1984 book analysis essay

By George Orwell

'1984' by George Orwell follows Winston Smith as he seeks to fight back, through knowledge and free thought, against the totalitarian Party that rules Oceania and his entire life.

About the Book

Article written by Emma Baldwin

B.A. in English, B.F.A. in Fine Art, and B.A. in Art Histories from East Carolina University.

The novel takes place in the year 1984 in which England has been transformed under a totalitarian superstate known as Oceania. 1984 follows Winston Smith , a mid-level member of the Party. The Party demands the allegiance and adoration of its citizens. But, Winston Smith has escaped the brainwashing that seems to have taken over everyone else’s mind. At the center of the Party is a mysterious figurehead who goes by the name of Big Brother . Winston’s burgeoning interest in the past and his hatred of the Party and its cruel, murderous, and destructive policies lead him to seek out the revolution.

Key Facts about 1984

• Title: Nineteen-Eighty-Four: A Novel,  later republished as  1984. 
• When/where written : Orwell wrote the book in Jura, Scotland from 1945-1949 .
• Published:  June 1949
• Literary Period:  Late Modernism
• Genre: Novel / Dystopian / Science Fiction
• Point-of-View: Third-person omniscient
• Setting: London/Oceania in 1984
• Climax: Torture scene in Room 101 .
• Antagonist: The Party/ O’Brien /Big Brother

George Orwell and 1984

It is for  1984  that George Orwell is best-known. The events of his life led him down a path that allowed him to see the world through a very clear lens. His belief system was well fostered and served to inspire him to write 1984  and Animal Farm ,  as well as other works of fiction and non-fiction that seek to promote democratic socialism over any form of totalitarianism. As a young man, Orwell lived in poverty in London and Paris in order to learn about the darkest parts of society. Unlike most men and women with strongly held beliefs, he stood up for them. When he traveled to Spain to write about the Spanish Civil War he ended up joining a militia in order to fight against fascism and Franco. He was shot in the neck and charged with treason for his efforts. Orwell was well aware of the dangers of totalitarianism and Soviet Communism and knew that the conditions he depicted in both novels could occur anywhere at any time. Today, the books are considered to be a reminder that democracy is not bulletproof. It is possible for our better-governing systems and better selves, to fail.

Books Related to 1984

When George Orwell wrote  1984  dystopian fiction was not the genre that it is today. At the time that he was writing 1984,  there were several wonderful examples of this genre from which he could draw inspiration. Some of these include his mentor Aldous Huxley’s A Brave New World  published in 1932, Yevgeny Zamyatin’s  We  published in 1924, and Jack London’s The Iron Heel . The latter is considered to be the earliest example of the genre, published in 1908.

 Over the decades the genre would grow, becoming one of the most popular amongst readers and writers. Today, there are numerous contemporary examples of novels and short stories that have their origins in George Orwell’s masterpiece. These include books like  The Handmaid’s Tale  by Margaret Atwood,  The Stand by Stephen King,  The Power  by Naomi Alderman,  The Giver  by Lois Lowry, and  The Road  by Cormac McCarthy.

The Lasting Impact of  1984

Today, as anti-democratic, pro-isolationist, and even fascist governments are taking power all over the world, many have turned to Orwell for his knowledge of these systems and the importance of fighting back against them. Totalitarianism is not a thing of the past and luckily we have  1984  as well as Orwell’s other novels and essays to remind us how possible it is to lose our democratic systems of governance.

1984 Quotes 💬

Two of the most prominent themes of ‘1984’ are totalitarianism and the self/mind. They are intertwined, with the former influencing and sometimes overtaking the latter.

1984 Historical Context 📺

‘1984’ was written between the years of 1947-48, only 2-3 years after the end of World War II. This conflict of immense proportions, the outcome of which was critical to the survival of democracy, inspired George Orwell to consider the tenuousness of the people’s rule.

1984 Themes and Analysis 📺

There is a range of themes one should consider when analyzing George Orwell’s novel ‘1984’, such as technology and the past.

1984 Review ⭐

George Orwell opens his stunning novel ‘1948’ novel by telling the reader that the “clocks were striking thirteen”. If this isn’t an opening line for the ages, I don’t know what is.

1984 Character List 📖

There are many characters in George Orwell’s ‘1984’, such as Winston Smith, Julia, O’Brien, and the likes of the Big Brother figure.

1984 Summary 📖

‘1984’ by George Orwell follows Winston Smith, who attempts to fight back against a totalitarian Party that rules Oceania and his entire life.

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Doublethink Is Stronger Than Orwell Imagined

What 1984 means today

No novel of the past century has had more influence than George Orwell’s 1984 . The title, the adjectival form of the author’s last name, the vocabulary of the all-powerful Party that rules the superstate Oceania with the ideology of Ingsoc— doublethink , memory hole , unperson , thoughtcrime , Newspeak , Thought Police , Room 101 , Big Brother —they’ve all entered the English language as instantly recognizable signs of a nightmare future. It’s almost impossible to talk about propaganda, surveillance, authoritarian politics, or perversions of truth without dropping a reference to 1984. Throughout the Cold War, the novel found avid underground readers behind the Iron Curtain who wondered, How did he know?

It was also assigned reading for several generations of American high-school students. I first encountered 1984 in 10th-grade English class. Orwell’s novel was paired with Aldous Huxley’s Brave New World , whose hedonistic and pharmaceutical dystopia seemed more relevant to a California teenager in the 1970s than did the bleak sadism of Oceania. I was too young and historically ignorant to understand where 1984 came from and exactly what it was warning against. Neither the book nor its author stuck with me. In my 20s, I discovered Orwell’s essays and nonfiction books and reread them so many times that my copies started to disintegrate, but I didn’t go back to 1984 . Since high school, I’d lived through another decade of the 20th century, including the calendar year of the title, and I assumed I already “knew” the book. It was too familiar to revisit.

Read: Teaching ‘1984’ in 2016

So when I recently read the novel again, I wasn’t prepared for its power. You have to clear away what you think you know, all the terminology and iconography and cultural spin-offs, to grasp the original genius and lasting greatness of 1984 . It is both a profound political essay and a shocking, heartbreaking work of art. And in the Trump era , it’s a best seller .

The Ministry of Truth: The Biography of George Orwell’s 1984 , by the British music critic Dorian Lynskey, makes a rich and compelling case for the novel as the summation of Orwell’s entire body of work and a master key to understanding the modern world. The book was published in 1949, when Orwell was dying of tuberculosis , but Lynskey dates its biographical sources back more than a decade to Orwell’s months in Spain as a volunteer on the republican side of the country’s civil war. His introduction to totalitarianism came in Barcelona, when agents of the Soviet Union created an elaborate lie to discredit Trotskyists in the Spanish government as fascist spies.

Left-wing journalists readily accepted the fabrication, useful as it was to the cause of communism. Orwell didn’t, exposing the lie with eyewitness testimony in journalism that preceded his classic book Homage to Catalonia —and that made him a heretic on the left. He was stoical about the boredom and discomforts of trench warfare—he was shot in the neck and barely escaped Spain with his life—but he took the erasure of truth hard. It threatened his sense of what makes us sane, and life worth living. “History stopped in 1936,” he later told his friend Arthur Koestler, who knew exactly what Orwell meant. After Spain, just about everything he wrote and read led to the creation of his final masterpiece. “History stopped,” Lynskey writes, “and Nineteen Eighty-Four began.”

The biographical story of 1984 —the dying man’s race against time to finish his novel in a remote cottage on the Isle of Jura , off Scotland—will be familiar to many Orwell readers. One of Lynskey’s contributions is to destroy the notion that its terrifying vision can be attributed to, and in some way disregarded as, the death wish of a tuberculosis patient. In fact, terminal illness roused in Orwell a rage to live—he got remarried on his deathbed—just as the novel’s pessimism is relieved, until its last pages, by Winston Smith’s attachment to nature, antique objects, the smell of coffee, the sound of a proletarian woman singing, and above all his lover, Julia. 1984 is crushingly grim, but its clarity and rigor are stimulants to consciousness and resistance. According to Lynskey, “Nothing in Orwell’s life and work supports a diagnosis of despair.”

Lynskey traces the literary genesis of 1984 to the utopian fictions of the optimistic 19th century—Edward Bellamy’s Looking Backward (1888); the sci-fi novels of H. G. Wells, which Orwell read as a boy—and their dystopian successors in the 20th, including the Russian Yevgeny Zamyatin’s We (1924) and Huxley’s Brave New World (1932). The most interesting pages in The Ministry of Truth are Lynskey’s account of the novel’s afterlife. The struggle to claim 1984 began immediately upon publication, with a battle over its political meaning. Conservative American reviewers concluded that Orwell’s main target wasn’t just the Soviet Union but the left generally. Orwell, fading fast, waded in with a statement explaining that the novel was not an attack on any particular government but a satire of the totalitarian tendencies in Western society and intellectuals: “The moral to be drawn from this dangerous nightmare situation is a simple one: Don’t let it happen. It depends on you .” But every work of art escapes the artist’s control—the more popular and complex, the greater the misunderstandings.

Lynskey’s account of the reach of 1984 is revelatory. The novel has inspired movies, television shows, plays, a ballet, an opera, a David Bowie album , imitations, parodies, sequels, rebuttals, Lee Harvey Oswald, the Black Panther Party, and the John Birch Society. It has acquired something of the smothering ubiquity of Big Brother himself: 1984 is watching you. With the arrival of the year 1984, the cultural appropriations rose to a deafening level. That January an ad for the Apple Macintosh was watched by 96 million people during the Super Bowl and became a marketing legend. The Mac, represented by a female athlete, hurls a sledgehammer at a giant telescreen and explodes the shouting face of a man—oppressive technology—to the astonishment of a crowd of gray zombies. The message: “You’ll see why 1984 won’t be like ‘1984.’ ”

The argument recurs every decade or so: Orwell got it wrong. Things haven’t turned out that bad. The Soviet Union is history. Technology is liberating. But Orwell never intended his novel to be a prediction, only a warning. And it’s as a warning that 1984 keeps finding new relevance. The week of Donald Trump’s inauguration, when the president’s adviser Kellyanne Conway justified his false crowd estimate by using the phrase alternative facts , the novel returned to the best-seller lists. A theatrical adaptation was rushed to Broadway. The vocabulary of Newspeak went viral. An authoritarian president who stood the term fake news on its head, who once said, “What you’re seeing and what you’re reading is not what’s happening,” has given 1984 a whole new life.

What does the novel mean for us? Not Room 101 in the Ministry of Love, where Winston is interrogated and tortured until he loses everything he holds dear. We don’t live under anything like a totalitarian system. “By definition, a country in which you are free to read Nineteen Eighty-Four is not the country described in Nineteen Eighty-Four ,” Lynskey acknowledges. Instead, we pass our days under the nonstop surveillance of a telescreen that we bought at the Apple Store, carry with us everywhere, and tell everything to, without any coercion by the state. The Ministry of Truth is Facebook, Google, and cable news. We have met Big Brother and he is us.

Trump’s election brought a rush of cautionary books with titles like On Tyranny , Fascism: A Warning , and How Fascism Works . My local bookstore set up a totalitarian-themed table and placed the new books alongside 1984 . They pointed back to the 20th century—if it happened in Germany, it could happen here—and warned readers how easily democracies collapse. They were alarm bells against complacency and fatalism—“ the politics of inevitability ,” in the words of the historian Timothy Snyder, “a sense that the future is just more of the present, that the laws of progress are known, that there are no alternatives, and therefore nothing really to be done.” The warnings were justified, but their emphasis on the mechanisms of earlier dictatorships drew attention away from the heart of the malignancy—not the state, but the individual. The crucial issue was not that Trump might abolish democracy but that Americans had put him in a position to try. Unfreedom today is voluntary. It comes from the bottom up.

We are living with a new kind of regime that didn’t exist in Orwell’s time. It combines hard nationalism—the diversion of frustration and cynicism into xenophobia and hatred—with soft distraction and confusion: a blend of Orwell and Huxley, cruelty and entertainment. The state of mind that the Party enforces through terror in 1984 , where truth becomes so unstable that it ceases to exist, we now induce in ourselves. Totalitarian propaganda unifies control over all information, until reality is what the Party says it is—the goal of Newspeak is to impoverish language so that politically incorrect thoughts are no longer possible. Today the problem is too much information from too many sources, with a resulting plague of fragmentation and division—not excessive authority but its disappearance, which leaves ordinary people to work out the facts for themselves, at the mercy of their own prejudices and delusions.

During the 2016 U.S. presidential campaign, propagandists at a Russian troll farm used social media to disseminate a meme: “ ‘The People Will Believe What the Media Tells Them They Believe.’  — George Orwell.” But Orwell never said this. The moral authority of his name was stolen and turned into a lie toward that most Orwellian end: the destruction of belief in truth. The Russians needed partners in this effort and found them by the millions, especially among America’s non-elites. In 1984 , working-class people are called “proles,” and Winston believes they’re the only hope for the future. As Lynskey points out, Orwell didn’t foresee “that the common man and woman would embrace doublethink as enthusiastically as the intellectuals and, without the need for terror or torture, would choose to believe that two plus two was whatever they wanted it to be.”

We stagger under the daily load of doublethink pouring from Trump, his enablers in the Inner Party, his mouthpieces in the Ministry of Truth, and his fanatical supporters among the proles. Spotting doublethink in ourselves is much harder. “To see what is in front of one’s nose needs a constant struggle,” Orwell wrote . In front of my nose, in the world of enlightened and progressive people where I live and work, a different sort of doublethink has become pervasive. It’s not the claim that true is fake or that two plus two makes five. Progressive doublethink—which has grown worse in reaction to the right-wing kind—creates a more insidious unreality because it operates in the name of all that is good. Its key word is justice —a word no one should want to live without. But today the demand for justice forces you to accept contradictions that are the essence of doublethink.

For example, many on the left now share an unacknowledged but common assumption that a good work of art is made of good politics and that good politics is a matter of identity. The progressive view of a book or play depends on its political stance, and its stance—even its subject matter—is scrutinized in light of the group affiliation of the artist: Personal identity plus political position equals aesthetic value. This confusion of categories guides judgments all across the worlds of media, the arts, and education, from movie reviews to grant committees. Some people who register the assumption as doublethink might be privately troubled, but they don’t say so publicly. Then self-censorship turns into self-deception, until the recognition itself disappears—a lie you accept becomes a lie you forget. In this way, intelligent people do the work of eliminating their own unorthodoxy without the Thought Police.

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Orthodoxy is also enforced by social pressure, nowhere more intensely than on Twitter, where the specter of being shamed or “canceled” produces conformity as much as the prospect of adding to your tribe of followers does. This pressure can be more powerful than a party or state, because it speaks in the name of the people and in the language of moral outrage, against which there is, in a way, no defense. Certain commissars with large followings patrol the precincts of social media and punish thought criminals, but most progressives assent without difficulty to the stifling consensus of the moment and the intolerance it breeds—not out of fear, but because they want to be counted on the side of justice.

This willing constriction of intellectual freedom will do lasting damage. It corrupts the ability to think clearly, and it undermines both culture and progress. Good art doesn’t come from wokeness, and social problems starved of debate can’t find real solutions. “Nothing is gained by teaching a parrot a new word,” Orwell wrote in 1946. “What is needed is the right to print what one believes to be true, without having to fear bullying or blackmail from any side.” Not much has changed since the 1940s. The will to power still passes through hatred on the right and virtue on the left.

1984 will always be an essential book, regardless of changes in ideologies, for its portrayal of one person struggling to hold on to what is real and valuable. “Sanity is not statistical,” Winston thinks one night as he slips off to sleep. Truth, it turns out, is the most fragile thing in the world. The central drama of politics is the one inside your skull.

This article appears in the July 2019 print edition with the headline “George Orwell’s Unheeded Warning.”

​When you buy a book using a link on this page, we receive a commission. Thank you for supporting The Atlantic.

Introduction of 1984

The novel , 1984, was published back in 1949 in June, is a dystopian fiction by George Orwell . It spellbound generations and it continues to do so since its first appearance. The novel was a myth breaker, but it also proved prophetic in giving out the truth and the predictions and forebodings of futuristic political instability, especially mass surveillance. The novel revolves around Winston Smith and his co-worker, Julia, who hated their Party. However, they could not leave it on account of constant surveillance of ‘Big Brother’. They even prove tools to surveil each other.

Summary of 1984

The novel starts in 1984 when the world, after having witnessed wars and revolutions, is finally having a break. There is peace in the three states, among which Oceania is one, where the Party is in the government. Its Ingsoc is being led by Big Brother, an elusive party demagogue, who is meant to watch everybody. This is the condition of Airstrip One, an Oceania province. To uproot dissidents, the Thought Police is active through Telescreens, removing dissidents from the scene.

Winston Smith, a middle-class worker of the Outer Party, is now living in the London urban center and doing a job in the Ministry of Truth. His job is to revise history to conform to Ingsoc’s demands. His task involves revising The Times, a magazine, and destroying its older versions. Interestingly, he harbors dreams of changing or opposing the rules of the Thought Party but also feels guilty of being a ‘thought-criminal’. He is aware that someday he is vulnerable to arrest. It happens that his meeting with Mr. Charrington, an antique connoisseur, leads him to write an anti-party and anti-Big Brother diary, saying that hopes lie with the public.

However, his disappointment reaches new heights when his visit to a prole transpires him about these crackpots . He talks to an old man, who seemed to be suffering from amnesia. As Julia is working with him on a novel, he suspects her for espionage against him. Even his boss, O’Brien, too, is a suspect of doing the same. However, he seems to be a formal member of the Brotherhood, the resistance movement against the Party organized by Emmanuel Goldstein, the opponent of Big Brother. When Smith talks to Syme, another worker, who is engaged in revising Newspeak, comes to know that he would disappear. He seems intelligent and has learned the prospect of revising a newspaper, whose objective, he states is to reduce the thinking capacity of human beings. Following this, he meets his neighbor, Parsons, from whom he learned about the Hate Week preparation.

Winston is immersed in these thoughts when Julia hands over to him a letter confessing her love for him. However, their love affair proves stifling, for intimacy minus descendants is merely an exercise they go through every day. He comes to know that Julia is also a secret opponent of the Party, though, she has no desire to put a political front against the Party, as she knows it is futile. After they believe that they may get caught for their love and meeting, they start dating in a room they rent above the shop of Mr. Charrington. During these love meetings, he also recalls his family and the disappearance of his siblings during the civil war. Although he is a married man having no love for his wife, Katharine, and he cannot divorce her. He knows that the Party does not approve of it. Soon he comes to know that Syme has also disappeared after which O’Brien visits him to invite him to his residence.

When Winston visits him, he is impressed by his luxurious flat but is stunned to know that O’Brien is an active dissident of the Party and the Brotherhood member. Finding no response, O’Brien, later, sends him Goldstein’s book to learn about oligarchical practices. When the Hate Week of the country arrives, suddenly Winston observes the change of enmity toward Eastasia from Eurasia after which the minister recalls him to make new changes in the historical records. Following this, Winston meets Julia and reads the book about how the Party keeps hold of the people, how it moves the people through sloganeering, and how it manages wars to make people stay busy. The main argument , however, lies in that it also seeks to overthrow the Party through proles, though, the book lacks the answer why.

As expected, soon Julia and Winston are arrested when Mr. Charrington is revealed to be an agent of the Thought Police. Although Winston comes into interaction with his other arrested colleagues, he soon meets O’Brien, who proves another agent of the department, having part of the operation to hook him in this supposed crime. During his imprisonment, he undergoes severe torture, starvation, and treatment that intends to indoctrinate him. During this new indoctrination, Winston learns from O’Brien that the Party demonstrates the authority to display their undeniable power . Though, Winston argues his case that he accepts everything but that the Party has not succeeded in coercing him to betray Julia to whom he is associated. He also thinks that he would emerge even after his execution that would be his moment of triumph against the Party.

Infuriated, O’Brien brings him to 101 room where indoctrination reaches its final stage of re-education. Here the prisoner is forced to confront his worst fear or paranoia. Winston soon sees facing a cage full of rats, a creature he is afraid of. He expresses his willingness after this punishment to betray Julia and work for the Party. However, when he comes face to face with Julia, he feels that she betrays the same feelings. On the other hand, Oceania’s victory against Eurasia is announced through media at which Winston echoes indoctrination in his slogan that he loves Big Brother.

Major Themes in 1984

• Totalitarianism: 1984 shows totalitarianism in its true shape and also warns the readers of its consequences of robbing human beings of the very emotions that make us. The curb on civil liberties and personal freedom are reflected through Julia and Winston’s love affair that, though they try their best, yet their consummation is the betrayal from both sides. Another feature of this totalitarianism prevalent in Oceania is the one-party system of the Party where all and diverse groups are involved in worshiping the elusive Big Brother. Everything can be compared to having a cult personality. Everybody proves an agent of the Party, spying on everybody else with no room for peaceful co-existence. The final slogan of Winston that he loves Big Brother is his frustration at having no freedom.
• Propaganda : The novel also shows the use of organized mass propaganda initiated by the Party through its Ministry of Truth where revision of history books and old magazines is underway. It is Winston’s and his friends’ responsibility to twist facts and create fictions to make the Party seem true. The public feeding system has a very strong establishment to continue with which the Party and Big Brother want to feed the public.
• Love/Sexuality: The loss of love and suppression of sensual desires is another thematic strand that runs throughout the novel. When Winston shows an inclination to befriend Julia, he also shows his neutral feelings toward his wife. On the other hand, Julia, too, does not show the same passion and soon forgets him when he is trapped in trouble. In fact, love and intimacy have undergone depersonalization through an excessive passion for “duty to the Party” which is a means to give birth to the party loyal workers rather than having it enjoyment of the conjugal life. Failure of Winston’s conjugal life with Katharine and unfortunate love for Julia points to this theme .
• Independence : The theme of personal freedom and independence is too obvious through the character of Winston who, though, works independently, does not feel that every other person could be the Party agent. Even O’Brien and Julia belong to the group who yearn for freedom. Though Winston considers O’Brien sympathetic to his ideas in the beginning.
• Identity: The novel shows that most of the characters have names but no identities. The most popular is Big Brother who has the power to know the ideas, thinking, and percepts of the subjects of Oceania. When Winston asks O’Brien that after all, he is a man during his torture, he responds to him with his own argument that he is the last one on this earth. It shows how totalitarian regimes rob a person of his identity and freedom to think.
• Political Loyalty : The surveillance of Big Brother is powerful, inescapable, and intrusive. When Winston starts thinking about rebellious ideas, everything starts working against him. When he comes to know that Mr. Charrington’s flat is bugged, Winston is horrified and then it turns out that Charrington is also the Party agent including O’Brien who is his co-conspirator. That is why seeing no way out by the end Winston raises the slogan of loyalty to Big Brother.
• Poverty vs. Wealth : Although it is a socialist system, the Party shows this contradiction in the living standard through its inner and outer circles in that the inner circle lives in luxury and wealth with servants and other gadgets at their beck and call , while the inner circle is trapped in a routinized lifestyle. The ordinary members have to lead a low-quality life with ordinary food, devoid of love, and family pleasures. That is why Winston finds new love and O’Brien looks at London with nostalgia .
• Technification of Society : The novel also shows the theme of the technification of society in such a way that the people are not immune to propaganda. They do not have an option to think freely. The Thought Police have intrusive sources of telescreens to measure public thinking and change it likewise. However, it is ironic that despite showing such technological progress, some of the mechanical tasks are still lying in the realm of human beings such as Winston’s revision of history, printing machines in the Ministry of Truth, and living in apartments. Perhaps, as the book was written before the technology was discovered the author had given his best guess regarding today’s technical advances. Now, we have GPS and it is easy to trace anyone.
• Use and Abuse of Language: The novel shows the use of language in controlling the public. The party uses several sources such as the Ingsoc system, Newspeak magazine, and doublethink strategy to change the thinking of the people. Winston and O’Brien are employed for this very task in the Ministry of Truth to abuse language to hoodwink the public.

Major Characters in 1984

• Winston Smith: Winston Smith, is the protagonist and main character of 1984. He is a 39 years old man, working in the Party office in Oceania. His task includes correction of errors in the documents of the Party and revision of the history in the old magazines. However, his lurking animosity for the Party’s authoritarianism leads him to befriend the Party agents who pose them as rebels working to overthrow Big Brother. Despite his marriage, he falls in love with Julia and has an affair, another Party worker, though this affair ends prematurely. Winston is caught, and he does not seek disagreement when he is given up by agents. He undergoes severe physical and mental torture. Seeing no way out, he secures his release by raising a slogan in support of Big Brother. He knows that with excessive surveillance nobody can slip out of the Party clutches. Though he carries his old feelings, after the release he suppresses it and becomes animated just like everyone.
• Julia: Julia, a young woman, and the Party Worker, also works with Winston in the same department and almost in the same capacity. Although she responds to Winston’s advances with positive overtures, her frigidness, demonstrated later, shows that she might have alerted the Party high command about Winston’s rebellious nature. Despite demonstrating some opposing ideas, she does not think it an ideal course of action to stage overthrow of the Party. That is why she also undergoes torture but demonstrates much improvement after they win release. She also proves more loyal than before after her release.
• O’Brien: O’Brien is the inner party member and holds a top position. He suspects that Winston might be rebellious, and he becomes alert. He immediately plans to hook Winston through his espionage and gets him arrested. Working as a dedicated government servant, O’Brien has various natural contradictions in his character except for his fidelity and loyalty to the Party and Big Brother.
• Big Brother: Big Brother is an elusive character and the main leader of the Party. He is also the ruler of Oceania, who is popular for his omnipresent surveillance capabilities. The phrase “ BIG BROTHER IS WATCHING YOU ” is the catchword in Oceania. Although some of the citizens, like Winston, think that he does not exist, it seems that somebody has adopted this name to terrify the population into submission. He seems the symbol of the all-powerfulness of the ruling faction.
• Parsons: Mrs. Parsons is the second female character after Julia. As a neighbor of Winston, she seems to be tired of this rule despite being a mother of the two children working in the Spies and Youth Language. She later, hands over both of their parents to the Thought Police for their political edification.
• Tom Parsons: Tom Parsons’ significance in the novel lies in his being a jolly and simple neighbor of Winston. He despises Parsons for his all-acceptance mentality. He becomes the victim of his children’s espionage activity who hands him over to the Thought Police for the edification of his political ideas.
• Charrington: Charrington’s significance in the novel lies in his secretive nature of work for the Thought Police. Surprisingly and sadly, Winston, he seems a simpleton antique shopkeeper. Winston does not know his reality when he meets Julia in the apartment on the upper floor of his shop. However, the truth is only revealed after their arrest.
• Katharine: She is Winston’s wife, though he does not discuss her much and she appears only when his flirtation with Julia starts. Katharine is loyal to the Party and the government and is only interested in childbearing responsibility.

Writing Style 1984‎

George Orwell is popular for his pithy, symbolic, and well-knit writings as a seasoned writer and a veteran political commentator. His authorial intrusions in his narratives are prominent, as he often employs foreshadowing about political predictions and future events. The most important is the use of symbols, phrases, and suitable diction that make his narrative effective though this futuristic outlook sometimes looks far-fetched. It has won him a great readership across the globe. His style is also marked with the short, curt and concise slogans, which have now become popular catchphrases in the political circles.

Analysis of Literary Devices in 1984

• Action: The main action of the novel comprises the conflict of Winston Smith with the oppression of the Party in Oceania. The rising action occurs when he starts dating Julia and meeting O’Brien about dissidence and resistant movement. The falling action occurs when he faces arrest and subsequent torture with the final sloganeering in support of Big Brother.
• Adage : It means the use of a statement that becomes a universal truth. The novel, 1984, shows this use of the statement in its famous sentence given in all capitals; “BIG BROTHER IS WATCHING YOU.” (Chapter-1)
• Allegory : 1984 shows the use of allegory in its political story that demonstrates that totalitarianism is unsuitable for human beings, power brings corruption and absolute power brings absolute corruption. It also shows that some characters may not exist without their ideational representation such as Big Brother, while others have been made to represent abstract ideas. Surprisingly, this allegory is very much applicable to current times.
• Antagonist : At first, it appears that Big Brother is the main antagonist of 1984 in the opening chapters. However, as the story progresses O’Brien is revealed to be the antagonist later when he leads the arrest of Winston Smith after becoming his confidant in resistance against the Party.
• Allusion : There are various examples of allusions given in the novel, 1984. However, some of these may be modern allusions Orwell might not have in mind when writing it such as surveillance tools used by the internet companies, the rise of Communism, and the implementation of the communist system. The references of Ingsoc, Oceania, Eurasia, and Eastasia are to the Russian communist system, while the three states refer to the Managerial Revolution written by James Burnham and published in 1941.
• Conflict : The are two types of conflicts in the novel, 1984. The first one is the external conflict that starts among Winston Smith, the Party, and its agents in which he faces defeat when he faces arrest after O’Brien betrays him. The second is the internal conflict that is going on in his mind about his ideas of freedom and rights, and the system of the Party in which he is living and working.
• Characters: 1984 presents both static as well as dynamic characters. Winston Smith is a dynamic character who changes, though, he becomes the same again. However, all the rest of the characters are merely puppets of the Party. Hence, they are all static or flat characters .
• Climax : The climatic in the novel occurs in the second chapter when the love of Julia and Winston reaches its peak and both start dating each other, but the Thought Police arrest them.
• Foreshadowing : The first example of foreshadowing in the novel occurs when the first chapter opens as “It was part of the economy drive in preparation for Hate Week” (Chapter-1). The slogan of “BIG BROTHER IS WATCHING YOU” is also a type of foreshadowing which heralds the use of telescreens, the Thought Police, and the siblings spying on the parents.
• Hyperbole : Hyperbole or exaggeration occurs at several places in the book. For example, i. The ideal set up by the Party was something huge, terrible, and glittering a world of steel and concrete, of monstrous machines and terrifying weapons a nation of warriors and fanatics, marching forward in perfect unity, all thinking the same thoughts and shouting the same slogans, perpetually working, fighting, triumphing, persecuting three hundred million people all with the same face. (Chapter-1) ii. He knew what it meant, or thought he knew. The place where there is no darkness was the imagined future, which one would never see, but which, by foreknowledge, one could mystically share in. (Chapter-1)
• Imagery : Imagery means the use of five senses for the description. For example, i. The person immediately ahead of him in the queue was a small, swiftly-moving, beetle-like man with a flat face and tiny, suspicious eyes. (Chapter-1) ii. From over scrubby cheekbones eyes looked into Winston’s, sometimes with strange intensity, and flashed away again. (Chapter-1) iii. The sunlight, filtering through innumerable leaves, was still hot on their faces. (Chapter-1) The first example shows images of sight, the second one of sound and color, and the third one also shows of color.
• Metaphor : 1984 shows good use of various metaphors . For example, i. Chocolate normally was dullbrown crumbly stuff. (Chapter-1) ii. All this marching up and down and cheering and waving flags is simply sex gone sour” (Chapter-1) iii. Folly, folly, his heart kept saying: conscious, gratuitous, suicidal folly. (Chapter-1)
• Mood : The novel, 1984, shows a satirical tone . However, it also shows characters to be sarcastic and ironic at times according to the circumstances and contexts . It, however, becomes tense during the love affair of Winston and Julia.
• Narrator : The novel, 1984 is told from a third-person point of view . It is also called an omniscient narrator who happens to be the author himself as he can see things from all perspectives . Here George Orwell is the narrator of 1984.
• Personification : Personification means to attribute human acts and emotions to non-living objects . For example, i. ‘If the Party could thrust its hand into the past and say this or that even, it never happened—that, surely, was more terrifying than mere torture. (Chapter-1) ii. Power is in tearing human minds to pieces and putting them together again in new shapes of your own choosing. (Chapter-4) iii. Both of these examples show the Party and power personified.
• Protagonist : Winston Smith is the protagonist of the novel. He enters the novel from the very start and captures the interest of the readers until the last page.
• Paradox : 1984 shows the use of paradox in slogans such as war is peace , freedom is slavery and ignorance is strength (Chapter-1)
• Rhetorical Questions : The novel shows good use of rhetorical questions at several places. For example, ‘Why should it be? And if it were, what difference would that make? Suppose that we choose to wear ourselves out faster. Suppose that we quicken the tempo of human life till men are senile at thirty. Still what difference would it make? Can you not understand that the death of the individual is not death? The party is immortal.’ (Chapter-4) This example shows the use of rhetorical questions and their answers given by the same character, O’Brien.
• Theme : A theme is a central idea that the novelist or the writer wants to stress upon. The novel, 1984, not only shows the futuristic thematic idea but also demonstrates human sufferings, love, hate, political ideals and several others.
• Setting : The setting of the novel, 1984, is further Oceania state and its city of London.
• Simile : The novel shows good use of various similes. For example, i. His tiny sister, clinging to her mother with both hands, exactly like a baby monkey. (Chapter-1) ii. He clung to O’Brien like a baby, curiously comforted by the heavy arm around his shoulders. (Chapter-2) The first simile compares the girl, Winston’s sister, to a tiny monkey and second Winston to a baby.

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1984 Essays

The reflection of george orwell crystal epps.

"On each landing, opposite the lift shaft, the poster with the enormous face gazed from the wall. It was one of those pictures which are so contrived that the eyes follow you about when you move. BIG BROTHER IS WATCHING YOU, the caption beneath it...

Totalitarian Collectivism in 1984, or, Big Brother Loves You Tiffany Shropshire

Following the political upheaval and struggle for power after the second world war, George Orwell's novel 1984 cautions against the dangers of oppression and exemplifies the consequential nightmarish world of the near future. The plot traces the...

Sex as Rebellion Joe Ward

The opening of Book Two of 1984, in which Winston meets Julia and begins the erotic affair he has so deeply desired, commences the main section of the novel and strikes an immediate contrast between the two lovers. Unlike Winston, Julia is neither...

Class Ties: The Dealings of Human Nature Depicted through Social Classes in 1984 Zachary Zill

In George Orwell's 1984, the differences and relationships between the proles, the Outer Party, and the Inner Party reflect different aspects of human nature and the various levels of the human psyche. The most base, savage level of humanity is...

1984: The Ultimate Parody of the Utopian World Anonymous

"When Thomas More wrote Utopia in 1515, he started a literary genre with lasting appeal for writers who wanted not only to satirize existing evils but to postulate the state, a kind of Golden Age in the face of reality" (Hewitt 127). Unlike a...

Class Conflict: Winston Smith in George Orwell's 1984 Sarah Standish

The title year of George Orwell's most famous novel is nineteen years past, but the dystopian vision it draws has retained its ability to grip readers with a haunting sense of foreboding about the future. At the heart of many of the issues touched...

Methods of Control in 1984 and Brave New World Anonymous

The difference between the methods of control in 1984 and BRAVE NEW WORLD is the difference between external control by force and internal control, enforced only by the citizen's own mind. While 1984's method has real-world precedent and seems...

Time in Modernist Literature Nathan Ragolia

Perception of time represents a major motif in modernist literature. Many works address the subjectivity of our experiences, including how we process and consider the passage of time. Due to the modernist and post-modernist emphasis on style and...

The Impossibility of Redemption for Winston Smith in 1984 Timothy Sexton

In George Orwell's 1984, Winston Smith cannot escape the state's domination. Yet his inability is not only because of government power. Rather, even if he did have an opportunity to leave Oceania, his actions indicate that he would not have the...

Selfishness and Survival in The Handmaid’s Tale and 1984 Soh Li Yin

Are Winston, Julia and Offred eventually made into ‘reluctantly-selfish’ victims of totalitarian regimes or are they innately ‘pragmatically-selfish’ beings? Discuss in relation to The Handmaid’s Tale and 1984.

Offred and Winston, the main...

Power and Emotion in Orwell’s 1984 Anonymous

“How does one man assert his power over another, Winston?” O’Brien asks. Winston’s answer: “By making him suffer” (214). These two characters inhabit George Orwell’s vision of a future totalitarian government that has evolved to its most...

Imagery of Totalitarianism in Nineteen Eighty-Four Elizabeth Marcil 11th Grade

In the novel Nineteen Eighty-Four, Orwell uses several literary techniques to develop the theme that totalitarianism is destructive. He does so by using extensive imagery, focusing on the deterioration of the Victory Mansions, the canteen where...

Pursuit of Truth in 1984 Anonymous College

Contemporary political discourse often references George Orwell’s 1984 as an example of how government interference infringes on our rights as individuals while we remain complacent in the face of these violations. For example, the falsification...

Victorian, Romantic and Modernist Literature: Style as Cultural Commentary Anonymous College

Tony Harrison’s “A Cold Coming,” William Wordsworth’s “Lines Composed a Few Miles Above Tintern Abbey,” Emily Bronte’s Wuthering Heights and George Orwell’s 1984 each display distinct sensibilities that reflect the time from which they emerged....

The Currency of Power in 1984 Katherine Knapp College

The power of words is enough to control an entire nation. Although many would consider physical power and brute force to be absolute power, George Orwell’s 1984 demonstrates a dystopian society where language is the ultimate form of power. The...

Orwell's Language: Thought Control Tom Armstrong College

George Orwell’s 1984 portrays a dystopian society whose values and freedoms have been marred through the manipulation of language and thus thought processes. Language has become a tool of mind control for the oppressive government and...

The Freedom to Be Dominated: A Historical Comparison of 1984 to Communist Russia Anonymous 11th Grade

A government of an ideal society is meant to represent the people. It is the people’s choice to support, to select, and to seize government. The idea of open communication is employed as a way for people to choose the best representative. With the...

Models of Rebellion in 1984 and V for Vendetta Joseph Latorcai 12th Grade

Problems faced by characters in literature often repeat themselves, and when these characters decide to solve these standard problems, their actions are often more similar than they first appear. This idea is evident when comparing the actions...

Freud's Impact on 1984 Anonymous College

In his treatise Civilization and Its Discontents , Freud makes an interesting statement about advanced society. He argues that “the price of progress in civilization is paid in forfeiting happiness through the heightening of the sense of guilt,” to...

O’Brien’s Moral Dehumanization: Villainy in "1984" Dylan Kostadinov 10th Grade

“Nobody is a villain in their own story. We're all the heroes of our own stories.” According to George R.R. Martin, an estimable American novelist, an individual's perspective ultimately decides whether he views himself as a protagonist and deems...

Rebellion Across Media: Analyzing "1984" and "Metropolis" Joonhwy Kwon 12th Grade

George Orwell’s 1984 (1949) is a cautionary novel which explores a dystopian society mired in propaganda and totalitarianism. Similarly, director Fritz Lang’s Metropolis (1927) is a critique of a futuristic world where growth and industralisation...

Totalitarian Techniques in 1984 and Red Azalea Anonymous 10th Grade

In order for one to exist in a totalitarian society whose government is successful in its control, one must deal on a day-to-day basis with strong persuasion and propaganda. These totalitarian societies have an iron grip on their people, leaving...

Humanity's Fear: A Comparison of 1984 and Metropolis Anonymous 12th Grade

The fear of a dystopian future that is explored in both Fritz Lang’s film Metropolis and George Orwell’s novel Nineteen Eighty Four is reflective of the values of the societies at the time and the context of the authors. As authors are considered...

The Feminist Lens: Sexism in Dystopian Literature Anonymous 12th Grade

“O, brave new world!” John joyfully proclaims after being told he will have the chance to live in the World State with Bernard and Lenina (Huxley 93). Upon first reading dystopian literature, one might feel much like John, assuming a more...

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1984 Movie Vs Book Analysis

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