holiday in kuala lumpur essay

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A Memorable Holiday Trip to Kuala Lumpur

Table of contents, embracing the skyline, delving into history and culture, a culinary odyssey, the melting pot of cultures, urban oasis and nature escapes, shopping and souvenirs.

Chua, B. H. (2017). Cities in Motion: Urban Life and Cosmopolitanism in Southeast Asia, 1920–1940. Cambridge University Press.
Abdul Rahim, A. (2008). Malaysians’ perceptions of quality in urban public spaces: The case of the Klang Valley. Habitat International, 32(4), 493-505. doi:10.1016/j.habitatint.2008.02.002
Richards, R. (2019). A History of Malaysia. Macmillan International Higher Education.
Sebastian, A. S., Gan, T. L., & Rasiah, R. (2013). Food security and the urban poor: A case study of Kuala Lumpur. World Development, 52, 89-97. doi:10.1016/j.worlddev.2013.04.006
Yusoff, I., & Ismail, R. (2015). Historical evolution and future trend of street food in Malaysia. Procedia-Social and Behavioral Sciences, 195, 1524-1531. doi:10.1016/j.sbspro.2015.06.342

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10 Reasons Why You Should Visit Kuala Lumpur

The capital city of Malaysia, Kuala Lumpur is a must-visit destination. It is an eclectic and gorgeous hub of culture and class, a true gem of Southeast Asia. KL is also one of Malaysia’s major business centers, bringing people together – so here’s why it’s worth a trip.

The world’s melting pot.

Kuala Lumpur has undergone so much development since its heyday as one of the major areas for tin mining during the Industrial Revolution and as a Commonwealth nation. With its colorful inhabitants of every race and religion adding their flair to the city, KL has now become a center for Malaysia to invite and accommodate the rest of Asia; creating a metropolis like no other . On every corner is a testament to the assimilation into urban life regardless of origin and class, adding to the vibrancy of Kuala Lumpur in every way possible, from the glittering skyscrapers to the quaint coffee shops. Marvel at the tenacity and beauty of every walk of life coming together as you tour the sights and flavors it has to offer.

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Preservation of the Old

To preserve the rich and diverse history of Malaysia and Kuala Lumpur, many museums dedicated to the arts and lives of Malaysia’s people have been established all over the heart of the city. Whether it be carefully curated collections in polished galleries or the still living, breathing streets filled with old timers and curious explorers, Kuala Lumpur is undoubtedly proud of the rich chaotic mix of history grown and blended by its people. Spend an entire day doing a history crawl, from the beautiful halls of the National Islamic Museum to the alleys of Jalan Pudu and Brickfields and witness the city grow through its architecture and inhabitants.

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Capital transportation

Despite the apparent chaotic nature of the city’s development, Kuala Lumpur is quite tightly connected through an extensive series of train lines and bus routes. You will surely not miss a stop at KL Sentral, the central station beating life into the veins of Kuala Lumpur, on your journey to explore the many attractions of the city. The many new developments to the transit line have opened up even more access points all over the Klang Valley, providing ease of commute to the entire state. It is advisable to be mindful of the rush hours, as you might be stuck waiting for up to three trains.

Monumental monoliths

The beacons of this shining city, Kuala Lumpur Tower and the Petronas Twin Towers proudly claim their record as being among the tallest towers of the world, showcasing world-class architecture and deep-rooted artistry. These fantastic pieces of skyline are instantly recognizable all over the world, showcasing the achievements of Malaysia as a global force. And if the man-made ones aren’t enough, the area of Kuala Lumpur also stretches out to the natural giants; the most popular of which are the Batu Caves and the Klang Quartz Ridge to the North. Most of Malaysia’s mountains are composed of limestone, which cultivates an entirely unique eco-system both in and on the exterior of the crags.

Sensational shopping

Like its shopping-centric neighbor Singapore, Kuala Lumpur takes equal standing in providing visitors with some of the most illustrious shopping malls this side of Southeast Asia. Many popular luxury brands have established flagship stores in premier malls such as Bukit Bintang, Starhill Gallery, Pavillion and even the lower cost Sungei Wang. In addition to those are boutiques of brands that are home-grown, bringing Malaysian designers to the ranks of global fashion. And if a normal shopping experience wasn’t enough, visit Berjaya Times Square for an amazing indoor theme park, the largest of its kind this side of Asia.

Affordable for all budgets

Whether you’re habitually thrifty or on a treat splurge, most of the things in Kuala Lumpur are reasonably affordable. From the fancy restaurants and flagship luxury stores in Bukit Bintang to the food courts and small stalls on the roadsides of Petaling Street, anyone at any budget can enjoy a nice day out shopping and eating to their hearts’ content.

Nightlife like no other

Malaysians are generally not known for hitting the hay early, so an evening in Kuala Lumpur is sure to bring the term nightlife a whole new meaning. Changkat is a popular spot catering to tourists from all over the world for a night of booze and exotic foods; while the cheaper alternatives in the rest of the city are popular among locals who don’t want to retire for the night just yet. Stop by the Indian Mamaks, popular for being open 24 hours a day for a simple yet refreshing meal of roti chanai and a glass of teh tarik after partying or catching up on a live football match. Fun fact, most of the mamaks pull out a giant projector screen for all their customers during the season, so don’t feel bad occupying a table for more than four hours.

Wondrous wildlife

As Malaysia is home to some of the most fascinating wildlife on planet Earth (think of the many BBC nature programs featuring Borneo), Kuala Lumpur is the next best place to go looking for exotic creatures. While it may not be as impressive as the East Malaysian reserves the animals originate from, the National Zoo and Aquaria KLCC host the largest collection of native and international fauna available for public visiting. For the more specific wildlife lovers, visit the KL Bird Park for a dizzying collection of birds and the KL Butterfly Park for creepy crawlies of every kind.

Everywhere you look, everything your eyes fall upon is a unique pattern made by the many inhabitants of Kuala Lumpur. From the temples to the food to the skyscrapers, marvel at the knowledge that each is pieced together through the blending of more than one culture; from the Indian Hindu motifs of the Sri Mahamariamman Temple to the Spanish tiles that adorn its gates. An even more obscure challenge to have fun with is the taste-testing. Keep an eye out for some hawker stalls bearing the names of more northern states and compare their foods with similar variants from the southern regions. Minds and taste buds will be blown when discovering how different a bowl of laksa is constructed down the country.

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Holiday Destinations in Malaysia

Word count: 612
Category: Country Holidays Life

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Why does Malaysia today attract people from the whole world so much? One of the most beautiful states of Southeast Asia, many-faced Malaysia gives an inquisitive traveler much more than a relaxed holiday in a tropical paradise. Malaysia is a real melting pot of Asian cultures, whimsically mixed in the territory of one state. You can get Holiday Destination in Malaysia Essay Sample here.

Malaysia is a country of beautiful tropical paradise, where travelers are immersed in a whole kaleidoscope of Asian cultures, concentrated in the territory of one state. It is in this country that the archaic culture, exoticism, and unique color were intertwined in a harmonious symbiosis.

In Malaysia, a lot of amazing, which attracts countless tourists from around the world. Here, in an amazing way, modernity is combined with authenticity. Only after visiting this country, you understand how unusual it is and its holiday destinations.

Malaysia can charm anyone. Moreover, everyone can find what he likes to take from a holiday in Southeast Asia. As in most Asian countries, there is very rich tropical vegetation, which is famous for exotic fruits, as well as an abundance of architectural monuments, many of which are very ancient. You can get the Holiday destination in Malaysia example of the essay to get the full information.

Malaysia is famous not only for Kuala Lumpur, Penang, and Langkawi. Since Malaysia is still highlands with tea plantations Cameron Highlands, this impenetrable jungle Borneo with a unique plant and animal world, the city of entertainment Genting Highlands, this amazingly picturesque state of Perlis, is one of the best diving sites on Sipadan Island, many national parks with waterfalls and caves and much more.

Original architecture, familiarity with tropical flora and fauna, fascinating shopping, unusual, but delicious national cuisine will give unforgettable moments that will remain with everyone forever!

Malaysia is one of the well known country nowadays because of it’s beauty and cultural. Every year, many of the foreigners from different countries come to visit Malaysia especially when the government launch the events such as ‘Tahun Melawat Malaysia’ and ‘Cuti-cuti Malaysia’. There are many interesting and beautiful holiday destinations in this country. Among all of the places, there are three main popular holiday destinations. One of the awesome destination in Malaysia is located in Pahang, which is Pahang National Park. It is known far and wide for its beauty. It is full with green trees and colorful wild flowers which is very suitable for a nature lovers. In this National Park, we can do lot of recreational activities such as soothing walks along the jungle trail or go rafting in the crystal clear water The next stunning holiday destination is the ‘must visit’ Cameron Highland. It is also situated in Pahang. It has a cool climate temperature, lushly greens and well-preserved colonial buildings.

There are many great places in Cameron Highland. For example, the tea plantation, the strawberries park, the rose garden and also the herbs garden. Furthermore, it have a picturesque view of the surrounding, which is filled with beautiful flowers and mountains. It is simply breathtaking! The last but not least is the famous Langkawi Island and is also known as ‘The Paradise ’ and ‘The Enchanted Island. The location is in the north-western Peninsular Malaysia. It has stunning beaches and one of it is the heart of the Pulau Langkawi, Pantai Teluk Datai. The beach is surrounded by emerlad green sea and blanketed by sapphire blue sky. We can do thousands of activities in this beach like water-surfing, scuba-diving, volleyballs competition and so on. In a nutshell, these are the three main popular holiday destinations in Malaysia that makes Malaysian one of the ‘must visit’ country.

movie review 7 pounds

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I am fascinated by films that observe a character who is behaving precisely, with no apparent motivation. A good actor brings such a role into focus, as Will Smith does in the enigmatically titled "Seven Pounds." Who is he, what does he want, why is he behaving so oddly for an IRS agent? And why won't he kiss Rosario Dawson , when they both so obviously want that to happen?

As Ben Thomas, the man from the IRS, he can get in anywhere and ask any question. But surely the IRS doesn't require him to punch a nursing home supervisor for not allowing an old lady her bath? And why, after he intuits he is speaking to a blind man on the phone, is he so needlessly cruel to him? And why then does he follow the same man ( Woody Harrelson ) into a restaurant and engage him in conversation?

And why does he check into a fleabag hotel? Doesn't the IRS pay him a salary? And what favor does his lifelong friend Dan ( Barry Pepper ) owe him? And why is he looking for people who need their own favors? And so on. For much of the first hour of "Seven Pounds," Ben Thomas acts according to a plan that seems perfectly clear, but only to himself. The reason it goes unexplained is that he has no need to explain it to himself, and no way to explain it to anyone else.

I am reminded of a film you should see some day, Melville's " Le Samourai ," about a man who lies on a bed in a dark hotel room and smokes, and gets up, and pays meticulous attention to his appearance, and goes out into the night, and we have no idea who this man is. I find this more interesting than a movie about a man whose nature and objectives are made clear in the first five minutes, in a plot that simply points him straight ahead.

Will Smith displays a rather impressive range of emotional speeds here. He can be a tough, merciless IRS man. He can bend the rules on some cases. He can have a candlelight dinner with a beautiful woman named Emily Posa (Rosario Dawson) and go home afterward. She can sense his deep sadness. He is angry with people sometimes, but he seems angriest of all at himself. It's quite a performance.

And Dawson makes Emily not simply a woman confused, maybe offended, by his behavior, but a woman of instinctive empathy, who does an emotional dance with him, following his lead when he needs to be treated like an IRS agent or like a perfect gentleman or like a man who needs understanding even if she doesn't know what she's supposed to understand.

I haven't even hinted about the hidden motives in this film. Miraculously for once, even the trailers don't give anything away. I'll tell you one thing: I may have made Ben sound like an angel, but he is very much flesh and blood, and none of his actions are supernatural. He has his reasons. The director is Gabriele Muccino , who also directed Smith in "The Pursuit of Happyness." He is effective at timing the film's revelations so that they don't come suddenly like a U-turn; they're revealed at the last necessary points in the story. Some people will find it emotionally manipulative. Some people like to be emotionally manipulated. I do, when it's done well.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Seven Pounds (2008)

Rated PG-13 for thematic material, disturbing content and a scene of sensuality

123 minutes

Rosario Dawson as Emily Posa

Woody Harrelson as Ezra Turner

Michael Ealy as Ben's brother

Will Smith as Ben Thomas

Barry Pepper as Dan

Elpidia Carrillo as Connie Tepos

Directed by

Gabriele Muccino
Grant Nieporte

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Seven Pounds

H ere's a mystery drama that's supposed to get us asking questions in a whispery, awestruck voice, questions like: "Oh wow, what's Will Smith doing? What is his secret? What terrible private pain drives him? That aura of tragic, saintly heroism which if anything makes him sexier than ever - what is it all about?" The question I was asking myself after 30 minutes was: "When is this incredibly tiresome nonsense going to end?" The answer, I discovered after a tense squint at the publicity material, was: after another solid hour and a half.

Gabriele Muccino, the Italian film-maker who directed Smith in the 2006 family drama The Pursuit of Happyness , is now at the helm of a movie intended to be both puzzle and emotional journey - halfway between what Variety magazine calls a head-scratcher and a tear-jerker. Maybe make that: tear-scratcher. We are initially supposed to be intrigued by that enigmatic title, unexplained until the very last, and perhaps inspired by Alejandro González Iñárritu's 21 Grams. Gosh, what does "seven pounds" mean? Could it, perchance, refer to the exorbitant price currently being asked for this film's knockoff DVD by the bloke standing outside Tesco Metro in Tottenham? (To be fair, he will throw in Bride Wars for a tenner.)

The action starts with Will Smith agonisingly phoning the emergency services. He is evidently in the midst of a spiritual and physical crisis. Then we flashback to what led up to this calamity, and the puzzle pieces are coyly lowered into position. Smith is Ben Thomas, apparently an officer with the Internal Revenue Service, galvanised by his own mysterious mission – searching, searching, searching for decent, kind, good people.

With incredible condescension, he tells the successful ones things like: "You have a beautiful family." Ben finds himself drawn to one Emily Posa, an artistic type with a picturesque cardiac condition, played by Rosario Dawson, who in the midst of an adorably platonic date, modestly tells Ben: "I used to be hot." (There is of course no ambiguity about who the lesser, not-hot characters are meant to be, and they aren't Emily and Ben; the latter's own notional dishevelment is incidentally signalled by being ever so slightly unshaven.)

The most supremely annoying moment in this supremely annoying film comes when Ben actually insults blind call-centre worker and part-time pianist Ezra (Woody Harrelson) for the specific purpose of testing him: checking whether he is meek and nice and good enough to measure up to his moral standards. Are there any other disabled people he wishes to test in this way, I wondered? If I was Ezra, I would tell our tortured, jug-eared dreamboat to go jump in a lake.

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Seven Pounds Reviews

Employs a mixed tactic of misdirection and a little confusion, as the film jumps around on the timeline and waits to provide an explanation until almost halfway through.

Full Review | Original Score: 7/10 | Nov 28, 2020

It was truly Rosario Dawson who completely enchanted me.

Full Review | Original Score: 3.0/4.0 | Sep 22, 2020

Seven Pounds becomes a mesmerising, powerful piece of film-making that, although not completely perfect... has the courage of its convictions to the end.

Full Review | Original Score: 4/5 | Oct 30, 2019

Chokes on its own muddled spiritual regurgitation.

Full Review | Original Score: 2/4 | Jul 7, 2019

Not only is the idea so far out to be only fiction, it is so sadly executed that you can be pardoned for thinking Will Smith has remade Hancock, with less booze, more heart but as many powers and apparently as much grief.

Full Review | Apr 26, 2019

The reason for the protagonist's actions is so ludicrous that the film's distributors asked critics not to reveal 'the twist'. Unsurprisingly, it's not worth knowing.

Full Review | Original Score: 2/5 | Nov 4, 2018

... the ending just raised another question: what the hell was that?

Full Review | Original Score: C- | Sep 12, 2017

I've rarely seen a film so sure of its own seriousness and profundity.

Full Review | Mar 13, 2015

I've never seen such a bad film so well made.

Full Review | Original Score: 1.5/5 | Oct 21, 2014

Full Review | Original Score: 2/5 | Nov 18, 2011

An overwrought, improbable drama that's as frustrating as it is morbid.

Full Review | Original Score: 2/5 | Jul 14, 2011

Proof that no black actor, regardless of acclaim or popularity, can ever truly transcend the Mythical Black Man motif. Milquetoast dweebishness robs Will Smith of his natural forcefulness, and "Seven Pounds" has easily the worst ending of the last decade.

Full Review | Original Score: 0/4 | Oct 31, 2010

Reactions to the movie will largely depend on whether or not viewers decide this time that the divine Mr. Smith has overreached. I say he has -- but I can't tell you why.

Full Review | Jul 6, 2010

El ritmo de la cinta es algo lento en un inicio pero después mejora, aunque hay que decirlo, se siente la mano manipuladora del director que parece haber estado más concentrado en pensar si el público se sentiría conmovido que en hacer un filme memorable.

Full Review | Original Score: 2/5 | Mar 11, 2010

Seven Pounds may be the most spiritual picture of the holiday season; this story of redemption is a gift for moviegoers.

Full Review | Original Score: 4.5/5 | Sep 8, 2009

The ending will divide viewers. Some will shed tears, others will be outraged. It's a bold artistic choice, but one of questionable morality.

Full Review | Original Score: 2.5/4 | Aug 30, 2009

The creepiest version yet of the Magical Negro routine

Full Review | Aug 26, 2009

Takes immense pleasure in letting its audience in on nothing.

Full Review | Original Score: 2/5 | Jul 30, 2009

The good, Will Smith is a brilliant actor. The bad, Seven Pounds isn't nearly as brilliant as Will Smith.

Full Review | Original Score: C+ | Jun 10, 2009

Will Smith's previous film with director Gabriele Muccino, The Pursuit of Happyness, was a tale well told. Their new one is a gimmicky tale annoyingly told.

Full Review | Original Score: 1.5/4 | Apr 23, 2009

The Movie Review: 'Seven Pounds'

Will Smith is testing us. Over the summer, he tried to get America to swallow the idea of a do-gooding p.r. flack (played by Jason Bateman) in Hancock . We did swallow it--and worse--to the tune of $228 million in domestic receipts. With Seven Pounds , Smith goes further, trying to force the idea of a do-gooding IRS agent down our throats. (Even Will Ferrell, who tried the trick in Stranger Than Fiction , couldn't pull that off.) But if recent box-office history is any guide, the moviegoing public will dutifully devour Seven Pounds and ask for seconds.

Directed by Smith's The Pursuit of Happyness collaborator Gabriele Muccino, the movie takes the form of a puzzle. We watch as IRS officer Ben Thomas (Smith) calls 911 to report a suicide and, when asked who the victim is, replies, "I am." We then flash backward, to Ben receiving a mysterious list of "suitable candidates" he has ordered drawn up; to Ben as the CEO of an aeronautics company, paying too much attention to work and too little to his wife; to Ben in a terrible car accident; to Ben stalking a series of people with medical ailments, alternating between aggressive attempts to gauge their character and lavish exertions to improve their circumstances. What's going on? Is Ben an angel? A ghost? An alien sent to Earth to redeem our sins? He's obviously way too nice to be a real IRS agent.

As Ben wanders around selflessly fixing the lives of perfect strangers--notable among them a blind man (Woody Harrelson in a comical wig) and a woman with a bad heart (Rosario Dawson)--the film looks as though it might shape up to be a paradigmatic fable for our times, the Unpaid Medical Bills Thriller. But from the start there is something bleaker in the background, a dark secret waiting to be unearthed. To underline the point, Smith squints his eyes and purses his lips in an effort to look unhappy in his own skin--an acting challenge so formidable that he might be forgiven for only partly succeeding. For a while, about midway through the film, the central enigma recedes in favor of an extended flirtation between Smith and Dawson (who is as effortlessly magnetic as usual). But once the awkward courtship is consummated, smacko comes the twist ending, rushing back to the forefront like an ill wind.

It's a conclusion more prosaic, and more appalling, than anticipated, and much as I'd like to spoil it, I won't. (Just pay attention to that very first scene, which is more straightforward than you might expect.) Like Hancock , Seven Pounds is a sloppy film, shot through with acute problems of structure, logic, and pace, which the producers evidently thought could nevertheless coast on Smith's well-documented marketability. But Seven Pounds is something worse as well: a dour, morally beclouded film that confuses generosity and grief, self-abnegation and self-annihilation. Yes, it comes prettily wrapped as the package of holiday uplift it fatuously imagines itself to be. But this is a present best left unopened.

This post originally appeared at TNR.com.

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Movie Review | 'Seven Pounds'

An I.R.S. Do-Gooder and Other Strangeness

By A.O. Scott

Dec. 18, 2008

“Seven Pounds,” which reunites Will Smith with Gabriele Muccino (who directed him in “The Pursuit of Happyness”), begins with a series of riddling, chronologically scrambled scenes. A man calls 911 to report his own suicide. He badgers a blind call-center employee whom we suspect will be a significant character, since he’s played by Woody Harrelson with complaints and insults. He embraces a lovely woman in an even lovelier beach house. He visits a nursing home where he terrorizes an administrator and comforts a resident.

For a while it is pleasant enough to contemplate these loose ends, and to tease from them the possible contours of a story. It is never unpleasant to watch Mr. Smith, who likes to play peekaboo with his charm, hiding it now and then behind fleeting shadows of anguish or malice. The music (Angelo Milli’s score and a handful of emotive pop songs) combines with the deep colors of Philippe Le Sourd’s cinematography to summon up intensities of sentiment not yet arrived at by the narrative, creating an interesting frisson of suspense. After a while, though, as the pieces of the puzzle snap together, curiosity gives way to incredulity.

Near the end of “Seven Pounds” a carefully laminated piece of paper appears, on which someone has written, “DO NOT TOUCH THE JELLYFISH.” I wouldn’t dream of it, and I’ll take the message as a warning not to divulge the astonishing things that happen, not all of them involving aquatic creatures.

Frankly, though, I don’t see how any review could really spoil what may be among the most transcendently, eye-poppingly, call-your-friend-ranting-in-the-middle-of-the-night-just-to-go-over-it-one-more-time crazily awful motion pictures ever made. I would tell you to go out and see it for yourself, but you might take that as a recommendation rather than a plea for corroboration. Did I really see what I thought I saw?

And I wish I could spell out just what that was, but you wouldn’t believe me, and the people at Sony might not invite me to any more screenings. So instead of spelling out what happens in “Seven Pounds,” I’ll just pluck a few key words and phrases from my notes, and arrange them in the kind of artful disorder Mr. Muccino seems to favor (feel free to start crying any time):

Eggplant parmesan. Printing press. Lung. Bone marrow. Eye transplant. Rosario Dawson. Great Dane. Banana peel. Jellyfish (but you knew that already). Car accident. Congestive heart failure.

Huh? What the ... ? Hang on. What’s he doing? Why? Who does he think he is? Jesus! That last, by the way, is not an exclamation of shock but rather an answer to the preceding question, posed with reference to Mr. Smith. Lately he has taken so eagerly to roles predicated on heroism and world-saving self-sacrifice see “I Am Legend” and “Hancock” that you may wonder if he has a messiah clause in his contract. Which is not to say that he doesn’t show range in these films, in which he credibly plays a research scientist, a dissolute superhero and, in this latest one, an I.R.S. agent.

An I.R.S. agent who wants only to help people. This is a nice, small joke that provides a few grace notes of levity in what is otherwise a lugubrious exercise in spiritual bushwa. For all its pious, earnest air, “Seven Pounds” cries out to be remade as an Asian horror movie, so that the deep, creepy grotesqueness of its governing premise might be allowed to flourish, rather than to fester beneath the surface.

As it is, the movie is basically an inverted, twisted tale of revenge. Ben Thomas, Mr. Smith’s character, is in essence a benevolent vigilante, harassing, stalking and spying on unsuspecting citizens for their own good, and also to punish himself. Why such misery should also be inflicted on an innocent, affirmation-hungry audience and also on the marvelous Ms. Dawson, who plays one of Ben’s victim-beneficiaries is another matter entirely.

But maybe I’m approaching this in the wrong way. Maybe “Seven Pounds” isn’t a spiritual parable about redemption or forgiveness or salvation or whatever, but rather a collection of practical lessons. Don’t drive while using a BlackBerry. Fertilize your rose bushes with banana peels sorry, that was a spoiler. But please, whatever you do, don’t touch the jellyfish.

I’m serious. Don’t.

“Seven Pounds” is rated PG-13 (Parents strongly cautioned). Swearing. Soulful sex by candlelight. Car accident. Eggplant parmesan.

SEVEN POUNDS

Opens on Friday nationwide.

Directed by Gabriele Muccino; written by Grant Nieporte; director of photography, Philippe Le Sourd; edited by Hughes Winborne; music by Angelo Milli; production designer, J. Michael Riva; produced by Todd Black, James Lassiter, Jason Blumenthal, Steve Tisch and Will Smith; released by Columbia Pictures. Running time: 1 hour 58 minutes.

WITH: Will Smith (Ben Thomas), Rosario Dawson (Emily Posa), Woody Harrelson (Ezra), Barry Pepper (Dan) and Michael Ealy (Ben’s Brother).

Seven Pounds Review

Will smith's new drama is a moving but overearnest tearjerker..

3.5 out of 5 Stars, 7/10 Score

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Seven pounds, common sense media reviewers.

Melancholy Will Smith film is too intense for younger kids.

A Lot or a Little?

What you will—and won't—find in this movie.

Helping others is an important message for childre

On the one hand, Ben is incredibly altruistic and

Disturbing glimpses of a fatal, multi-car accident

A couple kisses/embraces, and another couple makes

On the milder side for a PG-13 film, but still a c

Featured brands include Ford, Mercury Records, Kie

Ben and Emily drink wine at dinner.

Positive Messages

Helping others is an important message for children and teens to take seriously, but purposely endangering your life in the process isn't advisable.

Positive Role Models

On the one hand, Ben is incredibly altruistic and generous, but on the other, he's also depressed, obviously suffering from post-traumatic stress and mentally unstable. Also on the up side, the movie features a diverse cast.

Violence & Scariness

Disturbing glimpses of a fatal, multi-car accident are shown. A battered woman has a black eye. One character almost dies, and another character does die in a bizarre way. Ben needs a cast after smashing up his house.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

A couple kisses/embraces, and another couple makes love -- thier bare backs and shoulders are visible.

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

On the milder side for a PG-13 film, but still a couple of uses of "s--t," "hell," "ass," "goddamn," etc.

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Products & Purchases

Featured brands include Ford, Mercury Records, Kiehl's skincare products, and Travel Inn motel.

Drinking, Drugs & Smoking

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Parents Need to Know

Parents need to know that Will Smith + holidays usually equals blockbuster. But this drama's mysterious title and trailer may turn off younger fans who'd rather see a comedy or fantasy. And viewers in the mood for a feel-good story should look elsewhere: The movie tackles heavy themes like what it means to live a meaningful life, embracing death in the face of a terminal illness, and using grief as a motivation to act selflessly. The language and consumerism are mild, the violence is limited to (admittedly disturbing) scenes of two fatal incidents, and the sexuality is one love scene featuring a bare shoulders and backs. All of that said, the central message -- giving of yourself no matter what the cost -- may be too mature for young viewers to handle. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

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Community Reviews

Parents say (18)
Kids say (20)

Based on 18 parent reviews

Confusing messages for children

Amazing, inspirational drama, what's the story.

The sole survivor of a fatal car crash that killed his fiancee and six others, moody IRS auditor Ben Thomas ( Will Smith ) is wholly focused on finding "good people" to help in extremely personal, unbelievably generous ways -- like forgiving a beautiful-but-sick woman's ( Rosario Dawson ) back-taxes or giving an abused single mother his luxury beach house. He's also donating an organ to a beloved local basketball coach he barely knows. As Ben says about another possible recipient of his selflessness: "It is within my power to drastically change his circumstances." But as this mysterious drama unfolds, it becomes clear that Ben isn't exactly as he seems -- and that his purpose, while noble, is also morbid and heartbreaking.

Is It Any Good?

Smith usually comes through, but watching him mope around for two hours is neither believable nor inspiring. What begins as a suspense-filled drama devolves into a "very special episode" of Grey's Anatomy or ER (let's leave the spoilers at that). It's not that the cast doesn't act well, because Smith, Dawson, Woody Harrelson (a blind man Ben takes an interest in), Michael Ealy (Ben's brother), and Barry Pepper (Ben's best friend) are all talented performers. The story is the main problem -- instead of being powerful and thought-provoking, as director Gabriele Muccino aims, it's saccharine and phony.

Although Smith, a two-time Academy-Award nominee, is up to dramatic roles -- and it's understandable why he'd re-team with Muccino, his Pursuit of Happyness director -- he's built his superstardom on playing the hopeful hero. Ben is a hero, but he's so depressed (and depress ing ); fatalistic audiences may consider Smith miscast. Tortured and bereaved looks good on Sean Penn , Benico Del Toro , and Don Cheadle . But Smith? Not so much.

Talk to Your Kids About ...

Families can talk about the film's emphasis on altruism. What messages does it send about generosity? Is it a positive message?

Was Ben saintly or insane -- or is it a little of both?

Families can also discuss how the movie develops as a suspenseful drama. How specifically was it suspenseful? Was the end predictable, or did it succeed in being a "big reveal"?

How does Smith's character here compare with others he's played? Do you prefer him in dramas or comedies/action-adventures? Why?

Movie Details

In theaters : December 19, 2008
On DVD or streaming : March 31, 2009
Cast : Barry Pepper , Rosario Dawson , Will Smith
Director : Gabriele Muccino
Inclusion Information : Female actors, Black actors, Indigenous actors, Latino actors
Studio : Sony Pictures
Genre : Drama
Run time : 123 minutes
MPAA rating : PG-13
MPAA explanation : thematic material, some disturbing content and a scene of sensuality
Last updated : April 7, 2023

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Film review: seven pounds.

No Will Smith movie goes unnoticed in theaters, so "Seven Pounds" -- awful title -- is looking at substantial numbers during the holidays.

By Kirk Honeycutt , The Associated Press December 17, 2008 11:01am

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“Seven Pounds,” starring Will Smith and directed by Gabriele Muccino, bears hallmarks of their earlier film together, “The Pursuit of Happyness.” Again, this film is terribly in earnest, and Smith gets ample opportunities to show off his acting chops. It differs from that film, though, by being less slick, more down to earth with its sentiments and less manufactured in its drama.

At the heart — quite literally — of the film is an unlikely and intense romance between Smith and a cardiac patient played beautifully by Rosario Dawson, which no doubt will generate positive word-of-mouth for the Sony release. No Will Smith movie goes unnoticed in theaters, so “Seven Pounds” — awful title — is looking at substantial numbers during the holidays.

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Movie Review: Seven Pounds (2008)

General Disdain
10 responses
--> December 19, 2008

Weighing in at a very long two hours, Seven Pounds has certainly set itself up to be this year’s heart wrenching opus of personal forgiveness and redemption. It also sets the stage for Will Smith to once again prove that he’s, gulp, one of the more accomplished actors of my generation.

He is Ben Thomas, a matter of fact man with an agenda. Sure, you want to know what it is, but I’m not going to tell you. What I will say is it takes more than half the movie for director Gabriele Muccino to get to even thinking about hinting to what it is. What we know initially is he wants to kill himself — but maybe he doesn’t as he is alerting a 911 operator of his plans. Via a flashback, we find out what led him to this moment.

And through it all we see Mr. Thomas is a deeply troubled man with convictions that are foreign to most. In one scene, he berates a blind meat salesman on the phone named Ezra (Woody Harrelson) with hard hitting insults that caused me to wince in discomfort. In another, he reaches out to Connie (Elpidia Carrillo) an abused Mexican woman and offers her and her children shelter from a boyfriend who beats her incessantly. In yet another, he causes his childhood friend Dan (Barry Pepper) to emotionally breakdown while insisting that he keep his word and do something to or for Ben that no man or woman should have to do. It’s a bizarre emotional roller coaster, that few would want to stand in line for.

But in the midst of it all, he meets Emily Posa (Rosario Dawson), a beautiful young lady with a heart condition. At first he tries to remain standoffish not offering to her a rhyme or reason as to why he has befriended her. But she’s having none of it — if he wants in, she does too. Love unfolds where none was expected or wanted. Is he saving her or is she saving him?

The success of Seven Pounds lays strictly with the believability of Will Smith and his being able to convince the viewer that Ben believes what he is doing will truly bring him salvation. Relying on his strong performance from such movies as The Pursuit of Happyness , Smith is able to comfortably juggle the many hats this role forces him to wear. It would have been very easy to slip up and make Ben a calloused, unlikable person, so Will deserves a bit of praise for his characterization. Likewise, it doesn’t hurt that Rosario Dawson puts on a powerful performance herself. She skillfully conveys strength and vulnerability — two overwhelming emotions sure to arise when one is faced with the gut-wrenching knowledge of one’s imminent demise. Watching them break down each others walls as they slowly meander down the path of intimacy was a treat and it was presented as naturally as a love story can be done too.

But, I can’t help but wish the movie was a bit shorter. There are more than a few moments that added very little to the overall presentation and would not have been missed had they been left on the cutting room floor. I’ll also add that Seven Pounds puts forth an idea that requires some introspection and may cause viewers to think, “What the hell was that all about?” While I wasn’t necessarily a part of that group, I know I asked myself a few pointed questions at the film’s conclusion that I would have preferred to not have.

And oh yeah, a quick warning to the men going to see this with their significant others: BE CAREFUL. There are some tear-jerker scenes that could make Attila the Hun well up and cry. Hide some tissues in your jacket pocket, there’s a damn good chance you’ll need ’em.

I'm an old, miserable fart set in his ways. Some of the things that bring a smile to my face are (in no particular order): Teenage back acne, the rain on my face, long walks on the beach and redneck women named Francis. Oh yeah, I like to watch and criticize movies.

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'Movie Review: Seven Pounds (2008)' have 10 comments

December 22, 2008 @ 9:28 am JerseyMike

@General Disdain

You cry? Such a wuss…

On to your review. I find it hard to understand why you thought this movie was any good? Took forever to get to the point, his motives aren’t very clear and as much as we all want to like Will Smith, he’s not a serious actor. Knowing you and your “mancrush” for Will Smith you prolly liked “Pursuit of Happyiness” too…

December 22, 2008 @ 10:39 am Loren

Wow, JerseyMike does nothing but criticize others. I am sure you do not have any opinions that are YOURS, so you go around and troll other peoples blogs.

December 22, 2008 @ 10:55 am JerseyMike

@Loren – What’s the point of a “Opinion” section of a review if you can’t provide it?

Did you hug that tree yet?

December 22, 2008 @ 11:12 am General Disdain

JerseyMike,

I appreciate your gusto, but let’s keep the attacks focused on me (or other reviewer) and not on other visitors.

For the most part, I’m not a big fan of Will Smith, but I do give credit where it is due. The movie’s success rested with Smith being able to carry the part and I felt he did a good job at it. As for the motives being unclear, that was the idea; there was a payoff in the end — whether you liked it or not is another story altogether.

January 10, 2009 @ 6:00 pm sitstayfetch

Another great movie by will smith, with out seeing it, i know its a great movie, because will smith will do a great job on all this movies

January 11, 2009 @ 11:41 am Jess

Good review. I didn’t like Pursuit of Happyness very much, it was just so sad. I agree that 7 pounds would have benefited from some trimming, just a bit too long.

July 11, 2009 @ 1:38 am Winson John

I can’t believe review made by JerseyMike where he is telling that Will Smith is not known for his serious acting. That was sad statement and I totally disagree. Will Smith was great in both Seven Pounds and in Pursuit of Happyness. Both of these movies I cherish and rate both of these movies very high.

Will Smith performed exceptionally well. For first 20 minutes or so, I never understood what is happening in the movie. I hated Will Smith character because of the way he spoke to that blind person (Woody Harrelson), but as the movie progressed I understood what he is trying to do. Ben Thomas (Will Smith) gave his own seven pounds of body to change life of six strangers and his brother.

Must see movie. My Rating: 9.5 out of 10.

July 11, 2009 @ 3:09 am Bryony

I agree with JerseyMike He made some really fair calls. Will smith did need to do the best acting to make that movie work and yer he gave it a crack but it had some holes in it… When i first viewed it nothing went in until I watched it again. It didn’t really grab me as a great movie.. Guess just yet another Media beat up bout a moive that kinda fell apart

February 18, 2012 @ 5:11 pm Nancylee

This is an extraordinary movie. I am a social worker and deal often with people contemplating suicide. I recommend this movie to my colleagues as it is a story quite different from what we are accustomed to hearing.

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SEVEN POUNDS Movie Review

A traumatic event has shaken Ben Thomas (Will Smith) to his core, leaving him fixated on the trauma of several strangers (including Woody Harrelson and Bill Smitrovich) in ways that are not immediately clear. Using I.R.S. credentials to infiltrate their lives, Ben is searching for any sign of goodness to soothe his tattered soul, finding unique chemistry with Emily (Rosario Dawson), a young woman suffering from a heart condition that offers little in the way of hope. Engaging Emily further than anyone else on his list, Ben unearths a faint sense of optimism to his miserable life, making him reconsider his ultimate plan of atonement.

"Seven Pounds" is many things, but the one quality that comes across as entirely unexpected is how much of a mystery the feature is. Director Gabriele Muccino (reteaming with Smith after their 2006 smash "The Pursuit of Happyness") and screenwriter Grant Nieporte are extremely protective of Ben's expedition of healing, using time changes and assorted masked qualities to make sure the audience has no idea what the character is ultimately hoping to attain. I'll give the production this, "Pounds" is not an easy film to predict, but this relentless ambiguity erodes the effectiveness of the overall experience, turning Ben's enigmatic misery into head-slapping filmgoing frustration.

To best appreciate "Pounds" requires either hours of reflection after viewing or a second trip to the multiplex, and I'm not convinced the film is worth such dedication. The quandary is simple to indentify: to fully value Ben's journey requires knowledge of its conclusion, otherwise "Pounds" is a just a series of detached sentiment without a hub to study for maximum investment. Muccino doesn't layer in the critical narrative clues to satisfaction during the feature, electing to use Smith's perpetually glassy-eyed performance (he looks more constipated than tortured throughout the film) as the barometer of the movie. The distance can be aggravating, especially when so much of the picture is reliant on information the audience doesn't have yet. Sure, all the crying introduces an air of vulnerability that's difficult to discount in full, but it begins to read as manipulation after the first hour, with the production playing their cards too close to the chest just to build toward a finale meant to shatter minds, but will most likely result in feigned sniffles and question marks.

It's difficult to paint an accurate portrait of "Seven Pounds" without giving too much away, but the end certainly doesn't justify the protracted means. If it wasn't for Dawson 's tender performance elevating Smith's game, "Seven Pounds" would be just another useless tear-jerker, wishing to speak profoundly on the misery of human existence, but failing to encourage the audience to appreciate the experience.

16 Jan 2009

125 minutes

By far Will Smith’s biggest departure from the smart-sassy persona that made him the biggest star on the planet, Seven Pounds is a strange little movie, part puzzle, part love story, part maudlin study

in grief, part odd little indie flick. In outline, it sounds like a miserable Pay It Forward — it’s better than that — but, despite strong moments and interesting visuals, Smith and his Pursuit Of Happyness director Gabriele Muccino never really resolve its various strands into something coherent and satisfying.

Like a morose Pudsey, Thomas’ (Smith) plan is to help seven strangers in need, so we see a somnambulistic Smith wander round hospital wards, fend off his distant brother, build relationships — particularly with Woody Harrelson’s blind pianist, Elpidia Carrillo’s battered mother and Rosario Dawson’s cardiac victim — all the while having the odd flashback to The Terrible Tragedy that has caused his emotional ennui. Taking a march from The Diving Bell And The Butterfly, Muccino reflects Thomas’ emotional narcolepsy through dreamy, airy images, all bizarre compositions, rampant overexposure and sloppy focus. But the first half is confused rather than intriguing, and while you sense it will all prove important later, it fails to really engage and illuminate.

Smith is in serious mode, stitching together elements from previous roles: the everyman with normal problems (The Pursuit Of Happyness); the stranger who shakes up people’s lives (Six Degrees Of Separation, Hitch), the tortured misanthrope (Hancock). But unusually for Smith, he can’t give you a way into the character, striking a note of befuddled melancholy without ever making you feel Ben’s pain. However, as he begins to emerge from his stupor through his relationship with Emily (Dawson on good form), the film moves into more conventional territory. This is some of the nicest stuff, and you can see Smith visibly relax.

How Thomas’ masterplan reveals and resolves itself aims to be cathartic and moving, but the first half of the movie hasn’t earned the investment needed for the big emotional finish. It’s a movie that wants to say Big Things about guilt, penance and redemption, but unfortunately can’t muster the insight.

Movies | 14 01 2009

Movies | 07 11 2008

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Drama , Romance

Content Caution

In Theaters

Will Smith as Ben Thomas; Rosario Dawson as Emily Posa; Woody Harrelson as Ezra Turner; Michael Ealy as Ben's Brother; Barry Pepper as Dan; Elpidia Carrillo as Connie Tepos

Home Release Date

Distributor.

Sony Pictures

Movie Review

There’s almost nothing I can say about Seven Pounds without it giving away almost everything about Seven Pounds . I can’t even talk about its title. So consider this a significant spoiler warning.

Will Smith plays an IRS agent named Ben Thomas. Or at least you think he does. Ben goes door to door—and hospital to hospital—auditing people at the oddest times and in the oddest ways. He asks probing, personal questions no IRS agent has any business asking. He pokes around people’s backyards—and hospital rooms—without invitations. He demands to know if they are “good” enough to deserve preferential treatment from the official tax collection agency of the U.S.A.

Stewart doesn’t. But Emily does. (She’s quite a bit cuter than Stewart, and she doesn’t manipulate and harangue the elderly in the nursing home Stewart runs.) So by the power not exactly vested in Ben by the Internal Revenue Service, he grants reprieves and “changes the circumstances”—one way or another—of pretty much everyone he meets.

But Ben doesn’t stop at financial rewards for good behavior. He’s begun to give bigger gifts, too. Gifts that involve him seeking out the sick and infirm, then arranging for certain of his organs to be made available to them as a transplant. He donates bone marrow. He offers up a lung. And a kidney.

And now we’re back to Emily, a woman who has a malfunctioning heart. Ben falls for Emily in the process of auditing her, and he starts to think more and more about her heart—the one she has and the one she needs.

He really does want to do something about that.

Positive Elements

Up to a certain point—which I’ll explore in more detail in my conclusion—Ben’s altruism is inspiring. He cares much more for others than he does for himself. He gravitates to the needy like a dog to dinnertime. And speaking of dogs, Ben takes care of Emily’s Great Dane when she gets sicker and has to be hospitalized.

Ben finds a family that’s desperate for a change of scenery, and sets out to fulfill their every dream. The family is headed by a single mom who is being abused by her boyfriend. She’s so afraid of him she won’t call the cops, but she just might up and move away if she had the wherewithal to do so. Ben sacrificially provides that wherewithal, giving her his house, a car and money to start over.

All he wants from her in return is her promise to “live life abundantly.” (Something he can’t seem to manage for himself.)

Ben often tells those who are close to him that he loves them. He fixes things for Emily, and he weeds her yard.

Spiritual Elements

Life and death and personal sacrifice are all tied tightly into spiritual ideas. But Seven Pounds keeps the core of these concepts at arm’s length. At best—and that doesn’t mean it’s good—we see statues of the Virgin Mary and the baby Jesus in a Catholic hospital. As the story starts, Ben intones, “In seven days, God created the world. In seven seconds, I shattered mine.”

Sexual Content

Ben and Emily kiss passionately for a few long moments before they fully consummate their passion. Using quick cuts and obscure camera angles, the director shows them taking each other’s clothes off and collapsing onto her bed. The camera does focus on the top of Emily’s breast and Ben’s stomach—both of which are scarred from operations.

While taunting a blind man (to see if he responds in a respectful and “slow-to-anger” way), Ben hurls accusations of virginity at him. There are references to one-night stands (in an oldies song sung by children) and would-be high school dalliances.

Various women wear dresses and tops that reveal cleavage and lots of leg. Ben wears only a towel after showering. Part of Emily’s side is exposed while she bathes. A lingerie store at a mall backdrops one scene.

Violent Content

Furious with Stewart, Ben smacks the man’s head into a window. Frustrated and overwhelmed, Ben throws a chair and a few other things around his office. Emily falls hard and smacks her head on paving stones. We see the bruised face of a woman who has been beaten.

A catastrophic car accident is shown. In slow motion, vehicles spin out, fly through the air, come apart at the seams and are generally destroyed. A woman is ejected and dies on impact.

Ben commits suicide by dumping a box jellyfish into the bathtub with him. It stings him repeatedly as he howls and writhes.

Crude or Profane Language

Two s-words. A handful of other swear words include “a–,” “h—” and “b–ch.” God’s name is linked with “d–n” two or three times.

Drug and Alcohol Content

Wine appears on dinner tables.

Other Negative Elements

Totally committed to his “plan” and thus unconcerned with the “niceties” of life, Ben disregards such things as pet regulations at a motel. His “auditing” questions are sometimes downright rude, and he often makes other people feel very uncomfortable. Personal space and boundaries don’t much matter to him, and as a result he comes off as a creepy stalker more often than not.

There are some bloody views of surgery.

To tiptoe softly around the issues raised by Seven Pounds would be to spend eight or 10 pages trying to explain things. So the only way I can conceive of dealing with the worldview presented is to be bluntly concise: This is a movie about a man who decides that life is not worth living anymore. His decision is made out of both guilt and grief—his wife (presumably) died during a car accident he carelessly caused. Philanthropically wishing to help others as he makes his exit, he arranges for his vital organs to be transplanted into “worthy” people.

“Usually with the films that I make there are ideas that I connect to, but lately I’ve been dealing with the bittersweet in life because it feels more natural,” star Will Smith told Newsweek when asked why he would “take on a character like that” in a movie that “is pretty haunting.” Smith continued, “You don’t ever get it really the way you want in life. That really fascinates me. As an actor there are certain parts of a character that you create, and you train yourself to have those reactions and then it becomes hard to stop them when the role is over. You have to retrain yourself. My character in this film is like hot grits. You know you can’t shake them off and when you do, it hurts.”

Smith isn’t the only one who will have a hard time shaking off Ben. Or the misshapen—and somehow frightening—ideas about life and death that he embodies.

Steven Isaac

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Movie Review: Seven Pounds starring Will Smith

Seven Pounds Movie Review

Starring : Will Smith, Woody Harrison, Rosario Dawson Director : Gabriele Muccino (Pursuit of Happiness) Length : 2hr 3Min Released : December 19, 2008 Rated : PG-13

“If you are like most you will have one of two reactions, either leaving with your face covered with tears, or shaking your head.”

Seven Pounds stars Will Smith as IRS agent Ben Thomas. It’s a movie that is mysterious throughout keeping the viewer slightly out of the loop wondering what is going on. It is an emotional journey intended to slowly reveal the plot through subtle hints. Seven Pounds is a very slow paced film, only bearable because of Will Smith’s acting prowess. It is pretty clear that Ben, played by Will Smith, is more than he seems as he actively seeks to carefully analyze then help each person he meets.

The story unfolds as Ben makes visits to various people with different needs. Flashing his IRS badge he asks them both financial related questions as well as personal ones. He seems to be searching for something. As he is helping one of these strangers, the guy asks Ben “Why Me?” and Ben says “Because you’re a good person, even when you think no one is looking.” So he seems to be searching for “good people” to help. Why? It is very clear that Ben has a lot of emotional baggage as Seven Pounds is glittered with flashbacks which at first seem to be in the present. He is held captive by some sort of guilt or sad memory.

Overall the movie was well made, but as the quote above says (taken by a comment by user reviewer), you are either going to leave the theater crying or shaking your head. I happen to be the latter, despite the fact I am known to be very “emotional” when it comes to emphasizing with characters. Mainly because very early on in the movie it became crystal clear what the ending was going to be. It came too fast and too early. But then again I am the analyzer type that figures out plots pretty quickly to begin with. But what made me shake my head was not the plot, but the controversy that is the ending… it is definitely worth discussing from many different levels, especially from a moral standpoint.

** beware plot spoilers start here **

Journey to Self Redemption… or not Many other viewers were very touched and loved Seven Pounds. I could definitely see why it would be considered a “tear-jerker” being that it is a journey of spiritual redemption where every tear-jerking stops were pulled to draw in the emotions of the viewer. However, the area worth discussing is the ending. There is no way of discussing the moral points here without ruining some of the plot so proceed at your discretion.

**last warning – spoiler ahead**.

Ben is clearly driven to care for people, not out of love, but out of guilt for the deaths he had caused from a past accident. It is a journey to self-redemption. Throughout the movie he is miserable, constantly haunted by his past. He cuts off his relationships, leaves his brother constantly worried and wondering where he is as he only focuses on trying to redeem his own guilt and ultimately he sacrifices his own life to help others. To be explicit, he commits suicide in order to help those he has deemed to be “good people” by donating his organs and in essence pay for his past.

There is so much to discuss here.

Was it really an honorable thing for him to sacrifice so much to make his wrongs right? Is that even possible? Does doing good, take away the wrong?

Motivated by Guilt or Love? Self or Others? He is living his life to help people in order to fight away his guilt. He is out to find good people who need are in need of dire help. Sounds reasonable enough perhaps even honorable, and the movie does glorify his actions by making his acts seem noble and almost as if this was his last option. If you cant bear with the guilt and can’t live on, might as well do something good as you go. By the end of the movie, you sympathize with Ben and feel like he had to do this and that it was a noble thing he did.

However amidst all the feelings and emotions, you forget You forget that he completely deserted his loving brother who suffers throughout the ordeal. He also pulls in his childhood friend to make sure his organs are donated accordingly, never quite reciprocating his friends love for him and leaving him to suffer in the guilt of the final suicide. He also leaves many behind that love him, mourning and in sorrow. There is no followup showing the dramatic emotional consquences of his death on the people around him and the people who love him. Anyone who has been connected to a suicide knows the immense guilt and sorrow involved by all parties related to the person who commits suicide. Should I have known? Should I have seen the signs? Could I have done something? His brother may ask, could I have done something? His friend could ask, should I have stopped him? His lover may ask, did he do it because of me?

Ultimately suicide is shown to be a very, very selfish act. But all the emotions and the “selfless good” he produced in his death will overshadow this simple truth.

In his quest to appease his own guilt, he leaves a string of hurt people. He also was motivated by guilt for most of the movie with the lone exception of the wanting to help Emily Posa, played by Rasario Dawson, who he falls in love with. (By the way, I found it ridiculous he goes from the initial “Hi” to “What if we had children” within a very short time period). A little too convenient of a setup for another tear jerking moment.

People would argue that the movie glamorizes suicide. I don’t think it necessarily glamorizes it, but it does distorts our perceptions. You end up feeling like what he did was “ok” in the sense that it brought some good, that it maybe was partially out of “love”. It masks all the pains and hurts he caused and the selfish motivations that started it all. Let’s be clear. Suicide is the most selfish act there is. To commit suicide is to take your life because you can’t deal with some sort of pain or struggle despite the fact that it leaves so much pain and guilt for those who are left behind.

Questions Can one redeem himself through good works? Can one do enough good works to cover the guilt of doing something wrong? How can one forgive oneself? Can suicide be justified? Was Ben’s act a selfless or selfish act? How would you have felt if you were Ben’s brother? As Emily?

Feel free to agree or disagree. Leave your thoughts below. Rational clean discussions only.

Other Notes: The speed in which the Ben and Emily fall in love is a bit too hollywood. Not good in the way it will impact our perception of love and relationships. They meet, they date, they sleep with each other, talk about having children, then he dies for her. Is this really how love works?

The main characters do have a love scene, though for Hollywood’s standards, it was done conservatively without nudity or unnecessarily long. Though it speaks volumes about how much Hollywood has succumbed to our sexualized culture that a scene like this would be called conservative.

Beware of violent flashbacks of a car accident.

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A man with a fateful secret embarks on an extraordinary journey of redemption by forever changing the lives of seven strangers.
Haunted by a secret, Ben Thomas looks for redemption by radically transforming the lives of seven people he doesn't know. Once his plan is set, nothing will be able to stop him. At least that's what he thinks. But Ben hadn't planned on falling in love with one of these people. — Happy_Evil_Dude
The IRS tax collector Ben Thomas seeks out Emily Posa and resolves her situation with the IRS. Emily has a serious heart problem and is waiting for a donor, but her blood is very rare and her odds are low. Meanwhile Ben seeks out other people to help them in a journey for redemption for what he did in the past. However Emily and Ben unexpectedly fall in love with each other, but Ben does not have the intention of changing his plans. — Claudio Carvalho, Rio de Janeiro, Brazil
Academy Award nominee Will Smith reunites with the director and producers of The Pursuit of Happyness for this emotional drama concerning an IRS agent whose quest for redemption is unexpectedly complicated after he inadvertently falls in love. Ben Thomas is an IRS agent with a fateful secret. Assuming the identity of his younger brother, Ben sets out in search of redemption.
The movie starts with Tim calling 911 to report his own suicide. Two years ago, Tim Thomas (Will Smith), sending a text message while driving, caused a car crash in which seven people died: six strangers (Ken Anderson, Nicole Anderson, Ally Anderson, Ed Wright, Steven Philips, Monica Freeman) and his fiance, Sarah Jenson (Robinne Lee). In a bid for redemption, Tim sets out to save the lives of seven good people, although this goal only becomes clear near the end of the film. Throughout his journey, Tim keeps repeating the names of the 7 people he killed, to remind himself why he is doing what he is doing. A year after the crash, having quit his job as an aeronautical engineer, Tim donates a lung lobe to his brother, Ben (Michael Ealy), an IRS employee. Six months later he donates part of his liver to a social services worker named Holly (Judyann Elder). After that, he begins searching for more candidates to receive donations. He finds George (Bill Smitrovich), a junior hockey coach, and donates a kidney to him, and donates bone marrow to a young boy named Nicholas (Quintin Kelley). Tim has stolen his brother's IRS credentials & uses that to get information on all potential recipient candidates. He also visits them at their place of work & at home to figure out whether they deserve his gift of life to them. He visits Stewart Goodman (Tim Kelleher) who runs an old age home and needs a bone marrow transplant. He finds that Stewart has bought a new Beemer but has reduced operating costs at the center by 17%, causing untold misery to the old people. Tim rejects Stewart when an old patient tells Tim that Stewart punishes her and bursts into tears. Two weeks before he dies, he contacts Holly and asks if she knows anyone who deserves help. She suggests Connie Tepos (Elpidia Carrillo), who lives with an abusive boyfriend who broke her ribs just a month ago. Tim tells Connie that he can help her and leaves his number. But Connie asks Tim to leave. Tim moves out of his house and into a local motel, taking with him his pet box jellyfish. One night, after being beaten, Connie contacts Tim and he gives her the keys and deed to his beach house. She takes her two children, and they move into their new home. Having stolen his brother's credentials, and making himself known by his brother's name Ben, he checks out candidates for his two final donations. The first is Ezra Turner (Woody Harrelson), a blind meat salesman who plays the piano. Tim calls Ezra Turner and harasses him at work to check if he is quick to anger. Tim tries to provoke Ezra by saying that he wants to return the meat he bought from the company, as it is no good and, in the process, personally insults Ezra. Tim taunts Ezra as a blind meat salesman who doesn't eat meat. Tim calls Ezra a virgin and says that the world is surrounded by beauty and yet Ezra cannot see anything. Ezra remains calm and Tim decides he is worthy. He then contacts Emily Posa (Rosario Dawson), a self-employed greeting card printer who has a heart condition and a rare blood type. Tim visits Emily at the hospital secretly. Tim approaches Emily and says that he is from the IRS, and she is being audited for not paying taxes of $56,240.19. Tim knows that Emily has congenital heart failure, and that she is considered sick, but not sick enough to be on a donor recipient list. So, if her heart fails suddenly, she will most probably die. Emily considers that she does not deserve a heart as her life is unremarkable in every way. Tim gives her some respite by marking her accounts as noncollectable, penalty free, for the next 6 months. He spends time with her, weeding her garden and fixing her rare Heidelberg Windmill press. He begins to fall in love with her and decides that, as her condition has worsened and she is admitted to the hospital, he needs to make his donation. Emily is put on the donor list as she only has 4-6 weeks left with her current heart. Tim's brother Ben tracks him down at Emily's house, demanding that Tim return Ben's IRS credentials. After an interlude with Emily, Tim leaves her sleeping and returns to the motel. He fills the bathtub with ice water to preserve his vital organs, climbs in, and commits suicide by pulling his box jellyfish into the water with him. His friend Dan (Barry Pepper) acts as executor to ensure that his organs are donated to Emily and Ezra. Ezra Turner receives his corneas and Emily receives his heart. Afterward, Emily meets Ezra at his concert at a park, and they begin to talk.

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Seven Pounds Parent Guide

Ben Thomas (Will Smith) has a terrible secret. In order to be free of it's haunting effects, the deeply depressed man determines to do something wonderful for seven people who are also struggling with life's problems. But his noble plans begin to unravel after he meets Emily (Rosario Dawson), a beautiful woman with a heart condition.

Release date December 19, 2008

Run Time: 123 minutes

Official Movie Site

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The guide to our grades, parent movie review by kerry bennett.

Will Smith’s track record at the box office will likely be enough to draw crowds into his latest film Seven Pounds . His metamorphosis from teen rapper to one of Hollywood’s most versatile male actors has earned him scores of well-deserved accolades. But this venture—one that swirls around the number seven—may challenge his viewers to the point of discomfort.

In a mere seven seconds, Ben Thomas’ (Will Smith) life is irrevocably altered. All the regrets in the world can’t change the outcome or lessen the pain of the dark secret he carries inside. It is the defining moment in his life and becomes the catalyst behind his new approach to living in which he vows to better the lives of others.

In a seemingly methodical manner, he approaches the administrator of a seniors’ care center (Tim Kelleher), a volunteer hockey coach (Bill Smitrovich) and a social worker (Judyann Elder) during his unexplained, invasive spree. Then Ben tracks down Emily Posa (Rosario Dawson) and confronts the ailing heart patient with an overdue tax account in the middle of a crowded hospital cafeteria. Although their initial meeting is ill timed, especially for Emily, their subsequent encounters soften the experience. Before long Ben appears to have found a salve for his tortured soul.

However, as the layers of his painful past are peeled back, the antidote for his unhappiness becomes more and more troublesome. Seeking to atone for those horrific seven seconds, Ben’s redemptive quest leads down a path as equally disturbing as the event that put him on the course. With a smattering of profanities and a sexual encounter between two adults, this film’s most disconcerting content focuses on death. The bloody aftermath of a gruesome crash, a fatal self-administered poisoning and several life-threatening illnesses add to this script’s heavy tone. Raising ethical and moral issues, the film gives viewers a flawed hero whose attempts to right his wrongs present a dangerous option, especially to impressionable teens and adults that may be suffering from their own feelings of remorse or guilt.

Though Smith has taken on other characters seeking redemption in films like The Pursuit of Happyness and I Am Legend, parental caution is strongly advised before introducing older teens to his latest big screen persona.

About author

Kerry Bennett

Seven pounds rating & content info.

Why is Seven Pounds rated PG-13? Seven Pounds is rated PG-13 by the MPAA for thematic material, some disturbing content and a scene of sensuality.

A mix of brief, often disjointed scenes make it difficult to get a grip on Ben Thomas in this film that includes depictions of abuse, characters with terminal illnesses, and a suicide. Illegal methods are used to obtain personal information about individuals. A horrible car crash leaves bloody corpses strewn across the accident scene. Depictions of surgery and medical procedures are seen. Domestic violence is discussed with some effects of it being shown. Adults engage in sexual activity following a dinner date (the couple removes their clothes, embrace and kiss while in bed, and are shown waking up together). Characters drink with a meal. Infrequent profanities and terms of Christian Deity are contained in the script.

Page last updated April 15, 2009

Seven Pounds Parents' Guide

What drives Ben to atone for his mistake? Can guilt or remorse motivate us to do good things or can it become an unhealthy emotional response? Do you feel it is important to pay restitution for mistakes or injuries caused to others?

How did the receivers of Ben’s generosity respond? Were his gifts realistic? How would you feel in a similar situation?

If you wanted to bestow a substantial gift on a stranger, how would you go about finding the perfect recipient? With many worthwhile charities, organizations and individuals in need of support, do you donate? If so, how do you choose which ones to support?

The most recent home video release of Seven Pounds movie is March 31, 2009. Here are some details…

Release Date: 31 March 2009

Seven Pounds releases to the home video market on DVD and Blu-ray. Both disc formats offer the following bonus materials: deleted scenes, commentary by director Gabriele Muccino and four featurettes ( Seven Views on Seven Pounds, Creating the Perfect Ensemble, The Box Jellyfish: World’s Deadliest Co-Star and Emily’s Passion: The Art of the Printing Press ).

The Blu-ray edition also includes these extras: a Digital Copy of the movie (for PC, PSP®, Mac or iPod) and BD-Live.

Frame by Frame

Film Appreciation : SEVEN POUNDS

By: Lokesh.M Director: Gabriele Muccino About the Film: “Seven Pounds,” directed by Gabriele Muccino, is a soul-stirring drama that weaves a complex tapestry of guilt, redemption, and the transformative power of human connection. The film follows Ben Thomas (Will Smith), a man burdened by a tragic mistake from his past, who embarks on a mission…

By: Lokesh.M

Director: Gabriele Muccino

About the Film:

“Seven Pounds,” directed by Gabriele Muccino, is a soul-stirring drama that weaves a complex tapestry of guilt, redemption, and the transformative power of human connection. The film follows Ben Thomas (Will Smith), a man burdened by a tragic mistake from his past, who embarks on a mission to change the lives of seven strangers as a form of atonement.

One of the film’s most notable strengths lies in its non-linear narrative structure, which skillfully unveils Ben’s enigmatic backstory in fragments. This deliberate storytelling technique adds a layer of mystery and intrigue, keeping the audience emotionally invested and gradually revealing the depth of Ben’s personal anguish. Will Smith delivers a standout performance, showcasing his versatility by portraying Ben with a quiet intensity, conveying the character’s emotional complexity with subtlety.

The supporting cast, including Rosario Dawson as Emily Posa, Michael Ealy as Ben’s brother, and Woody Harrelson as a blind pianist, contribute exceptional performances that enhance the emotional impact of the story. The chemistry between Smith and Dawson is particularly poignant, driving home the film’s central theme of finding redemption and love in unexpected places.

The cinematography by Philippe Le Sourd is visually striking, capturing the essence of each scene with a mix of intimate close-ups and sweeping shots. The muted color palette reflects the somber tone of the narrative, while the deliberate pacing allows for moments of quiet reflection, emphasizing the weight of Ben’s actions.

“Seven Pounds” explores profound themes of sacrifice, interconnectedness, and the potential for redemption. The film challenges viewers to confront moral dilemmas and question the motives behind acts of kindness. As Ben navigates the lives of those he seeks to help, the narrative unfolds with a delicate balance of heartache and hope, leading to a climax that is both emotionally charged and cathartic.

The film’s title itself is a metaphorical reference to Shakespeare’s “The Merchant of Venice,” where a pound of flesh represents a debt to be paid. In “Seven Pounds,” the weight of guilt becomes a central motif, and as the layers of the narrative are peeled away, the true significance of the title becomes apparent, adding an extra layer of depth to the storytelling.

While “Seven Pounds” may be criticized for its emotionally heavy-handed approach, it undeniably succeeds in creating a memorable and thought-provoking cinematic experience. For those who appreciate films that explore the complexities of human emotions and the possibility of redemption, “Seven Pounds” stands as a powerful and moving piece of storytelling.

Film theory:

“Seven Pounds” can be analyzed through the lens of ethical formalism, a film theory that explores moral dilemmas and the consequences of ethical choices. The movie follows Ben Thomas, who grapples with guilt and seeks redemption through altruistic acts. Ethical formalism posits that actions are intrinsically right or wrong, and Ben’s meticulous planning to positively impact the lives of seven strangers aligns with this theory. The film prompts viewers to contemplate moral complexities, challenging them to evaluate the ethical dimensions of Ben’s actions and the interconnectedness of human lives. The non-linear narrative structure contributes to the unfolding ethical exploration, making “Seven Pounds” a compelling study in moral philosophy within the cinematic realm.

Movie types & justification:

“Seven Pounds” defies easy categorization, as it seamlessly blends elements of drama, mystery, and redemption. At its core, it operates as a psychological drama, delving into the complex psyche of the protagonist, Ben Thomas, as he grapples with guilt and strives for redemption. The film’s narrative structure, with its non-linear storytelling and gradual revelation of Ben’s past, adds a layer of mystery, keeping the audience engaged in uncovering the truth. Additionally, the movie can be viewed as a character study, exploring the emotional intricacies of individuals interconnected by fate. As Ben orchestrates his altruistic acts, the film takes on a redemptive quality, aligning with themes commonly found in redemption dramas. Furthermore, the film incorporates elements of romance, particularly in the heartfelt connection between Ben and Emily Posa. The multifaceted nature of “Seven Pounds” contributes to its unique appeal, making it a film that transcends genre boundaries and offers a poignant exploration of human emotions and moral complexities.

Semiotics in the movie:

“Seven Pounds” employs semiotics, the study of signs and symbols, to convey meaning and enrich its narrative. One prominent semiotic element is the recurring motif of the jellyfish. Throughout the film, the jellyfish serves as a symbolic representation of both fragility and resilience, mirroring Ben Thomas’s internal conflict. The translucent and delicate nature of the jellyfish reflects the vulnerability of the characters, particularly Ben and Emily. However, the jellyfish’s ability to survive and thrive in adverse conditions also symbolizes the potential for resilience and redemption. The use of the jellyfish as a visual metaphor adds depth to the film’s exploration of guilt, redemption, and the fragility of human connections. Additionally, the symbolism surrounding the number seven, from the seven strangers whose lives Ben seeks to impact to the film’s title itself, adds a layer of semiotic complexity, inviting viewers to interpret the significance of this recurring motif within the broader thematic context of the movie. Overall, “Seven Pounds” masterfully utilizes semiotics to convey nuanced layers of meaning and enhance the audience’s engagement with the film’s profound themes.

Film Appreciation : Yeh jawaani hai deewani

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Film Appreciation: Yaavarum Nalam (13B)

Film Appreciation : 2018

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Flickering Myth

Geek Culture | Movies, TV, Comic Books & Video Games

Movie Review – 5lbs of Pressure (2024)

March 7, 2024 by Robert Kojder

5lbs of Pressure , 2024.

Written and Directed by Phil Allocco. Starring Luke Evans, Rory Culkin, Alex Pettyfer, Zac Adams, Stephanie Leonidas, Rudy Pankow, Charlie Rawes, Laura Hopper, Fahim Fazli, James Oliver Wheatley, Julee Cerda, Alana de Freitas, Grahame Fox, Mark Griffin, Adam Fielding, Lorraine Burroughs, Jonathan Ajayi, John Booker, Jaida Standberry, Cosby Prawl, Jazz Lintott, and Gary McDonald.

Trying to start over, Adam (Evans) searches for redemption as he returns to his old neighborhood to put to rest his demons while the brother of the man he killed seeks revenge.

A little too crowded for its own good, 5lbs of Pressure offers several perspectives while weaving together a narrative of regret, redemption, crime, and revenge, sometimes expanding the role of its smaller characters when the film should be tightening down and snapping the whole picture into focus. It also doesn’t help that some of the conflict that arises is eye-rollingly forced, as if writer/director Phil Allocco wasn’t sure how to get all these characters on the same collision course toward tragedy without resorting to a certain kind of betrayal. The fallout from that revelation further complicates the film rather than ratcheting up the momentum.

However, it is a pleasant surprise that Phil Allocco is committed to keeping the lead (the closest character to a protagonist here) on that road to redemption instead of taking the cheap, easy way out of pulling him back into trouble, whether it be majorly screwing up on his final day of parole or getting pushed into a clichéd scenario where he must rescue his estranged family. That man is the hardened Adam (Luke Evans), who has turned over a new leaf following nearly 20 years in prison for murdering another young man in a burst of anger, compromising his happy life with partner Donna (Stephanie Leonidas) and newborn child Jimmy (played by Rudy Pankow as a young adult in the present day, roughly the same age as Adam when he went to prison.)

Elsewhere in this town, aspiring rockstar Mike (Rory Culkin) puts off chasing that dream to run drugs and collect the money alongside his disapproving uncle, Alex Pettyfer’s Leff, a hotheaded and streetsmart criminal. In other words, he is the opposite of the timid and naïve Mike, who is clearly out of his element and doesn’t belong in this violent world. Nevertheless, Mike’s bandmate and friend Eli (Zac Adams) also happens to be the brother of the man Adam murdered. Once he finds out Adam is not only back but has successfully stayed out of trouble on parole and has more or less become a contributing member of society, some violent impulses show and are somewhat heightened by the reality that he is also about to lose his mother from an illness. Eli’s relationship with Lori (Savannah Steyn) is also falling apart, which doesn’t help keep him mentally stable.

Phil Allocco makes up for an overabundance of routine storytelling by depicting this world and characters with gritty authenticity. Of the many subplots here, the most emotionally effective is Adam wanting to reconnect with his impressionable, directionless son despite an ex-partner who wants nothing to do with him. Adam still loved Donna even though she organically stopped missing him and visiting him in jail. She has told Jimmy that he abandoned them, meaning that when Adam tries to stick up for him from getting bullied on a street basketball court or gives him a quick drawing lesson, potentially unlocking some unexplored hidden talent, he has no idea who the man is or why he is being so kindly interested.

Less engaging are the consistent shifts to the other characters. They lack the same level of depth even if they find themselves in some believable rough spots. The relationship drama for Eli feels wedged in, and there isn’t much to feel regarding his dying mom or how losing a brother affected him. He is one half of this narrative yet comes across as an afterthought of a character.

Mike looks like he’s getting ready to cosplay The Undertaker as Rory Culkin’s wide-eyed facial expressions and gullibility say more than words ever could about how out of place he is here, nevertheless doubling down on drifting away from his uncle’s wishes and trying to make a name for himself pulling in extra cash through some dangerous means. The issue is that his arc doesn’t match up to anything the other characters are going through, especially when a twist of sorts makes his story slightly silly and less credible.

This is a long, drawn-out, roundabout way to make a point about cyclical violence and what happens when guns get into the hands of people with nothing left to lose. 5lbs of Pressure has consideration for these characters to work and is wisely disinterested in devolving into a series of shootouts but struggles at connecting the threads with momentum. This is a case of the ensemble really elevating what’s on the page to ensure the grand statement resonates.

Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★ ★

Robert Kojder is a member of the Chicago Film Critics Association and the Critics Choice Association. He is also the Flickering Myth Reviews Editor. Check here for new reviews, follow my Twitter or Letterboxd , or email me at [email protected]

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‘5lbs of Pressure’ Review: Forgiveness Comes Hard for an Ex-Con in This Unconvincing Crime Drama

Loaded with plot complications if not emotional depth, Phil Allocco’s film stars Luke Evans as a criminal returning to an NYC neighborhood still dominated by drugs, violence and retribution.

By Dennis Harvey

Dennis Harvey

Film Critic

‘5lbs of Pressure’ Review: Forgiveness Comes Hard for an Ex-Con in This Unconvincing Crime Drama 1 week ago
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Named after the lethal force behind a handgun’s trigger release, “5lbs” weaves an engaging-enough web of misunderstandings, grudges and doomed trajectories amongst various shady types. Those lines criss-cross in the kind of Noo Yawk neighborhood that seems little changed from the one seen in Martin Scorsese’s “Mean Streets” more than a half-century ago — at least in this depiction. A polished, colorfully populated endeavor, “5lbs” holds attention without leaving much of a lingering impression. The problem is that Allocco’s dramatic personae are exclusively defined by their outer conflicts; we never really glimpse any inner life, or feel they’re connected to a world beyond hoodlum narrative formulas.

After a framing tease of mysterious gunfire inside a dive bar opens the film, onscreen text alerts that it’s now “Four Days Earlier.” Adam DeSalvo ( Luke Evans ) is approaching the end of three years’ probation following another 16 in prison, convicted for a murder committed during a dumb turf-war flareup between youthful hotheads. Adam’s kept his nose clean, but he’s not seeking a fresh start elsewhere. Instead, he’s returned to old stomping grounds, even though his presence may tempt belated vengeance from those he once hurt — notably, Eli (Zac Adams), the brother of his late victim, as well as his histrionically-grieving mother (Olivia Carruthers).

Meanwhile, the local climate of toxic machismo and organized crime that presumably first led the ex-con astray has continued unabated. Leff (Alex Pettyfer) is a drug dealer who’s reluctantly hired his nephew, Mike (Rory Culkin), as his none-too-bright gofer. What Mike really wants is to make it as a rock musician — a pipe dream shared with Eli, his best friend. Mike is dumb enough to think he might bankroll that dream by pulling a big score and running around the watchful, unforgiving Leff.

Needless to say, that scheme is not destined to go well, given the ruthlessness of other felonious figures played by Lorraine Burroughs and James Oliver Wheatley. As the conflict heats up, Adam’s return to the neighborhood attracts notice — not least from Eli, whose anger is already spiraling amidst strife with his perpetually on-again, off-again girlfriend, Lori (Savannah Steyn).

Nearly every interpersonal dynamic here plays in a combative, “Oh yeah?!? ” nature. That might seem less pat if the characters had demonstrable private sides, or were treated with at least occasional humor. But each of them are fairly one-note, including Adam, who’s simply painted as a repentant nice guy, with scant hint of the wee hooligan he used to be.

Though a couple performers lean too far into stereotype, the actors generally do what they can to keep things naturalistic, even when the action is menacing or grisly. (Gary McDonald makes an impression as an enforcer doling out grievous ocular damage to tardy debtors.) But the ensemble seldom seems to be fully suggest any non-pulp reality — and still the film expects us to be moved by their assumed pathos.

That split personality is nicely defined by the frequently rich, stylized lighting effects of DP Sara Deane’s color-noir visual atmospherics, which doesn’t square with a climactic array of unearned sentimentality: forced pleas against gun violence, a teary montage of flashbacks, back-to-back “sensitive” acoustic pop songs.

Such devices might work in a gloomy street crime melodrama with the tragic depth of “Donnie Brasco.” They’re less successful in one that doesn’t wax more plaintive than hard-boiled Donna grousing at her jailbird ex, “Ya got some balls ta come ovah heah.” Sufficiently entertaining as a yarn filled with itchy trigger-fingers sure to take out a few lives, “5lbs of Pressure” falls short when it counts on its audience to experience those losses as anything more than the standard toll of underworld melodrama.

Reviewed online, Feb. 28, 2024. MPA Rating: R. Running time: 110 MIN.

Production: A Lionsgate release of an Intrinsic Value Film & TV, Make Things Work, Tetrad Studios production, in association with Dark Dreams Entertainment, Blue Rider Media, Filmology Finance, Tempest Theory. Producers: Zac Adams, Isen Robbins, Aimee Schoof, Dominic Burns, Crawford Anderson-Dillon, Roy Scott MacFarland, Marc Danon, Ford Corbett, Luke Evans, Phil Allocco. Executive producers: Steve Carr, Stephen Hays, Peter Graham, Walter Josten, Patrick Josten, Alex Pettyfer, James Ireland, Anthony Standberry, Jaida Standberry, Tannaz Anisi, Greg Schenz, Wen-Chia Chang, Jack Christian, Sasha Yelaun, Nathan Klingher, Jordan Wagner, Geneva Wasserman, Rama Penta, Rajesh Penta, Jaykant Patel, Ryan Lewis. Co-producers: Sky Morfopoulos, Laurie Mahon.
Crew: Director, writer: Phil Allocco. Camera: Sara Deane. Editor: Seth Anderson. Music: Philippe Jakko.
With: Luke Evans, Rory Culkin, Alex Pettyfer, Rudy Pankow, Stephanie Leonidas, Savannah Steyn, Zac Adams, Olivia Carruthers, Lorraine Burroughs, Gary McDonald, Julee Cerda, Charlie Rawes, James Oliver Wheatley, Jazz Lintott.

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Seven Pounds is a 2008 American drama film directed by Gabriele Muccino starring Will Smith as a man who sets out to change the lives of seven people. Rosario Dawson, Woody Harrelson, and Barry Pepper also star. The film was released in theaters in the United States and Canada on December 19, 2008, by Columbia Pictures.Despite receiving negative reviews, it was a box-office success, grossing ...

Seven Pounds may be the most spiritual picture of the holiday season; this story of redemption is a gift for moviegoers. Full Review | Original Score: 4.5/5 | Sep 8, 2009. Sonny Bunch Washington ...

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The Movie Review: 'Seven Pounds'. By Christopher Orr. December 19, 2008. Will Smith is testing us. Over the summer, he tried to get America to swallow the idea of a do-gooding p.r. flack (played ...

Directed by Gabriele Muccino. Drama, Romance. PG-13. 2h 3m. By A.O. Scott. Dec. 18, 2008. "Seven Pounds," which reunites Will Smith with Gabriele Muccino (who directed him in "The Pursuit of ...

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This movie is so intense, powerful, and well worth how emotional it will most likely make you feel. Seven Pounds is arguably Will Smith's best performance, he fully became this character and portrayed him so well. It's a great depiction of a well-rounded character done right. This movie has a lot of dramatic and intense scenes that may upset a ...

By Kirk Honeycutt, The Associated Press. December 17, 2008 11:01am. "Seven Pounds," starring Will Smith and directed by Gabriele Muccino, bears hallmarks of their earlier film together, "The ...

Thriller. Directed By: Gabriele Muccino. Written By: Grant Nieporte. Seven Pounds. Metascore Generally Unfavorable Based on 33 Critic Reviews. 36. User Score Generally Favorable Based on 158 User Ratings. 6.9.

SEVEN POUNDS Movie Review. By Steve Weintraub Published Dec 19, 2008. CL. Written by Brian Orndorf. The tears flow like a raging river in "Seven Pounds," the latest Oscar-baiting step from Will ...

Read the Empire Movie review of Seven Pounds. A collage of strong scenes, dull bits, good filmmaking and a dissatisfying emotional payoff. ... Seven Pounds is a strange little movie, part puzzle ...

Movie Review. There's almost nothing I can say about Seven Pounds without it giving away almost everything about Seven Pounds. I can't even talk about its title. So consider this a significant spoiler warning. ... To tiptoe softly around the issues raised by Seven Pounds would be to spend eight or 10 pages trying to explain things. So the ...

Seven Pounds Movie Review. Seven Pounds - Will Smith. Starring: Will Smith, Woody Harrison, Rosario Dawson Director: Gabriele Muccino (Pursuit of Happiness) Length: 2hr 3Min Released: December 19, 2008 Rated: PG-13 "If you are like most you will have one of two reactions, either leaving with your face covered with tears, or shaking your head."

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Seven Pounds (United States, 2008) A movie review by James Berardinelli. The primary goal of Seven Pounds is to make viewers weep, and it pursues that aim with a doggedness that is almost commendable. The film manipulates shamelessly and, despite defying logic with its contrivances and unconvincing character portrayals, will succeed in getting ...

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'5lbs of Pressure' Review: Forgiveness Comes Hard for an Ex-Con in This Unconvincing Crime Drama Loaded with plot complications if not emotional depth, Phil Allocco's film stars Luke Evans ...

Home — Essay Samples — Geography & Travel — Kuala Lumpur — My Unforgettable Experience In Kuala Lumpur

My Unforgettable Experience in Kuala Lumpur

Categories: Kuala Lumpur

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Published: Mar 14, 2019

Words: 2170 | Pages: 5 | 11 min read

Concrete experience, reflective observations, abstract conceptualization.

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Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel

84 Jalan Raja Chulan, 50200 Kuala Lumpur, Malaysia – Great location - show map

Cleanliness

Value for money

This is a carousel with rotating slides. It displays featured reviews of the property. Use the Next and Previous buttons to navigate.

Comfy Bed, center city location and good breakfast for this price

The shower was fantastic, room was a little small but good enough for a one night stay, breakfast was a decent spread - location was good (7mins by car to Petronas, 10 mins to Berjaya Times), overall a pleasant stay and will definitely return :)

Cleanliness Rajesh and Kabir at the from desk prepared my room early

Nice value for a high end facility. Location is exceptional

Very welcoming staff plus the location is very near the train. Also, the room is spacious enough so we had a very comfortable stay.

The staff are so polite and helpful. The room was very clean the bed was very comfy. The quality and service were really way higher for what I paid for. Will definitely go back agian. Feras

Perfect location, monorail, subway and bus stop just in 5 min. A lot of malls, cafes and restaurants around. Main sites are in 15 min. Good breakfast, perfect service with everyday cleaning!

The staff gave me an upgraded room. Appreciate it a lot. The room was clean dan comfortable.

The location is perfect. Breakfast is OK. Staff is friendly. Overall cleanliness was Ok.

All employees including the security guards offered exceptional customer service, always ready to help and were all attentive. Hotel is near LRT Raja Chulan which connects to the link bridge that allowed us to go to suria klcc and pavilion easily.

Great location!

Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel Reserve now

Air conditioning
Private Bathroom
24-hour front desk
Key card access
Daily housekeeping
Non-smoking rooms
Baggage storage

Holiday Inn Express Kuala Lumpur City Center, is an IHG international brand hotel in the Kuala Lumpur’s Golden Triangle. Located in Jalan Rajah Chulan, the property is just a 3-minute walk from Rajah Chulan Monorail Station and a 7-minute walk from Bukit Bintang MRT Station. It is 1969 feet from the shopping haven, Starhill Gallery, and 2625 feet from the iconic Petronas Twin Towers and Suria KLCC. Shopping enthusiasts can visit Berjaya Times Square, which is located 2953 feet from the property. Pavillion shopping mall is 1.2 mi from Holiday Inn Express Kuala Lumpur City Center. The nearest airport is Sultan Abdul Aziz Shah Airport, 11 mi from the property. Kuala Lumpur International Airport is 41 mi away.Pavillion shopping mall is 1312 feet from Holiday Inn Express Kuala Lumpur City Center All room are fitted with air-conditioning, a flat-screen satellite TV, safety deposit box and desk. Bathrooms are en suite and come with shower facilities, a hairdryer and free toiletries. Other facilities at the property include free Wi-Fi, 24-hour fitness center, 24-hour self-service laundry, vending machine and a self-service business center. Guests can approach the 24-hour front desk for laundry and ironing services, meeting/conference facilities and luggage storage.

Couples in particular like the location – they rated it 8.8 for a two-person trip.

Private Parking
Family rooms
Fitness center
Facilities for disabled guests
Tea/Coffee Maker in All Rooms

Property Highlights

Located in the heart of Kuala Lumpur, this hotel has an excellent location score of 8.8

Want a great night's sleep? This hotel was highly-rated for its very comfy beds.

Breakfast Info

Continental, Buffet

Private parking at the hotel

Saved to 25811 lists

Availability

Select dates to see this property's availability and prices

Property practices

Categories:, see what guests loved the most:.

Hotel area info

Restaurants 1 restaurant on site.

Cuisine American • Malaysian • Local • International
Open for Breakfast
Dietary options Halal • Vegetarian

Amenities of Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel

Toilet paper
Free toiletries
Wardrobe or closet
Alarm clock
Cleaning products
Electric kettle
Refrigerator
Socket near the bed
Clothes rack
Live sports events (broadcast)
Tour or class about local culture Additional charge
Happy hour Additional charge
Walking tours Additional charge
Hiking Off-site
Karaoke Additional charge
Golf course (within 2 miles) Additional charge
Flat-screen TV
Cable channels
Satellite channels
Coffee house on site
Fruit Additional charge
Wine/Champagne Additional charge
Kid-friendly buffet
Special diet meals (on request)
Tea/Coffee maker
Valet parking
Parking garage
Accessible parking
Invoice provided
Express check-in/out
Ironing service Additional charge
Dry cleaning Additional charge
Laundry Additional charge
Business center Additional charge
Meeting/Banquet facilities Additional charge
Fire extinguishers
CCTV outside property
CCTV in common areas
Smoke alarms
Security alarm
24-hour security
Convenience store on site
Shared lounge/TV area
Vending machine (snacks)
Vending machine (drinks)
Designated smoking area
Smoke-free property
Wake-up service
Laptop safe
Packed lunches
Wake-up service/Alarm clock
Bathroom emergency cord
Toilet with grab rails
Wheelchair accessible
Upper floors accessible by elevator

See availability House rules

From 3:00 PM

Guests are required to show a photo ID and credit card at check-in

Until 12:00 PM

Cancellation/ prepayment

Cancellation and prepayment policies vary according to accommodations type. Please enter the dates of your stay and check what conditions apply to your preferred room.

Refundable damage deposit

A damage deposit of MYR 50 is required on arrival. That's about USD 10. This will be collected as a cash payment. You should be reimbursed on check-out. Your deposit will be refunded in full, in cash, subject to an inspection of the property.

Children & Beds

Child policies

Children of all ages are welcome.

Children 13 and above will be charged as adults at this property.

To see correct prices and occupancy info, add the number and ages of children in your group to your search.

Crib and extra bed policies

The number of cribs allowed depends on the option you choose. Check your selected option for more info.

There are no extra beds available at this property.

All cribs are subject to availability.

Age restriction

The minimum age for check-in is 21

Pets are not allowed.

When booking more than 6 rooms, different policies and additional supplements may apply.

Accepted payment methods

Cash is not accepted Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel accepts these cards and reserves the right to temporarily hold an amount prior to arrival.

The fine print Must-know information for guests at this property

From 1st January 2023, a tourist tax of RM 10 per room per night is applied to all foreign guests. This tax is not included in the room rate and must be paid upon check-in. Guests with a valid Malaysian Identity Card or valid permanent residents MY PR Card are exempted. The name on the credit card used for the booking should correspond to the guest staying at the property. For reservations made by a third party, you will need to complete an authorization form and present a copy of the person's ID and credit card.

Guests are required to show a photo ID and credit card upon check-in. Please note that all Special Requests are subject to availability and additional charges may apply.

Please inform Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel of your expected arrival time in advance. You can use the Special Requests box when booking, or contact the property directly using the contact details in your confirmation.

A damage deposit of MYR 50 is required on arrival. This will be collected as a cash payment. You should be reimbursed on check-out. Your deposit will be refunded in full, in cash, subject to an inspection of the property.

FAQs about Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel

Does holiday inn express kuala lumpur city centre, an ihg hotel have a restaurant on site, what type of room can i book at holiday inn express kuala lumpur city centre, an ihg hotel.

Twin/Double

How much does it cost to stay at Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel?

The prices at Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel may vary depending on your stay (e.g. dates, hotel's policy etc.). To see prices, enter your dates.

How far is Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel from the center of Kuala Lumpur?

Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel is 1,300 feet from the center of Kuala Lumpur. All distances are measured in straight lines. Actual travel distances may vary.

What are the check-in and check-out times at Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel?

Check-in at Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel is from 3:00 PM, and check-out is until 12:00 PM.

What kind of breakfast is served at Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel?

Guests staying at Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel can enjoy a highly-rated breakfast during their stay (guest review score: 6.7).

Continental

What is there to do at Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel?

Golf course (within 2 miles)
Tour or class about local culture
Walking tours

The Best of Kuala Lumpur

Attractions.

Aquaria KLCC

Convention Centers

Kuala Lumpur Convention Center
Putra World Trade Center
Petronas Twin Towers
Dinner In The Sky Malaysia
Federal Territory Mosque
Royal Selangor Pewter Factory and Visitor Centre
Pudu Sentral Bus Terminal
Parliament House
Istana Negara Malaysia Palace
Thean Hou Temple
Petrosains, The Discovery Centre
Bank Negara Malaysia Museum and Art Gallery
Islamic Arts Museum Malaysia
Perdana Botanical Gardens

Popular Areas

Shopping areas.

Pavilion Kuala Lumpur
Starhill Gallery
Berjaya Times Square
Mid Valley Megamall
Evolve Concept Mall

Stadiums or Arenas

Axiata Arena
Sultan Abdul Aziz Shah Airport (SZB) 11.1 miles
Kuala Lumpur International Airport (KUL) 27.5 miles

Train Stations

Save time, save money!

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Holiday Inn Express Kuala Lumpur City Centre

84 Jalan Raja Chulan, Kuala Lumpur, 50200 Malaysia

Check-In: 3:00 PM

Check-Out: 12:00 PM

Minimum Check-In Age: 21

Email: [email protected]

Contact Front Desk: 60-3-20288888

Parking & Transportation Details

Chat With Us

Amenities & Services

About our hotel, dynamic hotel in kuala lumpur golden triangle.

Welcome to the Holiday Inn Express Kuala Lumpur City Centre! An IHG hotel in the heart of the Kuala Lumpur’s Golden Triangle. A business district, lifestyle, dining and entertainment hub. Located in Jalan Raja Chulan, 3-minute walk from Raja Chulan Monorail Station and a 7-minute from Bukit Bintang MRT Station. Accessibility to all attractions including Petronas Twin Towers, KL Tower, Kuala Lumpur Convention Centre (KLCC), Aquaria KLCC, Petaling Street, Central Market, and Kuala Lumpur Bird Park. Explore Bukit Bintang shopping paradise such as Pavilion Bukit Bintang, Suria KLCC, Avenue K and Lalaport. Enjoy the nightlife at Changkat Bukit Bintang and try a local food at Jalan Alor. Wake up with our Power Shower after a good night's sleep with high-quality bedding and choice of soft or firm pillows, with option of rooms with sofa-bed or sofa-mattress that comfortably accommodates up to three guests. Enjoy our Free Express Breakfast or Grab & Go, free Wi-Fi, 24-hour fitness centre, 24-hour self-service laundry, vending machine, a self-service business centre, function or meeting rooms with tailor-made setups and the Great Bar. We provide the best city location with the best value, perfect choice for both business-savvy and leisure travelers.

STAY IN COMFORT

Relax in your room with free Wi-Fi and free Express Start Breakfast, be entertained with 40 inch LED TV or iPod Docking Station. Enjoy and experience a refreshing Rain Shower and High Quality Bedding to recharge your day. Other room features are Coffee and Tea Maker, Safe, and Ergonomic Work Area.

Hotel packages available

Additional offers.

HOTEL HIGHLIGHTS

<span class="font-weight-extra-bold">hotel </span><span class="font-weight-xlight"> highlights</span>, recreation zone, jom singgah iftar ramadan buffet, the great room, meeting room.

The 24-hour in-door fitness centre is situated at level 2 of the hotel. Treadmills, free weight, elliptical machines and more are available; Self-service launderette are just located next to the fitness centre.

‘Singgah’ means to stay a while to catch your breath, to relax & quench your thirst after a long journey. This fasting month we invite you to our ‘Jom Singgah Iftar’ Ramadan Buffet. Savour our aromatic Briyani to our mouthwatering Roasted Lamb that will delight your senses & nourish your soul. Create memories this Ramadan with your love ones.

The Great Room is a venue designed to suit various needs of our guests. Free Express Start Breakfast is served daily from 6.30am to 10.30am, after which, it's transformed into a multi-functional co-working space or lounge area. Book with us for events, workshops, meetings or press conferences.

A cozy 8 persons Boardroom with natural daylight. Prepared with a projector, projection screen, writing board and free Wi-Fi to perform an ideal intimate meeting for our guests. For enquiries or booking, contact us at +603 2028 8888

Experience Kuala Lumpur

Catch the prosperous city view of Kuala Lumpur from the iconic Petronas Twin Towers and Menara Kuala Lumpur. Learn the oriental culture and heritage of Chinatown at Petaling Street where you can find dozens of Chinese restaurants, food stalls, and many kinds of goods at cheap price.

FAQ s for Holiday Inn Express Kuala Lumpur City Centre

Always included.

EXPRESS Start™ Breakfast

It’s fresh, it’s hot, and it’s free. Dig into our free Express Start Breakfast full of your favorites to help kick start your day.

Breakfast offering may vary by hotel location

EXPRESS ESSENTIALS

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10 Best Things to Do in Kuala Lumpur
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One day in Kuala Lumpur: Itinerary and Travel Tips

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A Memorable Holiday Trip to Kuala Lumpur
Kuala Lumpur, the vibrant capital of Malaysia, offers a captivating blend of modernity and tradition, where soaring skyscrapers coexist with historical landmarks. My holiday trip to Kuala Lumpur was an adventure filled with awe-inspiring architecture, rich cultural experiences, and tantalizing culinary delights.
10 Reasons Why You Should Visit Kuala Lumpur
The capital city of Malaysia, Kuala Lumpur is a must-visit destination. It is an eclectic and gorgeous hub of culture and class, a true gem of Southeast Asia. KL is also one of Malaysia's major business centers, bringing people together - so here's why it's worth a trip.
Holiday Destinations in Malaysia
You can get the Holiday destination in Malaysia example of the essay to get the full information. Malaysia is famous not only for Kuala Lumpur, Penang, and Langkawi.
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Kuala Lumpur is the sixth most visited city in the world, with 8.9 million tourist per year. One of the major tourist destinations in Kl includes Petaling Street, KL's bustling chinatown which I visited as well.
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Describes kuala lumpur as a 21st century metropolis and developed holiday destination in malaysia. the gigantic range of... Top things to do in Kuala Lumpur · Check out the famous Petronas Towers (tallest twin towers in the world) and walk across the sky bridge which...
My Unforgettable Experience in Kuala Lumpur
Published: Mar 14, 2019. Table of contents. Concrete Experience. Reflective Observations. Abstract Conceptualization. Evaluation. I had selected an experience, which happened at my living place in Kuala Lumpur last year. This incident is concerned about a big quarrel between me and one of my housemates. Say no to plagiarism.
Kuala Lumpur Public Holidays
2026. Kuala Lumpur Public Holidays. Today - 31 March 2024 - is not a holiday in Kuala Lumpur. Discover upcoming public holiday dates for Kuala Lumpur and start planning to make the most of your time off. Public Holidays 2024. Public Holidays 2025. Public Holidays 2026. Most viewed holidays today: Good Friday. Hari Raya Aidilfitri. Nuzul Al-Quran.
8 Things To Do In KL With Your Kids During The School Holidays
The best part is, there are many things to do during the school holidays including a medley of kids activities in Kuala Lumpur! If you're planning to make the most of your school holidays in 2020, scroll down our list to see amazing things to do in Kuala Lumpur with your kids. 1. Be a scientist at Petrosains Discovery Centre
Holiday Inn Express Kuala Lumpur City Centre, an IHG Hotel
Holiday Inn Express Kuala Lumpur City Center, is an IHG international brand hotel in the Kuala Lumpur's Golden Triangle. Located in Jalan Rajah Chulan, the property is just a 3-minute walk from Rajah Chulan Monorail Station and a 7-minute walk from Bukit Bintang MRT Station.
Kuala Lumpur Public Holidays 2023
Kuala Lumpur Public Holidays 2023. This page contains a calendar of all 2023 public holidays for Kuala Lumpur. These dates may be modified as official changes are announced, so please check back regularly for updates. Visit kabinet.gov.my for the original release.
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A Memorable Holiday Trip to Kuala Lumpur

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10 Reasons Why You Should Visit Kuala Lumpur

The capital city of Malaysia, Kuala Lumpur is a must-visit destination. It is an eclectic and gorgeous hub of culture and class, a true gem of Southeast Asia. KL is also one of Malaysia’s major business centers, bringing people together – so here’s why it’s worth a trip.

International buffet

Preservation of the Old

Become a Culture Tripper!

Capital transportation

Monumental monoliths

Sensational shopping

Affordable for all budgets

Nightlife like no other

Wondrous wildlife

KEEN TO EXPLORE THE WORLD?

Since you are here, we would like to share our vision for the future of travel - and the direction Culture Trip is moving in.

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