge the name of any author of or other rightholder in the work who has been identified.

End of orphan work status 7. (1) This paragraph applies to a rightholder who has not been identified or located in

relation to a relevant work.

(2) A rightholder may put an end to the orphan work status of a relevant work by providing evidence of his or her ownership of the rights to the Office for Harmonization in the Internal Market or to the relevant body which carried out the diligent search which first established that the relevant work is an orphan work.

(3) A relevant body that is using or has used the orphan work must within a reasonable period provide the rightholder with fair compensation for that body’s use of the relevant work together with information on how the fair compensation has been calculated.

(4) If a relevant body and the rightholder cannot agree on the amount of compensation payable, either of them may apply to the Copyright Tribunal to determine the amount.

SOURCES TO BE SEARCHED DURING DILIGENT SEARCH

Category of relevant work Sources to be searched

1. Published books (a) legal deposit, library catalogues and authority files maintained by libraries and other institutions;

(b) the publishers’ and authors’ associations in the country in question;

(c) existing databases and registries, WATCH (Writers, Artists and their Copyright Holders), the ISBN (International Standard Book Number) and databases listing books in print;

(d) the databases of the relevant collecting societies, including reproduction rights organisations;

(e) sources that integrate multiple databases and registries, including VIAF (Virtual International Authority Files) and ARROW (Accessible Registries of Rights Information and Orphan Works).

2. Newspapers, magazines, journals and periodicals

(a) the ISSN (International Standard Serial Number) for periodical publications;

(b) indexes and catalogues from library holdings and collections;

(c) legal deposit; (d) the publishers’ associations and the

authors’ and journalists’ associations in the country in question;

(e) the databases of relevant collecting societies including reproduction rights organisations.

3. Visual works, including fine art, photography, illustration, design, architecture, sketches of the latter works and other such works that are contained in books, journals, newspapers and magazines or other works

(a) the sources referred to in paragraphs 1 and 2;

(b) the databases of the relevant collecting societies, in particular for visual arts, and including reproduction rights organisations;

(c) the databases of picture agencies, where applicable.

4. Audiovisual works and sound recordings (a) legal deposit; (b) the producers’ associations in the

country in question;

306 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE A1 – Regulation of licensing bodies

Category of relevant work Sources to be searched (c) databases of film or audio heritage

institutions and national libraries; (d) databases with relevant standards and

identifiers such as ISAN (International Standard Audiovisual Number) for audiovisual material, ISWC (International Standard Music Work Code) for musical works and ISRC (International Standard Recording Code) for sound recordings;

(e) the databases of the relevant collecting societies, in particular for authors, performers, sound recording producers and audiovisual producers;

(f) credits and other information appearing on the work’s packaging;

(g) databases of other relevant associations representing a specific category of rightholders.

5. Relevant works which have not been published or broadcast

Those sources that are listed in paragraphs 1 to 4 above which are appropriate to a relevant work which is unpublished. ]

[F751 SCHEDULE A1

REGULATION OF LICENSING BODIES

Amendments (Textual) F751 Sch. A1 inserted (25.4.2013) by Enterprise and Regulatory Reform Act 2013 (c. 24), s. 103(1), Sch.

Codes of practice 1 (1) The Secretary of State may by regulations make provision for a licensing body to

be required to adopt a code of practice that complies with criteria specified in the regulations.

(2) The regulations may provide that, if a licensing body fails to adopt such a code of practice, any code of practice that is approved for the purposes of that licensing body by the Secretary of State, or by a person designated by the Secretary of State under the regulations, has effect as a code of practice adopted by the body.

(3) The regulations must provide that a code is not to be approved for the purposes of provision under sub-paragraph (2) unless it complies with criteria specified in the regulations.

Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE A1 – Regulation of licensing bodies Document Generated: 2018-04-19

2 Regulations under paragraph 1 may make provision as to conditions that are to be satisfied, and procedures that are to be followed—

(a) before a licensing body is required to adopt a code of practice as described in paragraph 1(1);

(b) before a code of practice has effect as one adopted by a licensing body as described in paragraph 1(2).

Licensing code ombudsman 3 (1) The Secretary of State may by regulations make provision—

(a) for the appointment of a person (the “licensing code ombudsman”) to investigate and determine disputes about a licensing body's compliance with its code of practice;

(b) for the reference of disputes to the licensing code ombudsman; (c) for the investigation and determination of a dispute so referred.

(2) Provision made under this paragraph may in particular include provision— (a) about eligibility for appointment as the licensing code ombudsman; (b) about the disputes to be referred to the licensing code ombudsman; (c) requiring any person to provide information, documents or assistance to

the licensing code ombudsman for the purposes of an investigation or determination;

(d) requiring a licensing body to comply with a determination of the licensing code ombudsman;

(e) about the payment of expenses and allowances to the licensing code ombudsman.

Code reviewer 4 (1) The Secretary of State may by regulations make provision—

(a) for the appointment by the Secretary of State of a person (the “code reviewer”) to review and report to the Secretary of State on—

(i) the codes of practice adopted by licensing bodies, and (ii) compliance with the codes of practice;

(b) for the carrying out of a review and the making of a report by that person.

(2) The regulations must provide for the Secretary of State, before appointing a person as the code reviewer, to consult persons whom the Secretary of State considers represent the interests of licensing bodies, licensees, members of licensing bodies, and the Intellectual Property Office.

(3) The regulations may, in particular, make provision— (a) requiring any person to provide information, documents or assistance to the

code reviewer for the purposes of a review or report; (b) about the payment of expenses and allowances to the code reviewer.

(4) In this paragraph “ member ”, in relation to a licensing body, means a person on whose behalf the body is authorised to negotiate or grant licences.

308 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE A1 – Regulation of licensing bodies

Sanctions 5 (1) The Secretary of State may by regulations provide for the consequences of a failure

by a licensing body to comply with— (a) a requirement to adopt a code of practice under provision within paragraph

1(1); (b) a code of practice that has been adopted by the body in accordance with a

requirement under provision within paragraph 1(1), or that has effect as one adopted by the body under provision within paragraph 1(2);

(c) a requirement imposed on the body under any other provision made under this Schedule;

(d) an authorisation under regulations under section 116A or 116B; (e) a requirement imposed by regulations under section 116A or 116B; (f) an authorisation under regulations under paragraph 1A or 1B of

Schedule 2A; (g) a requirement imposed by regulations under paragraph 1A or 1B of that

(2) The regulations may in particular provide for— (a) the imposition of financial penalties or other sanctions; (b) the imposition of sanctions on a director, manager or similar officer of a

licensing body or, where the body's affairs are managed by its members, on a member.

(3) The regulations must include provision— (a) for determining whether there has been a failure to comply with a

requirement or code of practice for the purposes of any provision made under sub-paragraph (1);

(b) for determining any sanction that may be imposed in respect of the failure to comply;

(c) for an appeal against a determination within paragraph (a) or (b).

(4) A financial penalty imposed under sub-paragraph (2) must not be greater than £50,000.

(5) The regulations may provide for a determination within sub-paragraph (3)(a) or (3) (b) to be made by the Secretary of State or by a person designated by the Secretary of State under the regulations.

(6) The regulations may make provision for requiring a person to give the person by whom a determination within sub-paragraph (3)(a) falls to be made (the “adjudicator”) any information that the adjudicator reasonably requires for the purpose of making that determination.

Fees 6 (1) The Secretary of State may by regulations require a licensing body to which

regulations under any other paragraph of this Schedule apply to pay fees to the Secretary of State.

(2) The aggregate amount of fees payable under the regulations must not be more than the cost to the Secretary of State of administering the operation of regulations under this Schedule.

Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 1 – Copyright: transitional provisions and savings Document Generated: 2018-04-19

General 7 (1) The power to make regulations under this Schedule includes in particular power—

(a) to make incidental, supplementary or consequential provision, including provision extending or restricting the jurisdiction of the Copyright Tribunal or conferring powers on it;

(b) to make provision for bodies of a particular description, or carrying out activities of a particular description, not to be treated as licensing bodies for the purposes of requirements imposed under regulations under this Schedule;

(c) to make provision that applies only in respect of licensing bodies of a particular description, or only in respect of activities of a particular description;

(d) otherwise to make different provision for different purposes.

(2) Regulations under a paragraph of this Schedule may amend Part 1 or Part 2, or any other enactment or subordinate legislation passed or made before the paragraph in question comes into force, for the purpose of making consequential provision or extending or restricting the jurisdiction of the Copyright Tribunal or conferring powers on it.

(3) The power to make regulations is exercisable by statutory instrument.

(4) A statutory instrument containing regulations may not be made unless a draft of the instrument has been laid before and approved by a resolution of each House of Parliament.

8 References in this Schedule to a licensing body are to a body that is a licensing body for the purposes of Chapter 7 of Part 1 or Chapter 2 of Part 2, and references to licensees are to be construed accordingly. ]

SCHEDULE 1 Section 170.

COPYRIGHT: TRANSITIONAL PROVISIONS AND SAVINGS

Modifications etc. (not altering text) C127 Sch. 1 applied (with modifications) by S.I. 1989/1293, art. 4(4)(5)(6) C128 Sch. 1 applied (with modifications)(4.5.1993) by S.I. 1993/942, arts. 2(3), 5, Sch. 4 (with art. 6) C129 Sch. 1 applied (4.5.1993) by S.I. 1993/942, arts.4, 5, Sch. 4 (with art. 6) C130 Sch. 1 applied (with modifications) (22.7.1999) by S.I. 1999/1751, arts. 2(3), 3, 4(3)-(5), 6, Sch. 5

(subject to arts. 5, 7) (as amended (22.4.2003) by S.I. 2003/774, arts. 2-5 ) C131 Sch. 1 extended in part (with modifications) by The Copyright (Bermuda) Order 2003 (S.I. 2003/1517),

art. 2, Sch. (the amendment coming into force in accordance with art. 1 of the amending S.I.) C132 Sch. 1 extended in part (with modifications) by The Copyright (Gibraltar) Order 2005 (S.I. 2005/853),

art. 2, Sch. (the amendment coming into force in accordance with art. 1 of the amending S.I.)

Introductory 1 (1) In this Schedule—

“the 1911 Act” means the M52 Copyright Act 1911,

310 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 1 – Copyright: transitional provisions and savings

“the 1956 Act” means the M53 Copyright Act 1956, and “the new copyright provisions” means the provisions of this Act relating

to copyright, that is, Part I (including this Schedule) and Schedules 3, 7 and 8 so far as they make amendments or repeals consequential on the provisions of Part I.

(2) References in this Schedule to “commencement”, without more, are to the date on which the new copyright provisions come into force.

(3) References in this Schedule to “existing works” are to works made before commencement; and for this purpose a work of which the making extended over a period shall be taken to have been made when its making was completed.

Marginal Citations M52 1911 c. 46. M53 1956 c. 74.

2 (1) In relation to the 1956 Act, references in this Schedule to a work include any work or other subject-matter within the meaning of that Act.

(2) In relation to the 1911 Act— (a) references in this Schedule to copyright include the right conferred by

section 24 of that Act in substitution for a right subsisting immediately before the commencement of that Act;

(b) references in this Schedule to copyright in a sound recording are to the copyright under that Act in records embodying the recording; and

(c) references in this Schedule to copyright in a film are to any copyright under that Act in the film (so far as it constituted a dramatic work for the purposes of that Act) or in photographs forming part of the film.

General principles: continuity of the law 3 The new copyright provisions apply in relation to things existing at commencement

as they apply in relation to things coming into existence after commencement, subject to any express provision to the contrary.

4 (1) The provisions of this paragraph have effect for securing the continuity of the law so far as the new copyright provisions re-enact (with or without modification) earlier provisions.

(2) A reference in an enactment, instrument or other document to copyright, or to a work or other subject-matter in which copyright subsists, which apart from this Act would be construed as referring to copyright under the 1956 Act shall be construed, so far as may be required for continuing its effect, as being, or as the case may require, including, a reference to copyright under this Act or to works in which copyright subsists under this Act.

(3) Anything done (including subordinate legislation made), or having effect as done, under or for the purposes of a provision repealed by this Act has effect as if done under or for the purposes of the corresponding provision of the new copyright provisions.

(4) References (expressed or implied) in this Act or any other enactment, instrument or document to any of the new copyright provisions shall, so far as the context permits, be construed as including, in relation to times, circumstances and purposes before commencement, a reference to corresponding earlier provisions.

(5) A reference (express or implied) in an enactment, instrument or other document to a provision repealed by this Act shall be construed, so far as may be required for continuing its effect, as a reference to the corresponding provision of this Act.

(6) The provisions of this paragraph have effect subject to any specific transitional provision or saving and to any express amendment made by this Act.

Subsistence of copyright 5 (1) Copyright subsists in an existing work after commencement only if copyright

subsisted in it immediately before commencement.

(2) Sub-paragraph (1) does not prevent an existing work qualifying for copyright protection after commencement—

(a) under section 155 (qualification by virtue of first publication), F752 ... (b) by virtue of an Order under section 159 (application of Part I to countries to

which it does not extend) [F753 , or ] [F754 (c) where the work is an artistic work in which copyright subsists as a result of

the disapplication of paragraph 6(1) by paragraph 6(1A) ]

Amendments (Textual) F752 Word in Sch. 1 para. 5(2)(a) omitted (6.4.2017) by virtue of The Copyright (Amendment) Regulations

2016 (S.I. 2016/1210), regs. 1, 2(2)(a) F753 Word in Sch. 1 para. 5(2)(b) substituted (6.4.2017) by The Copyright (Amendment) Regulations 2016

(S.I. 2016/1210), regs. 1, 2(2)(b) F754 Sch. 1 para. 5(2)(c) inserted (6.4.2017) by The Copyright (Amendment) Regulations 2016 (S.I.

2016/1210), regs. 1, 2(2)(c)

6 (1) Copyright shall not subsist by virtue of this Act in an artistic work made before 1st June 1957 which at the time when the work was made constituted a design capable of registration under the M54 Registered Designs Act 1949 or under the enactments repealed by that Act, and was used, or intended to be used, as a model or pattern to be multiplied by an industrial process.

[F755 (1A) Sub-paragraph (1) does not apply to an artistic work which was on 1st July 1995 protected under the law of another EEA state relating to copyright or related rights. ]

(2) For this purpose a design shall be deemed to be used as a model or pattern to be multiplied by any industrial process—

(a) when the design is reproduced or is intended to be reproduced on more than 50 single articles, unless all the articles in which the design is reproduced or is intended to be reproduced together form only a single set of articles as defined in section 44(1) of the Registered Designs Act 1949, or

(b) when the design is to be applied to— (i) printed paper hangings,

312 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 1 – Copyright: transitional provisions and savings

(ii) carpets, floor cloths or oil cloths, manufactured or sold in lengths or pieces,

(iii) textile piece goods, or textile goods manufactured or sold in lengths or pieces, or

(iv) lace, not made by hand.

Amendments (Textual) F755 Sch. 1 para. 6(1A) inserted (6.4.2017) by The Copyright (Amendment) Regulations 2016 (S.I.

2016/1210), regs. 1, 2(3)

Marginal Citations M54 1949 c. 88.

7 (1) No copyright subsists in a film, as such, made before 1st June 1957.

(2) Where a film made before that date was an original dramatic work within the meaning of the 1911 Act, the new copyright provisions have effect in relation to the film as if it was an original dramatic work within the meaning of Part I.

(3) The new copyright provisions have effect in relation to photographs forming part of a film made before 1st June 1957 as they have effect in relation to photographs not forming part of a film.

8 (1) A film sound-track to which section 13(9) of the 1956 Act applied before commencement (film to be taken to include sounds in associated sound-track) shall be treated for the purposes of the new copyright provisions not as part of the film, but as a sound recording.

(2) However— (a) copyright subsists in the sound recording only if copyright subsisted in the

film immediately before commencement, and it continues to subsist until copyright in the film expires;

(b) the author and first owner of copyright in the film shall be treated as having been author and first owner of the copyright in the sound recording; and

(c) anything done before commencement under or in relation to the copyright in the film continues to have effect in relation to the sound recording as in relation to the film.

[F756 9 No copyright subsists in— (a) a wireless broadcast made before 1st June 1957, or (b) a broadcast by cable made before 1st January 1985;

and any such broadcast shall be disregarded for the purposes of section 14(5) (duration of copyright in repeats). ]

Amendments (Textual) F756 Sch. 1 para. 9 substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg, 2(1), {Sch. 1 para. 16(a)} (with regs. 31-40)

Authorship of work 10 The question who was the author of an existing work shall be determined in

accordance with the new copyright provisions for the purposes of the rights conferred by Chapter IV of Part I (moral rights), and for all other purposes shall be determined in accordance with the law in force at the time the work was made.

First ownership of copyright 11 (1) The question who was first owner of copyright in an existing work shall be

determined in accordance with the law in force at the time the work was made.

(2) Where before commencement a person commissioned the making of a work in circumstances falling within—

(a) section 4(3) of the 1956 Act or paragraph (a) of the proviso to section 5(1) of the 1911 Act (photographs, portraits and engravings), or

(b) the proviso to section 12(4) of the 1956 Act (sound recordings), those provisions apply to determine first ownership of copyright in any work made in pursuance of the commission after commencement.

Duration of copyright in existing works 12 (1) The following provisions have effect with respect to the duration of copyright in

existing works.

The question which provision applies to a work shall be determined by reference to the facts immediately before commencement; and expressions used in this paragraph which were defined for the purposes of the 1956 Act have the same meaning as in that Act.

(2) Copyright in the following descriptions of work continues to subsist until the date on which it would have expired under the 1956 Act—

(a) literary, dramatic or musical works in relation to which the period of 50 years mentioned in the proviso to section 2(3) of the 1956 Act (duration of copyright in works made available to the public after the death of the author) has begun to run;

(b) engravings in relation to which the period of 50 years mentioned in the proviso to section 3(4) of the 1956 Act (duration of copyright in works published after the death of the author) has begun to run;

(c) published photographs and photographs taken before 1st June 1957; (d) published sound recordings and sound recordings made before 1st June

1957; (e) published films and films falling within section 13(3)(a) of the 1956 Act

(films registered under former enactments relating to registration of films).

(3) Copyright in anonymous or pseudonymous literary, dramatic, musical or artistic works (other than photographs) continues to subsist—

(a) if the work is published, until the date on which it would have expired in accordance with the 1956 Act, and

(b) if the work is unpublished, until the end of the period of 50 years from the end of the calendar year in which the new copyright provisions come into force or, if during that period the work is first made available to the public within the meaning of [F757 section 12(3) ] (duration of copyright in works

314 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 1 – Copyright: transitional provisions and savings

of unknown authorship), the date on which copyright expires in accordance with that provision;

unless, in any case, the identity of the author becomes known before that date, in which case [F758 section 12(2) ] applies (general rule: life of the author [F759 plus 70 ] ).

(4) Copyright in the following descriptions of work continues to subsist until the end of the period of 50 years from the end of the calendar year in which the new copyright provisions come into force—

(a) literary, dramatic and musical works of which the author has died and in relation to which none of the acts mentioned in paragraphs (a) to (e) of the proviso to section 2(3) of the 1956 Act has been done;

(b) unpublished engravings of which the author has died; (c) unpublished photographs taken on or after 1st June 1957.

(5) Copyright in the following descriptions of work continues to subsist until the end of the period of 50 years from the end of the calendar year in which the new copyright provisions come into force—

(a) unpublished sound recordings made on or after 1st June 1957; (b) films not falling within sub-paragraph (2)(e) above,

unless the recording or film is published before the end of that period in which case copyright in it shall continue until the end of the period of 50 years from the end of the calendar year in which the recording or film is published.

(6) Copyright in any other description of existing work continues to subsist until the date on which copyright in that description of work expires in accordance with sections 12 to 15 of this Act.

(7) The above provisions do not apply to works subject to Crown or Parliamentary copyright (see paragraphs 41 to 43 below).

Amendments (Textual) F757 Words in Sch. 1 para. 12(3)(b) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 18(3)(a) (with regs. 31-40) F758 Words in Sch. 1para. 12(3) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I.2003/2498), reg. 2(1), Sch. 1 para. 18(3)(b) (with regs. 31-40) F759 Words in Sch. 1 para. 12(3) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 18(3)(c) (with regs. 31-40)

Perpetual copyright under the Copyright Act 1775 13 (1) The rights conferred on universities and colleges by the M55 Copyright Act 1775 shall

continue to subsist until the end of the period of 50 years from the end of the calendar year in which the new copyright provisions come into force and shall then expire.

(2) The provisions of the following Chapters of Part I— Chapter III (acts permitted in relation to copyright works), Chapter VI (remedies for infringement), Chapter VII (provisions with respect to copyright licensing), and Chapter VIII (the Copyright Tribunal),

apply in relation to those rights as they apply in relation to copyright under this Act.

Marginal Citations M55 1775 c. 53.

Acts infringing copyright 14 (1) The provisions of Chapters II and III of Part I as to the acts constituting an

infringement of copyright apply only in relation to acts done after commencement; the provisions of the 1956 Act continue to apply in relation to acts done before commencement.

(2) So much of section 18(2) as extends the restricted act of issuing copies to the public to include the rental to the public of copies of sound recordings, films or computer programs does not apply in relation to a copy of a sound recording, film or computer program acquired by any person before commencement for the purpose of renting it to the public.

(3) For the purposes of section 27 (meaning of “infringing copy”) the question whether the making of an article constituted an infringement of copyright, or would have done if the article had been made in the United Kingdom, shall be determined—

(a) in relation to an article made on or after 1st June 1957 and before commencement, by reference to the 1956 Act, and

(b) in relation to an article made before 1st June 1957, by reference to the 1911 Act.

(4) For the purposes of the application of sections 31(2), 51(2) and 62(3) (subsequent exploitation of things whose making was, by virtue of an earlier provision of the section, not an infringement of copyright) to things made before commencement, it shall be assumed that the new copyright provisions were in force at all material times.

(5) Section 55 (articles for producing material in a particular typeface) applies where articles have been marketed as mentioned in subsection (1) before commencement with the substitution for the period mentioned in subsection (3) of the period of 25 years from the end of the calendar year in which the new copyright provisions come into force.

(6) Section 56 (transfer of copies, adaptations, &c. of work in electronic form) does not apply in relation to a copy purchased before commencement.

(7) In section 65 (reconstruction of buildings) the reference to the owner of the copyright in the drawings or plans is, in relation to buildings constructed before commencement, to the person who at the time of the construction was the owner of the copyright in the drawings or plans under the 1956 Act, the 1911 Act or any enactment repealed by the 1911 Act.

15 (1) Section 57 (anonymous or pseudonymous works: acts permitted on assumptions as to expiry of copyright or death of author) has effect in relation to existing works subject to the following provisions.

(2) Subsection (1)(b)(i) (assumption as to expiry of copyright) does not apply in relation to—

316 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 1 – Copyright: transitional provisions and savings

(a) photographs, or (b) the rights mentioned in paragraph 13 above (rights conferred by the

M56 Copyright Act 1775).

(3) F760 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F760 Sch. 1 para. 15(3) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2, Sch. 1 para. 16(b), Sch. 2 (with regs. 31-40)

Marginal Citations M56 1775 c. 53.

16 The following provisions of section 7 of the 1956 Act continue to apply in relation to existing works—

(a) subsection (6) (copying of unpublished works from manuscript or copy in library, museum or other institution);

(b) subsection (7) (publication of work containing material to which subsection (6) applies), except paragraph (a) (duty to give notice of intended publication);

(c) subsection (8) (subsequent broadcasting, performance, &c. of material published in accordance with subsection (7));

and subsection (9)(d) (illustrations) continues to apply for the purposes of those provisions.

17 Where in the case of a dramatic or musical work made before 1st July 1912, the right conferred by the 1911 Act did not include the sole right to perform the work in public, the acts restricted by the copyright shall be treated as not including—

(a) performing the work in public, [F761 (b) communicating the work to the public, or ]

(c) doing any of the above in relation to an adaptation of the work; and where the right conferred by the 1911 Act consisted only of the sole right to perform the work in public, the acts restricted by the copyright shall be treated as consisting only of those acts.

Amendments (Textual) F761 Sch. 1 para. 17(b) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498), reg. 2(1), Sch. 1 para. 4(6) (with regs. 31-40)

18 Where a work made before 1st July 1912 consists of an essay, article or portion forming part of and first published in a review, magazine or other periodical or work of a like nature, the copyright is subject to any right of publishing the essay, article, or portion in a separate form to which the author was entitled at the commencement of the 1911 Act, or would if that Act had not been passed, have become entitled under section 18 of the M57 Copyright Act 1842.

Marginal Citations M57 1842 c. 45.

Designs 19 (1) Section 51 (exclusion of copyright protection in relation to works recorded or

embodied in design document or models) does not apply for ten years after commencement in relation to a design recorded or embodied in a design document or model before commencement.

(2) During those ten years the following provisions of Part III (design right) apply to any relevant copyright as in relation to design right—

(a) sections 237 to 239 (availability of licences of right), and (b) sections 247 and 248 (application to comptroller to settle terms of licence

(3) In section 237 as it applies by virtue of this paragraph, for the reference in subsection (1) to the last five years of the design right term there shall be substituted a reference to the last five years of the period of ten years referred to in sub- paragraph (1) above, or to so much of those last five years during which copyright subsists.

(4) In section 239 as it applies by virtue of this paragraph, for the reference in subsection (1)(b) to section 230 there shall be substituted a reference to section 99.

(5) Where a licence of right is available by virtue of this paragraph, a person to whom a licence was granted before commencement may apply to the comptroller for an order adjusting the terms of that licence.

(6) The provisions of sections 249 and 250 (appeals and rules) apply in relation to proceedings brought under or by virtue of this paragraph as to proceedings under Part III.

(7) A licence granted by virtue of this paragraph shall relate only to acts which would be permitted by section 51 if the design document or model had been made after commencement.

(8) Section 100 (right to seize infringing copies, &c.) does not apply during the period of ten years referred to in sub-paragraph (1) in relation to anything to which it would not apply if the design in question had been first recorded or embodied in a design document or model after commencement.

(9) Nothing in this paragraph affects the operation of any rule of law preventing or restricting the enforcement of copyright in relation to a design.

Modifications etc. (not altering text) C133 Sch. 1 para. 19(1) excluded by S.I. 1989/1100, art. 10(2) C134 Sch. 1 para. 19(2) modified by S.I. 1989/1100, art. 10(3) C135 Sch. 1 para. 19(3) excluded by S.I. 1989/1100, art. 10(3)

318 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 1 – Copyright: transitional provisions and savings

F762 20 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F762 Sch. 1 para. 20 omitted (28.7.2016) by virtue of Enterprise and Regulatory Reform Act 2013 (c. 24), ss.

74(3)(b) , 103(3); S.I. 2016/593, arts. 2(1), 3 (with arts. 4, 5)

Abolition of statutory recording licence 21 Section 8 of the 1956 Act (statutory licence to copy records sold by retail) continues

to apply where notice under subsection (1)(b) of that section was given before the repeal of that section by this Act, but only in respect of the making of records—

(a) within one year of the repeal coming into force, and (b) up to the number stated in the notice as intended to be sold.

Moral rights 22 (1) No act done before commencement is actionable by virtue of any provision of

Chapter IV of Part I (moral rights).

(2) Section 43 of the 1956 Act (false attribution of authorship) continues to apply in relation to acts done before commencement.

23 (1) The following provisions have effect with respect to the rights conferred by— (a) section 77 (right to be identified as author or director), and (b) section 80 (right to object to derogatory treatment of work).

(2) The rights do not apply— (a) in relation to a literary, dramatic, musical and artistic work of which the

author died before commencement; or (b) in relation to a film made before commencement.

(3) The rights in relation to an existing literary, dramatic, musical or artistic work do not apply—

(a) where copyright first vested in the author, to anything which by virtue of an assignment of copyright made or licence granted before commencement may be done without infringing copyright;

(b) where copyright first vested in a person other than the author, to anything done by or with the licence of the copyright owner.

(4) The rights do not apply to anything done in relation to a record made in pursuance of section 8 of the 1956 Act (statutory recording licence).

24 The right conferred by section 85 (right to privacy of certain photographs and films) does not apply to photographs taken or films made before commencement.

Assignments and licences 25 (1) Any document made or event occurring before commencement which had any

operation— (a) affecting the ownership of the copyright in an existing work, or

(b) creating, transferring or terminating an interest, right or licence in respect of the copyright in an existing work,

has the corresponding operation in relation to copyright in the work under this Act.

(2) Expressions used in such a document shall be construed in accordance with their effect immediately before commencement.

26 (1) Section 91(1) of this Act (assignment of future copyright: statutory vesting of legal interest on copyright coming into existence) does not apply in relation to an agreement made before 1st June 1957.

(2) The repeal by this Act of section 37(2) of the 1956 Act (assignment of future copyright: devolution of right where assignee dies before copyright comes into existence) does not affect the operation of that provision in relation to an agreement made before commencement.

27 (1) Where the author of a literary, dramatic, musical or artistic work was the first owner of the copyright in it, no assignment of the copyright and no grant of any interest in it, made by him (otherwise than by will) after the passing of the 1911 Act and before 1st June 1957, shall be operative to vest in the assignee or grantee any rights with respect to the copyright in the work beyond the expiration of 25 years from the death of the author.

(2) The reversionary interest in the copyright expectant on the termination of that period may after commencement be assigned by the author during his life but in the absence of any assignment shall, on his death, devolve on his legal personal representatives as part of his estate.

(3) Nothing in this paragraph affects— (a) an assignment of the reversionary interest by a person to whom it has been

assigned, (b) an assignment of the reversionary interest after the death of the author by his

personal representatives or any person becoming entitled to it, or (c) any assignment of the copyright after the reversionary interest has fallen in.

(4) Nothing in this paragraph applies to the assignment of the copyright in a collective work or a licence to publish a work or part of a work as part of a collective work.

(5) In sub-paragraph (4) “collective work” means— (a) any encyclopaedia, dictionary, yearbook, or similar work; (b) a newspaper, review, magazine, or similar periodical; and (c) any work written in distinct parts by different authors, or in which works or

parts of works of different authors are incorporated. 28 (1) This paragraph applies where copyright subsists in a literary, dramatic, musical or

artistic work made before 1st July 1912 in relation to which the author, before the commencement of the 1911 Act, made such an assignment or grant as was mentioned in paragraph (a) of the proviso to section 24(1) of that Act (assignment or grant of copyright or performing right for full term of the right under the previous law).

(2) If before commencement any event has occurred or notice has been given which by virtue of paragraph 38 of Schedule 7 to the 1956 Act had any operation in relation to copyright in the work under that Act, the event or notice has the corresponding operation in relation to copyright under this Act.

320 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 1 – Copyright: transitional provisions and savings

(3) Any right which immediately before commencement would by virtue of paragraph 38(3) of that Schedule have been exercisable in relation to the work, or copyright in it, is exercisable in relation to the work or copyright in it under this Act.

(4) If in accordance with paragraph 38(4) of that Schedule copyright would, on a date after the commencement of the 1956 Act, have reverted to the author or his personal representatives and that date falls after the commencement of the new copyright provisions—

(a) the copyright in the work shall revert to the author or his personal representatives, as the case may be, and

(b) any interest of any other person in the copyright which subsists on that date by virtue of any document made before the commencement of the 1911 Act shall thereupon determine.

29 Section 92(2) of this Act (rights of exclusive licensee against successors in title of person granting licence) does not apply in relation to an exclusive licence granted before commencement.

Bequests 30 (1) Section 93 of this Act (copyright to pass under will with original document or other

material thing embodying unpublished work)— (a) does not apply where the testator died before 1st June 1957, and (b) where the testator died on or after that date and before commencement,

applies only in relation to an original document embodying a work.

(2) In the case of an author who died before 1st June 1957, the ownership after his death of a manuscript of his, where such ownership has been acquired under a testamentary disposition made by him and the manuscript is of a work which has not been published or performed in public, is prima facie proof of the copyright being with the owner of the manuscript.

Remedies for infringement 31 (1) Sections 96 and 97 of this Act (remedies for infringement) apply only in relation

to an infringement of copyright committed after commencement; section 17 of the 1956 Act continues to apply in relation to infringements committed before commencement.

(2) Sections 99 and 100 of this Act (delivery up or seizure of infringing copies, &c.) apply to infringing copies and other articles made before or after commencement; section 18 of the 1956 Act, and section 7 of the 1911 Act, (conversion damages, &c.), do not apply after commencement except for the purposes of proceedings begun before commencement.

(3) Sections 101 to 102 of this Act (rights and remedies of exclusive licensee) apply where sections 96 to 100 of this Act apply; section 19 of the 1956 Act continues to apply where section 17 or 18 of that Act applies.

(4) Sections 104 to 106 of this Act (presumptions) apply only in proceedings brought by virtue of this Act; section 20 of the 1956 Act continues to apply in proceedings brought by virtue of that Act.

32 Sections 101 and 102 of this Act (rights and remedies of exclusive licensee) do not apply to a licence granted before 1st June 1957.

33 (1) The provisions of section 107 of this Act (criminal liability for making or dealing with infringing articles, &c.) apply only in relation to acts done after commencement; section 21 of the 1956 Act (penalties and summary proceedings in respect of dealings which infringe copyright) continues to apply in relation to acts done before commencement.

(2) Section 109 of this Act (search warrants) applies in relation to offences committed before commencement in relation to which section 21A or 21B of the 1956 Act applied; sections 21A and 21B continue to apply in relation to warrants issued before commencement.

Copyright Tribunal: proceedings pending on commencement 34 (1) The Lord Chancellor may, after consultation with the Lord Advocate, by rules make

such provision as he considers necessary or expedient with respect to proceedings pending under Part IV of the 1956 Act immediately before commencement.

(2) Rules under this paragraph shall be made by statutory instrument which shall be subject to annulment in pursuance of a resolution of either House of Parliament.

Qualification for copyright protection 35 Every work in which copyright subsisted under the 1956 Act immediately before

commencement shall be deemed to satisfy the requirements of Part I of this Act as to qualification for copyright protection.

Dependent territories 36 (1) The 1911 Act shall remain in force as part of the law of any dependent territory in

which it was in force immediately before commencement until— (a) the new copyright provisions come into force in that territory by virtue of

an Order under section 157 of this Act (power to extend new copyright provisions), or

(b) in the case of any of the Channel Islands, the Act is repealed by Order under sub-paragraph (3) below.

(2) An Order in Council in force immediately before commencement which extends to any dependent territory any provisions of the 1956 Act shall remain in force as part of the law of that territory until—

(a) the new copyright provisions come into force in that territory by virtue of an Order under section 157 of this Act (power to extend new copyright provisions), or

(b) in the case of the Isle of Man, the Order is revoked by Order under sub- paragraph (3) below;

and while it remains in force such an Order may be varied under the provisions of the 1956 Act under which it was made.

(3) If it appears to Her Majesty that provision with respect to copyright has been made in the law of any of the Channel Islands or the Isle of Man otherwise than by extending the provisions of Part I of this Act, Her Majesty may by Order in Council repeal the

322 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 1 – Copyright: transitional provisions and savings

1911 Act as it has effect as part of the law of that territory or, as the case may be, revoke the Order extending the 1956 Act there.

(4) A dependent territory in which the 1911 or 1956 Act remains in force shall be treated, in the law of the countries to which Part I extends, as a country to which that Part extends; and those countries shall be treated in the law of such a territory as countries to which the 1911 Act or, as the case may be, the 1956 Act extends.

(5) If a country in which the 1911 or 1956 Act is in force ceases to be a colony of the United Kingdom, section 158 of this Act (consequences of country ceasing to be colony) applies with the substitution for the reference in subsection (3)(b) to the provisions of Part I of this Act of a reference to the provisions of the 1911 or 1956 Act, as the case may be.

(6) In this paragraph “dependent territory” means any of the Channel Islands, the Isle of Man or any colony.

37 (1) This paragraph applies to a country which immediately before commencement was not a dependent territory within the meaning of paragraph 36 above but—

(a) was a country to which the 1956 Act extended, or (b) was treated as such a country by virtue of paragraph 39(2) of Schedule 7

to that Act (countries to which the 1911 Act extended or was treated as extending);

and Her Majesty may by Order in Council conclusively declare for the purposes of this paragraph whether a country was such a country or was so treated.

(2) A country to which this paragraph applies shall be treated as a country to which Part I extends for the purposes of sections 154 to 156 (qualification for copyright protection) until—

(a) an Order in Council is made in respect of that country under section 159 (application of Part I to countries to which it does not extend), or

(b) an Order in Council is made declaring that it shall cease to be so treated by reason of the fact that the provisions of the 1956 Act or, as the case may be, the 1911 Act, which extended there as part of the law of that country have been repealed or amended.

(3) A statutory instrument containing an Order in Council under this paragraph shall be subject to annulment in pursuance of a resolution of either House of Parliament.

Territorial waters and the continental shelf 38 Section 161 of this Act (application of Part I to things done in territorial waters or

the United Kingdom sector of the continental shelf) does not apply in relation to anything done before commencement.

British ships, aircraft and hovercraft 39 Section 162 (British ships, aircraft and hovercraft) does not apply in relation to

anything done before commencement.

Crown copyright 40 (1) Section 163 of this Act (general provisions as to Crown copyright) applies to an

existing work if—

(a) section 39 of the 1956 Act applied to the work immediately before commencement, and

(b) the work is not one to which section 164, 165 or 166 applies (copyright in Acts, Measures and Bills and Parliamentary copyright: see paragraphs 42 and 43 below).

(2) Section 163 (1)(b) (first ownership of copyright) has effect subject to any agreement entered into before commencement under section 39(6) of the 1956 Act.

41 (1) The following provisions have effect with respect to the duration of copyright in existing works to which section 163 (Crown copyright) applies.

(2) Copyright in the following descriptions of work continues to subsist until the date on which it would have expired in accordance with the 1956 Act—

(a) published literary, dramatic or musical works; (b) artistic works other than engravings or photographs; (c) published engravings; (d) published photographs and photographs taken before 1st June 1957; (e) published sound recordings and sound recordings made before 1st June

1957; (f) published films and films falling within section 13(3)(a) of the 1956 Act

(3) Copyright in unpublished literary, dramatic or musical works continues to subsist until—

(a) the date on which copyright expires in accordance with section 163(3), or (b) the end of the period of 50 years from the end of the calendar year in which

the new copyright provisions come into force, whichever is the later.

(a) unpublished engravings; (b) unpublished photographs taken on or after 1st June 1957.

(5) Copyright in a film or sound recording not falling within sub-paragraph (2) above continues to subsist until the end of the period of 50 years from the end of the calendar year in which the new copyright provisions come into force, unless the film or recording is published before the end of that period, in which case copyright expires 50 years from the end of the calendar year in which it is published.

42 (1) Section 164 (copyright in Acts and Measures) applies to existing Acts of Parliament and Measures of the General Synod of the Church of England.

(2) References in that section to Measures of the General Synod of the Church of England include Church Assembly Measures.

324 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 1 – Copyright: transitional provisions and savings

Parliamentary copyright 43 (1) Section 165 of this Act (general provisions as to Parliamentary copyright) applies

to existing unpublished literary, dramatic, musical or artistic works, but does not otherwise apply to existing works.

(2) Section 166 (copyright in Parliamentary Bills) does not apply— (a) to a public Bill which was introduced into Parliament and published before

commencement, (b) to a private Bill of which a copy was deposited in either House before

commencement, or (c) to a personal Bill which was given a First Reading in the House of Lords

before commencement.

Copyright vesting in certain international organisations 44 (1) Any work in which immediately before commencement copyright subsisted by

virtue of section 33 of the 1956 Act shall be deemed to satisfy the requirements of section 168(1); but otherwise section 168 does not apply to works made or, as the case may be, published before commencement.

(2) Copyright in any such work which is unpublished continues to subsist until the date on which it would have expired in accordance with the 1956 Act, or the end of the period of 50 years from the end of the calendar year in which the new copyright provisions come into force, whichever is the earlier.

Meaning of “publication” 45 Section 175(3) (construction of building treated as equivalent to publication)

applies only where the construction of the building began after commencement.

Meaning of “unauthorised” 46 For the purposes of the application of the definition in section 178 (minor

definitions) of the expression “unauthorised” in relation to things done before commencement—

(a) paragraph (a) applies in relation to things done before 1st June 1957 as if the reference to the licence of the copyright owner were a reference to his consent or acquiescence;

(b) paragraph (b) applies with the substitution for the words from “or, in a case” to the end of the words “or any person lawfully claiming under him”; and

(c) paragraph (c) shall be disregarded.

Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2 – Rights in performances: permitted acts Document Generated: 2018-04-19

SCHEDULE 2 Section 189.

RIGHTS IN PERFORMANCES: PERMITTED ACTS

Modifications etc. (not altering text) C136 Sch. 2 continued (31.10.2003) by virtue of The Copyright and Related Rights Regulations 2003 (S.I.

2003/2498) , reg. 33 (with regs. 31-40 )

Introductory 1 (1) The provisions of this Schedule specify acts which may be done in relation to a

performance or recording notwithstanding the rights conferred by [F763 this Chapter ] ; they relate only to the question of infringement of those rights and do not affect any other right or obligation restricting the doing of any of the specified acts.

(2) No inference shall be drawn from the description of any act which may by virtue of this Schedule be done without infringing the rights conferred by [F763 this Chapter ] as to the scope of those rights.

(3) The provisions of this Schedule are to be construed independently of each other, so that the fact that an act does not fall within one provision does not mean that it is not covered by another provision.

Amendments (Textual) F763 Words in Sch. 2 para. 1(1)(2) substituted (1.2.2006) by The Performances (Moral Rights, etc.)

Regulations 2006 (S.I. 2006/18), reg. 2, Sch. para. 9 (with reg. 8)

[F764 Making of temporary copies

Amendments (Textual) F764 Sch. 2 para. 1A and cross-heading inserted (31.10.2003) by The Copyright and Related Rights

Regulations 2003 (S.I. 2003/2498) , reg. 8(2) (with regs. 31-40 )

1A The rights conferred by [F765 this Chapter ] are not infringed by the making of a temporary copy of a recording of a performance which is transient or incidental, which is an integral and essential part of a technological process and the sole purpose of which is to enable—

(a) a transmission of the recording in a network between third parties by an intermediary; or

(b) a lawful use of the recording; and which has no independent economic significance. ]

326 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2 – Rights in performances: permitted acts

Amendments (Textual) F765 Words in Sch. 2 para. 1A substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

2006 (S.I. 2006/18) , reg. 2 , Sch. para. 9 (with reg. 8 )

[F766 Personal copies of recordings for private use

Amendments (Textual) F766 Sch. 2 para. 1B and cross-heading inserted (1.10.2014) by The Copyright and Rights in Performances

(Personal Copies for Private Use) Regulations 2014 (S.I. 2014/2361), regs. 1(1), 3(3) (with reg. 5) (but note that the amending S.I. was quashed with prospective effect by the High Court in the case of R (British Academy of Songwriters, Composers and Authors and others) v Secretary of State for Business, Innovation and Skills [2015] EWHC 2041 (Admin), 17 July 2015)

1B. (1) The making of a copy of a recording of a performance by an individual does not infringe the rights conferred by this Chapter provided that the copy—

(a) is a copy of— (i) the individual’s own copy of the recording, or

(ii) a personal copy of the recording made by the individual, (b) is made for the individual’s private use, and (c) is made for ends which are neither directly nor indirectly commercial.

(2) In this paragraph “the individual’s own copy” is a copy of a recording which— (a) has been lawfully acquired by the individual on a permanent basis, (b) is not an illicit recording, and (c) has not been made under any provision of this Schedule which permits the

making of a copy without infringing the rights conferred by this Chapter.

(3) In this paragraph a “personal copy” means a copy made under this paragraph.

(4) The rights conferred by this Chapter in a recording are infringed if an individual transfers a personal copy of the recording to another person (otherwise than on a private and temporary basis), except where the transfer is authorised by the rights owner.

(5) If the rights conferred by this Chapter are infringed as set out in sub-paragraph (4), a personal copy which has been transferred is for all purposes subsequently treated as an illicit recording.

(6) The rights conferred by this Chapter in a recording are also infringed if an individual, having made a personal copy of the recording, transfers the individual’s own copy of the recording to another person (otherwise than on a private and temporary basis) and, after that transfer and without the consent of the rights owner, retains any personal copy.

(7) If the rights conferred by this Chapter are infringed as set out in sub-paragraph (6), any retained personal copy is for all purposes subsequently treated as an illicit recording.

(8) To the extent that a term of a contract purports to prevent or restrict the making of a copy which, by virtue of this paragraph, would not infringe any right conferred by this Chapter, that term is unenforceable.

(9) Expressions used but not defined in this paragraph have the same meaning as in section 28B. ]

[F767 Research and private study

Amendments (Textual) F767 Sch. 2 paras. 1C, 1D and cross-headings inserted (1.6.2014) by The Copyright and Rights in

Performances (Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 3(3)

1C. (1) Fair dealing with a performance or a recording of a performance for the purposes of research for a non-commercial purpose does not infringe the rights conferred by this Chapter.

(2) Fair dealing with a performance or recording of a performance for the purposes of private study does not infringe the rights conferred by this Chapter.

(3) Copying of a recording by a person other than the researcher or student is not fair dealing if—

(a) in the case of a librarian, or a person acting on behalf of a librarian, that person does anything which is not permitted under paragraph 6F (copying by librarians: single copies of published recordings), or

(4) To the extent that a term of a contract purports to prevent or restrict the doing of any act which, by virtue of this paragraph, would not infringe any right conferred by this Chapter, that term is unenforceable.

(5) Expressions used in this paragraph have the same meaning as in section 29.

Copies for text and data analysis for non-commercial research 1D. (1) The making of a copy of a recording of a performance by a person who has lawful

access to the recording does not infringe any rights conferred by this Chapter provided that the copy is made in order that a person who has lawful access to the recording may carry out a computational analysis of anything recorded in the recording for the sole purpose of research for a non-commercial purpose.

(2) Where a copy of a recording has been made under this paragraph, the rights conferred by this Chapter are infringed if—

(a) the copy is transferred to any other person, except where the transfer is authorised by the rights owner, or

(b) the copy is used for any purpose other than that mentioned in sub- paragraph (1), except where the use is authorised by the rights owner.

328 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2 – Rights in performances: permitted acts

(3) If a copy of a recording made under this paragraph is subsequently dealt with— (a) it is to be treated as an illicit recording for the purposes of that dealing, and (b) if that dealing infringes any right conferred by this Chapter, it is to be treated

as an illicit recording for all subsequent purposes.

(4) To the extent that a term of a contract purports to prevent or restrict the making of a copy which, by virtue of this paragraph, would not infringe any right conferred by this Chapter, that term is unenforceable.

(5) Expressions used in this paragraph have the same meaning as in section 29A. ]

Criticism, reviews [F768 , quotation ] and news reporting

Amendments (Textual) F768 Word in Sch. 2 para. 2 heading inserted (1.10.2014) by S.I. 2014/2356 reg. 4(2)

2 [F769 (1) Fair dealing with a performance or recording for the purpose of criticism or review, of that or another performance or recording, or of a work, does not infringe any of the rights conferred by [F770 this Chapter ] provided that the performance or recording has been made available to the public.

[F771 (1ZA) The rights conferred by this Chapter in a performance or a recording of a performance are not infringed by the use of a quotation from the performance or recording (whether for criticism or review or otherwise) provided that—

(a) the performance or recording has been made available to the public, (b) the use of the quotation is fair dealing with the performance or recording, and (c) the extent of the quotation is no more than is required by the specific purpose

for which it is used. ]

(1A) Fair dealing with a performance or recording for the purpose of reporting current events does not infringe any of the rights conferred by [F770 this Chapter ] . ]

[F772 (1B) To the extent that a term of a contract purports to prevent or restrict the doing of any act which, by virtue of sub-paragraph (1ZA), would not infringe any right conferred by this Chapter, that term is unenforceable. ]

(2) Expressions used in this paragraph have the same meaning as in section 30.

Amendments (Textual) F769 Sch. 2 para. 2(1)(1A) substituted (31.10.2003) for Sch. 2 para. 2(1) by The Copyright and Related Rights

Regulations 2003 (S.I. 2003/2498) , reg. 10(2) (with regs. 31-40 ) F770 Words in Sch. 2 para. 2(1)(1A) substituted (1.2.2006) by The Performances (Moral Rights, etc.)

Regulations 2006 (S.I. 2006/18) , reg. 2 , Sch. para. 9 (with reg. 8 ) F771 Sch. 2 para. 2(1ZA) inserted (1.10.2014) by The Copyright and Rights in Performances (Quotation and

Parody) Regulations 2014 (S.I. 2014/2356), regs. 1, 4(3) F772 Sch. 2 para. 2(1B) inserted (1.10.2014) by The Copyright and Rights in Performances (Quotation and

Parody) Regulations 2014 (S.I. 2014/2356), regs. 1, 4(4)

[F773 Caricature, parody or pastiche

Amendments (Textual) F773 Sch. 2 para. 2A and cross-heading inserted (1.10.2014) by The Copyright and Rights in Performances

(Quotation and Parody) Regulations 2014 (S.I. 2014/2356), regs. 1, 5(2)

2A. (1) Fair dealing with a performance or a recording of a performance for the purposes of caricature, parody or pastiche does not infringe the rights conferred by this Chapter in the performance or recording.

(2) To the extent that a term of a contract purports to prevent or restrict the doing of any act which, by virtue of this paragraph, would not infringe any right conferred by this Chapter, that term is unenforceable.

(3) Expressions used in this paragraph have the same meaning as in section 30A. ]

Incidental inclusion of performance or recording 3 (1) The rights conferred by [F774 this Chapter ] are not infringed by the incidental inclusion

of a performance or recording in a sound recording, film [F775 or broadcast ] .

(2) Nor are those rights infringed by anything done in relation to copies of, or the playing, showing [F776 or communication to the public ] of, anything whose making was, by virtue of sub-paragraph (1), not an infringement of those rights.

(3) A performance or recording so far as it consists of music, or words spoken or sung with music, shall not be regarded as incidentally included in a sound recording [F775 or broadcast ] if it is deliberately included.

(4) Expressions used in this paragraph have the same meaning as in section 31.

Amendments (Textual) F774 Words in Sch. 2 para. 3(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

2006 (S.I. 2006/18) , reg. 2 , Sch. para. 9 (with reg. 8 ) F775 Words in Sch. 2 para. 3(1)(3) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498) , reg. 2(1) , Sch. 1 para. 3(1)(l)(m) (with regs. 31-40 ) F776 Words in Sch. 2 para. 3(2) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498) , reg. 2(1) , Sch. 1 para. 6(2)(e) (with regs. 31-40 )

[F777 Disabled persons: copies of recordings for personal use

Amendments (Textual) F777 Sch. 2 paras. 3A-3E and cross-headings inserted (1.6.2014) by The Copyright and Rights in Performances

(Disability) Regulations 2014 (S.I. 2014/1384), regs. 1(1), 3

3A. (1) This paragraph applies if—

330 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2 – Rights in performances: permitted acts

(a) a disabled person has lawful possession or lawful use of a copy of the whole or part of a recording of a performance, and

(b) the person’s disability prevents the person from enjoying the recording to the same degree as a person who does not have that disability.

(2) The making of an accessible copy of the copy of the recording referred to in sub- paragraph (1)(a) does not infringe the rights conferred by this Chapter if—

(b) the copy is made for the disabled person’s personal use, and (c) the same kind of accessible copies of the recording are not commercially

available on reasonable terms by or with the authority of the rights owner.

(3) If a person makes an accessible copy under this paragraph on behalf of a disabled person and charges the disabled person for it, the sum charged must not exceed the cost of making and supplying the copy.

(4) The rights conferred by this Chapter are infringed by the transfer of an accessible copy of a recording made under this paragraph to any person other than—

(a) a person by or for whom an accessible copy of the recording may be made under this paragraph, or

except where the transfer is authorised by the rights owner.

(5) An accessible copy of a recording made under this paragraph is to be treated for all purposes as an illicit recording if it is held by a person at a time when the person does not fall within sub-paragraph (4)(a) or (b).

(6) If an accessible copy of a recording made under this paragraph is subsequently dealt with—

(a) it is to be treated as an illicit recording for the purposes of that dealing, and (b) if that dealing infringes any right conferred by this Chapter, it is to be treated

Making and supply of accessible copies by authorised bodies 3B. (1) If an authorised body has lawful possession of or lawful access to a copy of the whole

or part of a recording of a performance (including a recording of a performance included in a broadcast), the body may, without infringing the rights conferred by this Chapter, make and supply accessible copies of the recording for the personal use of disabled persons.

(2) If an authorised body has lawful access to the whole or part of a broadcast, the body may, without infringing the rights conferred by this Chapter, make a recording of the broadcast, and make and supply accessible copies of the recording, for the personal use of disabled persons.

(3) But sub-paragraphs (1) and (2) do not apply if the same kind of accessible copies of the recording, or of the broadcast, are commercially available on reasonable terms by or with the consent of the rights owner.

(4) For the purposes of sub-paragraphs (1) and (2), supply “for the personal use of disabled persons” includes supply to a person acting on behalf of a disabled person.

(5) An authorised body which is an educational establishment conducted for profit must ensure that any accessible copies which it makes under this paragraph are used only for its educational purposes.

(6) An accessible copy made under this paragraph must be accompanied by a statement that it is made under this paragraph, unless it is accompanied by an equivalent statement in accordance with section 31B(7).

(7) If an accessible copy is made under this paragraph of a recording which is in copy-protected electronic form, the accessible copy must, so far as is reasonably practicable, incorporate the same or equally effective copy protection (unless the rights owner agrees otherwise).

(8) An authorised body which has made an accessible copy of a recording under this paragraph may supply it to another authorised body which is entitled to make accessible copies of the recording under this paragraph for the purposes of enabling that other body to make accessible copies of the recording.

(9) If an authorised body supplies an accessible copy it has made under this paragraph to a person or authorised body as permitted by this paragraph and charges the person or body for it, the sum charged must not exceed the cost of making and supplying the copy.

(10) If an accessible copy of a recording made under this paragraph is subsequently dealt with—

Making and supply of intermediate copies by authorised bodies 3C. (1) An authorised body which is entitled to make an accessible copy of a recording of a

performance under paragraph 3B may, without infringing the rights conferred by this Chapter, make a copy of the recording (“an intermediate copy”) if this is necessary in order to make the accessible copy.

(2) An authorised body which has made an intermediate copy of a recording under this paragraph may supply it to another authorised body which is entitled to make accessible copies of the recording under paragraph 3B for the purposes of enabling that other body to make accessible copies of the recording.

(3) The rights conferred by this Chapter are infringed by the transfer of an intermediate copy made under this paragraph to a person other than another authorised body as permitted by sub-paragraph (2), except where the transfer is authorised by the rights owner.

(4) If an authorised body supplies an intermediate copy to an authorised body under sub- paragraph (2) and charges the body for it, the sum charged must not exceed the cost of making and supplying the copy.

Accessible and intermediate copies: records 3D. (1) An authorised body must keep a record of—

(a) accessible copies it makes under paragraph 3B,

332 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2 – Rights in performances: permitted acts

(b) intermediate copies it makes under paragraph 3C, and (c) the persons to whom such copies are supplied.

(2) An authorised body must allow the rights owner or a person acting for the rights owner, on giving reasonable notice, to inspect the records at any reasonable time.

Paragraphs 3A to 3D: interpretation and general 3E. (1) This paragraph supplements paragraphs 3A to 3D and includes definitions.

(2) “Disabled person” means a person who has a physical or mental impairment which prevents the person from enjoying a recording of a performance to the same degree as a person who does not have that impairment, and “disability” is to be construed accordingly.

(4) An “accessible copy” of a recording of a performance means a version of the recording which enables the fuller enjoyment of the recording by disabled persons.

(5) An accessible copy— (a) may include facilities for navigating around the version of the recording, but (b) must not include any changes to the recording which are not necessary

to overcome the problems suffered by the disabled persons for whom the accessible copy is intended.

(6) To the extent that a term of a contract purports to prevent or restrict the doing of any act which, by virtue of paragraph 3A, 3B or 3C, would not infringe any right conferred by this Chapter, that term is unenforceable.

(7) “Authorised body” and “supply” have the meaning given in section 31F, and other expressions used in paragraphs 3A to 3D but not defined in this paragraph have the same meaning as in sections 31A to 31BB. ]

[F778 Illustration for instruction

Amendments (Textual) F778 Sch. 2 para. 4 substituted (1.6.2014) by The Copyright and Rights in Performances (Research, Education,

Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 4(4)

4. (1) Fair dealing with a performance or a recording of a performance for the sole purpose of illustration for instruction does not infringe the rights conferred by this Chapter provided that the dealing is—

(a) for a non-commercial purpose, and (b) by a person giving or receiving instruction (or preparing for giving or

receiving instruction).

(3) Expressions used in this paragraph have the same meaning as in section 32. ]

Playing or showing sound recording, film, [F779 or broadcast ] at educational establishment

Amendments (Textual) F779 Words in heading preceding Sch. 2 para. 5 substituted (31.10.2003) by The Copyright and Related Rights

Regulations 2003 (S.I. 2003/2498) , reg. 2(1) , Sch. 1 para. 2(2) (with regs. 31-40 )

5 (1) The playing or showing of a sound recording, film [F780 or broadcast ] at an educational establishment for the purposes of instruction before an audience consisting of teachers and pupils at the establishment and other persons directly connected with the activities of the establishment is not a playing or showing of a performance in public for the purposes of infringement of the rights conferred by [F781 this Chapter ] .

(2) A person is not for this purpose directly connected with the activities of the educational establishment simply because he is the parent of a pupil at the establishment.

(3) Expressions used in this paragraph have the same meaning as in section 34 and any provision made under section 174(2) with respect to the application of that section also applies for the purposes of this paragraph.

Amendments (Textual) F780 Words in Sch. 2 para. 5(1) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498) , reg. 2(1) , Sch. 1 para. 3(1)(n) (with regs. 31-40 ) F781 Words in Sch. 2 para. 5(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

[F782 Recording by educational establishments of broadcasts

Amendments (Textual) F782 Sch. 2 paras. 6, 6ZA and cross-headings substituted (1.6.2014) for Sch. 2 para. 6 and cross-heading by

The Copyright and Rights in Performances (Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 4(5)

6. (1) A recording of a broadcast, or a copy of such a recording, may be made by or on behalf of an educational establishment for the educational purposes of that establishment without infringing any of the rights conferred by this Chapter in relation to any performance or recording included in it, provided that the educational purposes are non-commercial.

(2) The rights conferred by this Chapter are not infringed where a recording of a broadcast or a copy of such a recording, made under sub-paragraph (1), is

334 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2 – Rights in performances: permitted acts

communicated by or on behalf of the educational establishment to its pupils or staff for the non-commercial educational purposes of that establishment.

(3) Sub-paragraph (2) only applies to a communication received outside the premises of the establishment if that communication is made by means of a secure electronic network accessible only by the establishment’s pupils and staff.

(4) Acts which would otherwise be permitted by this paragraph are not permitted if, or to the extent that, licences are available authorising the acts in question and the educational establishment responsible for those acts knew or ought to have been aware of that fact.

(5) If a recording made under this paragraph is subsequently dealt with— (a) it is to be treated as an illicit recording for the purposes of that dealing, and (b) if that dealing infringes any right conferred by this Chapter, it is to be treated

(6) In this paragraph “dealt with” means— (a) sold or let for hire, (b) offered or exposed for sale or hire, or (c) communicated otherwise than as permitted by sub-paragraph (2).

(7) Expressions used in this paragraph (other than “dealt with”) have the same meaning as in section 35 and any provision made under section 174(2) with respect to the application of that section also applies for the purposes of this paragraph.

Copying and use of extracts of recordings by educational establishments 6ZA. (1) The copying of extracts of a recording of a performance by or on behalf of an

educational establishment does not infringe any of the rights conferred by this Chapter in the recording provided that the copy is made for the purposes of instruction for a non-commercial purpose.

(2) The rights conferred by this Chapter are not infringed where an extract of a recording of a performance, made under sub-paragraph (1), is communicated by or on behalf of the educational establishment to its pupils or staff for the purposes of instruction for a non-commercial purpose.

(4) Not more than 5% of a recording may be copied under this paragraph by or on behalf of an educational establishment in any period of 12 months.

(5) Acts which would otherwise be permitted by this paragraph are not permitted if, or to the extent that, licences are available authorising the acts in question and the educational establishment responsible for those acts knew or ought to have been aware of that fact.

(6) The terms of a licence granted to an educational establishment authorising acts permitted by this paragraph are of no effect so far as they purport to restrict the proportion of a recording which may be copied (whether on payment or free of charge) to less than that which would be permitted by this paragraph.

(7) If a recording made under this paragraph is subsequently dealt with—

(8) In this paragraph “dealt with” means— (a) sold or let for hire, (b) offered or exposed for sale or hire, or (c) communicated otherwise than as permitted by sub-paragraph (2).

(9) Expressions used in this paragraph (other than “dealt with”) have the same meaning as in section 36 and any provision made under section 174(2) with respect to the application of that section also applies for the purposes of this paragraph. ]

F783[ Lending of copies by educational establishments ]

Amendments (Textual) F783 Sch. 2 para. 6A and crossheading inserted (1.12.1996) by S.I. 1996/2967 , reg. 20(3) (with Pt. III )

[F784 6A(1) The rights conferred by [F785 this Chapter ] are not infringed by the lending of copies of a recording of a performance by an educational establishment.

(2) Expressions used in this paragraph have the same meaning as in section 36A; and any provision with respect to the application of that section made under section 174(2) (instruction given elsewhere than an educational establishment) applies also for the purposes of this paragraph. ]

Amendments (Textual) F784 Sch. 2 para. 6A inserted (1.12.1996) by S.I. 1996/2967 , reg. 20(3) (with Pt. III ) F785 Words in Sch. 2 para. 6A(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

F786[ Lending of copies by libraries or archives ]

Amendments (Textual) F786 Sch. 2 para. 6B and crossheading inserted (1.12.1996) by S.I. 1996/2967 , reg. 20(3) (with Pt. III )

[F787 6B(1) The rights conferred by [F788 this Chapter ] are not infringed by the lending of copies of a recording of a performance by a F789 ... library or archive (other than a public library) which is not conducted for profit.

[F790 (A1) The rights conferred by this Chapter are not infringed by the following acts by a public library in relation to a book within the public lending right scheme—

(a) lending the book;

336 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2 – Rights in performances: permitted acts

(b) in relation to an audio-book or e-book, copying or issuing a copy of the book as an act incidental to lending it.

(A2) Expressions used in sub-paragraph (A1) have the same meaning as in section 40A(1). ]

F791 ( 2 ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ] .

Amendments (Textual) F787 Sch. 2 para. 6B inserted (1.12.1996) by S.I. 1996/2967, reg. 20(3) (with Pt. III) F788 Words in Sch. 2 para. 6B(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

2006 (S.I. 2006/18), reg. 2, Sch. para. 9 (with reg. 8) F789 Word in Sch. 2 para. 6B(1) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances

(Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 8(a) F790 Sch. 2 para. 6B(A1)(A2) inserted (30.6.2014) by Digital Economy Act 2010 (c. 24), ss. 43(8)(a) , 47(3)

(d); S.I. 2014/1659, art. 2 F791 Sch. 2 para. 6B(2) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 8(b)

Modifications etc. (not altering text) C137 Sch. 2 para. 6B modified (1.12.1996) by S.I. 1996/2967, reg. 35 (with Pt. III)

[F792 Libraries and educational establishments etc : making recordings of performances available through dedicated terminals

Amendments (Textual) F792 Sch. 2 paras. 6C-6H and cross-headings inserted (1.6.2014) by The Copyright and Rights in Performances

(Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 6

6C. (1) The rights conferred by this Chapter in a recording of a performance are not infringed by an institution specified in sub-paragraph (2) communicating the recording to the public or making it available to the public by means of a dedicated terminal on its premises, if the conditions in sub-paragraph (3) are met.

(3) The conditions are that the recording or a copy of the recording— (a) has been lawfully acquired by the institution, (b) is communicated or made available to individual members of the public for

licensing terms to which the recording is subject.

Copying by librarians: supply of single copies to other libraries 6D. (1) A librarian may, if the conditions in sub-paragraph (2) are met, make a single copy of

the whole or part of a published recording of a performance and supply it to another library, without infringing any rights conferred by this Chapter in the recording.

reasonably find out, the name and address of a person entitled to authorise the making of a copy of the recording.

(3) Where a library makes a charge for supplying a copy under this paragraph, the sum charged must be calculated by reference to the costs attributable to the production of the copy.

Copying by librarians etc : replacement copies of recordings 6E. (1) A librarian, archivist or curator of a library, archive or museum may, without

infringing any rights conferred by this Chapter, make a copy of a recording of a performance in that institution’s permanent collection—

(a) in order to preserve or replace that recording in that collection, or (b) where a recording in the permanent collection of another library, archive

or museum has been lost, destroyed or damaged, in order to replace the recording in the collection of that other library, archive or museum,

provided that the conditions in sub-paragraphs (2) and (3) are met.

(2) The first condition is that the recording is— (a) included in the part of the collection kept wholly or mainly for the purposes

(3) The second condition is that it is not reasonably practicable to purchase a copy of the recording to achieve either of the purposes mentioned in sub-paragraph (1).

(4) The reference in sub-paragraph (1)(b) to a library, archive or museum is to a library, archive or museum which is not conducted for profit.

(5) Where an institution makes a charge for supplying a copy to another library, archive or museum under sub-paragraph (1)(b), the sum charged must be calculated by reference to the costs attributable to the production of the copy.

(6) To the extent that a term of a contract purports to prevent or restrict the doing of any act which, by virtue of this paragraph, would not infringe any right conferred by this Chapter, that term is unenforceable.

338 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2 – Rights in performances: permitted acts

Copying by librarians: single copies of published recordings 6F. (1) A librarian of a library which is not conducted for profit may, if the conditions in sub-

paragraph (2) are met, make and supply a single copy of a reasonable proportion of a published recording without infringing any of the rights in the recording conferred by this Chapter.

the librarian with a declaration in writing which includes the information set out in sub-paragraph (3), and

(3) The information which must be included in the declaration is— (a) the name of the person who requires the copy and the material which that

that material by any library, (c) a statement that the person requires the copy for the purposes of research

for a non-commercial purpose or private study, will use it only for those purposes and will not supply the copy to any other person, and

(4) Where a library makes a charge for supplying a copy under this paragraph, the sum charged must be calculated by reference to the costs attributable to the production of the copy.

(5) Where a person (“P”) makes a declaration under this paragraph that is false in a material particular and is supplied with a copy of a recording which would have been an illicit recording if made by P—

(a) P is liable for infringement of the rights conferred by this Chapter as if P had made the copy, and

(b) the copy supplied to P is to be treated as an illicit recording for all purposes.

Copying by librarians or archivists: single copies of unpublished recordings 6G. (1) A librarian or archivist may make and supply a single copy of the whole or part

of a recording without infringing any of the rights conferred by this Chapter in the recording, provided that—

(a) the copy is supplied in response to a request from a person who has provided the librarian or archivist with a declaration in writing which includes the information set out in sub-paragraph (2), and

(2) The information which must be included in the declaration is—

(b) a statement that the person has not previously been supplied with a copy of that material by any library or archive, and

(c) a statement that the person requires the copy for the purposes of research for a non-commercial purpose or private study, will use it only for those purposes and will not supply the copy to any other person.

(3) But the rights conferred by this Chapter are infringed if— (a) the recording had been published or communicated to the public before the

date it was deposited in the library or archive, or (b) the rights owner has prohibited the copying of the recording,

and at the time of making the copy the librarian or archivist is, or ought to be, aware of that fact.

(4) Where a library or archive makes a charge for supplying a copy under this paragraph, the sum charged must be calculated by reference to the costs attributable to the production of the copy.

Paragraphs 6B to 6G: interpretation 6H. Expressions used in paragraphs 6B to 6G have the same meaning as in sections

40A to 43. ]

[F793 Certain permitted uses of orphan works

Amendments (Textual) F793 Sch. 2 para. 6I and cross-heading inserted (29.10.2014) by The Copyright and Rights in Performances

(Certain Permitted Uses of Orphan Works) Regulations 2014 (S.I. 2014/2861), regs. 1, 3(4)

6I. (1) The rights conferred by this Chapter are not infringed by a relevant body in the circumstances set out in paragraph 1(2) of Schedule ZA1 (subject to paragraph 6 of that Schedule).

(2) “Relevant body” has the meaning given by that Schedule. ]

Copy of work required to be made as condition of export 7 (1) If an article of cultural or historical importance or interest cannot lawfully be

exported from the United Kingdom unless a copy of it is made and deposited in an appropriate library or archive, it is not an infringement of any right conferred by [F794 this Chapter ] to make that copy.

340 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2 – Rights in performances: permitted acts

(2) Expressions used in this paragraph have the same meaning as in section 44.

Amendments (Textual) F794 Words in Sch. 2 para. 7(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

Parliamentary and judicial proceedings 8 (1) The rights conferred by [F795 this Chapter ] are not infringed by anything done for the

purposes of parliamentary or judicial proceedings or for the purpose of reporting such proceedings.

(2) Expressions used in this paragraph have the same meaning as in section 45.

Amendments (Textual) F795 Words in Sch. 2 para. 8(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

Royal Commissions and statutory inquiries 9 (1) The rights conferred by [F796 this Chapter ] are not infringed by anything done for the

purposes of the proceedings of a Royal Commission or statutory inquiry or for the purpose of reporting any such proceedings held in public.

(2) Expressions used in this paragraph have the same meaning as in section 46.

Amendments (Textual) F796 Words in Sch. 2 para. 9(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

Public records 10 (1) Material which is comprised in public records within the meaning of the M58 Public

Records Act 1958, the M59 Public Records (Scotland) Act 1937 or the M60 Public Records Act (Northern Ireland) 1923 [F797 , or in Welsh public records (as defined in [F798 the Government of Wales Act 2006 ] ), ] which are open to public inspection in pursuance of that Act, may be copied, and a copy may be supplied to any person, by or with the authority of any officer appointed under that Act, without infringing any right conferred by [F799 this Chapter ] .

(2) Expressions used in this paragraph have the same meaning as in section 49.

Amendments (Textual) F797 Words in Sch. 2 para. 10(1) inserted (1.4.1999) by 1998 c. 38 , s. 125 , Sch. 12 para. 29 (with ss. 139(2)

, 143(2) ); S.I. 1999/782 , art. 2 F798 Words in Sch. 2 para. 10(1) substituted by Government of Wales Act 2006 (c. 32) , s. 160(1) , Sch.

10 para. 32 (with Sch. 11 para. 22 ), the amending provision coming into force immediately after "the 2007 election" (held on 3.5.2007) subject to s. 161(4)(5) of the amending Act, which provides for certain provisions to come into force for specified purposes immediately after the end of "the initial period" (which ended with the day of the first appointment of a First Minister on 25.5.2007) - see ss. 46, 161(1)(4)(5) of the amending Act.

F799 Words in Sch. 2 para. 10(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006 (S.I. 2006/18) , reg. 2 , Sch. para. 9 (with reg. 8 )

Marginal Citations M58 1958 c. 51 . M59 1937 c. 43 . M60 1923 c. 20 (N.I.) .

Acts done under statutory authority 11 (1) Where the doing of a particular act is specifically authorised by an Act of Parliament,

whenever passed, then, unless the Act provides otherwise, the doing of that act does not infringe the rights conferred by [F800 this Chapter ] .

(2) Sub-paragraph (1) applies in relation to an enactment contained in Northern Ireland legislation as it applies to an Act of Parliament.

(3) Nothing in this paragraph shall be construed as excluding any defence of statutory authority otherwise available under or by virtue of any enactment.

(4) Expressions used in this paragraph have the same meaning as in section 50.

Amendments (Textual) F800 Words in Sch. 2 para. 11(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

Transfer of copies of works in electronic form 12 (1) This paragraph applies where a recording of a performance in electronic form has

been purchased on terms which, expressly or impliedly or by virtue of any rule of law, allow the purchaser to make further recordings in connection with his use of the recording.

(2) If there are no express terms— (a) prohibiting the transfer of the recording by the purchaser, imposing

obligations which continue after a transfer, prohibiting the assignment of any consent or terminating any consent on a transfer, or

342 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2 – Rights in performances: permitted acts

anything which the purchaser was allowed to do may also be done by a transferee without infringement of the rights conferred by [F801 this Chapter ] , but any recording made by the purchaser which is not also transferred shall be treated as an illicit recording for all purposes after the transfer.

(3) The same applies where the original purchased recording is no longer usable and what is transferred is a further copy used in its place.

(4) The above provisions also apply on a subsequent transfer, with the substitution for references in sub-paragraph (2) to the purchaser of references to the subsequent transferor.

(5) This paragraph does not apply in relation to a recording purchased before the commencement of [F802 this Chapter ] .

(6) Expressions used in this paragraph have the same meaning as in section 56.

Amendments (Textual) F801 Words in Sch. 2 para. 12(2) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

2006 (S.I. 2006/18) , reg. 2 , Sch. para. 8 (with reg. 8 ) F802 Words in Sch. 2 para. 12(5) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

Use of recordings of spoken works in certain cases 13 (1) Where a recording of the reading or recitation of a literary work is made for the

purpose— (a) of reporting current events, or (b) of [F803 communicating to the public ] the whole or part of the reading or

recitation, it is not an infringement of the rights conferred by [F804 this Chapter ] to use the recording (or to copy the recording and use the copy) for that purpose, provided the following conditions are met.

(2) The conditions are that— (a) the recording is a direct recording of the reading or recitation and is not taken

from a previous recording or from a broadcast F805 . . . ; (b) the making of the recording was not prohibited by or on behalf of the person

giving the reading or recitation; (c) the use made of the recording is not of a kind prohibited by or on behalf of

that person before the recording was made; and (d) the use is by or with the authority of a person who is lawfully in possession

of the recording.

(3) Expressions used in this paragraph have the same meaning as in section 58.

Amendments (Textual) F803 Words in Sch. 2 para. 12 substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498) , reg. 2(1) , Sch. 1 para. 12(b) (with regs. 31-40 ) F804 Words in Sch. 2 para. 13(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

2006 (S.I. 2006/18) , reg. 2 , Sch. para. 9 (with reg. 8 ) F805 Words in Sch. 2 para. 13(2)(a) repealed (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498) , reg. 2(2) , Sch. 2 (with regs. 31-40 )

Recordings of folksongs 14 (1) A recording of a performance of a song may be made for the purpose of including

it in an archive maintained by a [F806 body not established or conducted for profit ] without infringing any of the rights conferred by [F807 this Chapter ] , provided the conditions in sub-paragraph (2) below are met.

recording is made, (b) the making of the recording does not infringe any copyright, and (c) its making is not prohibited by any performer.

[F808 (3) A single copy of a recording made in reliance on sub-paragraph (1) and included in an archive referred to in that sub-paragraph may be made and supplied by the archivist without infringing any right conferred by this Chapter, provided that—

(a) the copy is supplied in response to a request from a person who has provided the archivist with a declaration in writing which includes the information set out in sub-paragraph (4), and

(4) The information which must be included in the declaration is— (a) the name of the person who requires the copy and the recording which is the

subject of the request, (b) a statement that the person has not previously been supplied with a copy of

that recording by any archivist, and (c) a statement that the person requires the copy for the purposes of research

for a non-commercial purpose or private study, will use it only for those purposes and will not supply the copy to any other person.

(5) Where an archive makes a charge for supplying a copy under this paragraph, the sum charged must be calculated by reference to the costs attributable to the production of the copy.

(6) Where a person (“P”) makes a declaration under this paragraph that is false in a material particular and is supplied with a copy of a recording which would have been an illicit recording if made by P—

344 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2 – Rights in performances: permitted acts

(7) In this paragraph references to an archivist include a person acting on behalf of an archivist.

(8) Expressions used in this paragraph have the same meaning as in section 61. ]

Amendments (Textual) F806 Words in Sch. 2 para. 14(1) substituted (1.6.2014) by The Copyright and Rights in Performances

(Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 7(3) F807 Words in Sch. 2 para. 14(1)(3) substituted (1.2.2006) by The Performances (Moral Rights, etc.)

Regulations 2006 (S.I. 2006/18) , reg. 2 , Sch. para. 9 (with reg. 8 ) F808 Sch. 2 para. 14(3)-(8) substituted (1.6.2014) for Sch. 2 para. 14(3)(4) by The Copyright and Rights in

Performances (Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 7(4)

F809[ Lending of certain recordings ]

Amendments (Textual) F809 Sch. 2 para. 14A and crossheading inserted (1.12.1996) by S.I. 1996/2967 , reg. 20(3) (with Pt. III )

F810 14A(1) The Secretary of State may by order provide that in such cases as may be specified in the order the lending to the public of copies of films or sound recordings shall be treated as licensed by the performer subject only to the payment of such reasonable royalty or other payment as may be agreed or determined in default of agreement by the Copyright Tribunal.

(2) No such order shall apply if, or to the extent that, there is a licensing scheme certified for the purposes of this paragraph under paragraph 16 of Schedule 2A providing for the grant of licences.

(5) Nothing in this section affects any liability under section 184(1)(b) (secondary infringement: possessing or dealing with illicit recording) in respect of the lending of illicit recordings.

(6) Expressions used in this paragraph have the same meaning as in section 66.

Amendments (Textual) F810 Sch. 2 para. 14A inserted (1.12.1996) by S.I. 1996/2967 , reg. 20(3) (with Pt. III )

Playing of sound recordings for purposes of club, society, &c 15 F811 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F811 Sch. 2 para. 15 omitted (1.1.2011) by virtue of The Copyright, Designs and Patents Act 1988

(Amendment) Regulations 2010 (S.I. 2010/2694) , art. 3(2)

Incidental recording for purposes of broadcast F812 . . .

Amendments (Textual) F812 Words in heading preceding Sch. 2 para. 16 repealed (31.10.2003) by The Copyright and Related Rights

Regulations 2003 (S.I. 2003/2498) , reg. 2(2) , Sch. 2 (with regs. 31-40 )

16 (1) A person who proposes to broadcast a recording of a performance F813 . . . in circumstances not infringing the rights conferred by [F814 this Chapter ] shall be treated as having consent for the purposes of [F815 this Chapter ] for the making of a further recording for the purposes of the broadcast . . . .

(2) That consent is subject to the condition that the further recording— (a) shall not be used for any other purpose, and (b) shall be destroyed within 28 days of being first used for broadcasting the

performance . . . .

(3) A recording made in accordance with this paragraph shall be treated as an illicit recording—

(a) for the purposes of any use in breach of the condition mentioned in sub- paragraph (2)(a), and

(b) for all purposes after that condition or the condition mentioned in sub- paragraph (2)(b) is broken.

(4) Expressions used in this paragraph have the same meaning as in section 68.

Amendments (Textual) F813 Words in Sch. 2 para. 16(1)(2)(b) repealed (31.10.2003) by The Copyright and Related Rights

Regulations 2003 (S.I. 2003/2498) , reg. 2(2) , Sch. 2 (with regs. 31-40 ) F814 Words in Sch. 2 para. 16(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

2006 (S.I. 2006/18) , reg. 2 , Sch. para. 9 (with reg. 8 ) F815 Words in Sch. 2 para. 16(1) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

2006 (S.I. 2006/18) , reg. 2 , Sch. para. 10 (with reg. 8 )

346 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2 – Rights in performances: permitted acts

Recordings for purposes of supervision and control of broadcasts and [F816 other services ]

Amendments (Textual) F816 Words in heading preceding Sch. 2 para. 17 substituted (31.10.2003) by The Copyright and Related

Rights Regulations 2003 (S.I. 2003/2498) , reg. 2(1) , Sch. 1 para. 2(1) (with regs. 31-40 )

17 (1) The rights conferred by [F817 this Chapter ] are not infringed by the making or use by the British Broadcasting Corporation, for the purpose of maintaining supervision and control over programmes broadcast by them [F818 or included in any on-demand programme service provided by them ] , of recordings of those programmes.

[F819 (2) The rights conferred by [F817 this Chapter ] are not infringed by anything done in pursuance of—

[F820 (a) section 167(1) of the Broadcasting Act 1990, section 115(4) or (6) or 117 of the Broadcasting Act 1996 or paragraph 20 of Schedule 12 to the Communications Act 2003; ]

(b) a condition which, [F821 by virtue of section 334(1) of the Communications Act 2003 ] , is included in a licence granted under Part I or III of that Act or Part I or II of the Broadcasting Act 1996; F822 . . .

(c) a direction given under section 109(2) of the Broadcasting Act 1990 (power of [F823 OFCOM ] to require production of recordings etc ).

[F824 (d) section 334(3) [F825 , 368O(1) or (3) ] of the Communications Act 2003. ]

[F826 (3) The rights conferred by [F817 this Chapter ] are not infringed by the use by OFCOM in connection with the performance of any of their functions under the Broadcasting Act 1990, the Broadcasting Act 1996 or the Communications Act 2003 of—

[F827 (5) Copyright is not infringed by the use by an appropriate regulatory authority designated under section 368B of the Communications Act 2003, in connection with the performance of any of their functions under that Act, of any recording, script or transcript which is provided to them under or by virtue of any provision of that Act.

Amendments (Textual) F817 Words in Sch. 2 para. 17(1)(2)(3) substituted (1.2.2006) by The Performances (Moral Rights, etc.)

Regulations 2006 (S.I. 2006/18) , reg. 2 , Sch. para. 9 (with reg. 8 ) F818 Words in Sch. 2 para. 17(1) inserted (19.12.2009) by The Audiovisual Media Services Regulations 2009

(S.I. 2009/2979) , reg. 12(3)(a) F819 Sch. 2 para. 17(2)(3) substituted (1.10.1996 for certain purposes and 1.4.1997 otherwise) by 1996 c. 55

, s. 148(1) , Sch. 10 Pt. III para. 32 (with s. 43(6) ); S.I. 1996/2120 , art. 4(1) , Sch. 1 ; S.I. 1997/1005 , art. 4

F820 Sch. 2 para. 17(2)(a) substituted (29.12.2003) by Communications Act 2003 (c. 21) , ss. 406 , 411 , Sch. 17 para. 93(2)(a) (with Sch. 18 ); S.I. 2003/3142 , art. 3 , Sch. 1 (with art. 11 )

F821 Words in Sch. 2 para. 17(2)(b) substituted (29.12.2003) by Communications Act 2003 (c. 21) , ss. 406 , 411 , Sch. 17 para. 93(2)(b) (with Sch. 18 ); S.I. 2003/3142 , art. 3 , Sch. 1 (with art. 11 )

F822 Word in Sch. 2 para. 17(2)(b) repealed (29.12.2003) by Communications Act 2003 (c. 21) , ss. 406 , 411 , Sch. 19(1) (with Sch. 18 , Sch. 19(1) Note 1 ); S.I. 2003/3142 , art. 3 , Sch. 1 (with art. 11 )

F823 Word in Sch. 2 para. 17(2)(c) substituted (29.12.2003) by Communications Act 2003 (c. 21) , ss. 406 , 411 , Sch. 17 para. 93(2)(c) (with Sch. 18 ); S.I. 2003/3142 , art. 3 , Sch. 1 (with art. 11 )

F824 Sch. 2 para. 17(2)(d) inserted (29.12.2003) by Communications Act 2003 (c. 21) , ss. 406 , 411 , Sch. 17 para. 93(2)(d) (with Sch. 18 ); S.I. 2003/3142 , art. 3 , Sch. 1 (with art. 11 )

F825 Words in Sch. 2 para. 17(2)(d) inserted (19.12.2009) by The Audiovisual Media Services Regulations 2009 (S.I. 2009/2979) , reg. 12(3)(b)

F826 Sch. 2 para. 17(3)(4) substituted (29.12.2003) for Sch. 2 para. 17(3) by Communications Act 2003 (c. 21) , ss. 406 , 411 , Sch. 17 para. 93(3) (with Sch. 18 ); S.I. 2003/3142 , art. 3 , Sch. 1 (with art. 11 )

F827 Sch. 2 para. 17(5)(6) inserted (19.12.2009) by The Audiovisual Media Services Regulations 2009 (S.I. 2009/2979) , reg. 121(3)(c)

Modifications etc. (not altering text) C138 Sch. 2 para. 17 modified (20.7.2004) The Contracting Out (Functions relating to Broadcast Advertising)

and Specification of Relevant Functions Order 2004 (S.I. 2004/1975) , art. 9(1)(3) (with reg. 5 )

[F828 Recording for the purposes of time-shifting

Amendments (Textual) F828 Sch. 2 para. 17A and preceding heading inserted (31.10.2003) by The Copyright and Related Rights

Regulations 2003 (S.I. 2003/2498), reg. 19(3) (with regs. 31-40)

17A (1) The making in domestic premises for private and domestic use of a recording of a broadcast solely for the purpose of enabling it to be viewed or listened to at a more convenient time does not infringe any right conferred by [F829 this Chapter ] in relation to a performance or recording included in the broadcast.

(2) Where a recording which would otherwise be an illicit recording is made in accordance with this paragraph but is subsequently dealt with—

(a) it shall be treated as an illicit recording for the purposes of that dealing; and (b) if that dealing infringes any right conferred by [F829 this Chapter ] , it shall be

treated as an illicit recording for all subsequent purposes.

348 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2 – Rights in performances: permitted acts

(3) In sub-paragraph (2), “ dealt with ” means sold or let for hire, offered or exposed for sale or hire or communicated to the public.

(4) Expressions used in this paragraph have the same meaning as in section 70. ]

Amendments (Textual) F829 Words in Sch. 2 para. 17A(1)(2)(b) substituted (1.2.2006) by The Performances (Moral Rights, etc.)

Regulations 2006 (S.I. 2006/18) , reg. 2 , Sch. para. 9 (with reg. 8 )

[F830 Photographs of broadcasts

Amendments (Textual) F830 Sch. 2 para. 17B and preceding heading inserted (31.10.2003) by The Copyright and Related Rights

Regulations 2003 (S.I. 2003/2498), reg. 20(2) (with regs. 31-40)

17B (1) The making in domestic premises for private and domestic use of a photograph of the whole or any part of an image forming part of a broadcast, or a copy of such a photograph, does not infringe any right conferred by [F831 this Chapter ] in relation to a performance or recording included in the broadcast.

(a) it shall be treated as an illicit recording for the purposes of that dealing; and (b) if that dealing infringes any right conferred by [F831 this Chapter ] , it shall be

(4) Expressions used in this paragraph have the same meaning as in section 71. ]

Amendments (Textual) F831 Words in Sch. 2 para. 17B(1)(2)(b) substituted (1.2.2006) by The Performances (Moral Rights, etc.)

Free public showing or playing of broadcast F832 . . .

Amendments (Textual) F832 Words in heading preceding Sch.2 para. 18 repealed (31.10.2003) by The Copyright and Related Rights

18 (1) The showing or playing in public of a broadcast F833 . . . to an audience who have not paid for admission to the place where the broadcast . . . is to be seen or heard does not infringe any right conferred by [F834 this Chapter ] in relation to a performance or recording included in—

(a) the broadcast . . . , or (b) any sound recording [F835 (except so far as it is an excepted sound recording) ]

or film which is played or shown in public by reception of the broadcast . . . .

[F836 (1A) The showing or playing in public of a broadcast to an audience who have not paid for admission to the place where the broadcast is to be seen or heard does not infringe any right conferred by [F834 this Chapter ] in relation to a performance or recording included in any excepted sound recording which is played in public by reception of the broadcast, if the playing or showing of that broadcast in public—

(a) F837 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (b) is necessary for the purposes of—

(i) repairing equipment for the reception of broadcasts; (ii) demonstrating that a repair to such equipment has been carried out;

or (iii) demonstrating such equipment which is being sold or let for hire or

offered or exposed for sale or hire. ]

for seeing or hearing the broadcast F838 . . . , or (ii) at prices exceeding those usually charged there and which are partly

(3) The following shall not be regarded as having paid for admission to a place— (a) persons admitted as residents or inmates of the place; (b) persons admitted as members of a club or society where the payment is

only for membership of the club or society and the provision of facilities for seeing or hearing broadcasts . . . is only incidental to the main purposes of the club or society.

(4) Where the making of the broadcast . . . was an infringement of the rights conferred by [F834 this Chapter ] in relation to a performance or recording, the fact that it was heard or seen in public by the reception of the broadcast . . . shall be taken into account in assessing the damages for that infringement.

(5) Expressions used in this paragraph have the same meaning as in section 72.

Amendments (Textual) F833 Words in Sch. 2 para. 18(1) repealed (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498) , reg. 2(2) , Sch. 2 (with regs. 31-40 ) F834 Words in Sch. 2 para. 18(1)(1A)(4) substituted (1.2.2006) by The Performances (Moral Rights, etc.)

350 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2 – Rights in performances: permitted acts

F835 Words in Sch. 2 para. 18(1)(b) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498) , reg. 21(2)(a) (with regs. 31-40 )

F836 Sch. 2 para. 18(1A) inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498) , reg. 21(2)(b) (with regs. 31-40 )

F837 Sch. 2 para. 18(1A)(a) omitted (1.1.2011) by virtue of The Copyright, Designs and Patents Act 1988 (Amendment) Regulations 2010 (S.I. 2010/2694) , art. 4(2)

F838 Words in Sch. 2 para. 18(2)(b)(i)(3)(4) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498) , reg. 2(2) , Sch. 2 (with regs. 31-40 )

[F839 Reception and re-transmission of [F840 wireless broadcast by cable ]]

Amendments (Textual) F839 Crossheading substituted (1.10.1996) by 1996 c. 55 , s. 138 , Sch. 9 para. 5 (with s. 43(6) ); S.I.

1996/2120 , art. 4(1) , Sch. 1 F840 Words in heading preceding Sch. 2 para. 19 substituted (31.10.2003) by The Copyright and Related

Rights Regulations 2003 (S.I.2003/2498) , reg. 22(3)(a) (with regs. 31-40 )

F841 19 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F841 Sch. 2 para. 19 repealed (31.7.2017) by Digital Economy Act 2017 (c. 30), ss. 34(1)(b) , 118(6); S.I.

F842 19A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F842 Sch. 2 para. 19A repealed (31.7.2017) by Digital Economy Act 2017 (c. 30), ss. 34(1)(b) , 118(6); S.I.

Provision of sub-titled copies of broadcast F843 . . .

Amendments (Textual) F843 Words in heading preceding Sch. 2 para. 20 repealed (31.10.2003) by The Copyright and Related Rights

F844 20 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2A – LICENSING OF PERFORMERS’ ... RIGHTS Document Generated: 2018-04-19

Amendments (Textual) F844 Sch. 2 para. 20 repealed (1.6.2014) by The Copyright and Rights in Performances (Disability)

[F845 Recording of broadcast for archival purposes

Amendments (Textual) F845 Sch. 2 para. 21 substituted (1.6.2014) by The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), regs. 1, 8(2)

21. (1) A recording of a broadcast or a copy of such a recording may be made for the purpose of being placed in an archive maintained by a body which is not established or conducted for profit without infringing any right conferred by this Chapter in relation to a performance or recording included in the broadcast.

(3) Expressions used in this paragraph have the same meaning as in section 75. ]

F846[ SCHEDULE 2A

LICENSING OF PERFORMERS’ F847 ... RIGHTS

Amendments (Textual) F846 Sch. 2A inserted (1.12.1996) by S.I. 1996/2967, reg. 22(2) (with Pt. III) F847 Word in Sch. 2A heading omitted (25.4.2013) by virtue of Enterprise and Regulatory Reform Act 2013

(c. 24), s. 103(1), Sch. 22 para. 3

Licensing schemes and licensing bodies 1 (1) In [F848 this Chapter ] a “licensing scheme” means a scheme setting out—

(a) the classes of case in which the operator of the scheme, or the person on whose behalf he acts, is willing to grant performers’ property right licences, and

(b) the terms on which licences would be granted in those classes of case; and for this purpose a “scheme” includes anything in the nature of a scheme, whether described as a scheme or as a tariff or by any other name.

(2) In [F848 this Chapter ] a “licensing body” means a society or other organisation which has as its main object, or one of its main objects, the negotiating or granting, whether

352 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2A – LICENSING OF PERFORMERS’ ... RIGHTS

as owner or prospective owner of a performer’s property rights or as agent for him, of performers’ property right licences, and whose objects include the granting of licences covering the performances of more than one performer.

(3) In this paragraph “performers’ property right licences” means licences to do, or authorise the doing of, any of the things for which consent is required under section 182A, [F849 182B, 182C or 182CA ] .

(4) References in [F850 this Chapter ] to licences or licensing schemes covering the performances of more than one performer do not include licences or schemes covering only—

(a) performances recorded in a single recording, (b) performances recorded in more than one recording where—

(i) the performers giving the performances are the same, or (ii) the recordings are made by, or by employees of or commissioned

by, a single individual, firm, company or group of companies. For purpose a group of companies means a holding company and its subsidiaries within the meaning of [F851 section 1159 of the Companies Act 2006 ] .

[F852 (5) Schedule A1 confers powers to provide for the regulation of licensing bodies. ]

Amendments (Textual) F848 Words in Sch. 2A para. 1(1)(2) substituted (1.2.2006) by The Performances (Moral Rights, etc.)

Regulations 2006 (S.I. 2006/18), reg. 2, Sch. para. 9 (with reg. 8) F849 Words in Sch. 2A para. 1(3) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 7(4)(a) (with reg. 31-40) F850 Words in Sch. 2A para. 1(4) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations

2006 (S.I. 2006/18), reg. 2, Sch. para. 8 (with reg. 8) F851 Words in Sch. 2A para. 1(4) substituted (1.10.2009) by The Companies Act 2006 (Consequential

Amendments, Transitional Provisions and Savings) Order 2009 (S.I. 2009/1941), art. 2(1), Sch. 1 para. 98(b) (with art. 10)

F852 Sch. 2A para. 1(5) inserted (25.4.2013) by Enterprise and Regulatory Reform Act 2013 (c. 24), s. 103(1), Sch. 22 para. 4

[F853 Power to provide for licensing of orphan rights

Amendments (Textual) F853 Sch. 2A paras. 1A-1D and cross-heading inserted (25.4.2013) by Enterprise and Regulatory Reform Act

2013 (c. 24), s. 103(1), Sch. 22 para. 5

1A (1) The Secretary of State may by regulations provide for the grant of licences to do, or authorise the doing of, acts to which section 182, 182A, 182B, 182C, 182CA, 183 or 184 applies in respect of a performance, where—

(a) the performer's consent would otherwise be required under that section, but

(b) the right to authorise or prohibit the act qualifies as an orphan right under the regulations.

description of persons authorised to grant licences.

(3) The regulations must provide that, for a right to qualify as an orphan right, it is a requirement that the owner of the right has not been found after a diligent search made in accordance with the regulations.

(4) The regulations must provide for any licence— (a) to have effect as if granted by the missing owner; (b) not to give exclusive rights; (c) not to be granted to a person authorised to grant licences.

(5) The regulations may apply in a case where it is not known whether a performer's right subsists, and references to a right, to a missing owner and to an interest of a missing owner are to be read as including references to a supposed right, owner or interest.

Extended collective licensing 1B (1) The Secretary of State may by regulations provide for a licensing body that applies

to the Secretary of State under the regulations to be authorised to grant licences to do, or authorise the doing of, acts to which section 182, 182A, 182B, 182C, 182CA, 183 or 184 applies in respect of a performance, where the right to authorise or prohibit the act is not owned by the body or a person on whose behalf the body acts.

(2) An authorisation must specify the acts to which any of those sections applies that the licensing body is authorised to license.

(3) The regulations must provide for the rights owner to have a right to limit or exclude the grant of licences by virtue of the regulations.

General provision about licensing 1C (1) This paragraph and paragraph 1D apply to regulations under paragraphs 1A and 1B.

354 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2A – LICENSING OF PERFORMERS’ ... RIGHTS

(a) for determining the rights and obligations of any person if a right ceases to qualify as an orphan right (or ceases to qualify by reference to any rights owner), or if a rights owner exercises the right referred to in paragraph 1B(3), while a licence is in force;

or search; (d) for a right conferred by section 205C to be treated as having been asserted

under section 205D; (e) for the payment of fees to cover administrative expenses.

1D (1) The power to make regulations includes power— (a) to make incidental, supplementary or consequential provision, including

References and applications with respect to licensing schemes 2 Paragraphs 3 to 8 (references and applications with respect to licensing schemes)

apply to licensing schemes operated by licensing bodies in relation to a performer’s property rights which cover the performances of more than one performer, so far as they relate to licences for—

(a) copying a recording of the whole or any substantial part of a qualifying performance, F854 . . .

[F855 (aa) making such a recording available to the public in the way mentioned in section 182CA(1), or. ]

(b) renting or lending copies of a recording to the public; and in those paragraphs “licensing scheme” means a licensing scheme of any of those descriptions.

Amendments (Textual) F854 Sch. 2A para. 2: word "or" appearing at the end of sub-para. (a) repealed (31.10.2003) by virtue of The

Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F855 Sch. 2A para. 2(aa) substituted (31.10.2003) for word "or" appearing at the end of sub-para. (a) by virtue

of The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 7(4)(b) (with regs. 31-40)

Reference of proposed licensing scheme to tribunal 3 (1) The terms of a licensing scheme proposed to be operated by a licensing body may be

referred to the Copyright Tribunal by an organisation claiming to be representative of persons claiming that they require licences in cases of a description to which the scheme would apply, either generally or in relation to any description of case.

(3) If the Tribunal decides to entertain the reference it shall consider the matter referred and make such order, either confirming or varying the proposed scheme, either generally or so far as it relates to cases of the description to which the reference relates, as the Tribunal may determine to be reasonable in the circumstances.

Reference of licensing scheme to tribunal 4 (1) If while a licensing scheme is in operation a dispute arises between the operator of

the scheme and— (a) a person claiming that he requires a licence in a case of a description to which

the scheme applies, or (b) an organisation claiming to be representative of such persons,

that person or organisation may refer the scheme to the Copyright Tribunal in so far as it relates to cases of that description.

(2) A scheme which has been referred to the Tribunal under this paragraph shall remain in operation until proceedings on the reference are concluded.

Further reference of scheme to tribunal 5 (1) Where the Copyright Tribunal has on a previous reference of a licensing scheme

under paragraph 3 or 4, or under this paragraph, made an order with respect to the scheme, then, while the order remains in force—

356 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2A – LICENSING OF PERFORMERS’ ... RIGHTS

(3) A scheme which has been referred to the Tribunal under this paragraph shall remain in operation until proceedings on the reference are concluded.

(4) The Tribunal shall consider the matter in dispute and make such order, either confirming, varying or further varying the scheme so far as it relates to cases of the description to which the reference relates, as the Tribunal may determine to be reasonable in the circumstances.

Application for grant of licence in connection with licensing scheme 6 (1) A person who claims, in a case covered by a licensing scheme, that the operator

of the scheme has refused to grant him or procure the grant to him of a licence in accordance with the scheme, or has failed to do so within a reasonable time after being asked, may apply to the Copyright Tribunal.

(b) proposes terms for a licence which are unreasonable,

may apply to the Copyright Tribunal.

(3) A case shall be regarded as excluded from a licensing scheme for the purposes of sub-paragraph (2) if—

Application for review of order as to entitlement to licence 7 (1) Where the Copyright Tribunal has made an order under paragraph 6 that a person

is entitled to a licence under a licensing scheme, the operator of the scheme or the original applicant may apply to the Tribunal to review its order.

previous application under this paragraph, or (b) if the order was made so as to be in force for 15 months or less, or as a

result of the decision on a previous application under this paragraph is due to expire within 15 months of that decision, until the last three months before the expiry date.

Effect of order of tribunal as to licensing scheme 8 (1) A licensing scheme which has been confirmed or varied by the Copyright Tribunal—

(a) under paragraph 3 (reference of terms of proposed scheme), or (b) under paragraph 4 or 5 (reference of existing scheme to Tribunal),

(2) While the order is in force a person who in a case of a class to which the order applies —

(a) pays to the operator of the scheme any charges payable under the scheme in respect of a licence covering the case in question or, if the amount cannot be ascertained, gives an undertaking to the operator to pay them when ascertained, and

(b) complies with the other terms applicable to such a licence under the scheme, shall be in the same position as regards infringement of performers’ property rights as if he had at all material times been the holder of a licence granted by the rights owner in question in accordance with the scheme.

charges already paid, and (b) the reference in sub-paragraph (2)(a) to the charges payable under the

scheme shall be construed as a reference to the charges so payable by virtue

358 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2A – LICENSING OF PERFORMERS’ ... RIGHTS

of the order. No such direction may be made where sub-paragraph (4) below applies.

(4) An order of the Tribunal under paragraph 4 or 5 made with respect to a scheme which is certified for any purpose under paragraph 16 has effect, so far as it varies the scheme by reducing the charges payable for licences, from the date on which the reference was made to the Tribunal.

(5) Where the Tribunal has made an order under paragraph 6 (order as to entitlement to licence under licensing scheme) and the order remains in force, the person in whose favour the order is made shall if he—

(b) complies with the other terms specified in the order, be in the same position as regards infringement of performers’ property rights as if he had at all material times been the holder of a licence granted by the rights owner in question on the terms specified in the order.

References and applications with respect to licensing by licensing bodies 9 Paragraphs 10 to 13 (references and applications with respect to licensing by

licensing bodies) apply to licences relating to a performer’s property rights which cover the performance of more than one performer granted by a licensing body otherwise than in pursuance of a licensing scheme, so far as the licences authorise—

(a) copying a recording of the whole or any substantial part of a qualifying performance, F856 . . .

[F857 (aa) making such a recording available to the public in the way mentioned in section 182CA(1), or. ]

(b) renting or lending copies of a recording to the public; and references in those paragraphs to a licence shall be construed accordingly.

Amendments (Textual) F856 Sch. 2A para. 9: word "or" appearing at the end of sub-para. (a) repealed (31.10.2003) by virtue of The

Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 2(2), Sch. 2 (with regs. 31-40) F857 Sch. 2A para. 9(aa) substituted (31.10.2003) for word "or" appearing at the end of sub-para. (a) by virtue

Reference to tribunal of proposed licence 10 (1) The terms on which a licensing body proposes to grant a licence may be referred to

the Copyright Tribunal by the prospective licensee.

(3) If the Tribunal decides to entertain the reference it shall consider the terms of the proposed licence and make such order, either confirming or varying the terms as it may determine to be reasonable in the circumstances.

Reference to tribunal of expiring licence 11 (1) A licensee under a licence which is due to expire, by effluxion of time or as a result

of notice given by the licensing body, may apply to the Copyright Tribunal on the ground that it is unreasonable in the circumstances that the licence should cease to be in force.

(5) An order of the Tribunal under this paragraph may be made so as to be in force indefinitely or for such period as the Tribunal may determine.

Application for review of order as to licence 12 (1) Where the Copyright Tribunal has made an order under paragraph 10 or 11, the

licensing body or the person entitled to the benefit of the order may apply to the Tribunal to review its order.

Effect of order of tribunal as to licence 13 (1) Where the Copyright Tribunal has made an order under paragraph 10 or 11 and the

order remains in force, the person entitled to the benefit of the order shall if he— (a) pays to the licensing body any charges payable in accordance with the order

or, if the amount cannot be ascertained, gives an undertaking to pay the charges when ascertained, and

be in the same position as regards infringement of performers’ property rights as if he had at all material times been the holder of a licence granted by the rights owner in question on the terms specified in the order.

(2) The benefit of the order may be assigned—

360 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2A – LICENSING OF PERFORMERS’ ... RIGHTS

(a) in the case of an order under paragraph 10, if assignment is not prohibited under the terms of the Tribunal’s order; and

(b) in the case of an order under paragraph 11, if assignment was not prohibited under the terms of the original licence.

(3) The Tribunal may direct that an order under paragraph 10 or 11, or an order under paragraph 12 varying such an order, so far as it varies the amount of charges payable, has effect from a date before that on which it is made, but not earlier than the date on which the reference or application was made or, if later, on which the licence was granted or, as the case may be, was due to expire.

charges already paid, and (b) the reference in sub-paragraph (1)(a) to the charges payable in accordance

with the order shall be construed, where the order is varied by a later order, as a reference to the charges so payable by virtue of the later order.

General considerations: unreasonable discrimination 14 (1) In determining what is reasonable on a reference or application under this Schedule

relating to a licensing scheme or licence, the Copyright Tribunal shall have regard to—

(b) the terms of those schemes or licences,

and shall exercise its powers so as to secure that there is no unreasonable discrimination between licensees, or prospective licensees, under the scheme or licence to which the reference or application relates and licensees under other schemes operated by, or other licences granted by, the same person.

(2) This does not affect the Tribunal’s general obligation in any case to have regard to all relevant circumstances.

Application to settle royalty or other sum payable for lending 15 (1) An application to settle the royalty or other sum payable in pursuance of paragraph

14A of Schedule 2 (lending of certain recordings) may be made to the Copyright Tribunal by the owner of a performer’s property rights or the person claiming to be treated as licensed by him.

(4) An application under sub-paragraph (3) shall not, except with the special leave of the Tribunal, be made within twelve months from the date of the original order or of the order on a previous application under that sub-paragraph.

(5) An order under sub-paragraph (3) has effect from the date on which it is made or such later date as may be specified by the Tribunal.

Certification of licensing schemes 16 (1) A person operating or proposing to operate a licensing scheme may apply to the

Secretary of State to certify the scheme for the purposes of [F858 paragraph F859 ... 14A F860 ... of Schedule 2 ( ... lending of certain recordings ... ) ] .

(3) The scheme shall be scheduled to the order and the certification shall come into operation for the purposes of [F861 the relevant paragraph ] of Schedule 2—

(b) if the scheme is the subject of a reference under paragraph 3 (reference of proposed scheme), any later date on which the order of the Copyright Tribunal under that paragraph comes into force or the reference is withdrawn.

(4) A variation of the scheme is not effective unless a corresponding amendment of the order is made; and the Secretary of State shall make such an amendment in the case of a variation ordered by the Copyright Tribunal on a reference under paragraph 3, 4 or 5, and may do so in any other case if he thinks fit.

Amendments (Textual) F858 Words in Sch. 2A para. 16(1) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 17(a) (with regs. 31-40) F859 Words in Sch. 2A para. 16(1) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances

(Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 9 F860 Words in Sch. 2A para. 16(1) omitted (1.6.2014) by virtue of The Copyright and Rights in Performances

(Disability) Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 6 F861 Words in Sch. 2A para. 16(3) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 17(b) (with regs. 31-40)

Powers exercisable in consequence of competition report 17 [F862 ( 1 ) Sub-paragraph (1A) applies where whatever needs to be remedied, mitigated or

prevented by the Secretary of State, [F863 or (as the case may be) the Competition and Markets Authority ] under section 12(5) of the Competition Act 1980 or

362 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 2A – LICENSING OF PERFORMERS’ ... RIGHTS

section 41(2), 55(2), 66(6), 75(2), 83(2), 138(2), 147(2) [F864 , 147A(2) ] or 160(2) of, or paragraph 5(2) or 10(2) of Schedule 7 to, the Enterprise Act 2002 (powers to take remedial action following references to the [F865 Competition and Markets Authority ] in connection with public bodies and certain other persons, mergers or market investigations etc. ) consists of or includes—

(a) conditions in licences granted by the owner of a performer’s property rights restricting the use to which a recording may be put by the licensee or the right of the owner to grant other licenses, or

(b) a refusal of an owner of a performer’s property rights to grant licences on reasonable terms.

(1A) The powers conferred by Schedule 8 to the Enterprise Act 2002 include power to cancel or modify those conditions and, instead or in addition, to provide that licences in respect of the performer’s property rights shall be available as of right.

( 2 ) The references to anything permitted by Schedule 8 to the Enterprise Act 2002 in section 12(5A) of the Competition Act 1980 and in sections 75(4)(a), 83(4)(a), 84(2)(a), 89(1), 160(4)(a), 161(3)(a) and 164(1) of, and paragraphs 5, 10 and 11 of Schedule 7 to, the Act of 2002 shall be construed accordingly. ]]

(3) [F866 The Secretary of State [F867 or (as the case may be) the Competition and Markets Authority. ]] shall only exercise the powers available by virtue of this paragraph if he [F868 or it ] is satisfied that to do so does not contravene any Convention relating to performers’ rights to which the United Kingdom is a party.

(4) The terms of a licence available by virtue of this paragraph shall, in default of agreement, be settled by the Copyright Tribunal on an application by the person requiring the licence; and terms so settled shall authorise the licensee to do everything in respect of which a licence is so available.

Amendments (Textual) F862 Sch. 2A para. 17(1)(1A)(2) substituted (20.6.2003 for certain purposes and 29.12.2004 otherwise) for

Sch. 2A para. 17(1)(2) by 2002 c. 40, ss. 278(1), 279, Sch. 25 para. 18(5)(a); S.I. 2003/1397, arts. 2 , 3(1), Sch. (with arts. 4-12); S.I. 2004/3233, art. 2 , Sch. (with arts. 3-5)

F863 Words in Sch. 2A para. 17(1) substituted (1.4.2014) by The Enterprise and Regulatory Reform Act 2013 (Competition) (Consequential, Transitional and Saving Provisions) Order 2014 (S.I. 2014/892), art. 1(1), Sch. 1 para. 59(a)(i) (with art. 3)

F864 Word in Sch. 2A para. 17(1) inserted (1.4.2014) by The Enterprise and Regulatory Reform Act 2013 (Competition) (Consequential, Transitional and Saving Provisions) Order 2014 (S.I. 2014/892), art. 1(1), Sch. 1 para. 59(a)(ii) (with art. 3)

F865 Words in Sch. 2A para. 17(1) substituted (1.4.2014) by The Enterprise and Regulatory Reform Act 2013 (Competition) (Consequential, Transitional and Saving Provisions) Order 2014 (S.I. 2014/892), art. 1(1), Sch. 1 para. 59(a)(iii) (with art. 3)

F866 Words in Sch. 2A para. 17(3) substituted (20.6.2003 for certain purposes and 29.12.2004 otherwise) by 2002 c. 40, ss. 278(1), 279, Sch. 25 para. 18(5)(b)(i); S.I. 2003/1397, arts. 2 , 3(1), Sch. (with arts. 4-12); S.I. 2004/3233, art. 2 , Sch. (with arts. 3-5)

Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 3 – Registered designs: minor and consequential amendments of 1949 Act Document Generated: 2018-04-19

F867 Words in Sch. 2A para. 17(3) substituted (1.4.2014) by The Enterprise and Regulatory Reform Act 2013 (Competition) (Consequential, Transitional and Saving Provisions) Order 2014 (S.I. 2014/892), art. 1(1), Sch. 1 para. 59(b) (with art. 3)

F868 Words in Sch. 2A para. 17(3) inserted (20.6.2003 for certain purposes and 29.12.2004 otherwise) by 2002 c. 40, ss. 278(1), 279, Sch. 25 para. 18(5)(b)(ii); S.I. 2003/1397, arts. 2 , 3(1), Sch. (with arts. 4-12); S.I. 2004/3233, art. 2 , Sch. (with arts. 3-5)

Modifications etc. (not altering text) C139 Sch. 2A para. 17(1) amended (20.6.2003) by The Enterprise Act 2002 (Protection of Legitimate Interests)

Order 2003 (S.I. 2003/1592), Sch. 4 para. 7(3)(a) C140 Sch. 2A para. 17(2) amended (20.6.2003) by The Enterprise Act 2002 (Protection of Legitimate Interests)

Order 2003 (S.I. 2003/1592), Sch. 4 para. 7(3)(b)

SCHEDULE 3 Section 272.

REGISTERED DESIGNS: MINOR AND CONSEQUENTIAL AMENDMENTS OF 1949 ACT

Modifications etc. (not altering text) C141 Sch. 3 extended (with modifications) (Isle of Man) (9.12.2001) by S.I. 2001/3678, art. 3, Sch. 3 C142 Sch. 3 extended (Isle of Man) (with modifications) (11.11.2013) by The Registered Designs (Isle of Man)

Order 2013 (S.I. 2013/2533), arts. 1, 3(2), Sch. 2

Section 3: proceedings for registration F869 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F869 Sch. 3 para. 1 repealed (9.12.2001) by S.I. 2001/3949, reg. 9(2), Sch. 2 (with transitional provisions in

regs. 10-14)

Section 4: registration of same design in respect of other articles, etc. F870 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F870 Sch. 3 para. 2 repealed (9.12.2001) by S.I. 2001/3949, reg. 9(2), Sch. 2 (with transitional provisions in

Section 5: provisions for secrecy of certain designs 3 (1) Section 5 of the Registered Designs Act 1949 is amended as follows.

364 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 3 – Registered designs: minor and consequential amendments of 1949 Act

(2) For “a competent authority” or “the competent authority”, wherever occurring, substitute “ the Secretary of State ”; and in subsection (3)(c) for “that authority” substitute “ he ”.

(3) For subsection (2) substitute—

“(2) The Secretary of State shall by rules make provision for securing that where such directions are given—

(a) the representation or specimen of the design, and (b) any evidence filed in support of the applicant’s contention that the

appearance of an article is material (for the purposes of section 1(3) of this Act),

shall not be open to public inspection at the Patent Office during the continuance in force of the directions.”

F871 (4) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(5) Omit subsection (5).

Amendments (Textual) F871 Sch. 3 para. 3(4) repealed (9.12.2001) by S.I. 2001/3949, reg. 9(2), Sch. 2 (with transitional provisions

in regs. 10-14)

Section 6: provisions as to confidential disclosure, etc. F872 4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F872 Sch. 3 para. 4 repealed (9.12.2001) by S.I. 2001/3949, reg. 9(2), Sch. 2 (with transitional provisions in

Section 9: exemption of innocent infringer from liability for damages 5 In section 9 of the M61 Registered Designs Act 1949 (exemption of innocent infringer

from liability for damages), in subsections (1) and (2) for “copyright in a registered design” substitute “ the right in a registered design ”.

Marginal Citations M61 1949 c. 88.

Section 11: cancellation of registration F873 6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F873 Sch. 3 para. 6 repealed (9.12.2001) by S.I. 2001/3949, reg. 9(2), Sch. 2 (with transitional provisions in

Section 14: registration where application has been made in convention country 7 In section 14 of the Registered Designs Act 1949 (registration where application

has been made in convention country), for subsections (2) and (3) substitute—

“(2) Where an application for registration of a design is made by virtue of this section, the application shall be treated, for the purpose of determining whether that or any other design is new, as made on the date of the application for protection in the convention country or, if more than one such application was made, on the date of the first such application.

(3) Subsection (2) shall not be construed as excluding the power to give directions under section 3(4) of this Act in relation to an application made by virtue of this section.”.

Section 15: extension of time for application under s.14 in certain cases 8 In section 15(1) of the M62 Registered Designs Act 1949 (power to make rules

empowering registrar to extend time for applications under s.14) for “the Board of Trade are satisfied” substitute “ the Secretary of State is satisfied ” and for “they” substitute “ he ”.

Marginal Citations M62 1949 c. 88.

Section 16: protection of designs communicated under international agreements F874 9 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F874 Sch. 3 para. 9 repealed (9.12.2001) by S.I. 2001/3949, reg. 9(2), Sch. 2 (with transitional provisions in

Section 19: registration of assignments, &c. 10 In section 19 of the Registered Designs Act 1949 (registration of assignments, &c.),

after subsection (3) insert—

“(3A) Where design right subsists in a registered design, the registrar shall not register an interest under subsection (3) unless he is satisfied that the person

366 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 3 – Registered designs: minor and consequential amendments of 1949 Act

entitled to that interest is also entitled to a corresponding interest in the design right.

(3B) Where design right subsists in a registered design and the proprietor of the registered design is also the design right owner, an assignment of the design right shall be taken to be also an assignment of the right in the registered design, unless a contrary intention appears.”.

Section 20: rectification of the register 11 In section 20 of the Registered Designs Act 1949 (rectification of the register), after

subsection (4) add—

“(5) A rectification of the register under this section has effect as follows— (a) an entry made has effect from the date on which it should have been

made, (b) an entry varied has effect as if it had originally been made in its

varied form, and (c) an entry deleted shall be deemed never to have had effect,

nless, in any case, the court directs otherwise.”.

Section 22: inspection of registered designs 12 (1) Section 22 of the Registered Designs Act 1949 (inspection of registered designs) is

amended as follows.

“(1) Where a design has been registered under this Act, there shall be open to inspection at the Patent Office on and after the day on which the certificate of registration is issued—

appearance of an article is material (for the purposes of section 1(3) of this Act).

This subsection has effect subject to the following provisions of this section and to any rules made under section 5(2) of this Act.”.

(3) In subsection (2), subsection (3) (twice) and subsection (4) for “representation or specimen of the design” substitute “ representation, specimen or evidence ”.

Section 23: information as to existence of right in registered design 13 For section 23 of the M63 Registered Designs Act 1949 (information as to existence

of right in registered design) substitute—

“ 23 Information as to existence of right in registered design.

On the request of a person furnishing such information as may enable the registrar to identify the design, and on payment of the prescribed fee, the registrar shall inform him—

(a) whether the design is registered and, if so, in respect of what articles, and

(b) whether any extension of the period of the right in the registered design has been granted,

and shall state the date of registration and the name and address of the registered proprietor.”.

Marginal Citations M63 1949 c. 88.

Section 25: certificate of contested validity of registration 14 In section 25 of the Registered Designs Act 1949 (certificate of contested validity of

registration), in subsection (2) for “the copyright in the registered design”substitute “ the right in the registered design ”.

Section 26: remedy for groundless threats of infringement proceedings 15 (1) Section 26 of the Registered Designs Act 1949 (remedy for groundless threats of

infringement proceedings) is amended as follows.

(2) In subsections (1) and (2) for “the copyright in a registered design” substitute “ the right in a registered design ”.

“(2A) Proceedings may not be brought under this section in respect of a threat to bring proceedings for an infringement alleged to consist of the making or importing of anything.”.

Section 27: the court 16 For section 27 of the Registered Designs Act 1949 (the court) substitute—

“ 27 The court.

(1) In this Act “the court” means— (a) in England and Wales the High Court or any patents county court

having jurisdiction by virtue of an order under section 287 of the Copyright, Designs and Patents Act 1988,

(b) in Scotland, the Court of Session, and (c) in Northern Ireland, the High Court.

(2) Provision may be made by rules of court with respect to proceedings in the High Court in England and Wales for references and applications under this Act to be dealt with by such judge of that court as the Lord Chancellor may select for the purpose.”.

Section 28: the Appeal Tribunal 17 (1) Section 28 of the Registered Designs Act 1949 (the Appeal Tribunal) is amended

as follows.

368 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 3 – Registered designs: minor and consequential amendments of 1949 Act

(2) For subsection (2) (members of Tribunal) substitute—

“(2) The Appeal Tribunal shall consist of— (a) one or more judges of the High Court nominated by the Lord

Chancellor, and (b) one judge of the Court of Session nominated by the Lord President

of that Court.”.

(3) In subsection (5) (costs), after “costs” (twice) insert “ or expenses ”, and for the words from “and any such order” to the end substitute—

“and any such order may be enforced— (a) in England and Wales or Northern Ireland, in the same way as an

order of the High Court; (b) in Scotland, in the same way as a decree for expenses granted by the

Court of Session.”.

(4) For subsection (10) (seniority of judges) substitute—

“(10) In this section “the High Court” means the High Court in England and Wales; and for the purposes of this section the seniority of judges shall be reckoned by reference to the dates on which they were appointed judges of that court or the Court of Session.”.

(5) The amendments to section 28 made by section 10(5) of the M64 Administration of Justice Act 1970 (power to make rules as to right of audience) shall be deemed always to have extended to Northern Ireland.

Marginal Citations M64 1970 c. 31.

Section 29: exercise of discretionary powers of registrar 18 In section 29 of the M65 Registered Designs Act 1949 (exercise of discretionary

powers of registrar) for “the registrar shall give” substitute “ rules made by the Secretary of State under this Act shall require the registrar to give ”.

Marginal Citations M65 1949 c. 88.

Section 30: costs and security for costs 19 For section 30 of the Registered Designs Act 1949 (costs and security for costs)

substitute—

“ 30 Costs and security for costs.

(1) Rules made by the Secretary of State under this Act may make provision empowering the registrar, in any proceedings before him under this Act—

(a) to award any party such costs as he may consider reasonable, and (b) to direct how and by what parties they are to be paid.

(2) Any such order of the registrar may be enforced— (a) in England and Wales or Northern Ireland, in the same way as an

order of the High Court; (b) in Scotland, in the same way as a decree for expenses granted by

the Court of Session.

(3) Rules made by the Secretary of State under this Act may make provision empowering the registrar to require a person, in such cases as may be prescribed, to give security for the costs of—

(a) an application for cancellation of the registration of a design, (b) an application for the grant of a licence in respect of a registered

design, or (c) an appeal from any decision of the registrar under this Act,

and enabling the application or appeal to be treated as abandoned in default of such security being given.”.

Section 31: evidence before registrar 20 For section 31 of the M66 Registered Designs Act 1949 (evidence before registrar)

“ 31 Evidence before registrar.

Rules made by the Secretary of State under this Act may make provision— (a) as to the giving of evidence in proceedings before the registrar under

this Act by affidavit or statutory declaration; (b) conferring on the registrar the powers of an official referee of the

Supreme Court as regards the examination of witnesses on oath and the discovery and production of documents; and

(c) applying in relation to the attendance of witnesses in proceedings before the registrar the rules applicable to the attendance of witnesses in proceedings before such a referee.”.

Marginal Citations M66 1949 c. 88.

Section 32: power of registrar to refuse to deal with certain agents 21 Section 32 of the Registered Designs Act 1949 (power of registrar to refuse to deal

with certain agents) is repealed.

370 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 3 – Registered designs: minor and consequential amendments of 1949 Act

Section 33: offences under s.5 (secrecy of certain designs) 22 (1) Section 33 of the Registered Designs Act 1949 (offences under s.5 (secrecy of certain

designs)) is amended as follows.

(2) In subsection (1), for paragraphs (a) and (b) substitute— “(a) on conviction on indictment to imprisonment for a term not

exceeding two years or a fine, or both; (b) on summary conviction to imprisonment for a term not exceeding

six months or a fine not exceeding the statutory maximum, or both.”.

(3) Omit subsection (2).

(4) The above amendments do not apply in relation to offences committed before the commencement of Part IV.

Section 34: falsification of register, &c. 23 (1) In section 34 of the Registered Designs Act 1949 (falsification of register, &c.) for

“shall be guilty of a misdemeanour” substitute—

“shall be guilty of an offence and liable— (a) on conviction on indictment to imprisonment for a term not

(2) The above amendment does not apply in relation to offences committed before the commencement of Part IV.

Section 35: fine for falsely representing a design as registered 24 (1) Section 35 of the M67 Registered Designs Act 1949 (fine for falsely representing a

design as registered) is amended as follows.

(2) In subsection (1) for the words from “a fine not exceeding £50” substitute “ a fine not exceeding level 3 on the standard scale ”.

(3) In subsection (2)— (a) for “the copyright in a registered design” substitute “ the right in a registered

design ”; (b) for “subsisting copyright in the design” substitute “ subsisting right in the

design under this Act ”; and (c) for the words from “a fine” to the end substitute “ a fine not exceeding level

1 on the standard scale ”.

(4) The amendment in sub-paragraph (2) does not apply in relation to offences committed before the commencement of Part IV.

Marginal Citations M67 1949 c. 88.

Section 35A: offence by body corporate - liability of officers 25 (1) In the Registered Designs Act 1949 after section 35 insert—

“ 35A Offence by body corporate: liability of officers.

(1) Where an offence under this Act committed by a body corporate is proved to have been committed with the consent or connivance of a director, manager, secretary or other similar officer of the body, or a person purporting to act in any such capacity, he as well as the body corporate is guilty of the offence and liable to be proceeded against and punished accordingly.

(2) In relation to a body corporate whose affairs are managed by its members “director” means a member of the body corporate.”.

Section 36: general power to make rules, &c. 26 (1) Section 36 of the Registered Designs Act 1949 (general power to make rules, &c.)

is amended as follows.

(2) In subsection (1) for “the Board of Trade” and “the Board” substitute “ the Secretary of State ”, and for “as they think expedient” substitute “ as he thinks expedient ”.

(3) For the words in subsection (1) from “and in particular” to the end substitute the following subsections—

“(1A) Rules may, in particular, make provision— (a) prescribing the form of applications for registration of designs and

of any representations or specimens of designs or other documents which may be filed at the Patent Office, and requiring copies to be furnished of any such representations, specimens or documents;

(b) regulating the procedure to be followed in connection with any application or request to the registrar or in connection with any proceeding before him, and authorising the rectification of irregularities of procedure;

(c) providing for the appointment of advisers to assist the registrar in proceedings before him;

(d) regulating the keeping of the register of designs; (e) authorising the publication and sale of copies of representations of

designs and other documents in the Patent Office; (f) prescribing anything authorised or required by this Act to be

prescribed by rules.

(1B) The remuneration of an adviser appointed to assist the registrar shall be determined by the Secretary of State with the consent of the Treasury and shall be defrayed out of money provided by Parliament.”.

Section 37: provisions as to rules and Orders 27 (1) Section 37 of the M68 Registered Designs Act 1949 (provisions as to rules and orders)

372 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 3 – Registered designs: minor and consequential amendments of 1949 Act

(2) Omit subsection (1) (duty to advertise making of rules).

(3) In subsections (2), (3) and (4) for “the Board of Trade” substitute “ the Secretary of State ”.

Marginal Citations M68 1949 c. 88.

Section 38: proceedings of the Board of Trade 28 Section 38 of the Registered Designs Act 1949 (proceedings of the Board of Trade)

is repealed.

Section 39: hours of business and excluded days 29 In section 39 of the Registered Designs Act 1949 (hours of business and excluded

days), in subsection (1) for “the Board of Trade” substitute “ the Secretary of State ”.

Section 40: fees 30 In section 40 of the Registered Designs Act 1949 (fees) for “the Board of Trade”

substitute “ the Secretary of State ”.

Section 44: interpretation 31 (1) In section 44 of the Registered Designs Act 1949 (interpretation), subsection (1) is

amended as follows. F875 (2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(3) At the appropriate place insert—

““author” in relation to a design, has the meaning given by section 2(3) and (4);”.

(4) Omit the definition of “copyright”.

(5) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(6) For the definition of “court” substitute—

““the court” shall be construed in accordance with section 27 of this Act;”.

(7) In the definition of “design” for “subsection (3) of section one of this Act” substitute “ section 1(1) of this Act ”.

(8) At the appropriate place insert—

““employee”, “employment” and “employer” refer to employment under a contract of service or of apprenticeship,”.

(9) Omit the definition of “Journal”.

(10) In the definition of “prescribed” for “the Board of Trade” substitute “ the Secretary of State ”.

Amendments (Textual) F875 Sch. 3 para. 31(2)(5) repealed (9.12.2001) by S.I. 2001/3949, reg. 9(2), Sch. 2 (with transitional

provisions in regs. 10-14)

Section 45: application to Scotland 32 In section 45 of the M69 Registered Designs Act 1949 (application to Scotland), omit

paragraphs (1) and (2).

Marginal Citations M69 1949 c. 88.

Section 46: application to Northern Ireland 33 (1) Section 46 of the Registered Designs Act 1949 (application to Northern Ireland) is

(2) Omit paragraphs (1) and (2).

(3) For paragraph (3) substitute—

“(3) References to enactments include enactments comprised in Northern Ireland legislation:”.

(4) After paragraph (3) insert—

“(3A) References to the Crown include the Crown in right of Her Majesty’s Government in Northern Ireland:”.

(5) In paragraph (4) for “a department of the Government of Northern Ireland” substitute “ a Northern Ireland department ”, and at the end add “ and in relation to a Northern Ireland department references to the Treasury shall be construed as references to the Department of Finance and Personnel ”.

Section 47: application to Isle of Man 34 For section 47 of the Registered Designs Act 1949 (application to Isle of Man)

“ 47 Application to Isle of Man.

This Act extends to the Isle of Man, subject to any modifications contained in an Order made by Her Majesty in Council, and accordingly, subject to any such Order, references in this Act to the United Kingdom shall be construed as including the Isle of Man.”.

374 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 3 – Registered designs: minor and consequential amendments of 1949 Act

Section 47A: territorial waters and the continental shelf 35 In the Registered Designs Act 1949, after section 47 insert—

“ 47A Territorial waters and the continental shelf.

(1) For the purposes of this Act the territorial waters of the United Kingdom shall be treated as part of the United Kingdom.

(2) This Act applies to things done in the United Kingdom sector of the continental shelf on a structure or vessel which is present there for purposes directly connected with the exploration of the sea bed or subsoil or the exploitation of their natural resources as it applies to things done in the United Kingdom.

(3) The United Kingdom sector of the continental shelf means the areas designated by order under section 1(7) of the Continental Shelf Act 1964.”.

Section 48: repeals, savings and transitional provisions 36 In section 48 of the Registered Designs Act 1949 (repeals, savings and transitional

provisions), omit subsection (1) (repeals).

Schedule 1: provisions as to Crown use of registered designs 37 (1) The First Schedule to the M70 Registered Designs Act 1949 (provisions as to Crown

use of registered designs) is amended as follows.

(2) In paragraph 2(1) after “copyright” insert “ or design right ”.

(3) In paragraph 3(1) omit “in such manner as may be prescribed by rules of court”.

(4) In paragraph 4(2) (definition of “period of emergency”) for the words from “the period ending” to “any other period” substitute “ a period ”.

(5) For paragraph 4(3) substitute—

“(3) No Order in Council under this paragraph shall be submitted to Her Majesty unless a draft of it has been laid before and approved by a resolution of each House of Parliament.”.

Marginal Citations M70 1949 c. 88.

Schedule 2: enactments repealed 38 Schedule 2 to the Registered Designs Act 1949 (enactments repealed) is repealed.

Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 4 – The Registered Designs Act 1949 as amended Arrangement of Sections Document Generated: 2018-04-19

SCHEDULE 4 Section 273.

THE REGISTERED DESIGNS ACT 1949 AS AMENDED ARRANGEMENT OF SECTIONS

Modifications etc. (not altering text) C143 Sch. 4 extended (with modifications) (Isle of Man) (9.12.2001) by S.I. 2001/3678, art. 3, Sch. 3 C144 Sch. 4 extended (Isle of Man) (with modifications) (11.11.2013) by The Registered Designs (Isle of Man)

Registrable designs and proceedings for registration 1 Designs registrable under Act. 2 Proprietorship of designs. 3 Proceedings for registration. 4 Registration of same design in respect of other articles. 5 Provision for secrecy of certain designs. 6 Provisions as to confidential disclosure, &c.

Effect of registration, &c. 7 Right given by registration. 8 Duration of right in registered design. 8A Restoration of lapsed right in design. 8B Effect of order for restoration of right. 9 Exemption of innocent infringer from liability for damages. 10 Compulsory licence in respect of registered design. 11 Cancellation of registration. 11A Powers exercisable for protection of the public interest. 11B Undertaking to take licence of right in infringement proceedings. 12 Use for services of the Crown.

International arrangements 13 Orders in Council as to convention countries. 14 Registration of design where application for protection in convention country has

been made. 15 Extension of time for applications under s.14 in certain cases. 16 Protection of designs communicated under international agreements.

376 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 4 – The Registered Designs Act 1949 as amended Arrangement of Sections

Register of designs, &c. 17 Register of designs. 18 Certificate of registration. 19 Registration of assignments, &c. 20 Rectification of register. 21 Power to correct clerical errors. 22 Inspection of registered designs. 23 Information as to existence of right in registered design. 24 ... ... ... ... ... ... ...

Legal proceedings and appeals 25 Certificate of contested validity of registration. 26 Remedy for groundless threats of infringement proceedings. 27 The court. 28 The Appeal Tribunal.

Powers and duties of registrar 29 Exercise of discretionary powers of registrar. 30 Costs and security for costs. 31 Evidence before registrar. 32 ... ... ... ... ... ... ... 33 Offences under s.5. 34 Falsification of register, &c. 35 Fine for falsely representing a design as registered. 35A Offence by body corporate: liability of officers.

Rules, &c. 36 General power of Secretary of State to make rules, &c. 37 Provisions as to rules and Orders. 38 ... ... ... ... ... ... ...

Supplemental 39 Hours of business and excluded days. 40 Fees. 41 Service of notices, &c., by post. 42 Annual report of registrar. 43 Savings.

44 Interpretation. 45 Application to Scotland. 46 Application to Northern Ireland. 47 Application to Isle of Man. 47A Territorial waters and the continental shelf. 48 Repeals, savings and transitional provisions. 49 Short title and commencement.

Schedule 1—Provisions as to the use of registered designs for the services of the Crown and as to rights of third parties in respect of such use.

Schedule 2—... ... ... ... ... ... ...

An Act to consolidate certain enactments relating to registered designs.

[16th December 1949]

Registrable designs and proceedings for registration

1 (1) In this Act “design” means features of shape, configuration, pattern or ornament applied to an article by any industrial process, being features which in the finished article appeal to and are judged by the eye, but does not include—

(a) a method or principle of construction, or (b) features of shape or configuration of an article which—

(i) are dictated solely by the function which the article has to perform, or

(ii) are dependent upon the appearance of another article of which the article is intended by the author of the design to form an integral part.

(2) A design which is new may, upon application by the person claiming to be the proprietor, be registered under this Act in respect of any article, or set of articles, specified in the application.

(3) A design shall not be registered in respect of an article if the appearance of the article is not material, that is, if aesthetic considerations are not normally taken into account to a material extent by persons acquiring or using articles of that description, and would not be so taken into account if the design were to be applied to the article.

(4) A design shall not be regarded as new for the purposes of this Act if it is the same as a design—

(a) registered in respect of the same or any other article in pursuance of a prior application, or

(b) published in the United Kingdom in respect of the same or any other article before the date of the application,

or if it differs from such a design only in immaterial details or in features which are variants commonly used in the trade.

This subsection has effect subject to the provisions of sections 4, 6 and 16 of this Act.

378 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 4 – The Registered Designs Act 1949 as amended Arrangement of Sections

(5) The Secretary of State may by rules provide for excluding from registration under this Act designs for such articles of a primarily literary or artistic character as the Secretary of State thinks fit.

2 (1) The author of a design shall be treated for the purposes of this Act as the original proprietor of the design, subject to the following provisions.

(1B) Where, in a case not falling within subsection (1A), a design is created by an employee in the course of his employment, his employer shall be treated as the original proprietor of the design.

(2) Where a design, or the right to apply a design to any article, becomes vested, whether by assignment, transmission or operation of law, in any person other than the original proprietor, either alone or jointly with the original proprietor, that other person, or as the case may be the original proprietor and that other person, shall be treated for the purposes of this Act as the proprietor of the design or as the proprietor of the design in relation to that article.

(3) In this Act the “author” of a design means the person who creates it.

(4) In the case of a design generated by computer in circumstances such that there is no human author, the person by whom the arrangements necessary for the creation of the design are made shall be taken to be the author.

3 (1) An application for the registration of a design shall be made in the prescribed form and shall be filed at the Patent Office in the prescribed manner.

(2) An application for the registration of a design in which design right subsists shall not be entertained unless made by the person claiming to be the design right owner.

(3) For the purpose of deciding whether a design is new, the registrar may make such searches, if any, as he thinks fit.

(4) The registrar may, in such cases as may be prescribed, direct that for the purpose of deciding whether a design is new an application shall be treated as made on a date earlier or later than that on which it was in fact made.

(5) The registrar may refuse an application for the registration of a design or may register the design in pursuance of the application subject to such modifications, if any, as he thinks fit; and a design when registered shall be registered as of the date on which the application was made or is treated as having been made.

(6) An application which, owing to any default or neglect on the part of the applicant, has not been completed so as to enable registration to be effected within such time as may be prescribed shall be deemed to be abandoned.

(7) An appeal lies from any decision of the registrar under this section.

4 (1) Where the registered proprietor of a design registered in respect of any article makes an application—

(a) for registration in respect of one or more other articles, of the registered design, or

(b) for registration in respect of the same or one or more other articles, of a design consisting of the registered design with modifications or variations not sufficient to alter the character or substantially to affect the identity thereof,

the application shall not be refused and the registration made on that application shall not be invalidated by reason only of the previous registration or publication of the registered design:

Provided that the right in a design registered by virtue of this section shall not extend beyond the end of the period, and any extended period, for which the right subsists in the original registered design.

(2) Where any person makes an application for the registration of a design in respect of any article and either—

(a) that design has been previously registered by another person in respect of some other article; or

(b) the design to which the application relates consists of a design previously registered by another person in respect of the same or some other article with modifications or variations not sufficient to alter the character or substantially to affect the identity thereof,

then, if at any time while the application is pending the applicant becomes the registered proprietor of the design previously registered, the foregoing provisions of this section shall apply as if at the time of making the application the applicant had been the registered proprietor of that design.

5 (1) Where, either before or after the commencement of this Act, an application for the registration of a design has been made, and it appears to the registrar that the design is one of a class notified to him by the Secretary of State as relevant for defence purposes, he may give directions for prohibiting or restricting the publication of information with respect to the design, or the communication of such information to any person or class of persons specified in the directions.

(2) The Secretary of State shall by rules make provision for securing that where such directions are given—

shall not be open to public inspection at the Patent Office during the continuance in force of the directions.

(3) Where the registrar gives any such directions as aforesaid, he shall give notice of the application and of the directions to the Secretary of State, and thereupon the following provisions shall have effect, that is to say:—

(a) the Secretary of State shall, upon receipt of such notice, consider whether the publication of the design would be prejudicial to the defence of the realm and unless a notice under paragraph (c) of this subsection has previously been given by that authority to the registrar, shall reconsider that question before the expiration of nine months from the date of filing of the application for registration of the design and at least once in every subsequent year;

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(b) for the purpose aforesaid, the Secretary of State may, at any time after the design has been registered or, with the consent of the applicant, at any time before the design has been registered, inspect the representation or specimen of the design, or any such evidence as is mentioned in subsection (2)(b) above, filed in pursuance of the application;

(c) if upon consideration of the design at any time it appears to the Secretary of State that the publication of the design would not, or would no longer, be prejudicial to the defence of the realm, he shall give notice to the registrar to that effect;

(d) on the receipt of any such notice the registrar shall revoke the directions and may, subject to such conditions, if any, as he thinks fit, extend the time for doing anything required or authorised to be done by or under this Act in connection with the application or registration, whether or not that time has previously expired.

(4) No person resident in the United Kingdom shall, except under the authority of a written permit granted by or on behalf of the registrar, make or cause to be made any application outside the United Kingdom for the registration of a design of any class prescribed for the purposes of this subsection unless—

(a) an application for registration of the same design has been made in the United Kingdom not less than six weeks before the application outside the United Kingdom; and

(b) either no directions have been given under subsection (1) of this section in relation to the application in the United Kingdom or all such directions have been revoked:

Provided that this subsection shall not apply in relation to a design for which an application for protection has first been filed in a country outside the United Kingdom by a person resident outside the United Kingdom. ... ... ... ...

6 (1) An application for the registration of a design shall not be refused, and the registration of a design shall not be invalidated, by reason only of—

(a) the disclosure of the design by the proprietor to any other person in such circumstances as would make it contrary to good faith for that other person to use or publish the design;

(b) the disclosure of the design in breach of good faith by any person other than the proprietor of the design; or

(c) in the case of a new or original textile design intended for registration, the acceptance of a first and confidential order for goods bearing the design.

(2) An application for the registration of a design shall not be refused and the registration of a design shall not be invalidated by reason only—

(a) that a representation of the design, or any article to which the design has been applied, has been displayed, with the consent of the proprietor of the design, at an exhibition certified by the Secretary of State for the purposes of this subsection;

(b) that after any such display as aforesaid, and during the period of the exhibition, a representation of the design or any such article as aforesaid has been displayed by any person without the consent of the proprietor; or

(c) that a representation of the design has been published in consequence of any such display as is mentioned in paragraph (a) of this subsection,

if the application for registration of the design is made not later than six months after the opening of the exhibition.

(3) An application for the registration of a design shall not be refused, and the registration of a design shall not be invalidated, by reason only of the communication of the design by the proprietor thereof to a government department or to any person authorised by a government department to consider the merits of the design, or of anything done in consequence of such a communication.

(4) Where an application is made by or with the consent of the owner of copyright in an artistic work for the registration of a corresponding design, the design shall not be treated for the purposes of this Act as being other than new by reason only of any use previously made of the artistic work, subject to subsection (5).

(5) Subsection (4) does not apply if the previous use consisted of or included the sale, letting for hire or offer or exposure for sale or hire of articles to which had been applied industrially—

(a) the design in question, or (b) a design differing from it only in immaterial details or in features which are

variants commonly used in the trade, and that previous use was made by or with the consent of the copyright owner.

(6) The Secretary of State may make provision by rules as to the circumstances in which a design is to be regarded for the purposes of this section as “applied industrially” to articles, or any description of articles.

Effect of registration, &c.

7 (1) The registration of a design under this Act gives the registered proprietor the exclusive right—

(a) to make or import— (i) for sale or hire, or

(ii) for use for the purposes of a trade or business, or (b) to sell, hire or offer or expose for sale or hire,

an article in respect of which the design is registered and to which that design or a design not substantially different from it has been applied.

(2) The right in the registered design is infringed by a person who without the licence of the registered proprietor does anything which by virtue of subsection (1) is the exclusive right of the proprietor.

(3) The right in the registered design is also infringed by a person who, without the licence of the registered proprietor makes anything for enabling any such article to be made, in the United Kingdom or elsewhere, as mentioned in subsection (1).

(4) The right in the registered design is also infringed by a person who without the licence of the registered proprietor—

(a) does anything in relation to a kit that would be an infringement if done in relation to the assembled article (see subsection (1)), or

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(b) makes anything for enabling a kit to be made or assembled, in the United Kingdom or elsewhere, if the assembled article would be such an article as is mentioned in subsection (1);

and for this purpose a “kit” means a complete or substantially complete set of components intended to be assembled into an article.

(5) No proceedings shall be taken in respect of an infringement committed before the date on which the certificate of registration of the design under this Act is granted.

(6) The right in a registered design is not infringed by the reproduction of a feature of the design which, by virtue of section 1(1)(b), is left out of account in determining whether the design is registrable.

8 (1) The right in a registered design subsists in the first instance for a period of five years from the date of the registration of the design.

(5) Where it is shown that a registered design— (a) was at the time it was registered a corresponding design in relation to an

artistic work in which copyright subsists, and (b) by reason of a previous use of that work would not have been registrable

but for section 6(4) of this Act (registration despite certain prior applications of design),

8A (1) Where the right in a registered design has expired by reason of a failure to extend, in accordance with section 8(2) or (4), the period for which the right subsists, an application for the restoration of the right in the design may be made to the registrar within the prescribed period.

8B (1) The effect of an order under section 8A for the restoration of the right in a registered design is as follows.

(4) If after it was no longer possible for such an application for extension to be made, and before publication of notice of the application for restoration, a person—

(b) made in good faith effective and serious preparations to do such an act, he has the right to continue to do the act or, as the case may be, to do the act, notwithstanding the restoration of the right in the design; but this does not extend to granting a licence to another person to do the act.

(6) Where an article is disposed of to another in exercise of the rights conferred by subsection (4) or subsection (5), that other and any person claiming through him may

384 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 4 – The Registered Designs Act 1949 as amended Arrangement of Sections

deal with the article in the same way as if it had been disposed of by the registered proprietor of the design.

(7) The above provisions apply in relation to the use of a registered design for the services of the Crown as they apply in relation to infringement of the right in the design.

9 (1) In proceedings for the infringement of the right in a registered design damages shall not be awarded against a defendant who proves that at the date of the infringement he was not aware, and had no reasonable ground for supposing, that the design was registered; and a person shall not be deemed to have been aware or to have had reasonable grounds for supposing as aforesaid by reason only of the marking of an article with the word “registered” or any abbreviation thereof, or any word or words expressing or implying that the design applied to the article has been registered, unless the number of the design accompanied the word or words or the abbreviation in question.

(2) Nothing in this section shall affect the power of the court to grant an injunction in any proceedings for infringement of the right in a registered design.

10 (1) At any time after a design has been registered any person interested may apply to the registrar for the grant of a compulsory licence in respect of the design on the ground that the design is not applied in the United Kingdom by any industrial process or means to the article in respect of which it is registered to such an extent as is reasonable in the circumstances of the case; and the registrar may make such order on the application as he thinks fit.

(2) An order for the grant of a licence shall, without prejudice to any other method of enforcement, have effect as if it were a deed executed by the registered proprietor and all other necessary parties, granting a licence in accordance with the order.

(3) No order shall be made under this section which would be at variance with any treaty, convention, arrangement or engagement applying to the United Kingdom and any convention country.

(4) An appeal shall lie from any order of the registrar under this section.

11 (1) The registrar may, upon a request made in the prescribed manner by the registered proprietor, cancel the registration of a design.

(2) At any time after a design has been registered any person interested may apply to the registrar for the cancellation of the registration of the design on the ground that the design was not, at the date of the registration thereof, new..., or on any other ground on which the registrar could have refused to register the design; and the registrar may make such order on the application as he thinks fit.

(3) At any time after a design has been registered, any person interested may apply to the registrar for the cancellation of the registration on the ground that—

(a) the design was at the time it was registered a corresponding design in relation to an artistic work in which copyright subsisted, and

(b) the right in the registered design has expired in accordance with section 8(4) of this Act (expiry of right in registered design on expiry of copyright in artistic work);

and the registrar may make such order on the application as he thinks fit.

(4) A cancellation under this section takes effect— (a) in the case of cancellation under subsection (1), from the date of the

registrar’s decision, (b) in the case of cancellation under subsection (2), from the date of registration, (c) in the case of cancellation under subsection (3), from the date on which the

right in the registered design expired, or, in any case, from such other date as the registrar may direct.

(5) An appeal lies from any order of the registrar under this section.

11A (1) Where a report of the Monopolies and Mergers Commission has been laid before Parliament containing conclusions to the effect—

(c) on a competition reference, that a person was engaged in an anti-competitive practice which operated or may be expected to operate against the public interest, or

(2) Before making an application the appropriate Minister or Ministers shall publish, in such manner as he or they think appropriate, a notice describing the nature of the proposed application and shall consider any representations which may be made within 30 days of such publication by persons whose interests appear to him or them to be affected.

(3) If on an application under this section it appears to the registrar that the matters specified in the Commission’s report as being those which in the Commission’s opinion operate, or operated or may be expected to operate, against the public interest include—

(4) The terms of a licence available by virtue of this section shall, in default of agreement, be settled by the registrar on an application by the person requiring the licence; and

386 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 4 – The Registered Designs Act 1949 as amended Arrangement of Sections

terms so settled shall authorise the licensee to do everything which would be an infringement of the right in the registered design in the absence of a licence.

(5) Where the terms of a licence are settled by the registrar, the licence has effect from the date on which the application to him was made.

11B (1) If in proceedings for infringement of the right in a registered design in respect of which a licence is available as of right under section 11A of this Act the defendant undertakes to take a licence on such terms as may be agreed or, in default of agreement, settled by the registrar under that section—

(a) no injunction shall be granted against him, and (b) the amount recoverable against him by way of damages or on an account of

12 The provisions of the First Schedule to this Act shall have effect with respect to the use of registered designs for the services of the Crown and the rights of third parties in respect of such use.

International Arrangements

13 (1) His Majesty may, with a view to the fulfilment of a treaty, convention, arrangement or engagement, by Order in Council declare that any country specified in the Order is a convention country for the purposes of this Act:

Provided that a declaration may be made as aforesaid for the purposes either of all or of some only of the provisions of this Act, and a country in the case of which a declaration made for the purposes of some only of the provisions of this Act is in force shall be deemed to be a convention country for the purposes of those provisions only.

(2) His Majesty may by Order in Council direct that any of the Channel Islands, any colony,... shall be deemed to be a convention country for the purposes of all or any of the provisions of this Act; and an Order made under this subsection may direct that any such provisions shall have effect, in relation to the territory in question, subject to such conditions or limitations, if any, as may be specified in the Order.

(3) For the purposes of subsection (1) of this section, every colony, protectorate, territory subject to the authority or under the suzerainty of another country, and territory administered by another country... under the trusteeship system of the United

Nations, shall be deemed to be a country in the case of which a declaration may be made under that subsection.

14 (1) An application for registration of a design in respect of which protection has been applied for in a convention country may be made in accordance with the provisions of this Act by the person by whom the application for protection was made or his personal representative or assignee:

Provided that no application shall be made by virtue of this section after the expiration of six months from the date of the application for protection in a convention country or, where more than one such application for protection has been made, from the date of the first application.

(2) Where an application for registration of a design is made by virtue of this section, the application shall be treated, for the purpose of determining whether that or any other design is new, as made on the date of the application for protection in the convention country or, if more than one such application was made, on the date of the first such application.

(3) Subsection (2) shall not be construed as excluding the power to give directions under section 3(4) of this Act in relation to an application made by virtue of this section.

(4) Where a person has applied for protection for a design by an application which— (a) in accordance with the terms of a treaty subsisting between two or more

convention countries, is equivalent to an application duly made in any one of those convention countries; or

(b) in accordance with the law of any convention country, is equivalent to an application duly made in that convention country,

he shall be deemed for the purposes of this section to have applied in that convention country.

15 (1) If the Secretary of State is satisfied that provision substantially equivalent to the provision to be made by or under this section has been or will be made under the law of any convention country, he may make rules empowering the registrar to extend the time for making application under subsection (1) of section 14 of this Act for registration of a design in respect of which protection has been applied for in that country in any case where the period specified in the proviso to that subsection expires during a period prescribed by the rules.

(2) Rules made under this section— (a) may, where any agreement or arrangement has been made between His

Majesty’s Government in the United Kingdom and the government of the convention country for the supply or mutual exchange of information or articles, provide, either generally or in any class of case specified in the rules, that an extension of time shall not be granted under this section unless the design has been communicated in accordance with the agreement or arrangement;

(b) may, either generally or in any class of case specified in the rules, fix the maximum extension which may be granted under this section;

(c) may prescribe or allow any special procedure in connection with applications made by virtue of this section;

388 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 4 – The Registered Designs Act 1949 as amended Arrangement of Sections

(d) may empower the registrar to extend, in relation to an application made by virtue of this section, the time limited by or under the foregoing provisions of this Act for doing any act, subject to such conditions, if any, as may be imposed by or under the rules;

(e) may provide for securing that the rights conferred by registration on an application made by virtue of this section shall be subject to such restrictions or conditions as may be specified by or under the rules and in particular to restrictions and conditions for the protection of persons (including persons acting on behalf of His Majesty) who, otherwise than as the result of a communication made in accordance with such an agreement or arrangement as is mentioned in paragraph (a) of this subsection, and before the date of the application in question or such later date as may be allowed by the rules, may have imported or made articles to which the design is applied or may have made any application for registration of the design.

16 (1) Subject to the provisions of this section, the Secretary of State may make rules for securing that, where a design has been communicated in accordance with an agreement or arrangement made between His Majesty’s Government in the United Kingdom and the government of any other country for the supply or mutual exchange of information or articles,—

(a) an application for the registration of the design made by the person from whom the design was communicated or his personal representative or assignee shall not be prejudiced, and the registration of the design in pursuance of such an application shall not be invalidated, by reason only that the design has been communicated as aforesaid or that in consequence thereof—

(i) the design has been published or applied, or (ii) an application for registration of the design has been made by

any other person, or the design has been registered on such an application;

(b) any application for the registration of a design made in consequence of such a communication as aforesaid may be refused and any registration of a design made on such an application may be cancelled.

(2) Rules made under subsection (1) of this section may provide that the publication or application of a design, or the making of any application for registration thereof shall, in such circumstances and subject to such conditions or exceptions as may be prescribed by the rules, be presumed to have been in consequence of such a communication as is mentioned in that subsection.

(3) The powers of the Secretary of State under this section, so far as they are exercisable for the benefit of persons from whom designs have been communicated to His Majesty’s Government in the United Kingdom by the government of any other country, shall only be exercised if and to the extent that the Secretary of State is satisfied that substantially equivalent provision has been or will be made under the law of that country for the benefit of persons from whom designs have been communicated by His Majesty’s Government in the United Kingdom to the government of that country.

(4) References in the last foregoing subsection to the communication of a design to or by His Majesty’s Government or the government of any other country shall be

construed as including references to the communication of the design by or to any person authorised in that behalf by the government in question.

Register of designs, etc.

17 (1) The registrar shall maintain the register of designs, in which shall be entered— (a) the names and addresses of proprietors of registered designs; (b) notices of assignments and of transmissions of registered designs; and (c) such other matters as may be prescribed or as the registrar may think fit.

(2) No notice of any trust, whether express, implied or constructive, shall be entered in the register of designs, and the registrar shall not be affected by any such notice.

(3) The register need not be kept in documentary form.

(4) Subject to the provisions of this Act and to rules made by the Secretary of State under it, the public shall have a right to inspect the register at the Patent Office at all convenient times.

(5) Any person who applies for a certified copy of an entry in the register or a certified extract from the register shall be entitled to obtain such a copy or extract on payment of a fee prescribed in relation to certified copies and extracts; and rules made by the Secretary of State under this Act may provide that any person who applies for an uncertified copy or extract shall be entitled to such a copy or extract on payment of a fee prescribed in relation to uncertified copies and extracts.

(6) Applications under subsection (5) above or rules made by virtue of that subsection shall be made in such manner as may be prescribed.

(7) In relation to any portion of the register kept otherwise than in documentary form— (a) the right of inspection conferred by subsection (4) above is a right to inspect

the material on the register; and (b) the right to a copy or extract conferred by subsection (5) above or rules is

a right to a copy or extract in a form in which it can be taken away and in which it is visible and legible.

(8) Subject to subsection (11) below, the register shall be prima facie evidence of anything required or authorised to be entered in it and in Scotland shall be sufficient evidence of any such thing.

(9) A certificate purporting to be signed by the registrar and certifying that any entry which he is authorised by or under this Act to make has or has not been made, or that any other thing which he is so authorised to do has or has not been done, shall be prima facie evidence, and in Scotland shall be sufficient evidence, of the matters so certified.

(10) Each of the following— (a) a copy of an entry in the register or an extract from the register which is

supplied under subsection (5) above; (b) a copy or any representation, specimen or document kept in the Patent Office

or an extract from any such document, which purports to be a certified copy or certified extract shall, subject to subsection (11) below, be admitted in evidence without further proof and without

390 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 4 – The Registered Designs Act 1949 as amended Arrangement of Sections

production of any original; and in Scotland such evidence shall be sufficient evidence.

(11) In the application of this section to England and Wales nothing in it shall be taken as detracting from section 69 or 70 of the Police and Criminal Evidence Act 1984 or any provision made by virtue of either of them.

(12) In this section “certified copy” and “certified extract” means a copy and extract certified by the registrar and sealed with the seal of the Patent Office.

18 (1) The registrar shall grant a certificate of registration in the prescribed form to the registered proprietor of a design when the design is registered.

(2) The registrar may, in a case where he is satisfied that the certificate of registration has been lost or destroyed, or in any other case in which he thinks it expedient, furnish one or more copies of the certificate.

19 (1) Where any person becomes entitled by assignment, transmission or operation of law to a registered design or to a share in a registered design, or becomes entitled as mortgagee, licensee or otherwise to any other interest in a registered design, he shall apply to the registrar in the prescribed manner for the registration of his title as proprietor or co-proprietor or, as the case may be, of notice of his interest, in the register of designs.

(2) Without prejudice to the provisions of the foregoing subsection, an application for the registration of the title of any person becoming entitled by assignment to a registered design or a share in a registered design, or becoming entitled by virtue of a mortgage, licence or other instrument to any other interest in a registered design, may be made in the prescribed manner by the assignor, mortgagor, licensor or other party to that instrument, as the case may be.

(3) Where application is made under this section for the registration of the title of any person, the registrar shall, upon proof of title to his satisfaction—

(a) where that person is entitled to a registered design or a share in a registered design, register him in the register of designs as proprietor or co-proprietor of the design, and enter in that register particulars of the instrument or event by which he derives title; or

(b) where that person is entitled to any other interest in the registered design, enter in that register notice of his interest, with particulars of the instrument (if any) creating it.

(3A) Where design right subsists in a registered design, the registrar shall not register an interest under subsection (3) unless he is satisfied that the person entitled to that interest is also entitled to a corresponding interest in the design right.

(3B) Where design right subsists in a registered design and the proprietor of the registered design is also the design right owner, an assignment of the design right shall be taken to be also an assignment of the right in the registered design, unless a contrary intention appears.

(4) Subject to any rights vested in any other person of which notice is entered in the register of designs, the person or persons registered as proprietor of a registered design shall have power to assign, grant licences under, or otherwise deal with the

design, and to give effectual receipts for any consideration for any such assignment, licence or dealing.

Provided that any equities in respect of the design may be enforced in like manner as in respect of any other personal property.

(5) Except for the purposes of an application to rectify the register under the following provisions of this Act, a document in respect of which no entry has been made in the register of designs under subsection (3) of this section shall not be admitted in any court as evidence of the title of any person to a registered design or share of or interest in a registered design unless the court otherwise directs.

20 (1) The court may, on the application of any person aggrieved, order the register of designs to be rectified by the making of any entry therein or the variation or deletion of any entry therein.

(2) In proceedings under this section the court may determine any question which it may be necessary or expedient to decide in connection with the rectification of the register.

(3) Notice of any application to the court under this section shall be given in the prescribed manner to the registrar, who shall be entitled to appear and be heard on the application, and shall appear if so directed by the court.

(4) Any order made by the court under this section shall direct that notice of the order shall be served on the registrar in the prescribed manner; and the registrar shall, on receipt of the notice, rectify the register accordingly.

(5) A rectification of the register under this section has effect as follows— (a) an entry made has effect from the date on which it should have been made, (b) an entry varied has effect as if it had originally been made in its varied form,

and (c) an entry deleted shall be deemed never to have had effect,

unless, in any case, the court directs otherwise.

21 (1) The registrar may, in accordance with the provisions of this section, correct any error in an application for the registration or in the representation of a design, or any error in the register of designs.

(2) A correction may be made in pursuance of this section either upon a request in writing made by any person interested and accompanied by the prescribed fee, or without such a request.

(3) Where the registrar proposes to make any such correction as aforesaid otherwise than in pursuance of a request made under this section, he shall give notice of the proposal to the registered proprietor or the applicant for registration of the design, as the case may be, and to any other person who appears to him to be concerned, and shall give them an opportunity to be heard before making the correction.

22 (1) Where a design has been registered under this Act, there shall be open to inspection at the Patent Office on and after the day on which the certificate of registration is issued—

(a) the representation or specimen of the design, and

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(b) any evidence filed in support of the applicant’s contention that the appearance of an article is material (for the purposes of section 1(3) of this Act).

This subsection has effect subject to the following provisions of this section and to any rules made under section 5(2) of this Act.

(2) In the case of a design registered in respect of an article of any class prescribed for the purposes of this subsection, no representation, specimen or evidence filed in pursuance of the application shall, until the expiration of such period after the day on which the certificate of registration is issued as may be prescribed in relation to articles of that class, be open to inspection at the Patent Office except by the registered proprietor, a person authorised in writing by the registered proprietor, or a person authorised by the registrar or by the court:

Provided that where the registrar proposes to refuse an application for the registration of any other design on the ground that it is the same as the first-mentioned design or differs from that design only in immaterial details or in features which are variants commonly used in the trade, the applicant shall be entitled to inspect the representation or specimen of the first-mentioned design filed in pursuance of the application for registration of that design.

(3) In the case of a design registered in respect of an article of any class prescribed for the purposes of the last foregoing subsection, the representation, specimen or evidence shall not, during the period prescribed as aforesaid, be inspected by any person by virtue of this section except in the presence of the registrar or of an officer acting under him; and except in the case of an inspection authorised by the proviso to that subsection, the person making the inspection shall not be entitled to take a copy of the representation, specimen or evidence or any part thereof.

(4) Where an application for the registration of a design has been abandoned or refused, neither the application for registration nor any representation, specimen or evidence filed in pursuance thereof shall at any time be open to inspection at the Patent Office or be published by the registrar.

23 On the request of a person furnishing such information as may enable the registrar to identify the design, and on payment of the prescribed fee, the registrar shall inform him—

(a) whether the design is registered and, if so, in respect of what articles, and (b) whether any extension of the period of the right in the registered design

has been granted, and shall state the date of registration and the name and address of the registered proprietor.

... ... ... ... ... ... ...

Legal proceedings and appeals

25 (1) If in any proceedings before the court the validity of the registration of a design is contested, and it is found by the court that the design is validly registered, the court may certify that the validity of the registration of the design was contested in those proceedings.

(2) Where any such certificate has been granted, then if in any subsequent proceedings before the court for infringement of the right in the registered design or for cancellation of the registration of the design, a final order or judgment is made or given in favour of the registered proprietor, he shall, unless the court otherwise directs, be entitled to his costs as between solicitor and client:

Provided that this subsection shall not apply to the costs of any appeal in any such proceedings as aforesaid.

26 (1) Where any person (whether entitled to or interested in a registered design or an application for registration of a design or not) by circulars, advertisements or otherwise threatens any other person with proceedings for infringement of the right in a registered design, any person aggrieved thereby may bring an action against him for any such relief as is mentioned in the next following subsection.

(2) Unless in any action brought by virtue of this section the defendant proves that the acts in respect of which proceedings were threatened constitute or, if done, would constitute, an infringement of the right in a registered design the registration of which is not shown by the plaintiff to be invalid, the plaintiff shall be entitled to the following relief, that is to say:—

(a) a declaration to the effect that the threats are unjustifiable; (b) an injunction against the continuance of the threats; and (c) such damages, if any, as he has sustained thereby.

(2A) Proceedings may not be brought under this section in respect of a threat to bring proceedings for an infringement alleged to consist of the making or importing of anything.

(3) For the avoidance of doubt it is hereby declared that a mere notification that a design is registered does not constitute a threat of proceedings within the meaning of this section.

27 (1) In this Act “the court” means— (a) in England and Wales, the High Court or any patents county court having

jurisdiction by virtue of an order under section 287 of the Copyright, Designs and Patents Act 1988,

(2) Provision may be made by rules of court with respect to proceedings in the High Court in England and Wales for references and applications under this Act to be dealt with by such judge of that court as the Lord Chancellor may select for the purpose.

28 (1) Any appeal from the registrar under this Act shall lie to the Appeal Tribunal.

(2) The Appeal Tribunal shall consist of— (a) one or more judges of the High Court nominated by the Lord Chancellor, and (b) one judge of the Court of Session nominated by the Lord President of that

(2A) At any time when it consists of two or more judges, the jurisdiction of the Appeal Tribunal—

394 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 4 – The Registered Designs Act 1949 as amended Arrangement of Sections

(a) where in the case of any particular appeal the senior of those judges so directs, shall be exercised in relation to that appeal by both of the judges, or (if there are more than two) by two of them, sitting together, and

(b) in relation to any appeal in respect of which no such direction is given, may be exercised by any one of the judges;

and, in the exercise of that jurisdiction, different appeals may be heard at the same time by different judges.

(3) The expenses of the Appeal Tribunal shall be defrayed and the fees to be taken therein may be fixed as if the Tribunal were a court of the High Court.

(4) The Appeal Tribunal may examine witnesses on oath and administer oaths for that purpose.

(5) Upon any appeal under this Act the Appeal Tribunal may by order award to any party such costs or expenses as the Tribunal may consider reasonable and direct how and by what parties the costs or expenses are to be paid; and any such order may be enforced—

(a) in England and Wales or Northern Ireland, in the same way as an order of the High Court;

(b) in Scotland, in the same way as a decree for expenses granted by the Court of Session.

(7) Upon any appeal under this Act the Appeal Tribunal may exercise any power which could have been exercised by the registrar in the proceeding from which the appeal is brought.

(8) Subject to the foregoing provisions of this section the Appeal Tribunal may make rules for regulating all matters relating to proceedings before it under this Act, including right of audience.

(8A) At any time when the Appeal Tribunal consists of two or more judges, the power to make rules under subsection (8) of this section shall be exercisable by the senior of those judges:

Provided that another of those judges may exercise that power if it appears to him that it is necessary for rules to be made and that the judge (or, if more than one, each of the judges) senior to him is for the time being prevented by illness, absence or otherwise from making them.

(9) An appeal to the Appeal Tribunal under this Act shall not be deemed to be a proceeding in the High Court.

(10) In this section “the High Court” means the High Court in England and Wales; and for the purposes of this section the seniority of judges shall be reckoned by reference to the dates on which they were appointed judges of that court or the Court of Session.

Powers and duties of Registrar

29 Without prejudice to any provisions of this Act requiring the registrar to hear any party to proceedings thereunder, or to give to any such party an opportunity to be heard, rules made by the Secretary of State under this Act shall require the registrar to give to any applicant for registration of a design an opportunity to be heard before

exercising adversely to the applicant any discretion vested in the registrar by or under this Act.

30 (1) Rules made by the Secretary of State under this Act may make provision empowering the registrar, in anyproceedings before him under this Act—

(2) Any such order of the registrar may be enforced— (a) in England and Wales or Northern Ireland, in the same way as an order of

the High Court; (b) in Scotland, in the same way as a decree for expenses granted by the Court

of Session.

(a) an application for cancellation of the registration of a design, (b) an application for the grant of a licence in respect of a registered design, or (c) an appeal from any decision of the registrar under this Act,

and enabling the application or appeal to be treated as abandoned in default of such security being given.

31 Rules made by the Secretary of State under this Act may make provision— (a) as to the giving of evidence in proceedings before the registrar under this

Act by affidavit or statutory declaration; (b) conferring on the registrar the powers of an official referee of the [F876

Senior Courts ] as regards the examination of witnesses on oath and the discovery and production of documents; and

(c) applying in relation to the attendance of witnesses in proceedings before the registrar the rules applicable to the attendance of witnesses in proceedings before such a referee.

Amendments (Textual) F876 Sch. 4 para. 31(b): words substituted (1.10.2009) by Constitutional Reform Act 2005 (c. 4), ss. 59, 148,

Sch. 11 para. 4 ; S.I. 2009/1604, art. 2

33 (1) If any person fails to comply with any direction given under section five of this Act or makes or causes to be made an application for the registration of a design in contravention of that section, he shall be guilty of an offence and liable—

(a) on conviction on indictment to imprisonment for a term not exceeding two years or a fine, or both;

396 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 4 – The Registered Designs Act 1949 as amended Arrangement of Sections

(b) on summary conviction to imprisonment for a term not exceeding six months or a fine not exceeding the statutory maximum, or both.

34 If any person makes or causes to be made a false entry in the register of designs, or a writing falsely purporting to be a copy of an entry in that register, or produces or tenders or causes to be produced or tendered in evidence any such writing, knowing the entry or writing to be false, he shall be guilty of an offence and liable—

35 (1) If any person falsely represents that a design applied to any article sold by him is registered in respect of that article, he shall be liable on summary conviction to a fine not exceeding level 3 on the standard scale; and for the purposes of this provision a person who sells an article having stamped, engraved or impressed thereon or otherwise applied thereto the word “registered”, or any other word expressing or implying that the design applied to the article is registered, shall be deemed to represent that the design applied to the article is registered in respect of that article.

(2) If any person, after the right in a registered design has expired, marks any article to which the design has been applied with the word “registered”, or any word or words implying that there is a subsisting right in the design under this Act, or causes any such article to be so marked, he shall be liable on summary conviction to a fine not exceeding level 1 on the standard scale.

35A (1) Where an offence under this Act committed by a body corporate is proved to have been committed with the consent or connivance of a director, manager, secretary or other similar officer of the body, or a person purporting to act in any such capacity, he as well as the body corporate is guilty of the offence and liable to be proceeded against and punished accordingly.

Rules, etc.

36 (1) Subject to the provisions of this Act, the Secretary of State may make such rules as he thinks expedient for regulating the business of the Patent Office in relation to designs and for regulating all matters by this Act placed under the direction or control of the registrar or the Secretary of State.

(1A) Rules may, in particular, make provision— (a) prescribing the form of applications for registration of designs and of any

representations or specimens of designs or other documents which may be filed at the Patent Office, and requiring copies to be furnished of any such representations, specimens or documents;

(d) regulating the keeping of the register of designs; (e) authorising the publication and sale of copies of representations of designs

and other documents in the Patent Office; (f) prescribing anything authorised or required by this Act to be prescribed by

(1B) The remuneration of an adviser appointed to assist the registrar shall be determined by the Secretary of State with the consent of the Treasury and shall be defrayed out of money provided by Parliament.

(2) Rules made under this section may provide for the establishment of branch offices for designs and may authorise any document or thing required by or under this Act to be filed or done at the Patent Office to be filed or done at the branch office at Manchester or any other branch office established in pursuance of the rules.

37 (1) ... ... ... ... ... ... ...

(2) Any rules made by the Secretary of State in pursuance of section 15 or section 16 of this Act, and any order made, direction given, or other action taken under the rules by the registrar, may be made, given or taken so as to have effect as respects things done or omitted to be done on or after such date, whether before or after the coming into operation of the rules or of this Act, as may be specified in the rules.

(3) Any power to make rules conferred by this Act on the Secretary of State or on the Appeal Tribunal shall be exercisable by statutory instrument; and the Statutory Instruments Act 1946 shall apply to a statutory instrument containing rules made by the Appeal Tribunal in like manner as if the rules had been made by a Minister of the Crown.

(4) Any statutory instrument containing rules made by the Secretary of State under this Act shall be subject to annulment in pursuance of a resolution of either House of Parliament.

(5) Any Order in Council made under this Act may be revoked or varied by a subsequent Order in Council.

Supplemental

39 (1) Rules made by the Secretary of State under this Act may specify the hour at which the Patent Office shall be deemed to be closed on any day for purposes of the transaction by the public of business under this Act or of any class of such business, and may specify days as excluded days for any such purposes.

(2) Any business done under this Act on any day after the hour specified as aforesaid in relation to business of that class, or on a day which is an excluded day in relation to business of that class, shall be deemed to have been done on the next following

398 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 4 – The Registered Designs Act 1949 as amended Arrangement of Sections

day not being an excluded day; and where the time for doing anything under this Act expires on an excluded day, that time shall be extended to the next following day not being an excluded day.

40 There shall be paid in respect of the registration of designs and applications therefor, and in respect of other matters relating to designs arising under this Act, such fees as may be prescribed by rules made by the Secretary of State with the consent of the Treasury.

41 Any notice required or authorised to be given by or under this Act, and any application or other document so authorised or required to be made or filed, may be given, made or filed by post.

42 The Comptroller-General of Patents, Designs and Trade Marks shall, in his annual report with respect to the execution of the Patents Act 1977, include a report with respect to the execution of this Act as if it formed a part of or was included in that Act.

43 (1) Nothing in this Act shall be construed as authorising or requiring the registrar to register a design the use of which would, in his opinion, be contrary to law or morality.

(2) Nothing in this Act shall affect the right of the Crown or of any person deriving title directly or indirectly from the Crown to sell or use articles forfeited under the laws relating to customs or excise.

44 (1) In this Act, except where the context otherwise requires, the following expressions have the meanings hereby respectively assigned by them, that is to say—

“Appeal Tribunal” means the Appeal Tribunal constituted and acting in accordance with section 28 of this Act as amended by the Administration of Justice Act 1969;

“article” means any article of manufacture and includes any part of an article if that part is made and sold separately;

“artistic work” has the same meaning as in Part I of the Copyright, Designs and Patents Act 1988;

“assignee” includes the personal representative of a deceased assignee, and references to the assignee of any person include references to the assignee of the personal representative or assignee of that person;

“author”, in relation to a design, has the meaning given by section 2(3) and (4);

... ... ... ... ... ... ... “corresponding design”, in relation to an artistic work, means a design

which if applied to an article would produce something which would be treated for the purposes of Part I of the Copyright, Designs and Patents Act 1988 as a copy of that work;

“the court” shall be construed in accordance with section 27 of this Act; “design” has the meaning assigned to it by section 1(1) of this Act; “employee”, “employment” and “employer” refer to employment under

a contract of service or of apprenticeship;

... ... ... ... ... ... ... “prescribed” means prescribed by rules made by the Secretary of State

under this Act; “proprietor” has the meaning assigned to it by section two of this Act; “registered proprietor” means the person or persons for the time being

entered in the register of designs as proprietor of the design; “registrar” means the Comptroller-General of Patents Designs and Trade

Marks; “set of articles” means a number of articles of the same general character

ordinarily on sale or intended to be used together, to each of which the same design, or the same design with modifications or variations not sufficient to alter the character or substantially to affect the identity thereof, is applied.

(2) Any reference in this Act to an article in respect of which a design is registered shall, in the case of a design registered in respect of a set of articles, be construed as a reference to any article of that set.

(3) Any question arising under this Act whether a number of articles constitute a set of articles shall be determined by the registrar; and notwithstanding anything in this Act any determination of the registrar under this subsection shall be final.

(4) For the purposes of subsection (1) of section 14 and of section 16 of this Act, the expression “personal representative”, in relation to a deceased person, includes the legal representative of the deceased appointed in any country outside the United Kingdom.

45 In the application of this Act to Scotland—

... ... ... ... ... ... ... (3) The expression “injunction” means “interdict”; the expression

“arbitrator”means “arbiter”; the expression “plaintiff” means “pursuer”; the expression “defendant”

means “defender”.

46 In the application of this Act to Northern Ireland—

(3) References to enactments include enactments comprised in Northern Ireland legislation:

(3A) References to the Crown include the Crown in right of Her Majesty’s Government in Northern Ireland:

(4) References to a government department shall be construed as including references to a Northern Ireland department, and in relation to a Northern Ireland department references to the Treasury shall be construed as references to the Department of Finance and Personnel.

47 This Act extends to the Isle of Man, subject to any modifications contained in an Order made by Her Majesty in Council, and accordingly, subject to any such Order,

400 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 4 – The Registered Designs Act 1949 as amended Arrangement of Sections

references in this Act to the United Kingdom shall be construed as including the Isle of Man.

47A (1) For the purposes of this Act the territorial waters of the United Kingdom shall be treated as part of the United Kingdom.

(2) This Act applies to things done in the United Kingdom sector of the continental shelf on a structure or vessel which is present there for purposes directly connected with theexploration of the sea bed or subsoil or the exploitation of their natural resources as it applies to things done in the United Kingdom.

(3) The United Kingdom sector of the continental shelf means the areas designated by order under section 1(7) of the Continental Shelf Act 1964.

48 (1) ... ... ... ... ... ... ...

(2) Subject to the provisions of this section, any Order in Council, rule, order, requirement, certificate, notice, decision, direction, authorisation, consent, application, request or thing made, issued, given or done under any enactment repealed by this Act shall, if in force at the commencement of this Act, and so far as it could have been made, issued, given or done under this Act, continue in force and have effect as if made, issued, given or done under the corresponding enactment of this Act.

(3) Any register kept under the Patents and Designs Act 1907 shall be deemed to form part of the corresponding register under this Act.

(4) Any design registered before the commencement of this Act shall be deemed to be registered under this Act in respect of articles of the class in which it is registered.

(5) Where, in relation to any design, the time for giving notice to the registrar under section 59 of the Patents and Designs Act 1907 expired before the commencement of this Act and the notice was not given, subsection (2) of section 6 of this Act shall not apply in relation to that design or any registration of that design.

(6) Any document referring to any enactment repealed by this Act shall be construed as referring to the corresponding enactment of this Act.

(7) Nothing in the foregoing provisions of this section shall be taken as prejudicing the operation of section 38 of the Interpretation Act 1889 (which relates to the effect of repeals).

49 (1) This Act may be cited as the Registered Designs Act 1949.

(2) This Act shall come into operation on the first day of January, nineteen hundred and fifty, immediately after the coming into operation of the Patents and Designs Act 1949.

FIRST SCHEDULE

Provisions as to the Use of Registered Designs for the Services of the Crown and as to the Rights of Third Parties in Respect of such Use

Use of registered designs for services of the Crown 1 (1) Notwithstanding anything in this Act, any Government department, and any person

authorised in writing by a Government department, may use any registered design for the services of the Crown in accordance with the following provisions of this paragraph.

(2) If and so far as the design has before the date of registration thereof been duly recorded by or applied by or on behalf of a Government department otherwise than in consequence of the communication of the design directly or indirectly by the registered proprietor or any person from whom he derives title, any use of the design by virtue of this paragraph may be made free of any royalty or other payment to the registered proprietor.

(3) If and so far as the design has not been so recorded or applied as aforesaid, any use of the design made by virtue of this paragraph at any time after the date of registration thereof, or in consequence of any such communication as aforesaid, shall be made upon such terms as may be agreed upon, either before or after the use, between the Government department and the registered proprietor with the approval of the Treasury, or as may in default of agreement be determined by the court on a reference under paragraph 3 of this Schedule.

(4) The authority of a Government department in respect of a design may be given under this paragraph either before or after the design is registered and either before or after the acts in respect of which the authority is given are done, and may be given to any person whether or not he is authorised directly or indirectly by the registered proprietor to use the design.

(5) Where any use of a design is made by or with the authority of a Government department under this paragraph, then, unless it appears to the department that it would be contrary to the public interest so to do, the department shall notify the registered proprietor as soon as practicable after the use is begun, and furnish him with such information as to the extent of the use as he may from time to time require.

(6) For the purposes of this and the next following paragraph “the services of the Crown” shall be deemed to include—

(a) the supply to the government of any country outside the United Kingdom, in pursuance of an agreement or arrangement between Her Majesty’s Government in the United Kingdom and the government of that country, of articles required—

(i) for the defence of that country; or (ii) for the defence of any other country whose government is party to

any agreement or arrangement with Her Majesty’s said Government in respect of defence matters;

(b) the supply to the United Nations, or the government of any country belonging to that organisation, in pursuance of an agreement or arrangement between Her Majesty’s Government and that organisation or government, of articles required for any armed forces operating in pursuance of a resolution of that organisation or any organ of that organisation;

and the power of a Government department or a person authorised by a Government department under this paragraph to use a design shall include power to sell to any such government or to the said organisation any articles the supply of which is authorised by this sub-paragraph, and to sell to any person any articles made in the

402 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 4 – The Registered Designs Act 1949 as amended Arrangement of Sections

exercise of the powers conferred by this paragraph which are no longer required for the purpose for which they were made.

(7) The purchaser of any articles sold in the exercise of powers conferred by this paragraph, and any person claiming through him, shall have power to deal with them in the same manner as if the rights in the registered design were held on behalf of His Majesty.

Rights of third parties in respect of Crown use 2 (1) In relation to any use of a registered design, or a design in respect of which an

application for registration is pending, made for the services of the Crown— (a) by a Government department or a person authorised by a Government

department under the last foregoing paragraph; or (b) by the registered proprietor or applicant for registration to the order of a

Government department, the provisions of any licence, assignment or agreement made, whether before or after the commencement of this Act, between the registered proprietor or applicant for registration or any person who derives title from him or from whom he derives title and any person other than a Government department shall be of no effect so far as those provisions restrict or regulate the use of the design, or any model, document or information relating thereto, or provide for the making of payments in respect of any such use, or calculated by reference thereto; and the reproduction or publication of any model or document in connection with the said use shall not be deemed to be an infringement of any copyright or design right subsisting in the model or document.

(2) Where an exclusive licence granted otherwise than for royalties or other benefits determined by reference to the use of the design is in force under the registered design then—

(a) in relation to any use of the design which, but for the provisions of this and the last foregoing paragraph, would constitute an infringement of the rights of the licensee, sub-paragraph (3) of the last foregoing paragraph shall have effect as if for the reference to the registered proprietor there were substituted a reference to the licensee; and

(b) in relation to any use of the design by the licensee by virtue of an authority given under the last foregoing paragraph, that paragraph shall have effect as if the said sub-paragraph (3) were omitted.

(3) Subject to the provisions of the last foregoing sub-paragraph, where the registered design or the right to apply for or obtain registration of the design has been assigned to the registered proprietor in consideration of royalties or other benefits determined by reference to the use of the design, then—

(a) in relation to any use of the design by virtue of paragraph 1 of this Schedule, sub-paragraph (3) of that paragraph shall have effect as if the reference to the registered proprietor included a reference to the assignor, and any sum payable by virtue of that sub-paragraph shall be divided between the registered proprietor and the assignor in such proportion as may be agreed upon between them or as may in default of agreement be determined by the court on a reference under the next following paragraph; and

(b) in relation to any use of the design made for the services of the Crown by the registered proprietor to the order of a Government department, sub- paragraph (3) of paragraph 1 of this Schedule shall have effect as if that use were made by virtue of an authority given under that paragraph.

(4) Where, under sub-paragraph (3) of paragraph 1 of this Schedule, payments are required to be made by a Government department to a registered proprietor in respect of any use of a design, any person being the holder of an exclusive licence under the registered design (not being such a licence as is mentioned in sub-paragraph (2) of this paragraph) authorising him to make that use of the design shall be entitled to recover from the registered proprietor such part (if any) of those payments as may be agreed upon between that person and the registered proprietor, or as may in default of agreement be determined by the court under the next following paragraph to be just having regard to any expenditure incurred by that person—

(a) in developing the said design; or (b) in making payments to the registered proprietor, other than royalties or other

payments determined by reference to the use of the design, in consideration of the licence;

and if, at any time before the amount of any such payment has been agreed upon between the Government department and the registered proprietor, that person gives notice in writing of his interest to the department, any agreement as to the amount of that payment shall be of no effect unless it is made with his consent.

(5) In this paragraph “exclusive licence” means a licence from a registered proprietor which confers on the licensee, or on the licensee and persons authorised by him, to the exclusion of all other persons (including the registered proprietor), any right in respect of the registered design.

Compensation for loss of profit 2A (1) Where Crown use is made of a registered design, the government department

concerned shall pay— (a) to the registered proprietor, or (b) if there is an exclusive licence in force in respect of the design, to the

exclusive licensee, compensation for any loss resulting from his not being awarded a contract to supply the articles to which the design is applied.

(3) In determining the loss, regard shall be had to the profit which would have been made on such a contract and to the extent to which any manufacturing capacity was under-used.

(5) The amount payable under this paragraph shall, if not agreed between the registered proprietor or licensee and the government department concerned with the approval of the Treasury, be determined by the court on a reference under paragraph 3; and it is in addition to any amount payable under paragraph 1 or 2 of this schedule.

(6) In this paragraph— “Crown use”, in relation to a design, means the doing of anything by virtue

of paragraph 1 which would otherwise be an infringement of the right in the design; and

404 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 4 – The Registered Designs Act 1949 as amended Arrangement of Sections

Reference of disputes as to Crown use 3 (1) Any dispute as to—

(a) the exercise by a Government department, or a person authorised by a Government department, of the powers conferred by paragraph 1 of this Schedule,

(d) the right of any person to receive a payment under paragraph 2A, may be referred to the court by either party to the dispute.

(2) In any proceedings under this paragraph to which a Government department are a party, the department may—

(a) if the registered proprietor is a party to the proceedings, apply for cancellation of the registration of the design upon any ground upon which the registration of a design may be cancelled on an application to the court under section twenty of this Act;

(b) in any case, put in issue the validity of the registration of the design without applying for its cancellation.

(3) If in such proceedings as aforesaid any question arises whether a design has been recorded or applied as mentioned in paragraph 1 of this Schedule, and the disclosure of any document recording the design, or of any evidence of the application thereof, would in the opinion of the department be prejudicial to the public interest, the disclosure may be made confidentially to counsel for the other party or to an independent expert mutually agreed upon.

(4) In determining under this paragraph any dispute between a Government department and any person as to terms for the use of a design for the services of the Crown, the court shall have regard to any benefit or compensation which that person or any person from whom he derives title may have received, or may be entitled to receive, directly or indirectly from any Government department in respect of the design in question.

(5) In any proceedings under this paragraph the court may at any time order the whole proceedings or any question or issue of fact arising therein to be referred to a special or official referee or an arbitrator on such terms as the court may direct; and references to the court in the foregoing provisions of this paragraph shall be construed accordingly.

Special provisions as to Crown use during emergency 4 (1) During any period of emergency within the meaning of this paragraph, the powers

exercisable in relation to a design by a Government department, or a person authorised by a Government department under paragraph 1 of this Schedule shall include power to use the design for any purpose which appears to the department necessary or expedient—

Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 5 – Patents: miscellaneous amendments Document Generated: 2018-04-19

(a) for the efficient prosecution of any war in which His Majesty may be engaged;

(b) for the maintenance of supplies and services essential to the life of the community;

(c) for securing a sufficiency of supplies and services essential to the well-being of the community;

(d) for promoting the productivity of industry, commerce and agriculture; (e) for fostering and directing exports and reducing imports, or imports of any

classes, from all or any countries and for redressing the balance of trade; (f) generally for ensuring that the whole resources of the community are

available for use, and are used, in a manner best calculated to serve the interests of the community; or

(g) for assisting the relief of suffering and the restoration and distribution of essential supplies and services in any part of His Majesty’s dominions or any foreign countries that are in grave distress as the result of war;

and any reference in this Schedule to the services of the Crown shall be construed as including a reference to the purposes aforesaid.

(2) In this paragraph the expression “period of emergency” means a period beginning on such date as may be declared by Order in Council to be the commencement, and ending on such date as may be so declared to be the termination, of a period of emergency for the purposes of this paragraph.

(3) No Order in Council under this paragraph shall be submitted to Her Majesty unless a draft of it has been laid before and approved by a resolution of each House of Parliament.

SCHEDULE 5 Section 295.

PATENTS: MISCELLANEOUS AMENDMENTS

Withdrawal of application before publication of specification 1 In section 13(2) of the M71 Patents Act 1949 (duty of comptroller to advertise

acceptance of and publish complete specification) after the word “and”, in the first place where it occurs, insert “, unless the application is withdrawn,”.

Marginal Citations M71 1949 c. 87.

Correction of clerical errors 2 (1) In section 15 of the M72 Patents Act 1977 (filing of application), after subsection (3)

406 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 5 – Patents: miscellaneous amendments

“(3A) Nothing in subsection (2) or (3) above shall be construed as affecting the power of the comptroller under section 117(1) below to correct errors or mistakes with respect to the filing of drawings.”.

(2) The above amendment applies only in relation to applications filed after the commencement of this paragraph.

Marginal Citations M72 1977 c. 37.

Supplementary searches 3 (1) Section 17 of the Patents Act 1977 (preliminary examination and search) is amended

(2) In subsection (7) (supplementary searches) for “subsection (4) above” substitute “subsections (4) and (5) above” and for “it applies” substitute “they apply”.

(3) After that subsection add—

“(8) A reference for a supplementary search in consequence of— (a) an amendment of the application made by the applicant under

section 18(3) or 19(1) below, or (b) a correction of the application, or of a document filed in connection

with the application, under section 117 below, shall be made only on payment of the prescribed fee, unless the comptroller directs otherwise.”.

4 In section 18 of the Patents Act 1977 (substantive examination and grant or refusal of patent), after subsection (1) insert—

“(1A) If the examiner forms the view that a supplementary search under section 17 above is required for which a fee is payable, he shall inform the comptroller, who may decide that the substantive examination should not proceed until the fee is paid; and if he so decides, then unless within such period as he may allow—

(a) the fee is paid, or (b) the application is amended so as to render the supplementary search

unnecessary, he may refuse the application.”.

5 In section 130(1) of the Patents Act 1977 (interpretation), in the definition of “search fee”, for “section 17 above” substitute “section 17(1) above”.

Application for restoration of lapsed patent 6 (1) Section 28 of the Patents Act 1977 (restoration of lapsed patents) is amended as

(2) For subsection (1) (application for restoration within period of one year) substitute—

“(1) Where a patent has ceased to have effect by reason of a failure to pay any renewal fee, an application for the restoration of the patent may be made to the comptroller within the prescribed period.

(1A) Rules prescribing that period may contain such transitional provisions and savings as appear to the Secretary of State to be necessary or expedient.”.

“(2A) Notice of the application shall be published by the comptroller in the prescribed manner.”.

(4) In subsection (3), omit paragraph (b) (requirement that failure to renew is due to circumstances beyond proprietor’s control) and the word “and” preceding it.

This amendment does not apply to a patent which has ceased to have effect in accordance with section 25(3) of the M73 Patents Act 1977 (failure to renew within prescribed period) and in respect of which the period referred to in subsection (4) of that section (six months’ period of grace for renewal) has expired before commencement.

(5) Omit subsections (5) to (9) (effect of order for restoration).

Marginal Citations M73 1977 c. 37.

7 After that section insert—

“ 28A Effect of order for restoration of patent.

(1) The effect of an order for the restoration of a patent is as follows.

(2) Anything done under or in relation to the patent during the period between expiry and restoration shall be treated as valid.

(3) Anything done during that period which would have constituted an infringement if the patent had not expired shall be treated as an infringement —

(a) if done at a time when it was possible for the patent to be renewed under section 25(4), or

(4) If after it was no longer possible for the patent to be so renewed, and before publication of notice of the application for restoration, a person—

(a) began in good faith to do an act which would have constituted an infringement of the patent if it had not expired, or

he has the right to continue to do the act or, as the case may be, to do the act, notwithstanding the restoration of the patent; but this right does not extend to granting a licence to another person to do the act.

408 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 5 – Patents: miscellaneous amendments

(6) Where a product is disposed of to another in exercise of the rights conferred by subsection (4) or (5), that other and any person claiming through him may deal with the product in the same way as if it had been disposed of by the registered proprietor of the patent.

(7) The above provisions apply in relation to the use of a patent for the services of the Crown as they apply in relation to infringement of the patent.”.

8 In consequence of the above amendments— (a) in section 60(6)(b) of the M74 Patents Act 1977, for “section 28(6)” substitute

“section 28A(4) or (5)”; and (b) in sections 77(5), 78(6) and 80(4) of that Act, for the words from

“section 28(6)” to the end substitute “section 28A(4) and (5) above, and subsections (6) and (7) of that section shall apply accordingly.”.

Marginal Citations M74 1977 c. 37.

Determination of right to patent after grant 9 (1) Section 37 of the Patents Act 1977 (determination of right to patent after grant) is

“(1) After a patent has been granted for an invention any person having or claiming a proprietary interest in or under the patent may refer to the comptroller the question—

(a) who is or are the true proprietor or proprietors of the patent, (b) whether the patent should have been granted to the person or persons

to whom it was granted, or (c) whether any right in or under the patent should be transferred or

granted to any other person or persons; and the comptroller shall determine the question and make such order as he thinks fit to give effect to the determination.”.

(3) Substitute “this section”— (a) in subsections (4) and (7) for “subsection (1)(a) above”, and (b) in subsection (8) for “subsection (1) above”.

10 In section 74(6) (meaning of “entitlement proceedings”), for “section 37(1)(a) above” substitute “section 37(1) above”.

Employees’ inventions 11 (1) In section 39 of the Patents Act 1977 (right to employees’ inventions), after

subsection (2) add—

“(3) Where by virtue of this section an invention belongs, as between him and his employer, to an employee, nothing done—

(a) by or on behalf of the employee or any person claiming under him for the purposes of pursuing an application for a patent, or

(b) by any person for the purpose of performing or working the invention,

shall be taken to infringe any copyright or design right to which, as between him and his employer, his employer is entitled in any model or document relating to the invention.”.

(2) In section 43 of the M75 Patents Act 1977 (supplementary provisions with respect to employees’ inventions), in subsection (4) (references to patents to include other forms of protection, whether in UK or elsewhere) for “in sections 40 to 42” substitute “in sections 39 to 42.”.

Marginal Citations M75 1977 c. 37.

Undertaking to take licence in infringement proceedings 12 (1) Section 46 of the Patents Act 1977 (licences of right) is amended as follows.

(2) In subsection (3)(c) (undertaking to take licence in infringement proceedings) after the words “(otherwise than by the importation of any article” insert “from a country which is not a member State of the European Economic Community”.

(3) After subsection (3) insert—

“(3A) An undertaking under subsection (3)(c) above may be given at any time before final order in the proceedings, without any admission of liability.”.

Power of comptroller on grant of compulsory licence 13 In section 49 of the Patents Act 1977 (supplementary provisions with respect to

compulsory licences), omit subsection (3) (power to order that licence has effect to revoke existing licences and deprive proprietor of power to work invention or grant licences).

Powers exercisable in consequence of report of Monopolies and Mergers Commission 14 For section 51 of the Patents Act 1977 (licences of right: application by Crown in

consequence of report of Monopolies and Mergers Commission) substitute—

410 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 5 – Patents: miscellaneous amendments

“ 51 Powers exercisable in consequence of report of Monopolies and Mergers Commission.

the appropriate Minister or Ministers may apply to the comptroller to take action under this section.

(3) If on an application under this section it appears to the comptroller that the matters specified in the Commission’s report as being those which in the Commission’s opinion operate, or operated or may be expected to operate, against the public interest include—

(a) conditions in licences granted under a patent by its proprietor restricting the use of the invention by the licensee or the right of the proprietor to grant other licences, or

(b) a refusal by the proprietor of a patent to grant licences on reasonable terms

he may by order cancel or modify any such condition or may, instead or in addition, make an entry in the register to the effect that licences under the patent are to be available as of right.

(4) In this section “the appropriate Minister or Ministers” means the Minister or Ministers to whom the report of the Commission was made.”.

Compulsory licensing: reliance on statements in competition report 15 In section 53(2) of the M76 Patents Act 1977 (compulsory licensing: reliance on

statements in reports of Monopolies and Mergers Commission)— (a) for “application made in relation to a patent under sections 48 to 51 above”

substitute “application made under section 48 above in respect of a patent”; and

(b) after “Part VIII of the Fair Trading Act 1973” insert “or section 17 of the Competition Act 1980”.

Marginal Citations M76 1977 c. 37.

Crown use: compensation for loss of profit 16 (1) In the Patents Act 1977, after section 57 insert—

“ 57A Compensation for loss of profit.

(1) Where use is made of an invention for the services of the Crown, the government department concerned shall pay—

(a) to the proprietor of the patent, or (b) if there is an exclusive licence in force in respect of the patent, to

the exclusive licensee, compensation for any loss resulting from his not being awarded a contract to supply the patented product or, as the case may be, to perform the patented process or supply a thing made by means of the patented process.

(2) Compensation is payable only to the extent that such a contract could have been fulfilled from his existing manufacturing or other capacity; but is payable notwithstanding the existence of circumstances rendering him ineligible for the award of such a contract.

(3) In determining the loss, regard shall be had to the profit which would have been made on such a contract and to the extent to which any manufacturing or other capacity was under-used.

(4) No compensation is payable in respect of any failure to secure contracts to supply the patented product or, as the case may be, to perform the patented process or supply a thing made by means of the patented process, otherwise than for the services of the Crown.

(5) The amount payable shall, if not agreed between the proprietor or licensee and the government department concerned with the approval of the Treasury, be determined by the court on a reference under section 58, and is in addition to any amount payable under section 55 or 57.

(6) In this section “the government department concerned”, in relation to any use of an invention for the services of the Crown, means the government department by whom or on whose authority the use was made.

(7) In the application of this section to Northern Ireland, the reference in subsection (5) above to the Treasury shall, where the government department concerned is a department of the Government of Northern Ireland, be construed as a reference to the Department of Finance and Personnel.”.

(2) In section 58 of the M77 Patents Act 1977 (reference of disputes as to Crown use), for subsection (1) substitute—

412 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 5 – Patents: miscellaneous amendments

“(1) Any dispute as to— (a) the exercise by a government department, or a person authorised by

a government department, of the powers conferred by section 55 above,

(b) terms for the use of an invention for the services of the Crown under that section,

(c) the right of any person to receive any part of a payment made in pursuance of subsection (4) of that section, or

(d) the right of any person to receive a payment under section 57A, may be referred to the court by either party to the dispute after a patent has been granted for the invention.”;

and in subsection (4) for “under this section” substitute “under subsection (1)(a), (b) or (c) above”.

(3) In section 58(11) of the Patents Act 1977 (exclusion of right to compensation for Crown use if relevant transaction, instrument or event not registered), after “section 57(3) above)” insert “, or to any compensation under section 57A above,”.

(4) The above amendments apply in relation to any use of an invention for the services of the Crown after the commencement of this section, even if the terms for such use were settled before commencement.

Marginal Citations M77 1977 c. 37.

Right to continue use begun before priority date 17 For section 64 of the Patents Act 1977 (right to continue use begun before priority

date) substitute—

“ 64 Right to continue use begun before priority date.

(1) Where a patent is granted for an invention, a person who in the United Kingdom before the priority date of the invention—

(a) does in good faith an act which would constitute an infringement of the patent if it were in force, or

(b) makes in good faith effective and serious preparations to do such an act,

has the right to continue to do the act or, as the case may be, to do the act, notwithstanding the grant of the patent; but this right does not extend to granting a licence to another person to do the act.

(2) If the act was done, or the preparations were made, in the course of a business, the person entitled to the right conferred by subsection (1) may—

(b) assign that right, or transmit it on death (or in the case of a body corporate on its dissolution), to any person who acquires that part

of the business in the course of which the act was done or the preparations were made.

(3) Where a product is disposed of to another in exercise of the rights conferred by subsection (1) or (2), that other and any person claiming through him may deal with the product in the same way as if it had been disposed of by the registered proprietor of the patent.”.

Revocation on grounds of grant to wrong person 18 In section 72(1) of the M78 Patents Act 1977 (grounds for revocation of patent), for

paragraph (b) substitute— “(b) that the patent was granted to a person who was not entitled to be

granted that patent;”.

Marginal Citations M78 1977 c. 37.

Revocation where two patents granted for same invention 19 In section 73 of the Patents Act 1977 (revocation on initiative of comptroller), for

subsections (2) and (3) (revocation of patent where European patent (UK) granted in respect of same invention) substitute—

“(2) If it appears to the comptroller that a patent under this Act and a European patent (UK) have been granted for the same invention having the same priority date, and that the applications for the patents were filed by the same applicant or his successor in title, he shall give the proprietor of the patent under this Act an opportunity of making observations and of amending the specification of the patent, and if the proprietor fails to satisfy the comptroller that there are not two patents in respect of the same invention, or to amend the specification so as to prevent there being two patents in respect of the same invention, the comptroller shall revoke the patent.

(3) The comptroller shall not take action under subsection (2) above before— (a) the end of the period for filing an opposition to the European patent

(UK) under the European Patent Convention, or (b) if later, the date on which opposition proceedings are finally

disposed of; and he shall not then take any action if the decision is not to maintain the European patent or if it is amended so that there are not two patents in respect of the same invention.

(4) The comptroller shall not take action under subsection (2) above if the European patent (UK) has been surrendered under section 29(1) above before the date on which by virtue of section 25(1) above the patent under this Act is to be treated as having been granted or, if proceedings for the surrender of the European patent (UK) have been begun before that date, until those proceedings are finally disposed of; and he shall not then take any action if the decision is to accept the surrender of the European patent.”.

414 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 5 – Patents: miscellaneous amendments

Applications and amendments not to include additional matter 20 For section 76 of the M79 Patents Act 1977 (amendments of applications and patents

not to include added matter) substitute—

“ 76 Amendments of applications and patents not to include added matter.

(1) An application for a patent which— (a) is made in respect of matter disclosed in an earlier application, or in

the specification of a patent which has been granted, and (b) discloses additional matter, that is, matter extending beyond that

disclosed in the earlier application, as filed, or the application for the patent, as filed,

may be filed under section 8(3), 12 or 37(4) above, or as mentioned in section 15(4) above, but shall not be allowed to proceed unless it is amended so as to exclude the additional matter.

(2) No amendment of an application for a patent shall be allowed under section 17(3), 18(3) or 19(1) if it results in the application disclosing matter extending beyond that disclosed in the application as filed.

(3) No amendment of the specification of a patent shall be allowed under section 27(1), 73 or 75 if it—

(a) results in the specification disclosing additional matter, or (b) extends the protection conferred by the patent.”.

Marginal Citations M79 1977 c. 37.

Effect of European patent (UK) 21 (1) Section 77 of the Patents Act 1977 (effect of European patent (UK)) is amended as

(2) For subsection (3) (effect of finding of partial validity on pending proceedings) substitute—

“(3) Where in the case of a European patent (UK)— (a) proceedings for infringement, or proceedings under section 58

above, have been commenced before the court or the comptroller and have not been finally disposed of, and

(b) it is established in proceedings before the European Patent Office that the patent is only partially valid,

the provisions of section 63 or, as the case may be, of subsections (7) to (9) of section 58 apply as they apply to proceedings in which the validity of a patent is put in issue and in which it is found that the patent is only partially valid.”.

(3) For subsection (4) (effect of amendment or revocation under European Patent Convention) substitute—

“(4) Where a European patent (UK) is amended in accordance with the European Patent Convention, the amendment shall have effect for the purposes of Parts I and III of this Act as if the specification of the patent had been amended under this Act; but subject to subsection (6)(b) below.

(4A) Where a European patent (UK) is revoked in accordance with the European Patent Convention, the patent shall be treated for the purposes of Parts I and III of this Act as having been revoked under this Act.”.

(4) In subsection (6) (filing of English translation), in paragraph (b) (amendments) for “a translation of the amendment into English” substitute “a translation into English of the specification as amended”.

(5) In subsection (7) (effect of failure to file translation) for the words from “a translation” to “above” substitute “such a translation is not filed”.

The state of the art: material contained in patent applications 22 In section 78 of the M80 Patents Act 1977 (effect of filing an application for a

European patent (UK)), for subsection (5) (effect of withdrawal of application, &c.) substitute—

“(5) Subsections (1) to (3) above shall cease to apply to an application for a European patent (UK), except as mentioned in subsection (5A) below, if—

(a) the application is refused or withdrawn or deemed to be withdrawn, or

(b) the designation of the United Kingdom in the application is withdrawn or deemed to be withdrawn,

but shall apply again if the rights of the applicant are re-established under the European Patent Convention, as from their re-establishment.

(5A) The occurrence of any of the events mentioned in subsection (5)(a) or (b) shall not affect the continued operation of section 2(3) above in relation to matter contained in an application for a European patent (UK) which by virtue of that provision has become part of the state of the art as regards other inventions.”.

Marginal Citations M80 1977 c. 37.

Jurisdiction in certain proceedings 23 Section 88 of the Patents Act 1977 (jurisdiction in legal proceedings in connection

with Community Patent Convention) is repealed.

Effect of filing international application for patent 24 (1) Section 89 of the Patents Act 1977 (effect of filing international application for

patent) is amended as follows.

(2) After subsection (3) insert—

416 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 5 – Patents: miscellaneous amendments

“(3A) If the relevant conditions are satisfied with respect to an application which is amended in accordance with the Treaty and the relevant conditions are not satisfied with respect to any amendment, that amendment shall be disregarded.”.

(3) After subsection (4) insert—

“(4A) In subsection (4)(a) “a copy of the application” includes a copy of the application published in accordance with the Treaty in a language other than that in which it was filed.”.

(4) For subsection (10) (exclusion of certain applications subject to European Patent Convention) substitute—

“(10) The foregoing provisions of this section do not apply to an application which falls to be treated as an international application for a patent (UK) by reason only of its containing an indication that the applicant wishes to obtain a European patent (UK); but without prejudice to the application of those provisions to an application which also separately designates the United Kingdom.”.

(5) The amendments in this paragraph shall be deemed always to have had effect.

(6) This paragraph shall be repealed by the order bringing the following paragraph into force.

25 For section 89 of the M81 Patents Act 1977 (effect of filing international application for patent) substitute—

“ 89 Effect of international application for patent.

(1) An international application for a patent (UK) for which a date of filing has been accorded under the Patent Co-operation Treaty shall, subject to—

section 89A (international and national phases of application), and section 89B (adaptation of provisions in relation to international application),

be treated for the purposes of Parts I and III of this Act as an application for a patent under this Act.

(2) If the application, or the designation of the United Kingdom in it, is withdrawn or (except as mentioned in subsection (3)) deemed to be withdrawn under the Treaty, it shall be treated as withdrawn under this Act.

(3) An application shall not be treated as withdrawn under this Act if it, or the designation of the United Kingdom in it, is deemed to be withdrawn under the Treaty—

(a) because of an error or omission in an institution having functions under the Treaty, or

(b) because, owing to circumstances outside the applicant’s control, a copy of the application was not received by the International Bureau before the end of the time limited for that purpose under the Treaty,

or in such other circumstances as may be prescribed.

(4) For the purposes of the above provisions an application shall not be treated as an international application for a patent (UK) by reason only of its containing an indication that the applicant wishes to obtain a European patent (UK), but an application shall be so treated if it also separately designates the United Kingdom.

(5) If an international application for a patent which designates the United Kingdom is refused a filing date under the Treaty and the comptroller determines that the refusal was caused by an error or omission in an institution having functions under the Treaty, he may direct that the application shall be treated as an application under this Act, having such date of filing as he may direct.

89A International and national phases of application.

(1) The provisions of the Patent Co-operation Treaty relating to publication, search, examination and amendment, and not those of this Act, apply to an international application for a patent (UK) during the international phase of the application.

(2) The international phase of the application means the period from the filing of the application in accordance with the Treaty until the national phase of the application begins.

(3) The national phase of the application begins— (a) when the prescribed period expires, provided any necessary

translation of the application into English has been filed at the Patent Office and the prescribed fee has been paid by the applicant; or

(b) on the applicant expressly requesting the comptroller to proceed earlier with the national phase of the application, filing at the Patent Office—

(i) a copy of the application, if none has yet been sent to the Patent Office in accordance with the Treaty, and

(ii) any necessary translation of the application into English, and paying the prescribed fee.

For this purpose a “copy of the application” includes a copy published in accordance with the Treaty in a language other than that in which it was originally filed.

(4) If the prescribed period expires without the conditions mentioned in subsection (3)(a) being satisfied, the application shall be taken to be withdrawn.

(5) Where during the international phase the application is amended in accordance with the Treaty, the amendment shall be treated as made under this Act if—

(a) when the prescribed period expires, any necessary translation of the amendment into English has been filed at the Patent Office, or

(b) where the applicant expressly requests the comptroller to proceed earlier with the national phase of the application, there is then filed at the Patent Office—

418 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 5 – Patents: miscellaneous amendments

(i) a copy of the amendment, if none has yet been sent to the Patent Office in accordance with the Treaty, and

(ii) any necessary translation of the amendment into English; otherwise the amendment shall be disregarded.

(6) The comptroller shall on payment of the prescribed fee publish any translation filed at the Patent Office under subsection (3) or (5) above.

89B Adaptation of provisions in relation to international application.

(1) Where an international application for a patent (UK) is accorded a filing date under the Patent Co-operation Treaty—

(a) that date, or if the application is re-dated under the Treaty to a later date that later date, shall be treated as the date of filing the application under this Act,

(b) any declaration of priority made under the Treaty shall be treated as made under section 5(2) above, and where in accordance with the Treaty any extra days are allowed, the period of 12 months specified in section 5(2) shall be treated as altered accordingly, and

(c) any statement of the name of the inventor under the Treaty shall be treated as a statement filed under section 13(2) above.

(2) If the application, not having been published under this Act, is published in accordance with the Treaty it shall be treated, for purposes other than those mentioned in subsection (3), as published under section 16 above when the conditions mentioned in section 89A(3)(a) are complied with.

(3) For the purposes of section 55 (use of invention for service of the Crown) and section 69 (infringement of rights conferred by publication) the application, not having been published under this Act, shall be treated as published under section 16 above—

(a) if it is published in accordance with the Treaty in English, on its being so published; and

(b) if it is so published in a language other than English— (i) on the publication of a translation of the application in

accordance with section 89A(6) above, or (ii) on the service by the applicant of a translation into English

of the specification of the application on the government department concerned or, as the case may be, on the person committing the infringing act.

The reference in paragraph (b)(ii) to the service of a translation on a government department or other person is to its being sent by post or delivered to that department or person.

(4) During the international phase of the application, section 8 above does not apply (determination of questions of entitlement in relation to application under this Act) and section 12 above (determination of entitlement in relation to foreign and convention patents) applies notwithstanding the application; but after the end of the international phase, section 8 applies and section 12 does not.

(5) When the national phase begins the comptroller shall refer the application for so much of the examination and search under section 17 and 18 above as he considers appropriate in view of any examination or search carried out under the Treaty.”.

Marginal Citations M81 1977 c. 37.

Proceedings before the court or the comptroller 26 In the M82 Patents Act 1977, after section 99 (general powers of the court) insert—

“ 99A Power of Patents Court to order report.

(1) Rules of court shall make provision empowering the Patents Court in any proceedings before it under this Act, on or without the application of any party, to order the Patent Office to inquire into and report on any question of fact or opinion.

(2) Where the court makes such an order on the application of a party, the fee payable to the Patent Office shall be at such rate as may be determined in accordance with rules of court and shall be costs of the proceedings unless otherwise ordered by the court.

(3) Where the court makes such an order of its own motion, the fee payable to the Patent Office shall be at such rate as may be determined by the Lord Chancellor with the approval of the Treasury and shall be paid out of money provided by Parliament.

99B Power of Court of Session to order report.

(1) In any proceedings before the Court of Session under this Act the court may, either of its own volition or on the application of any party, order the Patent Office to inquire into and report on any question of fact or opinion.

(2) Where the court makes an order under subsection (1) above of its own volition the fee payable to the Patent Office shall be at such rate as may be determined by the Lord President of the Court of Session with the consent of the Treasury and shall be defrayed out of moneys provided by Parliament.

(3) Where the court makes an order under subsection (1) above on the application of a party, the fee payable to the Patent Office shall be at such rate as may be provided for in rules of court and shall be treated as expenses in the cause.”.

Marginal Citations M82 1977 c. 37.

420 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 5 – Patents: miscellaneous amendments

27 For section 102 of the M83 Patents Act 1977 (right of audience in patent proceedings) substitute—

“ 102 Right of audience, &c. in proceedings before comptroller.

(1) A party to proceedings before the comptroller under this Act, or under any treaty or international convention to which the United Kingdom is a party, may appear before the comptroller in person or be represented by any person whom he desires to represent him.

(2) No offence is committed under the enactments relating to the preparation of documents by persons not legally qualified by reason only of the preparation by any person of a document, other than a deed, for use in such proceedings.

(3) Subsection (1) has effect subject to rules made under section 281 of the Copyright, Designs and Patents Act 1988 (power of comptroller to refuse to recognise certain agents).

(4) In its application to proceedings in relation to applications for, or otherwise in connection with, European patents, this section has effect subject to any restrictions imposed by or under the European Patent Convention.

102A Right of audience, &c. in proceedings on appeal from the comptroller.

(1) A solicitor of the Supreme Court may appear and be heard on behalf of any party to an appeal under this Act from the comptroller to the Patents Court.

(2) A registered patent agent or a member of the Bar not in actual practice may do, in or in connection with proceedings on an appeal under this Act from the comptroller to the Patents Court, anything which a solicitor of the Supreme Court might do, other than prepare a deed.

(3) The Lord Chancellor may by regulations— (a) provide that the right conferred by subsection (2) shall be subject to

such conditions and restrictions as appear to the Lord Chancellor to be necessary or expedient, and

(b) apply to persons exercising that right such statutory provisions, rules of court and other rules of law and practice applying to solicitors as may be specified in the regulations;

and different provision may be made for different descriptions of proceedings.

(5) This section is without prejudice to the right of counsel to appear before the High Court.”.

Marginal Citations M83 1977 c. 37.

Provision of information 28 In section 118 of the M84 Patents Act 1977 (information about patent applications,

&c.), in subsection (3) (restriction on disclosure before publication of application: exceptions) for “section 22(6)(a) above” substitute “section 22(6) above”.

Marginal Citations M84 1977 c. 37.

Power to extend time limits 29 In section 123 of the Patents Act 1977 (rules), after subsection (3) insert—

“(3A) It is hereby declared that rules— (a) authorising the rectification of irregularities of procedure, or (b) providing for the alteration of any period of time,

may authorise the comptroller to extend or further extend any period notwithstanding that the period has already expired.”.

Availability of samples of micro-organisms 30 In the Patents Act 1977 after section 125 insert—

“ 125A Disclosure of invention by specification: availability of samples of micro-organisms.

(1) Provision may be made by rules prescribing the circumstances in which the specification of an application for a patent, or of a patent, for an invention which requires for its performance the use of a micro-organism is to be treated as disclosing the invention in a manner which is clear enough and complete enough for the invention to be performed by a person skilled in the art.

(2) The rules may in particular require the applicant or patentee— (a) to take such steps as may be prescribed for the purposes of making

available to the public samples of the micro-organism, and (b) not to impose or maintain restrictions on the uses to which such

samples may be put, except as may be prescribed.

(3) The rules may provide that, in such cases as may be prescribed, samples need only be made available to such persons or descriptions of persons as may be prescribed; and the rules may identify a description of persons by reference to whether the comptroller has given his certificate as to any matter.

(4) An application for revocation of the patent under section 72(1)(c) above may be made if any of the requirements of the rules cease to be complied with.”.

422 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 5A – PERMITTED ACTS TO WHICH SECTION 296ZE APPLIES

[F877 SCHEDULE 5A Section 296ZE

PERMITTED ACTS TO WHICH SECTION 296ZE APPLIES

Amendments (Textual) F877 Sch. 5A inserted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498)

, reg. 24(2) , Sch. 3 (with regs. 31-40 )

COPYRIGHT EXCEPTIONS

section 29 (research and private study)

[F878 section 29A (copies for text and data analysis for non-commercial research) ]

Amendments (Textual) F878 Words in Sch. 5A Pt. 1 inserted (1.6.2014) by The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372) , reg. 1 , Sch. para. 10(2)(d)

section 31A [F879 (disabled persons: copies of works for personal use)” ]

Amendments (Textual) F879 Words in Sch. 5A Pt. 1 substituted (1.6.2014) by The Copyright and Rights in Performances (Disability)

Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 7(2)(a)

section 31B [F880 (making and supply of accessible copies by authorised bodies) ]

Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 5A – PERMITTED ACTS TO WHICH SECTION 296ZE APPLIES Document Generated: 2018-04-19

Amendments (Textual) F880 Words in Sch. 5A Pt. 1 substituted (1.6.2014) by The Copyright and Rights in Performances (Disability)

Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 7(2)(b)

[F881 section 31BA (making and supply of intermediate copies by authorised bodies) ]

Amendments (Textual) F881 Words in Sch. 5A Pt. 1 substituted (1.6.2014) by The Copyright and Rights in Performances (Disability)

Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 7(2)(c)

[F882 section 32 (illustration for instruction) ]

Amendments (Textual) F882 Words in Sch. 5A Pt. 1 substituted (1.6.2014) by The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372) , reg. 1 , Sch. para. 10(2)(a)

section 35 (recording by educational establishments of broadcasts)

[F883 section 36 (copying and use of extracts of works by educational establishments) ]

424 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 5A – PERMITTED ACTS TO WHICH SECTION 296ZE APPLIES

Amendments (Textual) F883 Words in Sch. 5A Pt. 1 substituted (1.6.2014) by The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372) , reg. 1 , Sch. para. 10(2)(b)

Amendments (Textual) F884 Words in Sch. 5A Pt. 1 omitted (1.6.2014) by virtue of The Copyright and Rights in Performances

(Research, Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372) , reg. 1 , Sch. para. 10(2)(c)

[F878 section 41 (copying by librarians: supply of single copies to other libraries) ]

[F878 section 42 (copying by librarians etc : replacement copies of works) ]

[F878 section 42A (copying by librarians: single copies of published works) ]

[F878 section 43 (copying by librarians or archivists: single copies of unpublished works) ]

section 44 (copy of work required to be made as condition of export)

section 45 (Parliamentary and judicial proceedings)

section 46 (Royal Commissions and statutory inquiries)

section 47 (material open to public inspection or on official register)

section 48 (material communicated to the Crown in the course of public business)

section 49 (public records)

section 50 (acts done under statutory authority)

section 61 (recordings of folksongs)

section 68 (incidental recording for purposes of broadcast)

section 69 (recording for purposes of supervision and control of broadcasts)

section 70 (recording for purposes o

f time-shifting)

section 71 (photographs of broadcasts) F885 ...

Amendments (Textual) F885 Sch. 5A Pt. 1 entry omitted (1.6.2014) by virtue of The Copyright and Rights in Performances (Disability)

Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 7(2)(d)

[F886 section 75 (recording of broadcast for archival purposes) ]

Amendments (Textual) F886 Words in Sch. 5A Pt. 1 substituted (1.6.2014) by The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372) , reg. 1 , Sch. para. 10(2)(e)

RIGHTS IN PERFORMANCES EXCEPTIONS

[F887 paragraph 1C of Schedule 2 (research and private study) ][F887 paragraph 1D of Schedule 2 (copies for text and data analysis for non-commercial research) ][F888[F889 paragraph 3A of

426 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 5A – PERMITTED ACTS TO WHICH SECTION 296ZE APPLIES

Schedule 2 (disabled persons: copies of recordings for personal use) ][F889 paragraph 3B of Schedule 2 (making and supply of accessible copies by authorised bodies) ] [F889 paragraph 3C of Schedule 2 (making and supply of intermediate copies by authorised bodies) ] paragraph 4 of Schedule 2 (illustration for instruction) ][F890 paragraph 6 of Schedule 2 (recording by educational establishments of broadcasts) ][F887 paragraph 6ZA of Schedule 2 (copying and use of extracts of recordings by educational establishments) ][F887 paragraph 6D of Schedule 2 (copying by librarians: supply of single copies to other libraries) ][F887 paragraph 6E of Schedule 2 (copying by librarians etc: replacement copies of recordings) ][F887 paragraph 6F of Schedule 2 (copying by librarians: single copies of published recordings) ][F887 paragraph 6G of Schedule 2 (copying by librarians or archivists: single copies of unpublished recordings) ] paragraph 7 of Schedule 2 (copy of work required to be made as condition of export)paragraph 8 of Schedule 2 (Parliamentary and judicial proceedings) paragraph 9 of Schedule 2 (Royal Commissions and statutory inquiries) paragraph 10 of Schedule 2 (public records) paragraph 11 of Schedule 2 (acts done under statutory authority) paragraph 14 of Schedule 2 (recordings of folksongs) paragraph 16 of Schedule 2 (incidental recording for purposes of broadcast) paragraph 17 of Schedule 2 (recordings for purposes of supervision and control of broadcasts)paragraph 17A of Schedule 2 (recording for the purposes of time-shifting) paragraph 17B of Schedule 2 (photographs of broadcasts) F891 ... paragraph 21 of Schedule 2 (recording of broadcast for archival purposes)]

Amendments (Textual) F887 Words in Sch. 5A Pt. 2 inserted (1.6.2014) by The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 10(3)(c) F888 Words in Sch. 5A Pt. 2 substituted (1.6.2014) by The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372) , reg. 1 , Sch. para. 10(3)(a) F889 Words in Sch. 5A Pt. 2 inserted (1.6.2014) by The Copyright and Rights in Performances (Disability)

Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 7(3)(a) F890 Words in Sch. 5A Pt. 2 substituted (1.6.2014) by The Copyright and Rights in Performances (Research,

Education, Libraries and Archives) Regulations 2014 (S.I. 2014/1372), reg. 1, Sch. para. 10(3)(b) F891 Sch. 5A Pt. 2 entry omitted (1.6.2014) by virtue of The Copyright and Rights in Performances (Disability)

Regulations 2014 (S.I. 2014/1384), reg. 1(1), Sch. para. 7(3)(b)

Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 6 – Provisions for the Benefit of Great Ormond Street Hospital for Children Document Generated: 2018-04-19

DATABASE RIGHT EXCEPTIONS

regulation 20 of and Schedule 1 to the Copyright and Rights in Databases Regulations 1997 ( S.I. 1997/3032)

SCHEDULE 6 Section 301.

PROVISIONS FOR THE BENEFIT OF [F892 GREAT ORMOND STREET HOSPITAL FOR CHILDREN ]

Amendments (Textual) F892 Words in Sch. 6 heading substituted (23.5.2016) by NHS (Charitable Trusts Etc) Act 2016 (c. 10), ss.

3(5) , 5(3)

Interpretation 1 (1) In this Schedule—

[F893 “GOSH Children's Charity” means Great Ormond Street Hospital Children's Charity (company registration number 9338724); ]

“the Hospital” means [F894 Great Ormond Street Hospital for Children ] , F895 ... “the work” means the play “Peter Pan” by Sir James Matthew Barrie.

(2) Expressions used in this Schedule which are defined for the purposes of Part I of this Act (copyright) have the same meaning as in that Part.

Amendments (Textual) F893 Definition in Sch. 6 para. 1(1) inserted (23.5.2016) by NHS (Charitable Trusts Etc) Act 2016 (c. 10),

ss. 3(7)(a) , 5(3) F894 Words in Sch. 6 para. 1(1) substituted (23.5.2016) by NHS (Charitable Trusts Etc) Act 2016 (c. 10), ss.

3(7)(b) , 5(3) F895 Definition in Sch. 6 para. 1(1) omitted (23.5.2016) by virtue of NHS (Charitable Trusts Etc) Act 2016

(c. 10), ss. 3(7)(c) , 5(3)

Entitlement to royalty 2 (1) [F896 GOSH Children's Charity is ] entitled, subject to the following provisions of this

Schedule, to a royalty in respect of any public performance, commercial publication [F897 or communication to the public ] of the whole or any substantial part of the work or an adaptation of it.

(2) Where [F898 GOSH Children's Charity is ] or would be entitled to a royalty, another form of remuneration may be agreed.

428 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 6 – Provisions for the Benefit of Great Ormond Street Hospital for Children

Amendments (Textual) F896 Words in Sch. 6 para. 2(1) substituted (23.5.2016) by NHS (Charitable Trusts Etc) Act 2016 (c. 10), ss.

3(8)(a) , 5(3) F897 Words in Sch. 6 para. 2(1) substituted (31.10.2003) by The Copyright and Related Rights Regulations

2003 (S.I. 2003/2498), reg. 2(1), Sch. 1 para. 6(2)(f) (with regs. 31-40) F898 Words in Sch. 6 para. 2(2) substituted (23.5.2016) by NHS (Charitable Trusts Etc) Act 2016 (c. 10), ss.

3(8)(b) , 5(3)

Modifications etc. (not altering text) C145 Sch. 6 para. 2: power to amend conferred (23.5.2016) by NHS (Charitable Trusts Etc) Act 2016 (c. 10),

s. 5(3), Sch. 2 para. 5(2)(a)

Exceptions 3 No royalty is payable in respect of—

(a) anything which immediately before copyright in the work expired on 31st December 1987 could lawfully have been done without the licence, or further licence, of the [F899 copyright owner at that time ] ; or

(b) anything which if copyright still subsisted in the work could, by virtue of any provision of Chapter III of Part I of this Act (acts permitted notwithstanding copyright), be done without infringing copyright.

Amendments (Textual) F899 Words in Sch. 6 para. 3(a) substituted (23.5.2016) by NHS (Charitable Trusts Etc) Act 2016 (c. 10), ss.

3(9) , 5(3)

Saving 4 No royalty is payable in respect of anything done in pursuance of arrangements

made before the passing of this Act.

Procedure for determining amount payable 5 (1) In default of agreement application may be made to the Copyright Tribunal which

shall consider the matter and make such order regarding the royalty or other remuneration to be paid as it may determine to be reasonable in the circumstances.

(2) Application may subsequently be made to the Tribunal to vary its order, and the Tribunal shall consider the matter and make such order confirming or varying the original order as it may determine to be reasonable in the circumstances.

(3) An application for variation shall not, except with the special leave of the Tribunal, be made within twelve months from the date of the original order or of the order on a previous application for variation.

(4) A variation order has effect from the date on which it is made or such later date as may be specified by the Tribunal.

F900[ (5) The provisions of Chapter VIII of Part I (general provisions relating to the Copyright Tribunal) apply in relation to the Tribunal when exercising any jurisdiction under this paragraph. ]

Amendments (Textual) F900 Sch. 6 para. 5(5) added (1.12.1996) by S.I. 1996/2967, reg. 24(3) (with Pt. III)

[F901 Sums received to be held for the benefit of the Hospital

Amendments (Textual) F901 Sch. 6 para. 6 and crossheading substituted (23.5.2016) by NHS (Charitable Trusts Etc) Act 2016 (c. 10),

ss. 3(10) , 5(3)

6 The sums received by GOSH Children's Charity by virtue of this Schedule, after deduction of any relevant expenses, are to be held by it for the purposes of the Hospital. ]

Right only for the benefit of the Hospital 7 (1) The right of [F902 GOSH Children's Charity ] under this Schedule may not be assigned

and shall cease if [F903 GOSH Children's Charity purports ] to assign or charge it.

(2) The right F904 ... shall cease if the Hospital ceases to have a separate identity or ceases to have purposes which include the care of sick children.

F905 (3) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F902 Words in Sch. 6 para. 7(1) substituted (23.5.2016) by NHS (Charitable Trusts Etc) Act 2016 (c. 10), ss.

3(11)(a)(i) , 5(3) F903 Words in Sch. 6 para. 7(1) substituted (23.5.2016) by NHS (Charitable Trusts Etc) Act 2016 (c. 10), ss.

3(11)(a)(ii) , 5(3) F904 Words in Sch. 6 para. 7(2) omitted (23.5.2016) by virtue of NHS (Charitable Trusts Etc) Act 2016 (c. 10),

ss. 3(11)(b) , 5(3) F905 Sch. 6 para. 7(3) omitted (23.5.2016) by virtue of NHS (Charitable Trusts Etc) Act 2016 (c. 10), ss.

3(11)(c) , 5(3)

430 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 7 – Consequential amendments: general

SCHEDULE 7 Section 303(1).

CONSEQUENTIAL AMENDMENTS: GENERAL

British Mercantile Marine Uniform Act 1919 (c.62) 1 For section 2 of the British Mercantile Marine Uniform Act 1919 (copyright in

distinctive marks of uniform) substitute—

2 “ Right in registered design of distinctive marks of uniform.

The right of the Secretary of State in any design forming part of the British mercantile marine uniform which is registered under the Registered Designs Act 1949 is not limited to the period prescribed by section 8 of that Act but shall continue to subsist so long as the design remains on the register.”.

Chartered Associations (Protection of Names and Uniforms) Act 1926 (c.26) 2 In section 1(5) of the Chartered Associations (Protection of Names and Uniforms)

Act 1926 for “the copyright in respect thereof” substitute “ the right in the registered design ” .

Patents, Designs, Copyright and Trade Marks (Emergency) Act 1939 (c.107) 3 (1) The Patents, Designs, Copyright and Trade Marks (Emergency) Act 1939 is amended

(2) In section 1 (effect of licence where owner is enemy or enemy subject)— (a) in subsection (1) after “a copyright” and “the copyright” insert “ or design

right ” ; (b) in subsection (2) after “the copyright” insert “ or design right ” and for “or

copyright” substitute “ , copyright or design right ” .

(3) In section 2 (power of comptroller to grant licences)— (a) in subsection (1) after “a copyright”, “the copyright” (twice) and “the said

copyright” insert “ or design right ” and for “or copyright” (twice) substitute “ , copyright or design right ” ;

(b) in subsections (2) and (3) for “, or copyright” substitute “ , copyright or design right ” ;

(c) in subsection (4) and in subsection (5) (twice), after “the copyright” insert “ or design right ” ;

(d) in subsection (8)(c) for “or work in which copyright subsists” substitute “ work in which copyright subsists or design in which design right subsists ” .

(4) In section 5 (effect of war on international arrangements)— (a) in subsection (1) for “section twenty-nine of the Copyright Act 1911”

substitute “ section 159 or 256 of the Copyright, Designs and Patents Act 1988 (countries enjoying reciprocal copyright or design right protection) ” ;

(b) in subsection (2) after “copyright” (four times) insert “ or design right ” and for “the Copyright Act 1911” (twice) substitute “ Part I or III of the Copyright, Designs and Patents Act 1988 ” .

Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 7 – Consequential amendments: general Document Generated: 2018-04-19

(5) In section 10(1) (interpretation) omit the definition of “copyright”, and for the definitions of “design”, “invention”, “patent” and “patentee” substitute—

“ “ design ” has in reference to a registered design the same meaning as in the Registered Designs Act 1949, and in reference to design right the same meaning as in Part III of the Copyright, Designs and Patents Act 1988;

“ invention ” and “ patent ” have the same meaning as in the Patents Act 1977. ”.

Crown Proceedings Act 1947 (c.44) 4 (1) In the Crown Proceedings Act 1947 for section 3 (provisions as to industrial property)

3 “ Infringement of intellectual property rights.

(1) Civil proceedings lie against the Crown for an infringement committed by a servant or agent of the Crown, with the authority of the Crown, of—

(a) a patent, (b) a registered trade mark or registered service mark, (c) the right in a registered design, (d) design right, or (e) copyright;

but save as provided by this subsection no proceedings lie against the Crown by virtue of this Act in respect of an infringement of any of those rights.

(2) Nothing in this section, or any other provision of this Act, shall be construed as affecting—

(a) the rights of a government department under section 55 of the Patents Act 1977, Schedule 1 to the Registered Designs Act 1949 or section 240 of the Copyright, Designs and Patents Act 1988 (Crown use of patents and designs), or

(b) the rights of the Secretary of State under section 22 of the Patents Act 1977 or section 5 of the Registered Designs Act 1949 (security of information prejudicial to defence or public safety).”.

(2) In the application of sub-paragraph (1) to Northern Ireland— (a) the reference to the Crown Proceedings Act 1947 is to that Act as it applies

to the Crown in right of Her Majesty’s Government in Northern Ireland, as well as to the Crown in right of Her Majesty’s Government in the United Kingdom, and

(b) in the substituted section 3 as it applies in relation to the Crown in right of Her Majesty’s Government in Northern Ireland, subsection (2)(b) shall be omitted.

Patents Act 1949 (c.87) 5 In section 47 of the Patents Act 1949 (rights of third parties in respect of Crown use

of patent), in the closing words of subsection (1) (which relate to the use of models or documents), after “copyright” insert “ or design right ” .

432 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 7 – Consequential amendments: general

Public Libraries (Scotland) Act 1955 (c.27) F906 6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F906 Sch. 7 para. 6 repealed (1.12.1996) by S.I. 1996/2967, reg. 11(7) (with Pt. III)

London County Council (General Powers) Act 1958 (c.xxi) 7 In section 36 of the London County Council (General Powers) Act 1958 (power

as to libraries: provision and repair of things other than books) for subsection (5) substitute—

“(5) Nothing in this section shall be construed as authorising an infringement of copyright.”.

Public Libraries and Museums Act 1964 (c.75) F907 8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F907 Sch. 7 para. 8 repealed (1.12.1996) by S.I. 1996/2967, reg. 11(7) (with Pt. III)

Marine, &c., Broadcasting (Offences) Act 1967 (c.41) 9 F908 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F908 Sch. 7 para. 9 repealed (8.2.2007) by Wireless Telegraphy Act 2006 (c. 36), ss. 124, 125(1), 126(2), Sch.

9 Pt. 1 (with Sch. 8 Pt. 1)

Medicines Act 1968 (c.67) 10 (1) Section 92 of the Medicines Act 1968 (scope of provisions restricting promotion of

sales of medicinal products) is amended as follows.

(2) In subsection (1) (meaning of “advertisement”) for the words from “or by the exhibition” to “service” substitute “ or by means of a photograph, film, sound recording, broadcast or cable programme, ” .

(3) F909 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(4) For subsection (6) substitute—

“(6) In this section “film”, “sound recording”, “broadcast”, “cable programme”, “cable programme service”, and related expressions, have the same meaning as in Part I of the Copyright, Designs and Patents Act 1988 (copyright).”.

Amendments (Textual) F909 Sch. 7 para. 10(3) repealed (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I.

Post Office Act 1969 (c.48) 11 In Schedule 10 to the Post Office Act 1969 (special transitional provisions relating

to use of patents and registered designs), in the closing words of paragraphs 8(1) and 18(1) (which relate to the use of models and documents), after “copyright” insert “ or design right ” .

Merchant Shipping Act 1970 (c.36) 12 In section 87 of the Merchant Shipping Act 1970 (merchant navy uniform), for

subsection (4) substitute—

“(4) Where any design forming part of the merchant navy uniform has been registered under the Registered Designs Act 1949 and the Secretary of State is the proprietor of the design, his right in the design is not limited to the period prescribed by section 8 of that Act but shall continue to subsist so long as the design remains registered.”.

Taxes Management Act 1970 (c.9) 13 In section 16 of the Taxes Management Act 1970 (returns to be made in respect of

certain payments)— (a) in subsection (1)(c), and (b) in subsection (2)(b),

for “or public lending right” substitute “ , public lending right, right in a registered design or design right ” .

Tribunals and Inquiries Act 1971 (c.62) F910 14 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F910 Sch. 7 para. 14 repealed (1.10.1992) by Tribunals and Inquiries Act 1992 (c. 53), ss. 18(2), 19(2), Sch.

Fair Trading Act 1973 (c.41) 15 F911 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

434 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 7 – Consequential amendments: general

Amendments (Textual) F911 Sch. 7 para. 15 repealed (20.6.2003) by 2002 c. 40, ss. 278(2), 279, Sch. 26 ; S.I. 2003/1397, art. 2(1) ,

House of Commons Disqualification Act 1975 (c.24) 16 In Part II of Schedule 1 to the House of Commons Disqualification Act 1975

(bodies of which all members are disqualified), at the appropriate place insert “ The Copyright Tribunal ” .

Northern Ireland Assembly Disqualification Act 1975 (c.25) 17 In Part II of Schedule 1 to the Northern Ireland Assembly Disqualification Act 1975

Restrictive Trade Practices Act 1976 (c.34) 18 (1) The Restrictive Trade Practices Act 1976 is amended as follows.

(2) In Schedule 1 (excluded services) for paragraph 10 (services of patent agents) substitute—

“10 The services of registered patent agents (within the meaning of Part V of the Copyright, Designs and Patents Act 1988) in their capacity as such.”;

and in paragraph 10A (services of European patent attorneys) for “section 84(7) of the Patents Act 1977” substitute “ Part V of the Copyright, Designs and Patents Act 1988 ” .

(3) In Schedule 3 (excepted agreements), after paragraph 5A insert—

“ Design right 5B (1) This Act does not apply to—

(a) a licence granted by the owner or a licensee of any design right, (b) an assignment of design right, or (c) an agreement for such a licence or assignment,

if the licence, assignment or agreement is one under which no such restrictions as are described in section 6(1) above are accepted, or no such information provisions as are described in section 7(1) above are made, except in respect of articles made to the design; but subject to the following provisions.

(2) Sub-paragraph (1) does not exclude a licence, assignment or agreement which is a design pooling agreement or is granted or made (directly or indirectly) in pursuance of a design pooling agreement.

(3) In this paragraph a “ design pooling agreement ” means an agreement—

(a) to which the parties are or include at least three persons(the “principal parties”) each of whom has an interest in one or more design rights, and

(b) by which each principal party agrees, in respect of design right in which he has, or may during the currency of the agreement acquire, an interest to grant an interest (directly or indirectly) to one or more of the other principal parties, or to one or more of those parties and to other persons.

(4) In this paragraph— “ assignment ”, in Scotland, means assignation; and “ interest ” means an interest as owner or licensee of design

(5) This paragraph applies to an interest held by or granted to more than one person jointly as if they were one person.

(6) References in this paragraph to the granting of an interest to a person indirectly are to its being granted to a third person for the purpose of enabling him to make a grant to the person in question.”.

Resale Prices Act 1976 (c. 53) 19 In section 10(4) of the Resale Prices Act 1976 (patented articles: articles to be

treated in same way), in paragraph (a) after “protected” insert “ by design right or ” .

Patents Act 1977 (c. 37) 20 In section 57 of the Patents Act 1977 (rights of third parties in respect of Crown use

21 In section 105 of the Patents Act 1977 (privilege in Scotland for communications relating to patent proceedings), omit “within the meaning of section 104 above”, make the existing text subsection (1) and after it insert—

“(2) In this section— “ patent proceedings ” means proceedings under this Act or any

of the relevant conventions, before the court, the comptroller or the relevant convention court, whether contested or uncontested and including an application for a patent; and

“ the relevant conventions ” means the European Patent Convention, the Community Patent Convention and the Patent Co- operation Treaty. ”.

22 In section 123(7) of the Patents Act 1977 (publication of case reports by the comptroller)—

(a) for “and registered designs” substitute “ registered designs or design right ” ,

(b) for “and copyright” substitute “ , copyright and design right ” . 23 In section 130(1) of the Patents Act 1977 (interpretation), in the definition of

“court”, for paragraph (a) substitute—

436 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 7 – Consequential amendments: general

“(a) as respects England and Wales, the High Court or any patents county court having jurisdiction by virtue of an order under section 287 of the Copyright, Designs and Patents Act 1988;”.

Unfair Contract Terms Act 1977 (c. 50) 24 In paragraph 1 of Schedule 1 to the Unfair Contract Terms Act 1977 (scope of

main provisions: excluded contracts), in paragraph (c) (contracts relating to grant or transfer of interest in intellectual property) after “copyright” insert “ or design right ” .

Judicature (Northern Ireland) Act 1978 (c. 23) 25 In section 94A of the Judicature (Northern Ireland) Act 1978 (withdrawal of

privilege against self-incrimination in certain proceedings relating to intellectual property), in subsection (5) (meaning of “intellectual property”) after “copyright” insert “ or design right ” .

Capital Gains Tax Act 1979 (c. 14) F912 26 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F912 Sch. 7 para. 26 repealed (6.3.1992 with effect as mentioned in s. 289(1)(2) of the repealing Act) by

Taxation of Chargeable Gains Act 1992 (c. 12), ss. 289, 290, Sch.12 (with s. 201(3), Sch. 11 paras. 22, 26(2), 27)

British Telecommunications Act 1981 (c. 38) 27 F913 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F913 Sch. 7 para. 27 repealed (25.7.2003 for specified purposes and 29.12.2003 otherwise) by

Communications Act 2003 (c. 21), ss. 406, 408, 411, Sch. 19(1) (with Sch. 18, Sch. 19(1) Note 1); S.I. 2003/1900, arts. 1(2), 2(1) , 3(1), Sch. 1 (with art. 3(2) (as amended (8.12.2003) by S.I. 2003/3142, art. 1(3))); S.I. 2003/3142, art. 3 , Sch. 1 (with art. 11)

[F914 Senior Courts Act 1981 ] (c. 54)

Amendments (Textual) F914 Sch. 7 para. 28 cross-heading: words wherever they occur in any enactment substituted (1.10.2009) by

virtue of Constitutional Reform Act 2005 (c. 4), ss. 59, 148, Sch. 11 para. 1(2) ; S.I. 2009/1604, art. 2

28 (1) The [F915 Senior Courts Act 1981 ] is amended as follows.

(2) In section 72 (withdrawal of privilege against self-incrimination in certain proceedings relating to intellectual property), in subsection (5) (meaning of “intellectual property”) after “copyright” insert “ , design right ” .

(3) In Schedule 1 (distribution of business in the High Court), in paragraph 1(i) (business assigned to the Chancery Division: causes and matters relating to certain intellectual property) for “or copyright” substitute “ , copyright or design right ” .

Amendments (Textual) F915 Sch. 7 para. 28: words wherever they occur in any enactment substituted (1.10.2009) by virtue of

F916 29 , 30.

Amendments (Textual) F916 Sch. 7 paras. 29, 30 repealed by Broadcasting Act 1990 (c. 42, SIF 96), s. 203(3), Sch. 21 (the repeal

being in force subject, as to para. 29, as mentioned in S.I. 1990/2347 art. 3(3))

Companies Act 1985 (c. 6)

[F917 31(1) Part XII of the Companies Act 1985 (registration of charges) is amended as follows.

(2) In section 396 (registration of charges in England and Wales: charges which must be registered), in subsection (1)(j) for the words from “on a patent” to the end substitute “ or on any intellectual property ” , and after subsection (3) insert—

“(3A) The following are “ intellectual property ” for the purposes of this section— (a) any patent, trade mark, service mark, registered design, copyright

or design right; (b) any licence under or in respect of any such right.”.

(3) In section 410 (registration of charges in Scotland: charges which must be registered), in subsection (4)(c) (incorporeal moveable property) after subparagraph (vi) insert—

“(vii) a registered design or a licence in respect of such a design, (viii) a design right or a licence under a design right,”. ]

Amendments (Textual) F917 Sch. 7 para. 31 repealed ( prosp. ) by Companies Act 1989 (c. 40, SIF 27), ss. 212, 215(2), Sch. 24

Law Reform (Miscellaneous Provisions) (Scotland) Act 1985 (c. 73) 32 In section 15 of the Law Reform (Miscellaneous Provisions) (Scotland) Act 1985

(withdrawal of privilege against self-incrimination in certain proceedings relating

438 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 7 – Consequential amendments: general

to intellectual property), in subsection (5) (meaning of “intellectual property”) after “copyright” insert “ or design right ” .

Atomic Energy Authority Act 1986 (c. 3) 33 In section 8(2) of the Atomic Energy Authority Act 1986 (powers of Authority as

to exploitation of research: meaning of “intellectual property”), after “copyrights” insert “ , design rights ” .

Education and Libraries (Northern Ireland) Order 1986 ( S.I. 1986/594 (N.I.3)) F918 34 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F918 Sch. 7 para. 34 repealed (16.1.1994) by S.I. 1993/2810 (N.I. 12), arts. 1(2), 50(2), Sch.5 and expressed

to be repealed (1.12.1996) by S.I. 1996/2967, reg. 11(7) (with Pt. III)

Companies (Northern Ireland) Order 1986 ( S.I. 1986/1032 (N.I.6)) 35 F919 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Amendments (Textual) F919 Sch. 7 para. 35 repealed (1.10.2009) by The Companies Act 2006 (Consequential Amendments,

Transitional Provisions and Savings) Order 2009 (S.I. 2009/1941), art. 2(2), Sch. 2 (with art. 10)

Income and Corporation Taxes Act 1988 (c. 1) 36 (1) The Income and Corporation Taxes Act 1988 is amended as follows.

(2) In section 83 (fees and expenses deductible in computing profits and gains of trade) for “the extension of the period of copyright in a design” substitute “ an extension of the period for which the right in a registered design subsists ” .

(3) F920 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(4) F921 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(6) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(7) In section 821 (payments made under deduction of tax before passing of Act imposing income tax for that year), in subsection (3) (payments subject to adjustment) after paragraph (a) insert—

“(aa) any payment for or in respect of a right in a design to which section 537B applies; and”.

(8) In Schedule 19 (apportionment of income of close companies), in paragraph 10(4) (cessation or liquidation: debts taken into account although creditor is participator

Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 8 – Repeals Document Generated: 2018-04-19

or associate), in paragraph (c) (payments for use of certain property) for the words from “tangible property” to “extend)” substitute—

“(i) tangible property, (ii) copyright in a literary, dramatic, musical or artistic work within

the meaning of Part I of the Copyright, Designs and Patents Act 1988 (or any similar right under the law of a country to which that Part does not extend), or

(iii) design right,”.

(9) In Schedule 25 (taxation of UK-controlled foreign companies: exempt activities), in paragraph 9(1)(a) (investment business: holding of property) for “patents or copyrights” substitute “ or intellectual property ” and after that subparagraph insert—

“(1A) In sub-paragraph (1)(a) above “ intellectual property ” means patents, registered designs, copyright and design right (or any similar rights under the law of a country outside the United Kingdom). ”.

Amendments (Textual) F920 Sch. 7 para. 36(3) repealed (6.4.2005 with effect as mentioned in s. 883 of the repealing Act) by Income

Tax (Trading and Other Income) Act 2005 (c. 5), ss. 883, 884, Sch. 3 (with savings and transitional provisions in Sch. 2)

F921 Sch. 7 para. 36(4)(5)(6) repealed (6.4.2007 with effect as mentioned in s. 1034 of the repealing Act) by Income Tax Act 2007 (c. 3), ss. 1031, 1034, Sch. 3 Pt. 1 (with savings and transitional provisions in Sch. 2)

SCHEDULE 8 Section 303(2).

1939 c. 107. Patents, Designs, Copyright and Trade Marks (Emergency) Act 1939.

In section 10(1), the definition of “copyright”.

1945 c. 16. Limitation (Enemies and War Prisoners) Act 1945.

In sections 2(1) and 4(a), the reference to section 10 of the Copyright Act 1911.

1949 c. 88. Registered Designs Act 1949. In section 3(2), the words “or original”. Section 5(5). In section 11(2), the words “or original”. In section 14(3), the words “or the Isle of Man”. Section 32. Section 33(2).

440 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 8 – Repeals

Section 37(1). Section 38. In section 44(1), the definitions of “copyright” and “Journal”. In section 45, paragraphs (1) and (2). In section 46, paragraphs (1) and (2).

1949 c. 88.— cont. Registered Designs Act 1949. — cont.

Section 48(1).

In Schedule 1, in paragraph 3(1), the words “in such manner as may be prescribed by rules of court”. Schedule 2.

1956 c. 74. Copyright Act 1956. The whole Act. 1957 c. 6. Ghana Independence Act

1957. In Schedule 2, paragraph 12.

1957 c. 60. Federation of Malaya Independence Act 1957.

In Schedule 1, paragraphs 14 and 15.

1958 c. 44. Dramatic and Musical Performers’ Protection Act 1958.

The whole Act.

1958 c. 51. Public Records Act 1958. Section 11. Schedule 3.

1960 c. 52. Cyprus Independence Act 1960.

In the Schedule, paragraph 13.

1960 c. 55. Nigeria Independence Act 1960.

In Schedule 2, paragraphs 12 and 13.

1961 c. 1. Tanganyika Independence Act 1961.

In Schedule 2, paragraphs 13 and 14.

1961 c. 16. Sierra Leone Independence Act 1961.

In Schedule 3, paragraphs 13 and 14.

1961 c. 25. Patents and Designs (Renewals, Extensions and Fees) Act 1961.

1962 c. 40. Jamaica Independence Act 1962.

In Schedule 2, paragraph 13.

1962 c. 54. Trinidad and Tobago Independence Act 1962.

1963 c. 53. Performers’ Protection Act 1963.

1964 c. 46. Malawi Independence Act 1964.

1964 c. 65. Zambia Independence Act 1964.

In Schedule 1, paragraph 9.

. 1964 c. 93. Gambia Independence Act

1964. In Schedule 2, paragraph 12.

1966 c. 24. Lesotho Independence Act 1966.

In the Schedule, paragraph 9.

1966 c. 37. Barbados Independence Act 1966.

In Schedule 2, paragraph 12.

1967 c. 80. Criminal Justice Act 1967. In Parts I and IV of Schedule 3, the entries relating to the Registered Designs Act 1949.

1968 c. 56. Swaziland Independence Act 1968.

1968 c. 67. Medicines Act 1968. In section 92(2)(a), the words from “or embodied” to “film”. Section 98.

1968 c. 68. Design Copyright Act 1968. The whole Act. 1971 c. 4. Copyright (Amendment) Act

1971. The whole Act.

1971 c. 23. Courts Act 1971. In Schedule 9, the entry relating to the Copyright Act 1956.

1971 c. 62. Tribunals and Inquiries Act 1971.

In Schedule 1, paragraph 24.

1972 c. 32. Performers’ Protection Act 1972.

1975 c. 24. House of Commons Disqualification Act 1975.

In Part II of Schedule 1, the entry relating to the Performing Right Tribunal.

1975 c. 25. Northern Ireland Assembly Disqualification Act 1975.

1977 c. 37. Patents Act 1977. Section 14(4) and (8).

442 Copyright, Designs and Patents Act 1988 (c. 48) SCHEDULE 8 – Repeals

In section 28(3), paragraph (b) and the word “and” preceding it. Section 28(5) to (9). Section 49(3). Sections 72(3). Sections 84 and 85. Section 88. Section 104. In section 105, the words “within the meaning of section 104 above”. Sections 114 and 115. Section 123(2)(k). In section 130(1), the definition of “patent agent”. In section 130(7), the words “88(6) and (7),”. In Schedule 5, paragraphs 1 and 2, in paragraph 3 the words “and 44(1)” and “in each case”, and paragraphs 7 and 8.

1979 c. 2. Customs and Excise Management Act 1979.

In Schedule 4, the entry relating to the Copyright Act 1956.

1980 c. 21. Competition Act 1980. Section 14. 1981 c. 68. Broadcasting Act 1981. Section 20(9)(a). 1982 c. 35. Copyright Act 1956

(Amendment) Act 1982. The whole Act.

1983 c. 42. Copyright (Amendment) Act 1983.

1984 c. 46. Cable and Broadcasting Act 1984.

Section 8(8).

Section 16(4) and (5). Sections 22 to 24. Section 35(2) and (3). Sections 53 and 54. In section 56(2), the definition of “the 1956 Act”.

In Schedule 5, paragraphs 6, 7, 13 and 23.

1985 c. 21. Films Act 1985. Section 7(2). 1985 c. 41. Copyright (Computer

Software) Amendment Act 1985.

1985 c. 61. Administration of Justice Act 1985.

Section 60.

1986 c. 39. Patents, Designs and Marks Act 1986.

In Schedule 2, paragraph 1(2)(a), in paragraph 1(2)(k) the words “subsection (1) (j) of section 396 and” and in paragraph 1(2)(1) the words “subsection (2)(i) of section 93”.

1988 c. 1. Income and Corporation Taxes Act 1988.

In Schedule 29, paragraph 5. ]

Amendments (Textual) F922 In Sch. 8 entry relating to the Malta Independence Act 1964 repealed (5.11.1993) by 1993 c. 50 s. 1(1),

Sch. 1 Pt.XVI

444 Copyright, Designs and Patents Act 1988 (c. 48) Document Generated: 2018-04-19

Changes to legislation: Copyright, Designs and Patents Act 1988 is up to date with all changes known to be in force on or before 19 April 2018. There are changes that may be brought into force at a future date. Changes that have been made appear in the content and are referenced with annotations.

Changes and effects yet to be applied to : – Pt. 2 applied in part (with modifications) by S.I. 2013/536 art. 6 7 Sch. – s. 40A(1A) words substituted by 2017 c. 30 s. 31(4)(a) – s. 48(6) words omitted by 2012 c. 7 Sch. 14 para. 52 – s. 249(1) words substituted by 2007 c. 15 s. 143(3)(a) – s. 249(2) repealed by 2007 c. 15 Sch. 23 Pt. 6 – Sch. 2 para. 6B(2) words substituted by 2010 c. 24 s. 43(8)(b) – Sch. 3 para. 17 repealed by 2007 c. 15 Sch. 23 Pt. 6

Changes and effects yet to be applied to the whole Act associated Parts and Chapters: Whole provisions yet to be inserted into this Act (including any effects on those provisions): – s. 40A(1A)(aa) inserted by 2017 c. 30 s. 31(4)(b) – s. 40A(1ZA) inserted by 2017 c. 30 s. 31(3) – s. 249(1A) inserted by 2007 c. 15 s. 143(3)(b)

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Copyright Infringement Case Study: Response Clothing Ltd v The Edinburgh Woollen Mill Ltd

In the recent  copyright infringement  case of  Response Clothing Ltd v The Edinburgh Woollen Mill Ltd , His Honour Judge Hacon, a Judge in the specialist Intellectual Property Enterprise Court (IPEC), held that the Edinburgh Woollen Mill (EWM) had infringed the copyright owned by Response Clothing in respect of a wave design on fabric. 

Speak With a Dispute Resolution Solicitor

Case background

The background to this case was as follows:

  • Between 2009 and 2012, Response supplied EWM with ladies tops made of a jacquard fabric which a design that was referred to as a “wave arrangement”. The distinctive feature of the tops was that the design was woven into the fabric itself, rather than being stamped, printed or embroidered on top of the fabric.  The design itself consisted of multiple lines in a wave pattern.
  • In 2012, Response sought to increase the price of the tops but the new price was rejected by EWM. EWM then supplied a sample of Response’s top to a number of other garment suppliers, including a UK based company called Visage Limited, with an invitation to supply tops made from a similar fabric.  Visage got the order and between 2012 and 2015, Visage supplied EWM with tops made from a jacquard fabric.
  • In 2015, Response changed suppliers again and began sourcing tops from a Vietnamese company referred to as Cingo and from a Bangladeshi manufacturer called Bengal Knittex. The tops made by Cingo were only sold by EWM for one season but the tops made by Bengal Knittex have been sold ever since and remained part of EWM’s range when this case went to trial. 

Copyright Infringment Case Study

Breach of copyright claim

Response claimed that copyright subsisted in its wave arrangement design, either as a graphic work or as a work of artistic craftsmanship. Furthermore, it was Response's position that as the creator of the wave design, it owned the copyright in it. Response alleged that the ladies' tops made by Visage, Cingo and Bengal Knittex were infringing copies of its wave arrangement design and that EWM had infringed its copyright by selling the tops made of the infringing fabrics.

In holding that EWM had infringed Response's copyright in the wave design, His Honour Judge Hacon found that although the definition of a "graphic work" in the Copyright, Designs and Patents Act 1988 did not include a design made from the threads of a fabric, he did agree that Response's wave design was a work of artistic craftsmanship. This was because Response had produced the wave design in a skilful way, had taken justified pride in their workmanship and had creative ability, which meant the tops created had an aesthetic appeal that had proven popular with consumers.

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UK copyright regime

The Court's decision, in this case, has some practical implications for the textile industry as follows.

  • The Court's decision, in this case, means that fabric designs which are produced by the threads themselves rather than, for example, being printed on top will be protected by copyright law. Until the Court's decision in this case, many had thought that such designs did not attract copyright or design right protection and so could be freely copied in the UK. 
  • If the Court's decision, in this case, is followed and approved in other intellectual property cases, the definition of works protected as works of artistic craftsmanship has been extended, so it includes machine-made and mass-produced items as long as these items are their creators' own intellectual creation and have an aesthetic appeal which is popular with consumers.
  • In the longer term, the Court's decision may extend what types of work are protected by copyright law.

Notwithstanding the above, the Court's decision leaves the issue of whether the UK's copyright regime is aligned with decisions made by the Court of Justice, namely the case of  Cofemel , where the Court of Justice held that there was no requirement for copyright works to have aesthetic appeal. 

It, therefore, appears, for the moment at least, that English law is incompatible with EU law in this respect. There will surely be further developments on this issue as the Court deals with further cases, so watch this space for updates.

Our specialist  intellectual property disputes team  routinely advises on a broad range of disputes relating to copyright and other intellectual property disputes relating to trademarks, patents, confidential information and data protection. 

Contact Our Intellectual Property Team

If you need advice on copyright or other intellectual property infringements, you can contact our  Intellectual Property Solicitors  below.

0161 941 4000

Copyright, Designs and Patents Act 1988

Copyright, Designs and Patents Act 1988
Act of Parliament
An Act to restate the law of copyright, with amendments; to make fresh provision as to the rights of performers and others in performances; to confer a design right in original designs; to amend the Registered Designs Act 1949; to make provision with respect to patent agents and trade mark agents; to confer patents and designs jurisdiction on certain county courts; to amend the law of patents; to make provision with respect to devices designed to circumvent copy-protection of works in electronic form; to make fresh provision penalising the fraudulent reception of transmissions; to make the fraudulent application or use of a trade mark an offence; to make provision for the benefit of the Hospital for Sick Children, Great Ormond Street, London; to enable financial assistance to be given to certain international bodies; and for connected purposes.
1988 c. 48
Territorial extent Defined by s. 304
Part 1 extends (partially) to Bermuda by S.I. 2003/1517.
Dates
15 November 1988
15 November 1988 (partially)
15 January 1989 (partially)
9 June 1989 (partially)
28 July 1989 (partially)
1 August 1989 (partially)
10 July 1990 (partially)
13 August 1990 (partially)
7 January 1991 (remainder)
Other legislation
Amended by (c. 42) (c. 55) (c. 25) (c. 33) (c. 28) ( /3297) ( /2967) ( /3032) ( /2498) ( /18) ( /1028)
Relates to ( /1515) ( /346)

The Copyright, Designs and Patents Act 1988 (c. 48), also known as the CDPA , is an Act of the Parliament of the United Kingdom that received royal assent on 15 November 1988. It reformulates almost completely the statutory basis of copyright law (including performing rights ) in the United Kingdom , which had, until then, been governed by the Copyright Act 1956 (c.   74). It also creates an unregistered design right , and contains a number of modifications to the law of the United Kingdom on Registered Designs and patents .

Territorial application

Works subject to copyright, rights in performances, duration of copyright, transitional provisions, mass-produced artistic works, fair dealing defences and permitted acts, fair dealing defences, educational use, libraries and archives, public administration, relevant cases, moral rights, crown and parliamentary copyrights, enforcement of copyright, infringement of performers' rights, secondary infringement, criminal offences, copyright tribunal, design right, designs and typefaces, registered designs, patents and trademarks, commencement, modifications, transposition of european union directives, other modifying measures, other secondary legislation, references and notes, further reading, external links.

Essentially, the 1988 Act and amendment establishes that copyright in most works lasts until 70 years after the death of the creator if known, otherwise 70 years after the work was created or published (50 years for computer-generated works).

In order for a creation to be protected by copyright it must fall within one of the following categories of work: literary work, dramatic work, musical work, artistic work, films, sound recordings, broadcasts, and typographical arrangement of published editions. [1]

Part   1 of the Act "restates and amends" (s.   172) the statutory basis for United Kingdom copyright law, although the Copyright Acts of 1911 (c.   46) and 1956   (c.   74) continue to have some effect in limited circumstances under ss.   170   & 171 and Schedule   1. It brings United Kingdom law into line with the Berne Convention for the Protection of Literary and Artistic Works , which the UK signed more than one hundred years previously, and allowed the ratification of the Paris Act of 1971.

Part   I of the Act (copyright provisions) extends to the whole of the United Kingdom (s.   157); amendments by Order in Council extended the Act to Bermuda and Gibraltar . Works originating (by publication or nationality/domicile of the author) in the Isle of Man or the following former dependent territories qualify for copyright under the Act: Antigua , Dominica , Gambia , Grenada , Guyana , Jamaica , Kiribati , Lesotho , St. Christopher-Nevis , St. Lucia , Swaziland and Tuvalu . All other countries of origin whose works qualified for United Kingdom copyright under the UK Copyright Act 1911 , also known as the Imperial Copyright Act of 1911, or the 1956 Acts continue to qualify under this Act (para.   4(3) of Schedule   1).

The Act simplifies the different categories of work which are protected by copyright, eliminating the specific treatment of engravings and photographs.

  • literary, dramatic and musical works (s.   3): these must be recorded in writing or otherwise to be granted copyright, and copyright subsists from the date at which recording takes place. Literary work includes computer programs, compilations and databases.
  • artistic works (s.   4): includes buildings, photographs, engravings and works of artistic craftsmanship.
  • sound recordings and films (s.   5)
  • broadcasts (s.   6): a broadcast is a transmission by wireless telegraphy which is intended for, and capable of reception by, members of the public.
  • published editions (s.   8) means the published edition of the whole or part of one or more literary, dramatic or musical works.

The following works are exempted from copyright by the transitional provisions of Schedule   1:

  • artistic works made before 1 June 1957 which constituted a design which could be registered under the Registered Designs Act 1949 c.   88 (or repealed measures) and which was used as a model for reproduction by an industrial process (para.   6);
  • films made before 1 June 1957: these are treated as dramatic works (if they so qualify under the 1911 Act) and/or as photographs (para.   7);
  • broadcasts made before 1 June 1957 and cable programmes transmitted before 1 January 1985 (para;   9).

Finally, section 3(2) states that copyright does not subsist in a literary, dramatic or musical work until it is recorded in writing or otherwise. [2] This act of recording a work in any form is called "fixation." An example includes taking a photograph or writing down a poem. This fixes the work retrospectively from the moment the work was created.

The Act as it received royal assent does not substantially change the qualification requirements of the author or the country of origin of the work, which are restated as ss.   153 – 156: these have since been largely modified, in particular by the Duration of Copyright and Related Rights Regulations 1995 No.   3297.

Part   II of the Act creates a series of performers' rights in application of the Rome Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations of 1961. These rights are retrospective in respect of performances before commencement on 1 August 1989 (s.   180). These rights have been largely extended by the transposition of European Union directives and by the application of the WIPO Performances and Phonograms Treaty : the section below describes only the rights which were created by the Copyright, Designs and Patents Act 1988 itself.

A performer has the exclusive right to authorise the recording and/or broadcast of his performances (s.   182). The use or broadcast of recordings without the performer's consent (s.   183) and the import or distribution of illicit recordings (s.   184) are also infringements of the performer's rights. A person having an exclusive recording contract over one or more performances of an artist holds equivalent rights to the performer himself (ss.   185 – 188). Schedule   2 lists the permitted acts (limitations) in relation to these rights.

Rights in performances last for fifty years from the end of the year in which the performance was given (s.   191). They may not be assigned or transferred, and pass to the performer's executors on death (s.   192). An infringement of rights in performances is actionable under the tort of breach of statutory duty . Orders are available for the delivery up ( Scots law : delivery) and disposal of infringing copies (ss.   195, 204): holders in rights in performances may also seize such copies (s.   196). The making, dealing in or use of infringing copies is a criminal offense (s.   198), as is the false representation of authority to give consent (s.   201).

The provisions on duration have been largely modified by the Duration of Copyright and Related Rights Regulations 1995 No.   3297. The provisions of the 1988 Act (ss.   12 – 15) as it received Royal Assent are given below. All periods of copyright run until the end of the calendar year in which they would otherwise expire. The duration of copyright under the 1988 Act does not depend on the initial owner of the copyright, nor on the country of origin of the work. The following durations do not apply to Crown copyright, Parliamentary copyright or the copyright of international organisations .

Literary, dramatic, musical or artistic workss. 12Copyright lasts for seventy years from the death of the author. If the author is unknown, copyright expires seventy years after the work is first made available to the public (The Duration of Copyright and Rights in Performances Regulations 1995 amended these durations from the previous period of fifty to seventy years). If the work is computer-generated, copyright expires fifty years after the work is made.
Sound recordings and filmss. 13Copyright lasts for fifty years after the recording is made.If the recording or film is released (published, broadcast or shown in public) within this period, the copyright lasts for seventy years from the date of release. (Amended from 50 years by The Copyright and Duration of Rights in Performances Regulations 2013).

Note that the Duration of Copyright and Rights in Performances Regulations 1995 amended the durations, for films only, to seventy years from the death of the last principal director, author or composer. If the film is of unknown authorship: seventy years from creation, or if released within this period, seventy years from first release.

Broadcasts and cable programmess. 14Copyright lasts for fifty years after the first broadcast or transmission. The repeat of a broadcast or a cable programme does not generate a new copyright period.
Typographical arrangementss. 15Copyright lasts for twenty-five years after the edition is published.

These provisions apply to works existing on 1 August 1989, other than those covered by Crown copyright or Parliamentary copyright (paras.   12   & 13 of Schedule   1).

The duration of copyright in the following types of work continued to be governed by the 1956 Act:

  • engravings published posthumously;
  • published photographs and photographs taken before 1 June 1957;
  • published sound recordings and sound recordings made before 1 June 1957;
  • published films and registered films;
  • anonymous and pseudonymous literary, dramatic, musical or artistic works (other than photographs) where these have been published and unless the identity of the author becomes known.

— however these transitional provisions were largely cancelled by the 1995 Regulations, [6] which in many cases caused lapsed UK copyrights to be revived.

Copyright in the following types of work lasts until 31 December 2039:

  • unpublished literary, dramatic and musical works of which the author has died (unpublished in the sense of the proviso to s.   2(3) of the 1956 Act);
  • unpublished engravings of which the author has died;
  • unpublished photographs taken on or after 1 June 1957;
  • unpublished sound recordings made on or after 1 June 1957, unless they are released during the period of copyright;
  • films which were neither published nor registered, unless they are released during the period of copyright;
  • works of universities and colleges which were protected by perpetual copyright under the Copyright Act 1775 c.   53.

Artistic works that are mass-produced by an industrial process suffer from a downgrading of their copyright term from the life of the creator plus 70 to 25 years as a result of the provisions of section 52 of the Copyright, Designs and Patents Act 1988. The Enterprise and Regulatory Reform Act 2013 [7] was introduced into Parliament on 23 May 2012 and received royal assent the next year in April. If section 56(2) of the Bill is enacted then artistic works that are mass-produced by the copyright holder will benefit from the same period of protection as those not replicated in large numbers. The result will be a significant extension from 25 years to that of the life of the creator plus 70 years. The proposed change is a reaction to pressure from the international furniture industry supported by manufacturers of decorative arts: copyright holders of many famous and much copied 20th century furniture design classics such as the Egg Chair and Barcelona Daybed hope that long expired copyright periods will be revived allowing for a further period of commercial exploitation. [8] Some legal commentators have doubted whether the legislation will have the desired effect. They contend that many mass-produced items of 20th-century industrial furniture may not be defined by the courts of the United Kingdom as works of artistic craftsmanship but as mere designs. A design that is not an artistic work attracts no copyright protection under the 1988 Act. [9]

Illustration of Peter Pan playing the pipes, by F. D. Bedford from Peter and Wendy (1911) Peter pan 1911 pipes.jpg

Section   301 and Schedule   6 contain an unusual grant of the right to royalties in perpetuity, proposed by Jim Callaghan , enabling Great Ormond Street Hospital for Children to continue to receive royalties for performances and adaptations, publications and broadcast of " Peter Pan " whose author, J. M. Barrie , had given his copyright to the hospital in 1929, later confirmed in his will. Although often incorrectly referred to as a perpetual copyright , it does not confer Great Ormond Street Hospital full intellectual property rights over the work. The amendment was proposed when Peter Pan's copyright first expired on 31 December 1987, 50 years after Barrie's death, which was the copyright term at that time. Following EU legislation extending the term to author's life + 70 years, Peter Pan's copyright was revived in 1996 and expired on 31 December 2007 in the UK, where Great Ormond Street Hospital's right to remuneration in perpetuity now prevails.

Chapter   III of Part   I of the Act provides for a number of situations where copying or use of a work will not be deemed to infringe the copyright, in effect limitations on the rights of copyright holders. The existing common law defences to copyright infringement, notably fair dealing and the public interest defence , are not affected (s.   171), although many of the statutory permitted acts would also qualify under one of the common law defences: the defence of statutory authority is specifically maintained in section   50. This chapter of the Act has been substantially modified, notably by the Copyright and Related Rights Regulations 2003 No.   2498 transposing the EU Information Society Directive : the description below is of the Act as it received royal assent.

The following are also permitted acts (the list is not exhaustive):

  • Fair dealing with a work for the purposes of private study or research (s.   29);
  • Fair dealing with a work with acknowledgement for the purposes of quotation, criticism or review or, unless the work is a photograph, for the purposes of news reporting (s.   30);
  • Fair dealing with a work for the purposes of caricature, parody or pastiche (s.   30A); [10]
  • Incidental inclusion of copyright material in another work (s.   31);
  • Public reading or recital by a single person with acknowledgement (s.   59);
  • Copying and distribution of copies of the abstracts of scientific and technical articles (s.   60);
  • Recordings of folk songs for archives (s.   61);
  • Photographs, graphic works, films or broadcasts of buildings and sculptures in a public place (s.   62) (see Freedom of panorama );
  • Copying and distribution of copies of an artistic work for the purpose of advertising its sale (s.   63);
  • Reconstruction of a building (s.   65)
  • Rental of sound recordings, films and computer programs under a scheme which provides for reasonable royalty to the copyright holder (s.   66);
  • Playing of sound recordings for the purposes of a non-commercial club or society (s.   67); (S. 67 was omitted (1.1.2011) by virtue of The Copyright, Designs and Patents Act 1988 (Amendment) Regulations 2010). The impact is that charities and not-for-profit organisations that do not fall within the voluntary exemptions offered by PPL now require a licence from the joint licensing system operated by PPL and PRS for Music ; [11]
  • Recording for the purposes of time-shifting (s.   70);
  • Free public showing of broadcasts (s.   72);
  • Provision of subtitled copies of broadcasts for the handicapped by designated bodies (s.   74);
  • Recording of broadcasts for archival purposes (s.   75).

In general, limited copying for educational use (including examination) is permitted so long as it is ' fair dealing ' and is performed by the person giving or receiving instruction (s.   32) or by the education establishment in the case of a broadcast (s.   35) : however, reprographic copying of published editions is only permitted within the limit of 5% of the work per year (s.   36). Works may be performed in educational establishments without infringing copyright, provided that no members of the public are present (s.   34): the parents of pupils are considered members of the public unless they have some other connection with the establishment there are different things too.(e.g., by being teachers or governors). Further provisions are contained in secondary legislation.

Librarians may make and supply single copies of an article or of a reasonable proportion of a literary, artistic or musical work to individuals who request them for the purposes of private study or research (ss.   38 – 40); copying of the entire work is possible if it is unpublished and the author has not prohibited copying (s. – 43). They may also make and supply copies to other libraries (s.   41) and make copies of works in their possession where it is not reasonably possible to purchase further copies (s.   42). The detailed conditions for making copies are contained in secondary legislation, currently the Copyright (Librarians and Archivists) (Copying of Copyright Material) Regulations 1989 No.   1212.

Copyright is not infringed by anything done for the purposes of parliamentary or judicial proceedings or for the purposes of a Royal Commission or statutory inquiry (ss.   45, 46). The Crown may make copies of works which are submitted to it for official purposes (s.   48). Material which is open to public inspection or on an official register may be copied under certain conditions: this includes material made open to public inspection by the European Patent Office and by the World Intellectual Property Organization under the Patent Cooperation Treaty , and material held as public records under the Public Records Act 1958 c.   51 or similar legislation (s.   49).

  • Levy v Rutley [1871] - In this case it was stated that there can be no finding of joint authorship in a copyright work in the absence of a common intention to that effect. It is implicit in the concept of 'collaboration' that there must be "joint labouring in the furtherance of a common design". This means that it is necessary for both authors to make a significant contribution and that they must have had a similar plan. The levy judgement was subsequently approved by the case of Beckingham v Hodgens 2003. [12]
  • Stuart v Barret [1994] - The court described the test for joint authorship in a work of music: "What the claimant to joint authorship of a work must establish is that he has made a significant and original contribution to the creation of the work and that he has done so pursuant to a common design." It is not necessary that his contribution to the work is equal in terms of either quantity, quality, or originality to that of his collaborators. Nor, in the case of a song, does it matter that his contribution is to the orchestral arrangement of the song rather than to the song itself."
  • Godfrey v Lees [1995] - The claimant was a classically trained pianist invited by a pop group to reside with them and act as orchestral arranger of a number of their songs. He never became a member of the group. The issue here was whether the claimant was the joint owner of copyright in six musical works for which he had made orchestral arrangements or contributed to their composition. It was held that the claimant had established that he had made a significant and original contribution to the creation of the work and must be regarded as a joint author. But as he had waited 14 years before asserting his rights, he was stopped from revoking the implied license granted to the pop group for the exploitation of the works.
  • Cala Homes Ltd v Alfred Mcalpine Homes East Ltd [1995] - The case concerned the relevance of the joint authorship test in employment relationships. Mr Justice Laddie delivers the judgement in which he says '"to have regard merely to who pushed the pen is too narrow a view of authorship." [13] Therefore, it is wrong to think that the only person who carries out the mechanical act of fixation is the author.
  • Julia Kogan v Nicholas Martin and others [2019] - This is the leading case which sets out the test of joint authorship. The case reviewed s. 10(1) which defines a "work of joint authorship." Section 10(1) states that a work of joint authorship is a work produced by the collaboration of two or more authors in which the contribution of each author is not distinct from that of the other author/author's. From this the court outlined four elements of joint authorship: collaboration, authorship, contribution, and non-distinctiveness of contribution. [14]
  • University of London Press v University Tutorial Press [1916] - This case explains the concept of originality. Here, examiners were hired to create exam scripts for the University of London . The question arose as to whether certain mathematics exam papers were original literary works. The exam papers just consisted of conventional maths problems in a conventional manner. The court held that originality does not mean that the work must be an expression of individual thought. The simple fact that the authors drew on a body of knowledge common to mathematicians did not compromise originality. The requirement of originality, it was held, does not require that expression be in an original or novel form. It does, however, require that the work not be copied from another work. It must originate from the author. As such, even though these were the same old maths problems every student is familiar with, and even though there was no creative input, the skill, labor, and judgement of the authors was sufficient to make the papers original literary works. Essentially, the criteria are satisfied if the work is not a copy of a preceding work and it is originated from the author, who must have exercised the requisite labor, skill or judgement in producing the work.
  • Interlego AG v Tyco Industries Inc [1989] "the Lego brick case" - This case established that not every minor alteration on an object amounts to a new copyright existence. There has to be some additional element of material alteration sufficient to make the work original. [15] In other words, to say that a new copyright protection existed in what was essentially the same work would result in protection being extended indefinitely through a continuation of minor changes.
  • Infopaq International A/S v Danske Dagblades Forening [2009] - This case determined that extracting 11 words of text from an alternative source amounted to unlawful copying. The Court of Justice of the European Union decided that copying a short sentence/phrase from a literal work might be regarded as substantial copying if those words were the result of the intellectual creation of the author. [16] The case received subsequent approval from The NLA and others v Meltwater Holding BV and others [2011]. [17]
  • Football Dataco Ltd v Yahoo! UK Ltd and others [2012] - This case established that football fixture lists are not protected by copyright if the compilation is not the authors own intellectual creation even if the compilation required significant labor, judgement and skill [at 42]. [18] The Dataco case emphasizes the need for creative choices and decisions to be made in addition to the labor and skill that is required to produce the work in question.
  • Designers Guild v Russell Williams [2000] - Designers Guild determined that copyright infringement occurs when a defendant has taken a substantial part of an original work. [19] The courts in making a determination of substantial pay regard to its quality, not whether the two works look alike or the same. An important distinction which means reference must be made to a work's quality rather than quantity.
  • Gramophone Company v Stephen Cawardine [1934] - The coffee shop, Stephen Carwardine & Co, had been keeping its customers entertained by playing records. EMI , then called The Gramophone Company and argued that it was against the law to play the record in public without first receiving the permission of the copyright owners. The judge agreed, establishing this as a legal principle. EMI and Decca formed Phonographic Performance Ltd (PPL) to carry out this licensing role and opened the first office in London. The Copyright Act 1956 led to the expansion of PPL's role to also cover the licensing of broadcasters that played recorded music. Further copyright law changes in 1988 strengthened PPL's licensing position. In 1996, performers were given the rights to receive 'equitable remuneration' where recordings of their performances were played in public or broadcast – leading to PPL paying them royalties directly for the first time. In addition, it was stated by Maugham J that, "the arrangement of the recording instruments in the building where the record is to be made, the building itself, the timing to fit the record, the production of the artistic effects, and, perhaps above all, the persons who play the instruments, not forgetting the conductor, combine together to make an artistic record, which is very far from the mere production of a piece of music".
  • A&M Records v Video Collection International [1995] - Torvill and Dean wanted to create music to dance to. Their service company, Inside Edge ("IE"), was given the task of doing this. IE engaged a Mr. Pullen who in turn engaged an arranger and a conductor (R). It was common ground that R did the following – commissioned and paid for the musical arrangements, booked and paid for the studio, arranged and paid for the attendance of the 51 musicians necessary to make the recording, engaged and paid for the scoring, a sound engineer, and a fixer and paid for all expenses of the sessions such as meals, taxis, etc. The issue in this case: who was the "author" of the sound recording under s. 9(2) CDPA? By whom were the arrangements necessary for the making of the recording undertaken? Alternatively, was IE the owner in equity under the principles of Massine v De Basil? And if the plaintiffs were not the owners of the copyright, was R stopped from asserting his ownership? In the case, it was held that IE undertook the arrangements through Mr. Pullen. R made the recordings, but Mr. Pullen undertook the arrangements. It was also an implied term in the contract between R and Mr. Pullen that IE would own the copyright. However, had IE not been the copyright owner, R would not have been stopped because he was not aware of his rights.
  • Turner Entertainment co. v Huston, CA [1992] - This case concerned the colorization of a black and white American film directed by John Huston. After John's death the film was colorized by Turner Entertainment. The heirs of Huston and others sought to prevent the broadcast of the colorized version on French national TV, and were successful. The colorization of the film breached the heirs moral right of integrity under French law. The case would also be actionable under UK law via s. 77–83.

The Act creates a specific regime of moral rights for the first time in the United Kingdom: previously, an author's moral right had to be enforced through other torts , e.g. defamation , passing off , malicious falsehood . The author's moral rights are:

  • the right to be identified as the author or the director, right which has to be "asserted" at the time of publication (ss.   77 – 79);
  • the right to object to derogatory treatment of work (ss.   80 – 83);
  • the right to object to false attribution of work (s.   84);
  • the right to privacy of certain photographs and films (s.   85).

The moral rights of an author cannot be transferred to another person (s.   94) and pass to their heirs on his death (s.   95): however, they may be waived by consent (s.   87). The right to object to false attribution of a work lasts for twenty years after the author's death. The other moral rights last for the same period as the other copyright rights in the work (s.   86).

There are some narrow exceptions to moral rights. For example, s. 79 states that the right to be named as author does not apply in relation to computer programs, design of a typeface, or any other computer generated work. Additionally, the right to object to any derogatory treatment, does not apply to computer programs, works made for the reporting of current events, newspaper publications, or collective works of reference (s. 81).

Once someone has successfully claimed their moral rights to be infringed, they are entitled to a remedy. As moral rights are non-economic in nature, damages would be for non-economic loss. For example, this might include a remedy imposed by the court that requires the defendant to issue a disclaimer dissociating the author from any derogatory treatment of the work in question.

The act simplifies the regime of Crown copyright , that is the copyright in works of the United Kingdom government, and abolishes the perpetual Crown copyright in unpublished works of the Crown. It also creates the separate concept of parliamentary copyright for the works of the Parliament of the United Kingdom and the Scottish Parliament , and applies similar rules to the copyrights of certain international organisations.

Crown copyright last for fifty years after publication, or 125 years after creation for unpublished works (s.   163): however, no unpublished works of the Crown will come into the public domain until 31 December 2039, that is fifty years after the commencement of section   163. Acts of the United Kingdom and Scottish parliaments and Church of England measures are protected by Crown copyright for fifty years from royal assent (s.   164). Works of the parliaments of the United Kingdom and of Scotland, except bills and acts, are protected by parliamentary copyright for fifty years after creation: bills are protected from the date of their introduction to the date of royal assent or of rejection (ss.   165 – 167, Parliamentary Copyright (Scottish Parliament) Order   1999 No.   676 ). The works of the United Nations and its specialised agencies and of the Organisation of American States are protected for fifty years after creation (s.   168, Copyright (International Organisations) Order   1989 No.   989 ).

Infringement of copyright is actionable by the copyright owner as the infringement of a property right (s.   96) or, in the case of infringement of moral rights , as the tort of breach of statutory duty (s.   103). Damages will not be awarded against an "innocent" defendant, i.e. one who did not know and had no reason to know that the work was under copyright, but other remedies (e.g. injunction , account of profits : Scots law interdict, accounting and payment of profits) continue to be available (s.   97, see Microsoft v Plato Technology ). Orders are available for the delivery up (Scots law: delivery) and disposal of infringing copies (ss.   99, 114): copyright owners may also seize such copies (s.   100). The making, dealing in or use of infringing copies is a criminal offence (s.   107). Copyright owners may ask the HM Revenue and Customs to treat infringing copies as "prohibited goods", in which case they are prohibited from import (s.   111). Section   297 of the Act makes it an offense to fraudulently receive broadcasts for which a payment is required. Section   300 creates the offense of fraudulently using a trademark, inserted as ss.   58A – 58D of the Trade Marks Act 1938 c.   22.

The Copyright and Related Rights Regulations 2003 amended the CDPA to provide an additional right of performers to require consent before making copies of their performances available to the public by electronic transmission. [20]

The act codifies the principle of secondary infringement, that is knowingly enabling or assisting in the infringement of copyright, which had previously been applied at common law (see R v Kyslant ). Secondary infringement covers:

  • importing infringing copies (s. 22);
  • possessing or dealing with infringing copies (s. 23);
  • providing means for making infringing copies (s. 24);
  • permitting the use of premises for infringing performances (s. 25);
  • providing apparatus for infringing performances (s. 26).

Liability for secondary infringement is dependent on the defendant knowing or having reason to believe, that the activities in question are wrongful. This question of requisite knowledge is determined objectivity. [21]

Copyright infringement that may be criminal offences under the Copyright, Designs and Patents Act 1988 are the:

  • Making copies for the purpose of selling or hiring them to others [22]
  • Importing infringing copies (except for personal use) [23]
  • Offering for sale or hire, publicly displaying or otherwise distributing infringing copies in the course of a business [24]
  • Distributing a large enough number of copies to have a noticeable effect on the business of the copyright owner [25]
  • Making or possessing equipment for the purposes of making infringing copies in the course of a business [26]
  • Publicly performing a work in knowledge that the performance is unauthorised [27]
  • Communicating copies or infringing the right to "make available" copies to the public (either in the course of a business, or to an extent prejudicial to the copyright owner) [28]
  • Manufacturing commercially, importing for non-personal use, possessing in the course of a business, or distributing to an extent that has a noticeable effect on the business of the copyright holder, a device primarily designed for circumventing a technological copyright protection measure. [29]

The penalties for these copyright infringement offences may include:

  • Before a magistrates' Court, the penalties for distributing unauthorised files are a maximum fine of £5,000 and/or six months imprisonment;
  • On indictment (in the Crown Court) some offences may attract an unlimited fine and up to 10 years imprisonment. [30]

The Act establishes the Copyright Tribunal as a continuation of the tribunal established under s.   23 of the 1956 Act (s.   145). The Tribunal is empowered (s.   149) to hear and determine proceedings concerning:

  • copyright licensing schemes;
  • royalties for rental of sound recordings, films or computer programs;
  • licences made available as of right under s.   144 (powers of the Monopolies and Mergers Commission under the Fair Trading Act 1973 c.   41);
  • the refusal of a performer to give consent under his rights in performances ;
  • royalties under the perpetual copyright of " Peter Pan " (see above).

An appeal on any point of law lies to the High Court , or to the Court of Session under Scots law .

Part   III of the Act creates a " design right " separate from the registration of designs governed by the Registered Designs Act 1949 . To qualify, the design must be original (not commonplace in the field in question) and not fall into one of the excluded categories (s.   213(3)):

  • principles and methods of construction;
  • articles which must connect with or otherwise fit another article so that one or the other may perform their function;
  • designs which are dependent on the appearance of another article;
  • surface decoration.

The design must be recorded in a document after 1989-08-01 (s.   213(6)): designs recorded or used before that date do not qualify (s.   213(7)).

The design right lasts for fifteen years after the design is recorded in a document, or for ten years if articles have been made available for sale (s.   216).

The copyright in a design document is not infringed by making or using articles to that design, unless the design is an artistic work or a typeface (s.   51). If an artistic work has been exploited with permission for the design by making articles by an industrial process and marketing them, the work may be copied by making or using articles of any description after the end of a period of twenty-five years from the end of the calendar year when such articles were first marketed (s.   52). It is not an infringement of the copyright in a typeface to use it in the ordinary course of printing or to use the material produced by such printing (s.   54).

Part   IV of the Act contains a certain number of amendments to the Registered Designs Act 1949 c.   88. The criteria for registration of a design and the duration of the registered design right (ss.   1   & 8 of the 1949 Act) are notably modified. Provisions are also added to allow ministers to take action to protect the public interest in monopoly situations (s.   11A of the 1949 Act) and to provide for compensation for Crown use of registered designs (para.   2A to Schedule   1 to the 1949 Act). A consolidated version of the Registered Designs Act 1949 is included (s.   273, Schedule   4).

Part   V of the act provides for the registration of patent agents and trade mark agents and for the privilege of their communications with clients from disclosure in court. Part   VI of the act creates a system of patents county courts for proceedings involving patents which are of a lesser financial implication.

There are numerous commencement dates for the different sections of the Act, detailed below. The provisions on copyright, rights in performances and design right came into force on 1 August 1989, while the registration of patent agents and trade mark agents came into force on 13 August 1990.

Date of commencementProvisionsAuthority for commencement
15 November 1988s. 301 and Schedule 6
paras. 24 & 29 of Schedule 5
s. 305(1)
15 January 1989ss. 293 & 294s. 305(2)
28 July 1989ss. 304(4) & (6)Copyright, Designs and Patents Act 1988 (Commencement No. 4) Order 1989
1 August 1989Parts IIII
Parts IV, VI & VII except for provisions mentioned elsewhere
Schedules 13, 5, 7 & 8 except for provisions below
Copyright, Designs and Patents Act 1988 (Commencement No. 1) Order 1989
13 August 1990Part V
para 21 of Schedule 3
Schedule 4
para. 27 of Schedule 5
paras. 15, 18(2) & 21 of Schedule 7
consequential repeals of Schedule 8
ss. 272, 295, 303(1) & (2) insofar as they relate to the above
Copyright, Designs and Patents Act 1988 (Commencement No. 5) Order 1990
7 January 1991paras. 111, 1723, 25, 26, 28 & 30 of Schedule 5
consequential repeals in Schedule 8
ss. 295 & 303(2) insofar as they relate to the above
Copyright, Designs and Patents Act 1988 (Commencement No. 6) Order 1990

The Copyright, Designs and Patents Act 1988 (Commencement No. 2) and (Commencement No. 3) Orders 1989 are technical measures to allow the preparation of secondary legislation.

The following regulations were made under the European Communities Act 1972 in order to implement European Union directives in UK law.

DirectiveTransposition
No. 1100
No. 3233
No. 2967
No. 3297
No. 2967
No. 3032
, more usually known as the No. 2498
No. 346
No. 1028
, which replaced the Copyright, Designs and Patents Act 1988 (Amendment) Regulations 2010 No. 2694
  • Copyright (EC Measures Relating to Pirated Goods and Abolition of Restrictions on the Import of Goods) Regulations 1995 No.   1445
  • Copyright and Rights in Performances (Quotation and Parody) Regulations 2014 No. 2356 [33]
  • National Health Service and Community Care Act 1990 c. 19
  • Courts and Legal Services Act 1990 c. 41
  • Broadcasting Act 1990 c. 42
  • Judicial Pensions and Retirement Act 1993 c. 8
  • Charities Act 1993 c. 10
  • Trade Marks Act 1994 c. 26
  • Criminal Justice and Public Order Act 1994 c. 33
  • Broadcasting Act 1996 c. 55
  • Parliamentary Copyright (Scottish Parliament) Order 1999 No.   676
  • Conditional Access (Unauthorised Decoders) Regulations 2000 No.   1175
  • Copyright, etc. and Trade Marks (Offences and Enforcement) Act 2002 c. 25
  • Copyright (Visually Impaired Persons) Act 2002 c. 33
  • Legal Deposit Libraries Act 2003 c. 28
  • Re-use of Public Sector Information Regulations 2005 No.   1515
  • Performances (Moral Rights, etc.) Regulations 2006 No.   18
  • Copyright (Industrial Process and Excluded Articles) (No. 2) Order 1989 No.   1070
  • Sui generis database right#United Kingdom
  • Office of Fair Trading
  • Related rights
  • Copyright user rights for educational purposes detailed in the act
  • ^ The Berne Convention came into force for the United Kingdom on 5 December 1887. The United Kingdom ratified the Paris Act of the convention on 2 January 1990. The Paris Act extends to the Isle of Man from 18 March 1996. Source: WIPO .
  • ^ Modifications to the duration of copyright were by transposition of Council Directive 93/98/EEC of 29 October 1993 harmonizing the term of protection of copyright and certain related rights , OJ   no.   L290 of 24 November 1993, p.   9.
  • ^ Directive 2001/29/EC of the European Parliament and of the Council of 22 May 2001 on the harmonisation of certain aspects of copyright and related rights in the information society , OJ   no.   L167 of 22 June 2001, p.   10, corrected by OJ   no.   L006 of 10 January 2002, p.   70.
  • ^ This does not apply if there is an approved licensing scheme which covers the broadcasts. See Copyright (Certification of Licensing Scheme for Educational Recording of Broadcasts) (Open University) Order 2003 No.   187 .
  • ^ Copyright (Application of Provisions relating to Educational Establishments to Teachers) (No. 2) Order 1989 No.   1067 . Copyright (Educational Establishments) Order 2005 No.   223 .
  • ^ Copyright (Librarians and Archivists) (Copying of Copyright Material) Regulations 1989 No.   1212 .
  • ^ Copyright (Material Open to Public Inspection) (Marking of Copies of Maps) Order 1989 No.   1099 . Copyright (Material Open to Public Inspection) (Marking of Copies of Plans and Drawings) Order 1990 No.   1427 .
  • ^ Copyright (Material Open to Public Inspection) (International Organisations) Order 1989 No.   1098 .
  • ^ Public Records (Scotland) Act 1937 c.   43. Public Records (Northern Ireland) Act 1923 c.   20   (N.I.).
  • ^ Copyright (Recordings of Folksongs for Archives) (Designated Bodies) Order 1989 No.   1012 .
  • ^ Copyright (Sub-titling of Broadcasts and Cable Programmes) (Designated Body) Order 1989 No.   1013 .
  • ^ Copyright (Recording for Archives of Designated Class of Broadcasts and Cable Programmes) (Designated Bodies) Order 1993 No.   74 .
  • ^ See also Copyright and Rights in Performances (Notice of Seizure) Order 1989 No.   1006 .
  • ^ See also Copyright (Customs) Regulations 1989 No.   1178 . Goods Infringing Intellectual Property Rights (Customs) Regulations 2004 No.   1473 [ permanent dead link ] .
  • ^ See also Copyright Tribunal Rules 1989 No.   1129 . Copyright Tribunal (Amendment) Rules 1991 No.   201 . Copyright Tribunal (Amendment) Rules 1992 No.   467 .
  • ^ The Parliamentary Copyright (Scottish Parliament) Order 1999 No.   676 .
  • ^ The Copyright (Bermuda) Order 2003 No.   1517 , ISBN   0-11-046509-1 .
  • ^ The Copyright (Gibraltar) Order 2005 No.   853 , ISBN   0-11-072694-4 .
  • ^ The Copyright (Application to the Isle of Man) Order 1992 No.   1313 , ISBN   0-11-024313-7 .
  • ^ Botswana , the Seychelles , the Solomon Islands and Uganda have been removed from the list of countries enjoying qualification as former dependent territories with respect to the list which applied for the 1956 Act: The Copyright (Status of Former Dependent Territories) Order 1990 No.   1512 , ISBN   0-11-004512-2 .
  • ^ See also Copyright and Performances (Application to Other Countries) Order 2006 No.   316 .
  • ^ The United Kingdom became a party to the Rome Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations on 18 May 1964 subject to a declaration concerning Articles   5(1)(b), 6(2) and 16(1)(a)(ii),   (iii) and (iv) [ Le Droit d'auteur , 1963, p.   244]. The convention extends to Gibraltar and Bermuda with the same declaration [ Copyright , 1967, p.   36; Copyright , 1970, p.   108], and to the Isle of Man (with effect from 28 July 1999). Source: WIPO .
  • ^ The application of the WIPO Performances and Phonograms Treaty in UK law is made by the Performances (Moral Rights, etc.) Regulations 2006 No.   18.
  • ^ This provision has been extended to Guernsey : Fraudulent Reception of Transmissions (Guernsey) Order 1989 No.   2003 .
  • ^ The Copyright, Designs and Patents Act 1988 (Commencement No. 4) Order 1989 No. 1303 .
  • ^ The Copyright, Designs and Patents Act 1988 (Commencement No. 1) Order 1989 No. 816 .
  • ^ The Copyright, Designs and Patents Act 1988 (Commencement No. 5) Order 1990 No. 1400 .
  • ^ The Copyright, Designs and Patents Act 1988 (Commencement No. 6) Order 1990 No. 2168 .
  • ^ The Copyright, Designs and Patents Act 1988 (Commencement No. 2) Order 1989 No. 955 [ permanent dead link ] . The Copyright, Designs and Patents Act 1988 (Commencement No. 3) Order 1989 No. 1032 .
  • ^ Design Right (Semiconductor Topographies) Regulations 1989 No.   1100 , amended by the Design Right (Semiconductor Topographies) (Amendment) Regulations 2006 No.   1833 .
  • ^ Copyright (Computer Programs) Regulations 1992 No.   3233 .
  • ^ Copyright and Related Rights Regulations 1996 No.   2967
  • ^ The Duration of Copyright and Rights in Performances Regulations 1995 No.   3297 , ISBN   0-11-053833-1 .
  • ^ Copyright and Rights in Databases Regulations 1997 No.   3032 , amended by the Copyright and Rights in Databases (Amendment) Regulations 2003 No.   2501 .
  • ^ The Copyright and Related Rights Regulations 2003 No.   2498 , ISBN   0-11-047709-X .
  • ^ The United Kingdom lost a "failure to transpose" case in the European Court of Justice with respect to Directive 2001/29/EC: Commission of the European Communities v United Kingdom of Great Britain and Northern Ireland (Case   C-88/04), OJ no.   C045 of 19 February 2005, p.   11.
  • ^ Artist's Resale Right Regulations 2006 No.   346 .
  • ^ Intellectual Property (Enforcement, etc.) Regulations 2006 No.   1028 [ permanent dead link ] .
  • ^ Copyright (EC Measures Relating to Pirated Goods and Abolition of Restrictions on the Import of Goods) Regulations 1995 No.   1445 .
  • ^ Conditional Access (Unauthorised Decoders) Regulations 2000 No.   1175 .
  • ^ For commencement, see the Copyright, etc. and Trade Marks (Offences and Enforcement) Act 2002 (Commencement) Order 2002 No.   2749
  • ^ For commencement, see the Copyright (Visually Impaired Persons) Act 2002 (Commencement) Order 2003 No.   2499
  • ^ For commencement, see the Legal Deposit Libraries Act 2003 (Commencement) Order 2004 No.   130
  • ^ Re-use of Public Sector Information Regulations 2005 No.   1515 .
  • ^ Performances (Moral Rights, etc.) Regulations 2006 No.   18 .
  • Carty, Hazel; Hodkinson, Keith (May 1989). "Copyright, Designs and Patents Act 1988". The Modern Law Review . 52 (3). Blackwell Publishing: 369–379. doi : 10.1111/j.1468-2230.1989.tb02603.x . ISSN   0026-7961 . JSTOR   1096307 .

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The Copyright and Related Rights Regulations 2003 transpose the Information Society Directive "(Directive 2001/29/EC of the European Parliament and of the Council of 22 May 2001 on the harmonisation of certain aspects of copyright and related rights in the information society)", , into United Kingdom law. As such, its main effects are to modify the Copyright, Designs and Patents Act 1988 c. 48 with minor consequential modifications to other Acts and secondary legislation.

The intellectual property rights on photographs are protected in different jurisdictions by the laws governing copyright and moral rights. In some cases photography may be restricted by civil or criminal law. Publishing certain photographs can be restricted by privacy or other laws. Photography can be generally restricted in the interests of public morality and the protection of children.

Japanese copyright laws consist of two parts: "Author's Rights" and "Neighbouring Rights". As such, "copyright" is a convenient collective term rather than a single concept in Japan. Japan was a party to the original Berne convention in 1899, so its copyright law is in sync with most international regulations. The 1899 law protected copyrighted works for 30 years after the author's death. Law changes promulgated in 1970 extended the duration to 50 years. However, in 2004 Japan further extended the copyright term to 70 years for cinematographic works; for films released before 1971, the copyright term also spans 38 years after the director's death.

The copyright law of Australia defines the legally enforceable rights of creators of creative and artistic works under Australian law. The scope of copyright in Australia is defined in the Copyright Act 1968 , which applies the national law throughout Australia. Designs may be covered by the Copyright Act as well as by the Design Act . Since 2007, performers have moral rights in recordings of their work.

Under the law of the United Kingdom, a copyright is an intangible property right subsisting in certain qualifying subject matter. Copyright law is governed by the Copyright, Designs and Patents Act 1988, as amended from time to time. As a result of increasing legal integration and harmonisation throughout the European Union a complete picture of the law can only be acquired through recourse to EU jurisprudence, although this is likely to change by the expiration of the Brexit transition period on 31 December 2020, the UK has left the EU on 31 January 2020. On 12 September 2018, the European Parliament approved new copyright rules to help secure the rights of writers and musicians.

The copyright law of New Zealand is covered by the Copyright Act 1994 and subsequent amendments. It is administered by Business Law Policy Unit of the Ministry of Business, Innovation and Employment (MBIE). In June 2017, a review of the existing legislation was announced.

Interlego AG v Tyco Industries Inc was a case in copyright law that originated in Hong Kong that eventually went before the Judicial Committee of the Privy Council in the United Kingdom.

Fair dealing in United Kingdom law is a doctrine which provides an exception to United Kingdom copyright law, in cases where the copyright infringement is for the purposes of non-commercial research or study, criticism or review, or for the reporting of current events. More limited than the United States doctrine of fair use, fair dealing originates in Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, and requires the infringer to show not only that their copying falls into one of the three fair dealing categories, but also that it is "fair" and, in some cases, that it contains sufficient acknowledgement for the original author. Factors when deciding the "fairness" of the copying can include the quantity of the work taken, whether it was previously published, the motives of the infringer and what the consequences of the infringement on the original author's returns for the copyrighted work will be.

Moral rights in United Kingdom law are parts of copyright law that protect the personal interests of the author of a copyrighted work, as well as the economic interests protected by other elements of copyright. Found in the Copyright, Designs and Patents Act 1988, the moral rights are the right to be identified as the author of a work, known as the right of paternity, the right to object to derogatory treatment of a work, known as the right of integrity, the right not to be identified as the author of someone else's work, and the right to privacy. The right of paternity exists for the entire copyright term, and requires individuals who commercially broadcast, sell, perform or exhibit literary, dramatic, musical or artistic works to identify the author of the work – but this does not apply to things such as typefaces, encyclopaedias or works subject to crown copyright.

Moral rights in Canadian copyright law are protected under the Copyright Act of Canada and include an author's right to attribution, integrity and association of a work. Moral rights are to be distinguished from economic rights; moral rights essentially being derived from the reflection of the author's personality in his or her work, whereas economic rights grant an author the ability to benefit economically from their work. An author of a work retains moral rights for the length of the copyright, even if the copyright has been assigned or licensed to another party. Moral rights cannot be assigned or licensed, but can be waived by contract.

Provisions related to Italian copyright law are found in Law no. 633 of 22 April 1941. Certain fundamental provisions are also found in the Italian Civil Code of 1942, Arts. 2575–2583.

The basic legal instrument governing copyright law in Bangladesh is the Copyright Act, 2000 . It is largely based on Pakistan's Copyright Ordinance, 1962 .

<span class="mw-page-title-main">Copyright Act (Ghana)</span>

The Copyright Act is the legal framework that protects the use of an individual's work once the idea has been physically expressed. It is a form of intellectual property that protects original works of authorship of literary, dramatic, musical and artistic works such as poetry, novels, movies, songs, computer software and architecture. Copyright does not protect facts, ideas, systems or methods of operation, although it may protect the way these things are expressed. Ghana's current copyright law is Act 690 issued by the Parliament of the Republic of Ghana. It was enacted on 17 May 2005 and replaced Parliament's Act No. 110, the country's previous Copyright law from 1985. The Copyright law affords protection to a variety of works, grants Copyright holders rights to their work and defines the duration of that Copyright protection.

  • ↑ CDPA 1988, § 1(1)
  • ↑ "Copyright, Designs and Patents Act 1988" . Archived from the original on 1 January 2011.
  • ↑ "The Duration of Copyright and Rights in Performances Regulations 1995" . www.legislation.gov.uk . Retrieved 3 April 2018 .
  • ↑ "The Duration of Copyright and Rights in Performances Regulations 1995 (Section 6)" . HMSO . Retrieved 19 September 2010 .
  • ↑ "The Duration of Copyright and Rights in Performances Regulations 1995 (Section 7)" . HMSO . Retrieved 19 September 2010 .
  • ↑ "Enterprise and Regulatory Reform Act 2013 – UK Parliament" . services.parliament.uk . Retrieved 3 April 2018 .
  • ↑ Impact Assessment Report dated 15 May 2012 carried out by the Intellectual Property Office.
  • ↑ See, for example, Edmund Eldergill, Barrister-at-Law, "Copyright and Furniture Design Classics" , legal article, 2012.
  • ↑ "The Copyright and Rights in Performances (Quotation and Parody) Regulations 2014" . www.legislation.gov.uk . Retrieved 3 April 2018 .
  • ↑ "EXPLANATORY MEMORANDUM TO THE COPYRIGHT, DESIGNS AND PATENTS ACT 1988 (AMENDMENT) REGULATIONS 2010" (PDF) . www.legislation.gov.uk . Retrieved 6 September 2020 .
  • ↑ "Capcha | CaseMine" . www.casemine.com . Retrieved 10 March 2021 .
  • ↑ "Kogan v Martin & Ors | [ 2019 ] EWCA Civ 1645 | England and Wales Court of Appeal (Civil Division) | Judgment | Law | CaseMine" . www.casemine.com . Retrieved 10 March 2021 .
  • ↑ "EUR-Lex - 62008CJ0005 - EN - EUR-Lex" . eur-lex.europa.eu . Retrieved 10 March 2021 .
  • ↑ "meltwater+holding+bv | UK Judgments | Law | CaseMine" . www.casemine.com . Retrieved 10 March 2021 .
  • ↑ "CURIA - List of results" . curia.europa.eu . Retrieved 10 March 2021 .
  • ↑ "House of Lords - Designer Guild Limited v. Russell Williams (Textiles) Limited (Trading As Washington Dc)" . publications.parliament.uk . Retrieved 10 March 2021 .
  • ↑ Copyright and Related Rights Regulations 2003, §7
  • ↑ "Copyright—secondary infringement | Legal Guidance | LexisNexis" . www.lexisnexis.co.uk . Retrieved 10 March 2021 .
  • ↑ Copyright, Designs and Patents Act 1988, §107 (1) (a)
  • ↑ Copyright, Designs and Patents Act 1988, §107 (1) (b)
  • ↑ Copyright, Designs and Patents Act 1988, §107 (1) (c) and (d)
  • ↑ Copyright, Designs and Patents Act 1988, §107 (1) (e)
  • ↑ Copyright, Designs and Patents Act 1988, §107 (2)
  • ↑ Copyright, Designs and Patents Act 1988, §107 (3)
  • ↑ The Copyright and Related Rights Regulations 2003, §26 (1) and (3)
  • ↑ The Copyright and Related Rights Regulations 2003, §24
  • ↑ "Guide to offences" . UK Intellectual Property Office.
  • ↑ "EUR-Lex - 32006L0115 - EN - EUR-Lex" . eur-lex.europa.eu . Retrieved 3 April 2018 .
  • ↑ "The Copyright, Designs and Patents Act 1988 (Amendment) Regulations 2010" . www.legislation.gov.uk . Retrieved 3 April 2018 .
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Brothers Sentenced for Copyright Offences

copyright designs and patents act case study

Two Leeds men have today been convicted of copyright infringement.

Brothers Faraz Saddiq, 27 of Woodsley Road, Leeds, and Ayaz Saddiq, 26 of Woodsley Road, Leeds, were arrested following an extensive investigation by West Yorkshire Police’s Economic Crime Unit (ECU) and the Federation against Copyright Theft (FACT).

Both were today sentenced to nine-months, suspended for two years, as well as receiving 150 hours unpaid work. The investigation concentrated on two specific websites – ‘www.filmzzz.com’ and ‘www.legalmovies.tv’. Both websites were streaming films which were subject to copyright and no permission had been given by any of the relevant copyright holders to either upload or distribute the material via the websites.

The registered e-mail addresses for the websites were sent ‘cease and desist’ notifications which listed examples of the films that had been shown via the websites infringing copyright material. They were warned that they were committing a criminal offence under section 107(2A) of the Copyright, Designs and Patents Act 1988 and were asked to remove all such material. The films listed in the e-mails were removed but other similar content remained on the websites.

In March, 2009, a search warrant was executed at Woodsley Road in Leeds by Officers from West Yorkshire Police and FACT. A search of the property revealed a quantity of computer equipment including laptops, computer towers and other storage media, which were then seized. They were found to contain material which showed they had been used to set up and manage the running of the two websites. Documentation was also seized and the two men Faraz Saddiq and Ayaz Saddiq, were arrested. Following further enquiries the men were charged in August, 2010, with copyright and Proceeds of Crime Acts offences.

David Charity – a Financial Investigation Manager from West Yorkshire Police’s ECU – said: “The Saddiq brothers created the two websites which re-directed users to the location of where they could find illegal copies of movies and television programmes. These included copies of films which at the time were not yet released in the UK. Before they were arrested their websites attracted 60,000 unique users and 125,000 hits everyday. We worked with FACT who identified these websites and brought them to our attention.

I hope it acts as a warning to others who may think they can get away with creating and running websites of this kind.”

Kieron Sharp, FACT Director General, added: “This is another success for FACT, its members and the 2 million people who work in the UK’s creative industries. I would like to extend my immense thanks to officers in West Yorkshire Police who saw this case through.

Despite numerous warnings the Saddiq brothers continued to own and maintain the websites and clearly knew that what they were doing was illegal.

2012 has proved to be a landmark year for FACT, with recent cases leaving no doubt that operating a website that provides access to pirated films and TV programmes will lead to criminal prosecution.”

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UK copyright law ( Copyright, Designs and Patents Act 1988 ) defines a number of exceptions, in the form of permitted acts.

These allow you limited use of copyright works for specific purposes without the permission of the copyright owner. Most have conditions and are subject to a 'fair dealing' assessment.

  • Fair dealing

'Fair dealing' is a legal term used to establish whether use of a copyright work is lawful, or whether it infringes copyright. It requires that any copying does not impact on the rights holder and you only copy as much as is necessary for the purpose.

There is no legal definition of fair dealing – it is a matter of fact, degree and impression in each case. The question to be asked is ' How would a fair-minded and honest person have dealt with the work? ' 

How much can you copy?

There is no precise answer, but a good rule is to keep it short. The amount you copy must be reasonable and justifiable for the purpose. 

When determining whether copying is 'fair', factors to consider include:

  • Is the amount of the work taken reasonable and appropriate? Was it necessary to use the amount that was taken?

This relates to quality as well as quantity. So for example, if you were to copy the final summary of a report this may only be a paragraph, but it would be an important and significant part of the work. This is unlikely to be regarded as fair.

  • Was the copying done for the purpose of the exception it was done under?
  • Does using the work affect the market for the original work? If using a work substitutes or competes with it, causing the owner to lose revenue, then it is unlikely to be fair
  • Has full acknowledgement been given to the copied material e.g. proper citations and referencing? The only exception may be situations where attribution would be impossible for practical reasons.

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  • Exceptions for study, research and teaching

Non-commercial research and private study (Section 29 CDPA)

This covers copying of all types of works for your own private study or non-commercial research. This means that, as students or researchers, you can make a single copy of a short extract from a work e.g. photocopy an extract from a book to read for an assignment. You may not make multiple copies, or share the extract with others. 

Copying is subject to fair dealing. The amount that you can copy under fair dealing is not defined in legislation, but as a rule of thumb, safe limits for this exception are likely to be:

  • one chapter from a book
  • one article from a single issue of a journal
  • one paper from one set of conference proceedings
  • one short story or one poem , not exceeding 10 pages in length, from an anthology
  • one case from a report of judicial proceedings

Text and data mining for non-commercial research (Section 29A CDPA)

This allows the copying of a work in order to analyse text and data, by automated/computational techniques, to identify patterns, trends and other information.

You must already have lawful access to the source, e.g. through a personal or institutional subscription. Any analysis must only be for the purposes of non-commercial research.

Publishers and content providers will be able to apply reasonable measures to maintain their network security or stability. These measures should not prevent, or unreasonably restrict, your ability to carry out analysis. Contract terms that stop researchers making copies to carry out text and data mining will be unenforceable.

Criticism, review and quotation (Section 30 CDPA)

This exception covers two distinct uses:

  • Criticism or review - allows the use of short extracts or quotations for the purposes of critique and review. Use must be genuinely for this purpose and not for illustrative or enhancement purposes.
  • Quotation - allows the use of quotations for purposes other than criticism and review. The length of a quote should not be more than is needed for the specific purpose of use. 

Both permit the use of limited extracts of any type of copyright work provided the work has been made available to the public e.g. published. The amount you can use is subject to a fair dealing test and you must acknowledge the source.

What is 'fair' will vary with circumstances. You should read the guidance on fair dealing provided above. JISC (2014) also advises that in respect of criticism and review it may be relevant to consider the following:

  • "The length and importance of the quotation(s)
  • The amount quoted in relation to the commentary
  • The extent to which the work competes with or rivals the work quoted.
  • The extent to which the use is commercial rather than academic"

Illustration for instruction (Section 32 CDPA)

All types of copyright works can be copied for the purposes of illustration when teaching. Copying must be done by the person giving, or receiving instruction and be non-commercial in purpose.

Fair dealing applies, so your copying is restricted to a small amount and must illustrate a teaching point. Acknowledgement of the source must be given. Any form of copying can be used and material can be included on interactive whiteboards, presentations and Moodle.

This provision includes copying for examination . Copying under this exception is now subject to fair dealing, so only small amounts can be used and acknowledgement must be made where practicable. This applies to both setting and answering examinations/assessment. Answering an examination question might include writing a dissertation or thesis in order to meet the requirements of a qualification.

Accessible copies (Section 31A-31F CDPA)

This allows the creation of accessible copies of copyright works by or for a disabled person for personal use. It covers any type of work. A copy of the work should already be owned by the person or institution. An accessible copy must not be available for purchase at a reasonable cost.

The University has an Alternative Format Service that can produce accessible course materials. Please contact Academic Support in the first instance for more assistance.

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  • Other exceptions

In addition to the exceptions already listed, there are other permitted uses of copyright materials, including:

  • Fair dealing for the purposes of parody, caricature and pastiche
  • Fair dealing for the purposes of news reporting
  • Library privilege – copying on behalf of customers for non-commercial research and study e.g. interlibrary loans
  • Libraries and Archives – copying for preservation or replacement, or making works available on dedicated terminals

The Intellectual Property Office provides more information about these and other exceptions.

Staying compliant

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More advice:

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Copyright home 

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Related reading.

  • Exceptions to copyright: education and teaching (IPO)
  • Exceptions to copyright: research (IPO)

Help and support

This guidance incorporates and adapts material from the following source:

Intellectual Property Office (2014) Exceptions to copyright .  Contains public sector information licensed under Open Government Licence v3.0

Quotation from:

JISC (2014) Exceptions to Infringement of Copyright , Copyright Law [Online]

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COMMENTS

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