thesis book binding golden embossing machine

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Thesis Binding

Thesis Book Binding or Dissertation Book Binding is the conversion of your thesis or dissertation document into a printed and bound book format. Getting this done correctly involves several considerations that includes the Submission of your document for printing and binding, your choice of Paper, and the Style of binding you want.

SUBMITTING YOUR THESIS OR DISSERTATION FOR BINDING:

The first consideration for Thesis Book Binding or Dissertation Book Binding is whether you want your thesis or dissertation printed and bound for official submission or for your personal use, such as gifts to professors, departments, libraries, parents, sponsors, or you just want copies to preserve for future generations.

If you are officially submitting your Thesis Book Binding or Dissertation Book Binding books to your

institution, you must follow their official guidelines for paper, margins, and type of binding. Every institution has

guidelines and your can ask your department or your graduate studies department for the guidelines. The quote/

ordering process for each of our 3 main types of binding is designed to accommodate all the options that most

schools require.

Binding Options Our 3 main binding options are:

• Fabric Hardcover Binding with Gold Embossed Lettering and Emblem on the cover https://phdbookbinding.com/fabric-hard-cover/
• Printed Hardcover Binding with wraparound full color printing on the cover https://phdbookbinding.com/printed-hard-cover/
• Perfect Binding Softcover with wraparound full color printing on the cover https://phdbookbinding.com/perfect-binding/

But if you’re getting the books for personal use, then you have the option to choose the type of paper, binding and margin size that you prefer. Here again, our quote/order process contains all the options you might want.

Digital or Paper Submission

The second consideration is whether you want to submit a file or paper document(s) for publishing your Thesis or Dissertation. You have the option to place your order with a PDF file or with a paper document. Submitting a PDF file ( https://phdbookbinding.com/digital-printing/#2 ) of your Thesis or Dissertation allows you to do the following online, sit back and forget about it, and receive your books in the mail:

• Specify the size of your book
• Choose the type of paper you want for printing ( https://phdbookbinding.com/digital-printing/#9 )
•  Specify the pages you want to print in color. ( https://phdbookbinding.com/faq/#9 ) Yes, we allow you to specify the pages you want to print in color and you’ll be charged the color rate ONLY for the pages you specify,NOT for all the pages in your document.
• Specify the exact lettering you want on the cover ( https://phdbookbinding.com/gold-foil-emblem-and-lettering/ )
•  Specify the exact lettering you want on the spine ( https://phdbookbinding.com/gold-foil-emblem-and-lettering/ )
• Specify your school emblem for the cover or request a custom emblem ( https://phdbookbinding.com/gold-foil-emblem-and-lettering/#SealList )
• Choose the shipping speed you want for getting back the completed book(s)

Digital Submission

The option for submitting a PDF file for printing and binding is available for all the binding styles that we offer, including:

• Fabric Hardcover Binding with Gold Embossed Lettering and Decoration on the cover https://phdbookbinding.com/fabric-hard-cover/
•  Printed Hardcover Binding with wraparound full color printing on the cover https://phdbookbinding.com/printed-hard-cover/

Submitting a Paper document of your Thesis or Dissertation requires you to

(1) Print your document on the paper of your choice

(2) Fill out the Quote/Order form on this site for the type of Hardcover binding you want

(3) Specify the exact lettering you want on the cover

(4) Specify the exact lettering you want on the spine

(5) Choose the shipping speed you want for getting back the completed book(s)

(6) Print a form on our site that will include the details you entered PLUS final instructions for mailing your

paper document to us

(7) Ship to us your paper document(s) with instructions on form you will print from our site.

The option for submitting a paper document for binding ONLY is available ONLY for Hardcover binding.

Fabric Hardcover Binding with Gold Embossed Lettering and Decoration on the cover

https://phdbookbinding.com/fabric-hard-cover/

Printed Hardcover Binding with wraparound full color printing on the cover

https://phdbookbinding.com/printed-hard-cover/

Paper document submission is not available for Softcover Perfect Binding.

PAPER CHOICE

The second consideration for Thesis Book Binding or Dissertation Book Binding is choosing the type of paper that you want. We offer 5 types of paper as listed below and as explained here in greater detail ( https://phdbookbinding.com/digital-printing/ )

20lb regular or standard Copy Paper. This paper is ACID-FREE and is white in color. It does not have  a watermark. Acid Free paper is made from wood pulp, and it resists yellowing and brittleness over very long periods (measured in centuries). The production of Acid Free paper is also more environmentally friendly than acidic paper.

60lb regular or standard Copy Paper (also known as 24lb Copy Paper)*. This paper is ACID-FREE and is white in color. It does not have a watermark. Acid Free paper is made from wood pulp, and it resists yellowing and brittleness over very long periods (measured in centuries). The production of Acid Free paper is also more environmentally friendly than acidic paper. (See below for why this paper has 2 different names)

20lb, 25% Cotton Paper. This white paper is ACID-FREE and ARCHIVAL. It has a WATERMARK which is visible only when you shine a bright light behind the sheet. Archival paper has all the benefits of Acid-Free paper, except that it resists yellowing and brittleness even longer than ordinary Acid-Free paper. Another difference is that Cotton Paper is made with cotton pulp.

24lb, 100% Cotton Paper . This white paper is ACID-FREE and ARCHIVAL. It has a WATERMARK which is visible only when you shine a bright light behind the sheet. Archival paper has all the benefits of Acid-Free paper, except that it resists yellowing and brittleness even longer than ordinary Acid-Free paper. Another difference isthat Cotton Paper is made with cotton pulp. PLEASE NOTE that A4 (European Letter size) is NOT available in 100% cotton.

80lb Gloss-Coated Paper. This paper is ACID-FREE and is white in color. It does not have a watermark. But unlike regular copy paper, it is also coated with a gloss finish that makes it perfect for printing photos, charts & graphs, and more.

80lb Matte-Coated Paper. This paper is ACID-FREE and is white in color. It does not have a watermark. But unlike regular copy paper, it is also coated with a matte (non-gloss coating) finish that makes it perfect for printing photos, charts & graphs, and more.

BINDING STYLE

The binding style you choose depends first on whether you’re submitting officially to your institution or for personal use. We offer 3 types of binding Fabric Hardcover Binding with Gold Lettering and Gold Emblem ( https://phdbookbinding.com/fabric-hard-cover/ )

Most institutions require Fabric Hardcover Binding with gold lettering or gold emblem for official submission. You can also choose this type of binding for your own personal copies and as gifts because it is binding of the highest quality that is impressive in look and feel. Fabric Hardcover binding is high quality, archival binding that’s fit for the most demanding public or private library. Fabric options include:

• Classic Buckram fabric that is available in different colors,
• Contemporary Levant finish fabric also available in different colors
• Cowhide available in 3 colors

Lettering and emblem are applied to Fabric Hardcover binding with gold embossing

Printed Hardcover Binding ( https://phdbookbinding.com/printed-hard-cover/ )

Institutions may also allow Printed Hardcover Binding for Thesis and Dissertations. Printed Hardcover Binding allows:

• Background color of your choice
• Lettering color of your choice
• Full color emblem
• Image and text on back cover, or
• Wraparound full-color cover design

Printed Hardcover Binding can be compared to Fabric Hardcover Binding on this page: https://phdbookbinding.com/comparison/

Perfect Binding (Softcover, Paperback binding) ( https://phdbookbinding.com/perfect-binding/ )

Perfect Binding is Softcover, Paperback binding that allows all the options available for Printed Hardcover binding

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About products and suppliers

Introduction to book embossing machines.

Embossing machines for books are specialized equipment used in the process of creating raised patterns or designs on book covers and pages. This technique not only enhances the aesthetic appeal of books but also contributes to their durability and tactile quality. The book embossing machine category encompasses a range of machines designed for various embossing needs, from small-scale artisanal projects to large-volume industrial production.

Types and Applications

The versatility of book cover embossing machines allows for their use in multiple settings, including manufacturing plants, printing shops, and advertising companies. These machines cater to a variety of materials, with specific models designed for card embossing, textile embellishments, and even food packaging. The application of such machines extends beyond books to include photo albums, with the photo album embossing machine being a popular variant.

Features and Functionality

Book embossing machines come in manual, automatic, and semi-automatic models, each offering different levels of user control and automation. The choice between these depends on the scale of operation and the precision required. For instance, a thesis book binding golden embossing machine might be semi-automatic to ensure the fine detail needed for academic presentations, while high-volume tasks may utilize fully automatic systems.

Materials and Advantages

The construction of embossing machines takes into account the need to handle various materials. Machines are built to accommodate the embossing of different substrates, ensuring that the end product, whether a thesis book with golden embossing or a commercial novel, maintains integrity. The advantages of using a book embossing press include enhanced aesthetic appeal, increased perceived value, and the ability to create a unique tactile experience.

Choosing the Right Machine

Selecting the right book embossing machine involves considering the material to be embossed, the volume of production, and the level of detail required. For specialized projects, such as a thesis book binding golden embossing machine price may reflect the precision and customization capabilities of the machine. It is crucial to assess the machine's compatibility with the intended embossing material and the desired output rate.

In conclusion, the range of book embossing machines available caters to a broad spectrum of needs, from personalized projects to mass production. While the choice of machine will vary based on specific requirements, the common goal remains to produce embossed books that stand out for their quality and design. It is essential to consider the machine's features, material compatibility, and type of embossing work to ensure the selection of an appropriate machine for the task at hand.

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Golden Embossing Machine

Ravindra Chopade

7th National Grassroots Innovation - 2013

 Catalog

• Innovation Description
• Innovator Profile
• Technical Specification
• Salient Features

Thesis, project report, cover page of reports need to be printed with embossed letters mostly in golden ink. Conventional letter press technology is tedious and time consuming, it involves that letters be placed correctly in the dye, dye be heated and then pressed over the rexine, leather or paper with golden foil on them. To replace the manual process of embossing with automatic one, innovator has developed an arrangement in existing printers and came up with three models of golden embossing machines.

Golden embossing machines are set of machines used for embossing printing on paper, rexine, leather etc.. Innovation is in arrangement done in printing heads of different types of printers to facilitate embossed printing. Golden color fonts and pictures are result of gold foil used over the printing base where gold foil repeatedly comes in contact with printing head of printer.

Ravindra Ganpat Chopade (41) owns a printing shop and has modified/developed three different kinds of printers for golden printing and embossing. He was born in Nanded but moved to Mumbai with his family when he was about 3 years old. Since they arrived in Mumbai in the year 1972-73, the family has stayed in Powai, a locality in Mumbai suburbs. He has witnessed his house walls transform from wood to aluminium and then to brick wall. Living in a slum at Gokhale nagar of Powai, Ravindra’s biggest wish is to own house someday. His motivation to create an identity for himself has driven him so far in spite of difficulties.

Indian Patent Applied For (1015/MUM/2011)

• Printing head of dot matrix printer is modified to print on Rexene.
• Printing speed : 1 page per minute
• Temperature in head : 60 Degree C. 

Model 2 : Digital Hot Foil Stamping Embossing Machine

• Size: 800 mm width X 800 mm length X 250 mm height
• Supply Voltage: 230 Volt / 50 Hz
• Power Consumption: 600 watts.
• Temperature of heater: Approx. 80 degree Celsius
• Printing Area: 600 mm width X 450 mm height
• Printing Speed: 15 minutes per page(Depending upon Artwork)Connected to computer via Printer Port (Serial Port)
• Print Quality: 75 dpi
• It is proposed to work just like a normal computer printer facilitating the user to emboss any text, size, font, language, sketches, drawings, etc.

Model: 3 Digital Hot Foil Printing Machine

• Size: 450mm width X 800 mm length X 650 mm height
• Power Consumption: 900 watts.
• Printing Area: 210 mm width X 297 mm length (A-4 size paper)
• Printing Speed: 4 seconds per page ( 15 pages per minute)
• Connected to computer via Printer Port (Serial Port)
• Print Quality: 600 dpi
• The proposed Digital Hot Foil Printing Machine is intended to be used as a printing machine.
• Highly efficient mechanism to print text and pictures on any material of any size of paper, rexine or leather,
• Embossing thickness and depth is maintained uniform, as printing head moves and the base is stationary
• Machines have got great business potential. 

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Thesis Book Binding Golden Embossing

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The Unique Burial of a Child of Early Scythian Time at the Cemetery of Saryg-Bulun (Tuva)

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Pages:  379-406

In 1988, the Tuvan Archaeological Expedition (led by M. E. Kilunovskaya and V. A. Semenov) discovered a unique burial of the early Iron Age at Saryg-Bulun in Central Tuva. There are two burial mounds of the Aldy-Bel culture dated by 7th century BC. Within the barrows, which adjoined one another, forming a figure-of-eight, there were discovered 7 burials, from which a representative collection of artifacts was recovered. Burial 5 was the most unique, it was found in a coffin made of a larch trunk, with a tightly closed lid. Due to the preservative properties of larch and lack of air access, the coffin contained a well-preserved mummy of a child with an accompanying set of grave goods. The interred individual retained the skin on his face and had a leather headdress painted with red pigment and a coat, sewn from jerboa fur. The coat was belted with a leather belt with bronze ornaments and buckles. Besides that, a leather quiver with arrows with the shafts decorated with painted ornaments, fully preserved battle pick and a bow were buried in the coffin. Unexpectedly, the full-genomic analysis, showed that the individual was female. This fact opens a new aspect in the study of the social history of the Scythian society and perhaps brings us back to the myth of the Amazons, discussed by Herodotus. Of course, this discovery is unique in its preservation for the Scythian culture of Tuva and requires careful study and conservation.

Keywords: Tuva, Early Iron Age, early Scythian period, Aldy-Bel culture, barrow, burial in the coffin, mummy, full genome sequencing, aDNA

Information about authors: Marina Kilunovskaya (Saint Petersburg, Russian Federation). Candidate of Historical Sciences. Institute for the History of Material Culture of the Russian Academy of Sciences. Dvortsovaya Emb., 18, Saint Petersburg, 191186, Russian Federation E-mail: [email protected] Vladimir Semenov (Saint Petersburg, Russian Federation). Candidate of Historical Sciences. Institute for the History of Material Culture of the Russian Academy of Sciences. Dvortsovaya Emb., 18, Saint Petersburg, 191186, Russian Federation E-mail: [email protected] Varvara Busova  (Moscow, Russian Federation).  (Saint Petersburg, Russian Federation). Institute for the History of Material Culture of the Russian Academy of Sciences.  Dvortsovaya Emb., 18, Saint Petersburg, 191186, Russian Federation E-mail:  [email protected] Kharis Mustafin  (Moscow, Russian Federation). Candidate of Technical Sciences. Moscow Institute of Physics and Technology.  Institutsky Lane, 9, Dolgoprudny, 141701, Moscow Oblast, Russian Federation E-mail:  [email protected] Irina Alborova  (Moscow, Russian Federation). Candidate of Biological Sciences. Moscow Institute of Physics and Technology.  Institutsky Lane, 9, Dolgoprudny, 141701, Moscow Oblast, Russian Federation E-mail:  [email protected] Alina Matzvai  (Moscow, Russian Federation). Moscow Institute of Physics and Technology.  Institutsky Lane, 9, Dolgoprudny, 141701, Moscow Oblast, Russian Federation E-mail:  [email protected]

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Out of the Centre

Savvino-storozhevsky monastery and museum.

Zvenigorod's most famous sight is the Savvino-Storozhevsky Monastery, which was founded in 1398 by the monk Savva from the Troitse-Sergieva Lavra, at the invitation and with the support of Prince Yury Dmitrievich of Zvenigorod. Savva was later canonised as St Sabbas (Savva) of Storozhev. The monastery late flourished under the reign of Tsar Alexis, who chose the monastery as his family church and often went on pilgrimage there and made lots of donations to it. Most of the monastery’s buildings date from this time. The monastery is heavily fortified with thick walls and six towers, the most impressive of which is the Krasny Tower which also serves as the eastern entrance. The monastery was closed in 1918 and only reopened in 1995. In 1998 Patriarch Alexius II took part in a service to return the relics of St Sabbas to the monastery. Today the monastery has the status of a stauropegic monastery, which is second in status to a lavra. In addition to being a working monastery, it also holds the Zvenigorod Historical, Architectural and Art Museum.

Belfry and Neighbouring Churches

Located near the main entrance is the monastery's belfry which is perhaps the calling card of the monastery due to its uniqueness. It was built in the 1650s and the St Sergius of Radonezh’s Church was opened on the middle tier in the mid-17th century, although it was originally dedicated to the Trinity. The belfry's 35-tonne Great Bladgovestny Bell fell in 1941 and was only restored and returned in 2003. Attached to the belfry is a large refectory and the Transfiguration Church, both of which were built on the orders of Tsar Alexis in the 1650s.  

To the left of the belfry is another, smaller, refectory which is attached to the Trinity Gate-Church, which was also constructed in the 1650s on the orders of Tsar Alexis who made it his own family church. The church is elaborately decorated with colourful trims and underneath the archway is a beautiful 19th century fresco.

Nativity of Virgin Mary Cathedral

The Nativity of Virgin Mary Cathedral is the oldest building in the monastery and among the oldest buildings in the Moscow Region. It was built between 1404 and 1405 during the lifetime of St Sabbas and using the funds of Prince Yury of Zvenigorod. The white-stone cathedral is a standard four-pillar design with a single golden dome. After the death of St Sabbas he was interred in the cathedral and a new altar dedicated to him was added.

Under the reign of Tsar Alexis the cathedral was decorated with frescoes by Stepan Ryazanets, some of which remain today. Tsar Alexis also presented the cathedral with a five-tier iconostasis, the top row of icons have been preserved.

Tsaritsa's Chambers

The Nativity of Virgin Mary Cathedral is located between the Tsaritsa's Chambers of the left and the Palace of Tsar Alexis on the right. The Tsaritsa's Chambers were built in the mid-17th century for the wife of Tsar Alexey - Tsaritsa Maria Ilinichna Miloskavskaya. The design of the building is influenced by the ancient Russian architectural style. Is prettier than the Tsar's chambers opposite, being red in colour with elaborately decorated window frames and entrance.

At present the Tsaritsa's Chambers houses the Zvenigorod Historical, Architectural and Art Museum. Among its displays is an accurate recreation of the interior of a noble lady's chambers including furniture, decorations and a decorated tiled oven, and an exhibition on the history of Zvenigorod and the monastery.

Palace of Tsar Alexis

The Palace of Tsar Alexis was built in the 1650s and is now one of the best surviving examples of non-religious architecture of that era. It was built especially for Tsar Alexis who often visited the monastery on religious pilgrimages. Its most striking feature is its pretty row of nine chimney spouts which resemble towers.

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