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Architecture

Working at the intersection of research and practice, key details.

• Full-time or part-time study

School or Centre

• School of Architecture

Next open event

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Application deadline

• Applications closed. Please check back soon.

Career opportunities

• PhD study leads to a range of opportunities. You might become a lecturer or academic researcher, designer or consultant in industry, curator in leading cultural institutions worldwide, in international institutions such as NGOs and charities. It is an opportunity for you to investigate a research question or issue in depth, enabling you to take a more reflective, more innovative role in design.

Follow Architecture on social

The architecture research programme focuses on practice-led and interdisciplinary research with tangible public and social impact..

Working at the intersection of theory, research, media and critical-spatial-practices, the MPhil/ PhD programme in Architecture supports experimental practice-led and interdisciplinary theses aiming at tangible public and social impact. The programme fosters architectural research at the intersection of history and theory, critical ecologies, new materialism, and digital culture. The programme is investigating the diverse ways in which architects, artists, filmmakers, curators and other cultural producers have negotiated crises associated with globalization, migration and statelessness, the hauntings of empire and the colonial present, new digital technologies, and the growing biopolitical conflicts around ecology and climate change. We strongly encourage to think about the performativity of space, or architectural forms and practices in their interrelation to the climate crisis, social movements and institutional change. 

We support written academic research in the history and theory of architecture and new media of exploration and documentation. We are especially interested in practice-led research, which could involve an architectural project, a work of heritage preservation, community work, an artistic practice, an exhibition, or a film production. Our programme is relevant to diverse research careers in academia, spatial practice, curation, publishing and critical conservation. We encourage establishing real world collaborations with industry-based research groups, leading design practices, policymakers, social and environmental justice groups, human rights organisations and cultural institutions.

We particularly welcome research proposals aligned with the strategic areas of research in the School of Architecture: ‍ Climate Justice , ‍ Architecture & Social Movements , Institutional Forms & Practices Documentary Research, Heritage & Digital Materialities , Interior Architecture & The Culture of Care , Feeling, Fiction, Frame , Laboratory for Design and Machine Learning

All research themes encourage interdisciplinary research with new models of collaboration between postgraduate research students, as well as academic and non-academic institutions or partners.

Programme details

• PhD: 3–4 years (full time), 6–7 years (part time)
• MPhil: 2–3 years (full time), 4–6 years (part time)

Applications will open in autumn for September 2025 entry. If you would like to make a late application for 2024/5, some programmes may still have spaces so please contact [email protected] as soon as possible.

Register your interest to be the first to know when applications for 2025 entry open. 

Catch the replays from our latest online Open Day.

Explore further

Explore more work from current architecture postgraduate research students .

Catch the replays from our online Open Day.

A Short History of the Elevator Pitch, Image Credit: Ines Weizman

Nico Alexandroff, Thesis Title: Indexical Ice. Evidencing and acting on the climate emergency via the index of Greenland’s ice. Image: Cryospheric Phenomena, by Nico Alexandroff

Benjamin Mehigan, Thesis Title: A Golden State Confronting the Definition and Mediatization of ‘Extreme’ Climatic Events in California. Image: Picturesque (2020) by Benjamin Mehigan

Francisco J. Quintana, Thesis Title: Urban Cold War. Development Politics of US Housing Operation in the Third World during the 1970s. Image: World Bank ‘Sites and Services’ self-help housing projects implemented in 37 developing countries by Francisco J. Quintana

Elisavet Hasa, Thesis Title: Infrastructures of Solidarity and Care in Athens (2010-2020) Social Movements, Protocol Systems, and Prototypical Designs. Image: Solidarity Pharmacy of Vyronas District in Athens by Elisavet Hasa

Maria Paez Gonzalez, Thesis Title: Supreme (In)formality. The Productive Mastery of Silicon Valley’s ‘Tech’ Corporate Architectures. Image: Steve Jobs sits in his Woodside, California home. Image Credit: Diana Walker, 1982

Professor Ines Weizman

Professor of History and Theory of Architecture

Ines Weizman is Professor of History and Theory of Architecture at the School of Architecture at the RCA and directs our Architecture PhD. She is the founding director of the Centre for Documentary Architecture (CDA), an interdisciplinary research collective comprised of architectural historians, filmmakers and digital technologists.

The School of Architecture is based at our historic Kensington site.

Our studios are the heart of day-to-day activity for the School. Studios are purpose-designed for inspiration and interaction between students of different design disciplines. Shared workspaces are provided for all research students. In addition, you have access to wood, metal, plastic and resin workshop facilities, as well as contemporary digital fabrication equipment and a suite of bookable project and making spaces.

School of Architecture Studios, Photographer: Richard Haughton

More details on what you'll study

Find out what you'll cover in this programme

What you'll cover

What is a research degree.

At the RCA we offer both MPhil and PhD research degrees. Research candidates can study in part-time and full-time modes (subject to approval) and their research can be undertaken by project or thesis modes. The mode of research will be discussed in interview, and should be indicated in the application process.

A postgraduate research degree challenges you to complete a research project that pushes the boundaries of our understanding.

Unlike a taught degree, a research degree emphasises independence of learning and increased specialisation. You will manage your own research project in order to investigate your topic in depth and to produce new ideas, arguments and solutions.

A research degree will give you the subject matter expertise and transferable skills necessary for a wide range of senior roles in research and academia, as well as in business, industry and the cultural and creative sectors.

A PhD is awarded to students who produce a substantial piece of original research that makes a contribution to research in the field. This can take the form of a thesis (60,000-80,000 words) or by project (a body of work and thesis 25,000-40,000 words). If you’re a PhD candidate you’ll normally registered for three years full-time, with submission within four years, or six to seven years part-time. You must remain registered and pay an appropriate fee until submission.

An MPhil is awarded for original research and submission of a thesis. If you’re an MPhil candidate you’ll normally be registered for two years (full-time) or four years (part-time).

Our postgraduate community

We have more than 250 PhD students pursuing cutting-edge research and undertaking advanced training across the College:

• School of Arts & Humanities
• School of Communication
• Computer Science Research Centre
• School of Design
• Helen Hamlyn Centre for Design
• Intelligent Mobility Design Centre
• Material Futures Research Centre

The RCA is a world-leading postgraduate university and is ranked the most research-intensive university of art and design in the UK since 2014. Both our students and staff are drawn from countries across the globe. Overseas students play a vital role in ensuring that our College community benefits from a diversity of experience and skills.

Doctoral training programme

At the RCA, research students undertake training both at a cross-College level and within their Schools/Centres, offering rich and robust preparation and learning opportunities for their research degree progression. Many of these also offer opportunities to build a portfolio of experience for future careers.

All students are required to attend our Doctoral Training Weeks in September, February and July (pro-rata attendance by negotiation for part-time students). These are opportunities to participate in the broader research community at the RCA, but also to undertake timely training to support research progression. These intensive weeks include a range of professional development seminars, training and advice in writing, getting published, achieving impact, entering the academic job market and more, and opportunities for you to develop and present your research to your peers and staff.

Our Research Biennale, held every alternate February, offers a showcase of research to internal and external partners and public. The events include space for testing and experimenting with public facing aspects of research, extending and challenging frameworks and perceptions of what art and design research can be.

We are committed to ensuring that you are well equipped, not only to complete your studies but also to develop your future careers.

Supervisors

All students are allocated supervisors upon registration; your supervisory team will have both subject specialism and experience of supervising to completion. Our of current staff index includes an overview of their research interests, recent research outputs and areas of expertise. These give an idea of the key areas of research that are covered at the RCA.

We are not able to guarantee allocation to a specific supervisor as we need to balance staff capacities and our research strategy. However, if there is a particular supervisor whose research aligns with your research proposal, please join us at one of our Open Days and we can talk with you about the possibilities.

Each student will have six supervisions per year (3 for PT students); these might be with the full supervisory team or with one supervisor. Students are expected to initiate these meetings, set the agenda and provide supervisors with pre-reading or other materials in an agreed timeframe for review.

Annual progress reviews

All research students have Annual Progress Reviews, which they must pass in order to progress into the next year of study. These are vital points where all candidates receive formal feedback not only from their supervisory team, but also from other members of the faculty.

There is a formal Confirmation Exam that takes place midway through the period of study to ascertain your readiness for PhD submission; if you who do not meet the requirements at this stage then you’ll usually be recommended to submit for MPhil examination.

Requirements

What you need to know before you apply

The programme welcomes applications from candidates from across the world and of all ages, including those with academic and professional backgrounds.

Applications are considered in terms of quality of proposal, quality of practice (where appropriate), readiness to undertake a research degree at this level and supervisory capacity.

What's needed from you

Portfolio requirements.

Your portfolio is a showcase of your work as an artist or designer and can be made up of images, videos or writing examples. Your portfolio helps us to better understand your application and allows you to show evidence of your ability and motivation to undertake a given programme.

Generally, we’re looking for you to demonstrate your:

• Creativity, imagination and innovation
• Ability to articulate the intentions of the work
• Intellectual engagement in areas relevant to the work
• Technical skills appropriate to the work
• Potential to benefit from the programme

Please submit a CV listing your academic journey, practice experience, writing projects and other information about yourself that you would like to have considered as part of your application.

Video requirements

Please present some background to the motivations for your research proposal (i.e. previous experience, research, a collaboration with an institution, the meaning of academic research for your work and research interest).

English-language requirements

If you are not a national of a majority English-speaking country, MPhil candidates will need the equivalent of an IELTS Academic score of 6.5 with a 6.5 in the Test of Written English (TWE). PhD candidates will need the equivalent of an IELTS Academic score of 7.0 with a 7.0 in the Test of Written English (TWE).

If you need a Student Visa to study at the RCA, you will also need to meet the Home Office’s minimum requirements for entry clearance.

Fees & funding

For this programme, fees for new students.

Fees for September 2024 entry on this programme are outlined below. From 2021 onward, EU students are classified as Overseas for tuition fee purposes.

Home: High residency

Home: low residency, overseas and eu: high residency, overseas and eu: low residency.

New entrants to the College will be required to pay a non-refundable deposit in order to secure their place. This will be offset against the tuition fees for the first year of study.

Overseas and EU

Progression discounts.

For alumni and students who have completed an MA, MA/MSc or MRes at the RCA within the past 10 years, a progression discount is available for Doctoral study. This discount is £1,000 per year for thee first three years of full-time study.

Continuation fees

Candidates who have completed the minimum three years of study (FT or 6 years PT) for PhD will be eligible to apply for Continuation Status. This is a period of study, for up to one academic year, during which a candidate will be focused upon revising and editing their thesis/project.

Scholarships

Rca scholarships.

The RCA scholarship programme is growing, with hundreds of financial awards planned for the 2025/6 academic year.

For more information and examples of financial awards offered in 2024/25, visit the Scholarships & awards webpage.

You must hold an offer to study on an RCA programme in order to make a scholarship application in Spring 2025. A selection of RCA merit scholarships will also be awarded with programme offers. 

We strongly recommend that you apply for your programme as early as possible to stand the best chance of receiving a scholarship. You do not apply directly for individual awards; instead, you will be invited to apply once you have received an offer.

More information

Mphil/phd fee bands.

The RCA is introducing two separate tuition fee bands for MPhil/PhD students with effect from the academic year 2023/24: Low Residency and High Residency. For more information about what the different fee bands entail, and for frequently asked questions on fee bands, visit:

Additional fees

In addition to your programme fees, please be aware that you may incur other additional costs associated with your study during your time at RCA. Additional costs can include purchases and services (without limitation): costs related to the purchase of books, paints, textiles, wood, metal, plastics and/or other materials in connection with your programme, services related to the use of printing and photocopying, lasercutting, 3D printing and CNC. Costs related to attending compulsory field trips, joining student and sport societies, and your Convocation (graduation) ceremony. 

If you wish to find out more about what type of additional costs you may incur while studying on your programme, please contact the Head of your Programme to discuss or ask at an online or in person  Open Day .   

We provide the RCASHOP online, and at our Kensington and Battersea Campuses – this is open to students and staff of the Royal College of Art only to provide paid for materials to support your studies. 

We also provide support to our students who require financial assistance whilst studying, including a dedicated Materials Fund.

External funding

With the Government's introduction of the new Doctoral Loan and the continued support available via the Arts and Humanities Research Council, there are more financial support options than ever before.

Tuition fees are due on the first day of the academic year and students are sent an invoice prior to beginning their studies. Payments can be made in advance, on registration or in two instalments.

Ask a question

Get in touch if you’d like to find out more or have any questions.

More opportunities to study at the RCA

Related programmes.

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MPhil/PhD Research Architecture

Content navigation menu, why study mphil/phd research architecture at goldsmiths.

Undertake your own research project in the Centre for Research Architecture.

• This MPhil/PhD programme is aimed at practitioners of architecture and other related spatial practices who would like to develop a sustained multi-year practice-led research project.
• The MPhil/PhD allows you to produce intensive, rigorous, and scholarly research as well as further elaborate your own practice.

Contact the department

If you have specific questions about the degree, contact Dr Susan Schuppli .

3-4 years full-time or 4-6 years part-time

Home - full-time: £4786 Home - part-time: £2393 International - full-time: £18560

Visual Cultures

You'll research

The programme is structured around an annual series of two-day long seminars, which take place each month during the autumn, winter, and spring terms.

The seminars are organised as a roundtable discussion of student research projects as they progress each year. Each of the roundtable seminars is supplemented by invited guests who bring relevant scholarly knowledge or practices into the Centre for Research Architecture .

Student and guest presentations, along with assigned readings, provide the common conceptual ground for discussion of work and ideas.

Visual Cultures assessment are 100% coursework. Normally this consists of essays, sometimes accompanied by creative projects, group projects, multi-media projects, presentations, symposia, reviews, and studio work.

What our students say

Angela Melitopolous

Angela Melitopolous's PhD research project

View profile

Anselm Franke

Anselm Franke's PhD research project

Ariel Caine

Ariel Caine's PhD research project

Fees and funding

Annual tuition fees.

These are the PG fees for students starting their programme in the 2024/2025 academic year.

• Home - full-time: £4786
• Home - part-time: £2393
• International - full-time: £18560

If your fees are not listed here, please check our postgraduate fees guidance or contact the Fees Office , who can also advise you about how to pay your fees.

It’s not currently possible for international students to study part-time under a student visa. If you think you might be eligible to study part-time while being on another visa type, please contact our Admissions Team for more information.

If you are looking to pay your fees please see our guide to making a payment .

Funding opportunities

You may be eligible for the following funding:

• Forensic Architecture Open Verification PhD Fellowship
• ESRC/SENSS Doctoral Studentships
• AHRC Studentships
• Goldsmiths scholarships  

Paying your fees

Find out about paying your tuition fees .

Additional costs

In addition to your tuition fees, you'll be responsible for any additional costs associated with your course, such as buying stationery and paying for photocopying. You can find out more about what you need to budget for on our study costs page .

There may also be specific additional costs associated with your programme. This can include things like paying for field trips or specialist materials for your assignments.

Entry requirements

You should normally have (or expect to be awarded) a taught Masters in a relevant subject area. 

You might also be considered for some programmes if you aren’t a graduate or your degree is in an unrelated field, but have relevant experience and can show that you have the ability to work at postgraduate level.

International qualifications

We accept a wide range of international qualifications. Find out more about the  qualifications we accept from around the world .

If English isn’t your first language, you will need an IELTS score (or  equivalent English language qualification ) of  6.5 with a 6.5 in writing and no element lower than 6.0  to study this programme. If you need assistance with your English language, we offer a range of  courses that can help prepare you for postgraduate study .

How to apply

You apply directly to Goldsmiths using our online application system.

Before submitting your application you'll need to have:

• Details of your education history , including the dates of all exams/assessments
• The email address of your referee who we can request a reference from, or alternatively an electronic copy of your academic reference
• Contact details of a second referee
• A personal statement – this can either be uploaded as a Word Document or PDF, or completed online
• Details of your research proposal
• If available, an electronic copy of your educational transcript (this is particularly important if you have studied outside of the UK, but isn’t mandatory)

You'll be able to save your progress at any point and return to your application by logging in using your username/email and password.

Before you apply for a research programme, we advise you to get in touch with the programme contact, listed above. It may also be possible to arrange an advisory meeting.

Before you start at Goldsmiths, the actual topic of your research has to be agreed with your proposed supervisor, who will be a member of staff active in your general field of research. The choice of topic may be influenced by the current research in the department or the requirements of an external funding body. 

If you wish to study on a part-time basis, you should also indicate how many hours a week you intend to devote to research, whether this will be at evenings or weekends, and for how many hours each day.

Research proposals

Along with your application and academic reference, you should also upload a research proposal at the point of application. This should be in the form of a statement of the proposed area of research and should include:

• Delineation of the research topic
• Why it has been chosen
• An initial hypothesis (if applicable)
• A brief list of major secondary sources

When to apply

You can make an application to study for an MPhil or PhD with us at any time of the year, for the academic year starting the following October.

We encourage you to complete your application as early as possible, even if you haven't finished your current programme of study. It's very common to be offered a place conditional on you achieving a particular qualification.

If you're applying for external funding from one of the Research Councils, make sure you submit your application by the deadline they've specified.

Selection process

Admission to many programmes is by interview, unless you live outside the UK. Occasionally we'll make candidates an offer of a place on the basis of their application and qualifications alone.

Further guidance

Find out more about applying .

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Get our latest Postgraduate Guide

Similar programmes.

MPhil/PhD Advanced Practices

This programme will provide you with an opportunity for your own work to engage with the widening horizons of new practices. It will also enable you to invent methodologies, reframe urgencies, and reimagine the contexts for work.

MPhil/PhD Visual Culture

We welcome applicants wishing to explore visual culture understood as a meeting ground between creative practices, the philosophical and the political.

MRes Advanced Practices

The MRes in Advanced Practices responds to the growing importance of research within contemporary cultural production.

MRes Visual Cultures

The MRes Visual Cultures is ideal if you have already completed an advanced course of study in art history and theory but would like to further develop your thought and research projects before studying at MPhil/PhD level.

Study at Cambridge

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• Mohamed Derbal: Space, time and community: German architectural discourse and the search for national unity, 1890-1914
• Joshua Dimasaka: Global Disaster Risk Audit using Artificial Intelligence and Earth Observation Data
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• Tom Joashi: Rethinking Urban Conflict Through the French Wars of Religion (1550-1572)
• Yasser M. Khaldi: Governing Renewable Energy Transition in Conflict Contexts: The Case of Palestine
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• Bing-Tao Lee: Biophilic Design and Mental Wellbeing: The Relationship Between Indoor Plants, Positive Emotions and Behaviour
• Yufei Li: Atlas in Motion: Visualising Manchuria through Moving Images
• Mariana Llano Valencia: Challenging the influence of coloniality, whiteness and patriarchy in urban planning in Cartagena, Colombia
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• Ekaterina Mizrokhi: Life in Anachronistic Space: Awaiting Demolition in Moscow's Soviet-era Standardised Housing
• Ummiye Seyda Mutlu: Urban Rooms: Places of Mediation, Participation, and Urban Change
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• Georgia Politi: The life and work of Sir Horace Jones, PRIBA (1819-1887)
• Natcha Ruamsanitwong: Modernising Britain: Sir Leslie Martin (1908-2000) and his role in shaping the Architectural Education in Britain
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• Michael Salka: On the Origin of Buildings: Social-Ecological Networks Provisioning the Built Environment
• Aisha Sobey: Urban futures: The implications of smart cities and digital living for wellbeing
• Lei Song: Fountains, Baths, and Urban Water Supply in England, 1400 - 1800
• Maoran Sun: Scenario-based strategies for decarbonizing Hard-to-Decarbonize housing
• Cleo Valentine: Architectural Neuroimmunology: Assessing the Impact of Architectural Form on Human Neuroinflammation
• Jeroen van Ameijde: Quality of life in high-density urban environments: Data-driven analysis of Hong Kong’s public housing environments and social interaction
• Eimar Watson: The British Marble Industry 1748-1905
• Jonathan Weston: Beyond the Pretty Picture: Exploring the Aesthetic and Function of the Architectural Visualisation
• Eduardo Wiegand: The Life Cycle Design of Multi-storey Wood Buildings: opportunities for efficiency across the construction value chain
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Course requirements:

Candidates accepted for this course will have a 1st class or a high 2i honours degree and, a Masters degree with 70% overall (or equivalent) in Architecture or a related discipline.

The University requires all applicants to demonstrate competence in the English language at a very high level before they begin their proposed course of study - adherence to this requirement is strict. You must be able to demonstrate that you are able to communicate in English at a level and in an idiom suitable to the subject. You will, therefore, need to provide evidence that you meet the University’s minimum requirements for competence in English. For further information see  Postgraduate Admissions Office .

How to Make an Application for the PhD in Architecture

If you do meet the course requirements, you are recommended to consult the list of our established University Teaching Officers (UTOs) and their research interests (see below for links to information about each of our UTOs). If one of our UTOs has relevant research interests to your own, please email them directly with a short research proposal of about 300 words, an example of your writing and a CV to determine whether they are potentially available to work with you as a supervisor before you make a formal application. See:

Dr Ronita Bardhan - Data-driven built-environment design, spatial analysis and climate change, Big data for sustainability in the built-environment, design for demand side energy management

Professor James Campbell - History of building construction, history of library design

Dr Ramit Debnath - Cutting-edge interdisciplinary domain of environmental data science, computational social science, and human-in-the-loop AI design to enable climate action. Applicants should be able to demonstrate excellent data science and quantitative research skills and a passion for interdisciplinary engagement

Dr Michal Gath-Morad  - Exploring how architectural design impacts spatial cognition, behaviour, and social dynamics in diverse environments, from healthcare and workplaces to complex urban settings. Proposals can encompass empirical studies, the development of digital simulation tools for human-centred design, or action research investigating the influence of evidence-based design tools on design cognition

Dr Felipe Hernández - Architectural and urban design, participatory design, social urbanism, history and theory

Professor Ying Jin – City planning, urban design, and urban modelling

Dr Irit Katz -  Socio-politics of architecture and urbanism; transitional spaces, camps and borderscapes; spaces of displacement, migration, and climate mobilities; ethnic and cultural diversity, exclusion and inequality; conflict and violence; housing insecurities; radical spatial and urban transformations; participatory architecture and urban design

Dr Antiopi Koronaki  - Computational design, architectural engineering and geometry, and design optimization principles. Potential topics may include, but are not limited to automation and design for disassembly, modular buildings and circularity in the construction sector, engineered timber construction, as well as advanced fabrication and robotics in architecture

Dr Michael Ramage – Designing and building structural masonry spans using traditional techniques and new materials

Professor Flora Samuel  - Affordable housing, participatory planning, community consultation, social value and mapping data with communities

Dr Darshil U. Shah  - Design and manufacture with biocomposites and low-carbon materials, Structure- property-processing relations in natural materials and structures, Biomechanics and biomimetics, History of natural materials & materials processing, and Design education and pedagogy

Dr Nicholas Simcik Arese - Social theory and urban planning, international development, property rights, youth, masculinity, migration, Middle East, Mediterranean, Mexico, legal geography, science and technology studies, anthropology of value, ethnography

Professor Emily So - Casualty estimation in earthquake loss modelling, risk in the built environment.

Professor Koen Steemers – architectural and urban implications of environmental issues ranging from energy use to human comfort

Dr Max Sternberg – architecture & philosophy, socio-politics of architecture, urban conflict, architectural history

Dr Minna Sunikka-Blank - sustainable building policies, thermal retrofit, energy use behaviour, aesthetics of sustainable architecture

Dr Matteo Zallio  - Interdisciplinary research on Inclusive Design for the built environment, product, and service design

You are recommended to only make a formal application via the University’s Graduate Admissions Office, once an established UTO has confirmed that they would be interested to consider a formal application.  Please note that an offer of admission to the University is subject to final approval by the University's Graduate Admissions Office.  Do not assume that you will be made an offer on the grounds that your prospective supervisor has suggested you make a formal application – this just represents the first stage of admission administration.

All applications must be made via the Applicant Portal available on the Postgraduate Admissions Office  website. It is important that you read through the information available on the Graduate Admissions Office website before submitting your application. If you are already a current graduate student at Cambridge you will be referred to as a ‘Continuer’ on the Graduate Admissions Office website.

You will need to arrange for the following documents to be submitted with your application:

• Academic Reference(s) 
• A Personal Reference will be required if you are applying for the Gates Cambridge Scholarship
• Evidence of Competence in English if English is not your first language
• Sample of Work - this could be a journal publication or a chapter from your undergraduate dissertation
• Research Proposal of 1000 - 1500 words should consist of a topic and a hypothesis, a literature review, a statement on method, and key references

Application Deadlines

The PhD in Architecture commences in October each year and applications for the course can be made from the preceding September. All applications must be made via the Applicant Portal available on the Postgraduate Admissions Office  website. It is important that you read through the information available on the Graduate Admissions Office website before submitting your application.

The final deadline for applicants seeking funding is 7 January 2020. Even if you are not seeking funding, we strongly recommend that you submit your application by 7 January, as no applications will be accepted once this competitive and popular programme is full.

If places are still available on programmes beyond this deadline; self-funded applicants will continue to be considered until the final deadline of 15 May 2020.  No applications will be considered after this deadline.

Course Fees

Information relating to the fee for this course is available from the  Postgraduate Admissions Office .   

If you are seeking funding for your course via one of the University’s main funding competitions, there are specific deadlines and eligibility criteria for each competition. Please check the Funding Section of the  Postgraduate Admissions Office  website for information and application deadlines.  

Applicants classed as 'Home' or 'EU' for fees purposes and wish to research an AHRC approved research subject are eligible to be considered for an Open-Oxford-Cambridge AHRC DTP studentship. Applicants wishing to be considered for these awards need to check the appropriate box on the application form. Applicants will also need to ensure that they make their application by the funding competition deadline for Home/EU students. Please see the University's AHRC DTP funding website for more information: https://www.csah.cam.ac.uk/Education/ahrcdtp together with the Open-Oxford-Cambridge AHRC DTP website: https://www.oocdtp.ac.uk/

The Department sometimes offers EPSRC awards for students classified as 'Home' or 'EU' for fees purposes.  These awards are advertised on the Department’s website and other media during the Easter Term (Summer Term) if available.  Applicants who have already applied for the PhD degree will automatically be considered for these awards if they meet the criteria for them.

After your Application is Submitted

When the application reaches the Department, it will be considered by the Department’s Graduate Admissions Team. Applicants may be invited for an interview in Cambridge, or, via Skype if it is not possible to travel to Cambridge.  The Faculty’s Degree Committee will then consider the application and make a recommendation to the Graduate Admissions Office as to whether an offer of a place on the course should be made, and if so, with what academic conditions.

Please be aware that this process may take several months.  You can check the status of your application at any time via your Applicant Portal.

Full information about making your application, Colleges, fees and funding opportunities is provided on the  Postgraduate Admissions Office  website pages.

For further information on graduate admission to the Department of Architecture contact:  [email protected]

At a Glance

Course length and dates:

3 years full-time/5 years part-time, October start.

Examination:

A dissertation of not more than 80,000 words. 

Academic requirement:

A 1st class or a high 2i honours degree in Architecture or a related discipline, and a Masters degree with merit (if a merit category exists).

English language requirement:

See  Postgraduate Admissions Office . 

Applications accepted from:

The preceding September.

Application Deadlines:

The final deadline for applicants seeking funding is early January, please see  Postgraduate Admissions  for exact date. Even if you are not seeking funding, we strongly recommend that you submit your application by 7 January, as no applications will be accepted once this competitive and popular programme is full.

Course Fees:

Information relating to the fee for this course is available from the  Postgraduate Admissions Office .  

If you are seeking funding for your course via one of the University’s main funding competitions, there are specific deadlines and eligibility criteria for each competition.  Please check the Funding Section of the  Postgraduate Admissions Office  website for information and application deadlines. 

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The Phd Research Programme at the Architectural Association

Vitruvius translator – and the missing source text.

Sokratis Georgiadis

MA HCT & PhD Debates: History in Translation. Marina Lathouri and Guest Speakers

Thursday 12 March | 4:00pm | 32 Bedford Square (First Floor Back)

In portraying the architecture of the temples, which make up the contents of Books 3 and 4 of Vitruvius’ “Ten Books on Architecture” and can be considered the core of this work, its author makes no secret of his dependence on Greece. But which were his sources? In the preface to his 7th book, he himself gives the names of more than 20 Greek architects who have written about their art before him; these writings, the oldest of which date back to the 6th century BC, are all lost today. Which of them he knew and used and to what extent we do not know. Nor is it likely that the Roman theorist and author of the “Ten Books” knew first-hand the architecture of which he wrote, not even the Greek architecture of southern Italy and Sicily. The source text Vitruviusʼ, is therefore not secure and this is a problem for his theory, but above all for its reception, i.e. the more than two-thousand-year-old tradition of European Vitruvianism.

Image : Delphi ex-Cnidienne. Photography by Sokratis Georgiadis

Graf, Fritz, “Pompai in Greece – Some Considerations about Space and Ritual in the Greek Polis,” in: Robin Hägg (ed.).  The Role of Religion in the Early Greek Polis , Stockholm 1996. 55-65.

Biography : Sokratis Georgiadis, born in 1949 in Thessaloniki (GR), studied architecture at the Technical University of Berlin and received his PhD from the University of Stuttgart. In the years 1987-1994 he held a research and teaching position at the Swiss Federal Institute of Technology (ETH), he also held temporary teaching posts at the Universities of Zurich and Bern. In 1994 he became Professor for Architectural Theory and Design at the Hochschule für Gestaltung in Berlin-Weissensee and, shortly after, Professor of Architecture and Design History at the State Academy of Art and Design Stuttgart where he taught until 2018. He lectured widely in Europe and North America, wrote articles for numerous architectural magazines and organized architectural exhibitions. His research interests include architectural history and theory in the 19th and 20th centuries and, more recently, Greek architecture of the archaic period. His studies on Sigfried Giedion include book publications (An Intellectual Biography 1989 [engl.1993], The Project of a New Tradition [co-editor of the exhibition catalogue, Museum für Gestaltung Zürich, 1989 / German], Introduction to Giedions’s “Building in France, Building in Iron, Building in Ferroconcrete” in the Text & Documents Series of the Getty Center for the History of Art and the Humanities, Epilogue to the German reprint of the same book [2000]) and numerous articles. He is presently working on the edition of the papers of Giedion’s unfinished book-project “Die Entstehung des heutigen Menschen” (1929-1938, The Growth of Contemporary Man).

Empathy and the Phenomenological Ethnography of Space

Thursday 30 January | 4:00pm | 32 Bedford Square (First Floor Back)

This lecture will address the Debates’ theme of history ‘in-translation’ in terms of an inquiry into three interrelated phenomena:  empathy ,  corporeity , and  spatiality . We will draw primarily on contemporary scholarship on the phenomenology of Edmund Husserl and Edith Stein on empathy ( Einfühlung ), and Jan Patočka and Maurice Merleau-Ponty on embodiment, in dialogue with the architectural theory of the late Dalibor Vesely. Beginning with this initial sketch of the philosophical problems, we consider concretely the question of the sense perceptual and empathic basis of the experience of the historical horizon of an ‘Other’s’ world, in terms of the expressive and communicative structures of corporeity and spatiality. The concrete, exemplary event that will guide our inquiry is a ritual practice of an Afro-Brazilian religion—called a Candomblé  caboclo reunião  of Tupikinim—situated in the periphery of the city of Salvador in the Brazilian Northeast. Our access to the ritual will be primarily through ethnographic descriptions of its spatiality, and thus implicated in our considerations is the question of the status of ethnography as a method and descriptive practice. Following the critiques of philosopher Valentin Mudimbe, we will foreground the ethical implications of the hermeneutic sense of empathy ( Einfühlung ) for ethnography. Mudimbe’s empathic thesis derived from hermeneutics, I propose, bears a certain affinity with anthropologist

Marilyn Strathern’s methodological grounding of ethnography in the concrete conditions of fieldwork and its ‘effects’. We will thus explore the question of the status of spatiality for ethnography in Strathern in relation to Mudimbe’s critique of ethnography’s historicity. The problems raised through a consideration of the above phenomenological and anthropological relations will guide us in investigating the tensions in the understandings of the relationship between historicity and spatiality for the shared, embodied experience of the ritual as exemplary, and its more general implications.

Image :   Caboclo  figurine on the ritual table. Salvador 2010. Photography by Tao DuFour

Marilyn Strathern, “The Ethnographic Effect I”, in  Property, Substance and Effect: Anthropological Essays on Persons and Things  (London: The Athlone Press, 1999), pp.1-26.

Klaus Held, “Husserl’s Phenomenology of the Life-World”, in  The New Husserl: A Critical Reader , edited by DonnWelton (Bloomington & Indianapolis: Indiana University Press, 2003), pp.32-62.

Dermot Moran, “Edith Stein’s Encounter with Edmund Husserl and Her Phenomenology of the Person”, in  Empathy, Sociality, and Personhood: Essays on Edith Stein’s Phenomenological Investigations , edited by Elisa Magrì and Dermot Moran (Dordrecht: Springer, 2017), pp.31-47.

Tao DuFour, “Toward a Somatology of Landscape: Anthropological Multinaturalism and the ‘Natural’ World”, in  Routledge Research Companion to Landscape Architecture , edited by Ellan Braae and Henriette Steiner (London: Routledge, 2019), pp.156-170.

Valentin Mudimbe, “The Patience of Philosophy”, in  The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge  (Bloomington & Indianapolis: Indiana University Press, 1988), pp.135-186.

Biography : Tao DuFour   is Assistant Professor at the Department of Architecture at Cornell University. His work explores the overlaps between architecture, anthropology, and philosophy, building on his research on the phenomenology of Edmund Husserl. His current research is concerned with the question of architecture’s embeddedness in environmental histories. He holds a PhD and MPhil in the history and philosophy of architecture from the University of Cambridge, and a BArch from The Cooper Union. He is the author of  Husserl and Spatiality: Toward a Phenomenological Ethnography of Space  (Routledge, forthcoming 2020).

The Female Body Politic: Re-modelling The Book of the City of Ladies

Penelope Haralambidou

Thursday 13 February | 4:00pm | 32 Bedford Square (First Floor Back)

The paper will present my practice/drawing-led research, which focuses on two works by French late medieval author Christine de Pizan:  The Book of the City of Ladies , 1405; and  The Book of the Body Politic, c .1404-07. Conflating the act of writing a book – a thesis against institutional misogyny – with the construction of an imaginary city, the first work,  The Book of the City of Ladies,  has been seen as a proto-feminist manifesto. Although widely studied in terms of its literary significance, I focus on the under-researched architectural and urban allegory depicted in the text, which imagines a Utopia inhabited solely by women and constructed for them by a woman (de Pizan herself), as well as its accompanying illuminations (miniature illustrations) displaying three different stages of the foundation and physical construction of the city. Inspired by Aristotle’s  Politics  and revisiting the ancient Greek metaphor, by which a state or society and its institutions are conceived of as a biological human body, in the second work,  The Book of the Body Politic , de Pizan offers her version of a medieval political theory, which I attempt to connect with her allegorical city.

Image : Photograph by Andy Keate

Penelope Haralambidou (2016). ‘With-drawing Room on Vellum: The Persistent Vanishing of the Architectural Drawing Surface’. In Allen, L., Pearson L. (Eds.).  Drawing Futures: Speculations for Contemporary Art and Architecture  (pp.82–89). London UCL Press

Sandra L. Hindman. ‘With Ink and Mortar. Christine de Pizan’s Cite des Dames’. In:  Feminist Studies , Vol. 10, No. 3 (Autumn, 1984), pp. 457-483

Earl Jeffrey Richards. ‘Where are the men in Christine de Pizan’s City of Ladies. Architectural and Allegorical Structures in Christine de Pizan’s Livre de la Cite des Dames.

Biography : Penelope Haralambidou   is Associate Professor and Director of Communications at the Bartlett School of Architecture, UCL. She coordinates MArch PG24, where she promotes a highly innovative research-based teaching methodology that uses digital film and immersive environments to re-think architectural design through time. Her research employs architectural drawing, model-making and digital film as investigatory tools to analyse ideas and work, not only in architecture, but also visual representation, the politics of vision, art and cinema. Her work has been exhibited internationally, she is the author of the monograph  Marcel Duchamp and the Architecture of Desire  (London: Routledge, 2013), and she has contributed writing on themes, such as architectural representation, allegory, figural theory, stereoscopy and film to a wide range of publications. Her solo show, ‘City of Ladies’, presenting her practice-led research of Christine de Pizan’s proto- feminist text  The Book of the City of Ladies , 1405, was hosted by DomoBaal gallery in January–February 2020.

Animals, Architecture, and the Critique of Modernity

Kostas Tsiambaos

Although the representations of animals in architecture since 1900 receded, as positivism and functionalism prevailed, one can still notice various representations of animals in the work of modern and postmodern architects. From the goat in Hans Poelzig’s  Porzellanpavillon  (1922), and the pack-donkey in Le Corbusier’s  The City of Tomorrow  (1929), to the horse in Superstudio’s  Atti Fondamentali  (1972), and the dog in Lina Bo Bardi’s  Intermezzo per bambini  (1984) the animal, as a symbolic representation, comes to serve a critical-interpretive function. In my talk, I will focus on a few case studies in which the animal comes to question the form and content of architecture by pointing towards a meta-architectural future.

Image :  Massimo Scolari, The Solitary Sparrow, 1974

Spyros Papapetros,  The Birth of Design https://www .e-flux.com/architecture/superhumanity/68709/the-birth-of-design/

Boris Groys,  Romantic Bureaucracy: Alexander Kojeve’s post-historical wisdom  (in: Radical Philosophy 196, March/April 2016)

Efthymia Rentzou,  Animal  (Columbia University Press, 2016)

Biography : Kostas Tsiambaos is Assistant Professor in History & Theory of Architecture at the School of Architecture of the National Technical University in Athens (NTUA). He is Chair of do.co.mo.mo. Greece. He studied in Athens (NTUA) and New York (GSAPP Columbia University). His research has been published in international journals ( The Journal of Architecture ,  ARQ ,  Architectural Histories, AΡΕΝΑ JAR ) and international collective volumes. His recent books include  From Doxiadis’ Theory to Pikionis’ Work: Reflections of Antiquity in Modern Architecture  (London & New York: Routledge, 2018) and  Ambivalent Modernity: 9+1 texts on Modern Architecture in Greece  (Thessaloniki: Epikentro, 2017 – in Greek). He has also co-edited the exhibition catalogue  The Future as a Project: Doxiadis in Skopje  (Athens: Hellenic Institute of Architecture, 2018). In the fall semester of the academic year 2019-2020, he was a Stanley J. Seeger Visiting Fellow at Princeton University.

Geo-aesthetics of the Anthropocene

Thursday 23 January | 4:00pm | 32 Bedford Square (First Floor Back)

This seminar will explore aesthetics as central to the various issues debated today under the rubric of the Anthropocene. It will do so especially by attending to the ways in which the environment is aestheticised as part of political projects and by asking how these aestheticisations in turn engender, encourage and legitimise particular environmental interventions. In terms of its critical analytical objectives, the seminar aims to complicate flattening notions of humanity and universality that continue to characterise mainstream approaches to the Anthropocene in architecture and related disciplines.

Image :  View of a Coal Seam on the Island of Labuan  (engraved by L.C. Heath & lithographed by C.W. Giles, 1847)

Dilip da Cunha,  The Invention of Rivers: Alexander’s Eye and Ganga’s Descent  (Philadelphia, PA: University of Pennsylvania Press, 2019)

Kathryn Yusoff,  A Billion Black Anthropocenes or None  (Minneapolis, MN: University of Minnesota Press, 2018)

Timothy Mitchell,  Rule of Experts: Egypt, Techno-Politics, Modernity  (Berkeley, CA: University of California Press, 2002)

Biography : Eray Cayli, PhD (University College London, 2015), studies the aesthetics and geographies of political violence in Turkey anthropologically. His current research concerns with how these legacies shape and are shaped by contemporary discourses and practices around disaster and resilience. Eray is Leverhulme Trust Early Career Fellow (2018-21) at London School of Economics and Political Science where he also teaches the postgraduate course ‘Imaging Violence, Imagining Europe’. He is currently completing a monograph tentatively titled  Victims of Commemoration: The Architecture and Violence of ‘Confronting the Past’ in Turkey , co-editing the volume  Architectures of Emergency in Turkey: Heritage, Displacement, Catastrophe , and guest-editing a special issue of the  International Journal of Islamic Architecture  themed ‘Field as Archive / Archive as Field’. Eray is a co-founder of Amed Urban Workshop, an independent academy for critical spatial research based in the city of Amed (officially known as Diyarbakır) in Turkey’s Kurdistan, where he also undertook a residency at the artist-run space Loading in summer 2019.

The Ecological Superblock

Aiman Tabony Supervisors: Michael Weinstock, George Jeronomidis

The rapid undergoing and coming climatic and ecological change coupled with rapid acceleration in population growth, raise doubts and concerns regarding the ability of the existing urban systems to adapt to the future change. Although, these changes represent key opportunity for using ecological based design superblocks. The research departs from a critical reflection on the work of Hilberseimer’s “Decentralized City “and Soleri’s “Arcology”, who considered the city and the superblock to be a single and unified ecological system. It contextualizes the research within the larger scope leading the focus to the investi- gation of ecology and its subfield, the ecosystem. This brings the study down to three dominant areas of research: ecology, computational ecology and urban design. Through the integration of System Dynamic modelling method in the design process, the research investigates the Implantation of ecological parameters coupled with morphological and metabolic parameter and process. The design methodology is proved by the development of a computational design model which integrates System Dynamics model And Evolutionary Design model. The model was examined through a set of design experiments of a superblock that is integrated with the flow of the dynamics of the climate and ecologi- cal system. The output of the design method is a multi-dimensional da- tascape, opening up new possibilities in the field of urban design and planning that are more robust to changes in the environmental context. 

Biography : Aiman Tabony is a researcher and the second generation architect in Dr Tabony Architects. An architecture and engineering office founded in Nazareth in the 1960s by his father. During the last two decades, Aiman has been the leading architectural agenda of the practice, building an extensive curriculum in the design of public buildings. From 2012 to 2013 Aiman was teaching in the Technion-Haifa, as member of the computational design group. Aiman moved to London in 2014 to continue developing his curriculum in architecture, computation and ecology as a PhD researcher at the Architectural Association in London. He develops his Thesis under the supervision of Dr. Michael Weinstock; founder and leader of the design research group Emergent Technologies EmTech at the Architectural Association, London. His research concentrates on the implementation of computational methods for design and fabrication of ecological architecture and urban design. Departing from the city understood as a dynamic complex system his work focuses on the development of dynamic system models for cities and how the development of these systems influences the architectural discourse at the scale of the urban block.

Lola Lozano Lara

Supervisors: Pier Vittorio Aureli, Maria Giudici

The thesis considers the notion of vicinity, observed within the historic and legislative context of housing in Mexico City. A  vecindad  in Mexico is a building typology that allows a group of households to share domestic facilities through a central street.  Vecindad  translates to neighbourhood, stemming from the Spanish  vecino  which in English means, both,  neighbour  and  close , alluding to proximity, a relationship of close distance. 

The thesis is an investigation of domestic space and the relentless and unplanned accumulation of itself in the metropolitan city, focusing in Mexico City as a model of this condition, highlighting the state of living in extreme vicinity and raising the question of sharing what is perceived as a finite resource in the metropolitan city: housing. The existing housing stock in Mexico City does not satisfy the volume of the population. The number of inhabitants is a factor, and yet it is not the root of the problem. The crisis is engrained within a political system of reigning bureaucracy, resulting in a way of life where misfortune is inevitable and normalised.

The study looks closely at the architecture typologies in which inhabitants have been housed within the city, paying close attention to how these result in the redistribution of space and services through necessity and commodification, rather than through design. The investigation traces the history of Mexico as a newly sovereign state, autonomous since the consolidation of its first Constitution in 1821, and provides an understanding of its initial housing legislation and the instrumental reforms that will follow to enable its current ruthless and futile development of real estate. The research responds to the need of finding ways to contain the population in metropolitan areas of unlimited and unstoppable physical growth, where a perception of scarcity is promoted in relation to space, wealth, infrastructure, and time – in turn, fostering the image of an unsolvable problem and justifying the dissolution of a possibility for domestic space.

Biography : Lola is a practicing architect working in London and Mexico City. She graduated from the AA Diploma, having previously completed her Bachelor studies at Newcastle University. Alongside her architectural practice, Lola is enrolled as PhD Candidate at the AA and teaches at various UK universities. She is Associate Lecturer at Oxford Brookes University co-leading DS7 on the MArchD course; Visiting Lecturer at the University of Westminster MA Interior Architecture; and collaborates with the BA Technical Studies and Professional Practice courses at the Bartlett and the AA.

Language and Sound: The Oracle of Delphi

Dorette Panagiotopoulou

Supervisors: Mark Cousins, Doreen Bernath

The thesis explores the space between voice, speech and writing though a study on the oracle of Delphi, an oral culture that is then transcribed and codified into written text. The manifold life of  sign  and  sound  (of language itself) as well as that of the  author  and the  receiver,  are attached by the material they share:  writing , a currency always in the throws of exchange. An ideology of writing and receiving, the relationship between sound, silence, and voice, is like all relations, about power. Does the voice have to submit to the written word? Was writing more like an act of  re-writing  or what we may call editing in the early period of the adoption of writing to speech, rather than a whole new way of representing language? The relationship of writer and receiver, sound and silence is one of domination but also – sometimes – one of commonality. 

Within the study of oracular statements and inscriptions at the temple of Delphi, I am developing a central question which concerns the tension between the narratives which describe it as an utterance by the Pythia and the oracle’s appearance, circulation, and dissemination in textual form – the tension here being between the spoken and the written word. The question of the oracle’s dissemination is a crucial one, as it presents a form of language or rather a cultural phenomenon that combines both literacy and orality. Even the Pythia’s language itself, emerges as neither deceptive nor crystalline, falling thus somewhere between the written and the illusory. There is one main concept that seems to link the two studies, specifically, inscription. The analysis of the letter “E” in Plutarch’s dialogue “On the E at Delphi”, leads to an understanding of inscription as something that acts as a lure or an invitation to investigate. The letter “E” takes the form of a pure symbol of judgment that evokes both the acts of interpretation and intuition in relation to truth. The Delphic inscription, mediated by Plutarch, has become a classic instance of the problem of interpretation. Not unlike oracular formulations that neither conceal nor reveal but indicate, inscription appears as both formal and hermeneutic. It entails the ability to say and to represent at the same time, while revealing the division or even blurring the lines that separate sign, form, and word. The very thing that is both seen and read is muted in the vision, and concealed in the reading. Thus, inscription bears a “not yet to say” and a “no longer to represent” that leads to the search for that force that produces a full meaning – one beyond the grasp of the linguistic – that utters the unspeakable through the “space” of emptiness and silence. 

Image : Juxtaposition of film still and the Temple of Apollo (Tacita Dean: Landscape, Portrait, Still Life, RA)

Biography : Dorette Panagiotopoulou has obtained a Masters degree in  Cultural and Intellectual History  at the Warburg Institute after having completed her Undergraduate Studies at the AA, from which she graduated in 2013 from Diploma unit 14. She is currently undertaking a PhD that examines the subject of the Delphic Oracle, under the supervision of Mark Cousins and Doreen Bernath, while teaching in the AA History and Theory Studies courses as a seminar tutor. She has previously worked at  Hopkins Architects  in London, as well as in the  Re-Activate Athens  project – a research and design initiative led by Urban-Think Tank studio based at ETH in Zürich in collaboration with the Onassis Foundation in Athens. She has also briefly worked on the report “ Rafah: Black Friday”  at Forensic Architecture based at Goldsmiths University. She is currently collaborating with a of group professors and architects from the Polytechnic School of Athens (NTUA) on a large project aimed to be realized in 2021 in Eleusis.

Towards Jerusalem: The Architecture of Pilgrimage

The thesis explores the ritual of sacred travel to the city of Jerusalem. It studies pilgrimage as a project in which the pilgrim, as a subject who is led by spiritual orientation, contributes to the appropriation of the cities and landscapes that he or she is perpetually crossing. While pilgrimage is indeed acknowledged as a journey in pursuit of a religious objective, it will nevertheless be studied, in this thesis, as a powerful social and cultural vector that often destabilized the economic, civic, and political conditions of the places of worship. The thesis will expand the definition of pilgrimage to Jerusalem by including a variety of analogous ‘Jerusalems’ that proliferated around the world as pilgrimage sites in their own right. As such, it will place the ritual of travel to the City of Jerusalem as a flexible practice that is not geographically confined but could be enacted by the varied combination of text, place, memory, and visual imagination—arguing for the possibility of relief from territorial confinement, and the violence it conceals. 

The thesis will unfold both chronologically and thematically in order to explore how the mentality of pilgrims and the scenography of pilgrimage has produced particular structures, landscapes, and representations that I refer to as the  Architecture of Pilgrimage.  Each of the five chapters looks both into a specific era in the history of Jerusalem pilgrimage (early Christianity, the Middle Ages, the beginning of Modernity and the 20th Century), as well as a particular theme, such as the fabrication of sacred landscapes, the intelligence of analogical thinking, the importance of movement in ritual, the politics of heritage and preservation, and the formation of collective memory. While these paradigmatic ideas did not necessarily originate in Jerusalem, the city’s condition allows their examination in a state of acceleration and saturation.

Methodologically, the thesis uses photography as a tool for architectural research and design, producing a travelogue composed of photographs and text. As documentation, this project will provide primary evidence of the current condition of Jerusalem pilgrimage. As representation, it will join a lineage of past endeavours that has used the medium of photography to frame spaces as a tool of architectural design. As a series,   the images will unfold along the itinerary of the thesis and form cartography of pilgrimage. As a project, it will trace, define, and speculate on a possible new route  Towards Jerusalem .

Image : Stations of the Cross in the Sacred Mountain of Varese, Italy. Photo by Gili Merin, 2018

Biography : Gili Merin is an architect and photographer She is a Diploma unit master at the AA, a lecturer for History and Theory of architecture at the Royal College of Arts, and a visiting professor in Syracuse University. She was trained as an architect, editor and researcher at OMA in Rotterdam, Kuehn Malvezzi in Berlin and Efrat-Kowalsky in Tel Aviv. Gili writes and photographs regularly for the Architects’ Journal, Frame Magazine and Haaretz newspaper. Her essays and reportages have been published in a number of print and online journals, amongst them the AA Files, MITs Thresholds, The Guardian and The Architectural Review.

The social factory: Social movements from autonomy to precarity

Enrica Mannelli

The thesis studies the evolution of the “social factory” and the related social movements that tackled this evolution. The concept of the social factory rises from a theory developed by Mario Tronti in early 1960 who claimed that in a Fordist society  “the whole of society lives as a function of the factory and the factory extends its exclusive domination to the whole of society” . Therefore, the history of the social factory is the evolution of an exploitative system, marked and challenged by a series of struggles led by the working class, the subject exploited. From an urban perspective, the Fordist social factory is the first moment that every single element of the city (such as factories, housing projects, and parks) and urban activity (working, dwelling, and leisure) is commodified and planned according to the main production system in order to fulfil the main goal of reproducing the labour force, i.e. making people productive. The urban history of the social factory – which this thesis sets out to trace – is the evolution of the city structure in relation to the evolution of the system. 

In the last 60 years, the working world has moved from a production system based on the factory assembly line to the contemporary “creative factory” that exploits not only intellectual labour but also the workers’ life as such; from  zoning  policies to a condition where we are unable to mark the spatial boundaries of the work field. As an illustration of this shift in the nature of work, Italy represents an exemplary and fast-paced case study while at the same time, Italian thinkers and practitioners of the 1960s and 1970s produced extensive theoretical and political contributions on this precise topic. Among them, the rejection of the system expressed by the Italian theories of autonomy and the Autonomia movement is the most interesting. 

Therefore, this research will analyse the structure of several Italian cities in relation to a particular shift within the evolution of the system: Turin, the factory; Bologna, the creative city; Rome, the autonomous social centre; and Milan, the cooptation of the autonomous social centre. In doing so, it questions the urban form in two ways: as an outcome of the capitalist system, reading urban planning as a means of capitalism itself; and as a contested spatiality in which the struggles of workers and citizens occur. Ultimately, this project questions the opportunity to tackle the contemporary Roman social factory through an urban policy to enable a system of social factory workshops. The latter is imagined as a critique of the Centro Sociale Occupato Autogestito (Self-managed occupied social centre; CSOA) that represent an important moment and space within the evolution of Italian theories of autonomy, and an opportunity to challenge the relentless nature of capitalism.

Image : Tano D’Amico, Girl and Guards, Rome (1977)

Biography : Enrica Mannelli is an architect. She graduated in Architecture in Rome (2008) and holds a Master of Arts in Housing and Urbanism from the Architectural Association (2017). As a firm believer in the importance of acquiring hands-on experience alongside academic study, she worked in a number of firms of different sizes, methods, and ambitions: among them, she collaborated with Cino Zucchi Architetti in Milan and Lynch Architects in London. She is currently working between Rome and London while pursuing her PhD by Design.

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Qualification, university name, phd architecture in england.

34 degrees at 27 universities in England.

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PhD Research Degrees

Arts university bournemouth.

Research degrees are awarded in recognition of significant contributions to knowledge and scholarship produced through the development of Read more...

• 3 years Full time degree: £6,000 per year (UK)
• 5 years Part time degree: £3,000 per year (UK)

Architecture, Construction and Environment PhD

University of gloucestershire.

What is Architecture, Construction and Environment A Landscape Architecture research degree offers you the opportunity to explore Read more...

• 4 years Full time degree: £5,100 per year (UK)
• 6 years Part time degree: £3,400 per year (UK)

Architecture research degree MPhil/PhD

De montfort university.

With internationally renowned researchers, state-of-the-art facilities, a passion for interdisciplinary working and a focus on real-world Read more...

• 3 years Full time degree: £4,786 per year (UK)
• 5 years Part time degree: £2,393 per year (UK)

Architecture (Science) PhD

University of nottingham.

This PhD addresses the core of architecture including design as research, and research that supports and stimulates design. Research is Read more...

• 3 years Full time degree: £5,100 per year (UK)

University of Plymouth

Join an active research area that explores the urban condition from a range of critical perspectives, through a focus on the nature of Read more...

• 4 years Part time degree: £3,180 per year (UK)

Architecture - PhD

University of kent.

Architects and the designers of our surroundings are the driving force behind the design of our built environment. Whether they are Read more...

Architecture PhD

London south bank university.

Research in the area of architecture is carried out by specialist centres. The majority of academic staff belong to one or more of these Read more...

• 6 years Distance without attendance degree: £4,820 per year (UK)
• 3 years Full time degree: £4,820 per year (UK)
• 5 years Part time degree: £2,892 per year (UK)

University of Bath

Study a PhD in a department that integrates architecture and civil engineering research to take on the complex challenges of creating a Read more...

• 4 years Full time degree: £4,800 per year (UK)
• 6 years Part time degree: £2,400 per year (UK)

Architectural and Urban History and Theory MPhil/PhD

Ucl (university college london).

About this degree The Doctor of Philosophy (PhD) consists of a piece of supervised research, normally undertaken over a period of three Read more...

• 3 years Full time degree: £6,035 per year (UK)
• 5 years Part time degree: £3,015 per year (UK)

Architecture, Art and Design PhDs and MPhil

University of portsmouth.

If you're looking to take your skills into postgraduate research, our research degree programmes can help you achieve your ambitions. Our Read more...

• 6 years Part time degree: £2,393 per year (UK)

PhD in Art, Design and Architecture

Manchester metropolitan university.

Discover your research degree study options, including areas of expertise for our academic supervisors. Our research degrees will help you Read more...

• 6 years Distance without attendance degree
• 3 years Distance without attendance degree
• 6 years Part time degree

University of Brighton

For over 30 years, the University of Brighton has brought innovation and impact through research in built environment, architecture and Read more...

• 3 years Full time degree: £4,796 per year (UK)
• 7 years Part time degree: £2,398 per year (UK)

Doctor of Philosophy - MPhil / Phd

London metropolitan university.

A PhD is conducted purely by research. Each PhD is the unique development of your individual research project, performed under the Read more...

• 3 years Full time degree: £6,500 per year (UK)
• 4 years Part time degree: £3,250 per year (UK)

Architecture Design (Social Science) PhD

While the design-based component of the project may be drawn, modelled, filmed, built, etc, candidates will be required to incorporate Read more...

• 3 years Full time degree: £4,712 per year (UK)

Architectural Space and Computation MPhil/PhD

Architecture, art and design phds (distance learning).

If you want to take your expertise in Architecture, Interiors and Urbanism into a postgraduate research degree, Portsmouth is the perfect Read more...

• 6 years Distance without attendance degree: £2,393 per year (UK)
• 3 years Distance without attendance degree: £2,393 per year (UK)

Architecture (Social Science) PhD

Research in architecture at Nottingham covers a diverse multidisciplinary field including architectural history, theory and criticism; Read more...

Architecture and Digital Theory MPhil/PhD

This programme allows students to produce original research in areas related to computational tools applied to design, regardless of scale, Read more...

Architectural Design MPhil/PhD

Mphil/phd research architecture, goldsmiths, university of london.

This MPhil/PhD programme is aimed at practitioners of architecture and other related spatial practices who would like to develop a Read more...

• 4 years Part time degree: £2,393 per year (UK)

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