Logo for OPEN SLCC

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

Chapter 3: Managing Speech Anxiety

This chapter, except where otherwise noted, is adapted from Stand up, Speak out: The Practice and Ethics of Public Speaking ,  CC BY-NC-SA 4.0 .

How do I manage my speech anxiety?

Now that you have an understanding of how important it is for you to use ethical principles in creating an effective speech, let’s move to the topic you have all been either dreading or can’t wait to learn about: how to manage speech anxiety.

Take a look at this scene from the Albert Meets Hitch video and see if you can relate to how nervous these people are.

Hitch: Albert meets Hitch HD CLIP , by Binge Society – The Greatest Movie Scenes , Standard YouTube License. https://www.youtube.com/watch?v=MIBzVc3kJAM

You can imagine how much better this interaction would have gone had the participants not been so anxious. The question is, is it possible to manage your speech anxiety during a conversation, a job interview, or a speech?

Speech Anxiety/Communication Apprehension

Many different social situations can make us feel uncomfortable if we anticipate that we will be evaluated and judged by others. The process of revealing ourselves and knowing that others are evaluating us can be threatening whether we are meeting new acquaintances, participating in group discussions, or speaking in front of an audience.

Definition of Communication Apprehension

According to James McCroskey, communication apprehension is the broad term that refers to an individual’s “fear or anxiety associated with either real or anticipated communication with another person or persons” (McCroskey, 2001). At its heart, communication apprehension is a psychological response to evaluation. This psychological response, however, quickly becomes physical as our body responds to the threat the mind perceives. Our bodies cannot distinguish between psychological and physical threats, so we react as though we are facing a Mack truck barreling in our direction. The body’s circulatory and adrenal systems shift into overdrive, preparing us to function at maximum physical efficiency, kicking in the “flight or fight” response (Sapolsky, 2004). Yet instead of running away or fighting, all we need to do is stand and talk.

The excess energy our body creates can make it harder for us to be effective public speakers. But because communication apprehension is rooted in our minds, if we understand more about the body’s responses to stress, we can better develop mechanisms for managing the body’s misguided attempts to help us cope with social judgment fears.

Physiological Symptoms of Communication Apprehension

as a means of managing speech anxiety the communication orientation

There are various physical sensations associated with communication apprehension. We might notice our heart pounding or our hands feeling clammy. We may break out in a sweat, have stomach butterflies, or even feel nauseated. Our hands and legs might start to shake, or we may begin to pace nervously. Our voices may quiver, and we may have a dry-mouth sensation that makes it difficult to articulate even simple words. Breathing becomes more rapid, and, in extreme cases, we might feel dizzy or light-headed. Communication anxiety is profoundly disconcerting because we feel powerless to control our bodies. We may become so anxious that we fear we will forget our name, much less remember the main points of the speech we are about to deliver.

The physiological changes our bodies produce at critical moments are designed to contribute to ensure our muscles work efficiently and expand available energy. Circulation and breathing become more rapid so that additional oxygen can reach the muscles. Increased circulation causes us to sweat. Adrenaline rushes through our body, instructing the body to speed up its movements. If we stay immobile behind a lectern, this hormonal urge to speed up may produce shaking and trembling. Additionally, digestive processes are inhibited so we will not lapse into the relaxed, sleepy state that is typical after eating. Instead of feeling sleepy, we feel butterflies in the pit of our stomach. By understanding what is happening to our bodies in response to public speaking stress, we can better cope with these reactions and channel them in constructive directions.

Watch this Ted Ed video, The Science of Stage Fright by Mikael Cho. In it, Cho shares what physically happens when we become anxious. It is now called the “fight, flight, or freeze” response because sometimes we hold very still when frightened.

The video can make you feel scared just watching it, but try and notice that there is an actual science to stage fright or speech anxiety, and you are not alone in feeling nervous or scared.

Pay particular attention near the end when Cho gives you one option to help manage your anxiety.

The science of stage fright (and how to overcome it) – Mikael Cho , by TED-Ed , Standard YouTube License. https://www.youtube.com/watch?v=K93fMnFKwfI

After watching the video, did you realize that anxiety is a normal human reaction? We can help reduce the anxiety, but not totally eliminate it. As you continue with this module you will learn strategies to reduce anxiety.

  • Any conscious emotional state, such as anxiety or excitement consists of two components:
  • A primary reaction of the central nervous system.
  • An intellectual interpretation of these physiological responses.

The physiological state we label as communication anxiety does not differ from those that we label rage or excitement. Even seasoned effective speakers and performers experience some communication apprehension. What differs is the mental label that we put on the experience. Effective speakers have learned to channel their body’s reactions, using the energy released by these physiological reactions to create animation and stage presence.

It has been documented that famous speakers throughout history such as Cicero, Daniel Webster, Abraham Lincoln, Eleanor Roosevelt, Winston Churchill, and Gloria Steinem conquered significant public speaking fears. Celebrities who experience performance anxiety include actor Harrison Ford, Beyonce, Lady Gaga, Katy Perry, Rihanna, Matt Damon, and George Clooney (Hickson, 2016).

Myths about Communication Apprehension

as a means of managing speech anxiety the communication orientation

Before we look at how to manage our speech anxiety, let’s dispel some myths.

  • People who suffer from speaking anxiety are neurotic. As we have explained, speaking anxiety is a normal reaction. Good speakers can get nervous, too, just as poor speakers do.
  • Telling a joke or two is always a good way to begin a speech. Humor is some of the toughest material to deliver effectively because it requires an exquisite sense of timing. Nothing is worse than waiting for a laugh that does not come. Moreover, one person’s joke is another person’s slander. It is extremely easy to offend when using humor. The same material can play very differently with different audiences. For these reasons, it is not a good idea to start with a joke, particularly if it is not well related to your topic. Humor is just too unpredictable and difficult for many novice speakers. If you insist on using humor, make sure the joke is on you, not on someone else. Another tip is never to pause and wait for a laugh that may not come. If the audience catches the joke, fine. If not, you’re not left standing in awkward silence waiting for a reaction.
  • Imagine the audience is naked. This tip just plain doesn’t work because imagining the audience naked will do nothing to calm your nerves. The audience is not some abstract image in your mind. It consists of real individuals who you can connect with through your material.
  • Any mistake means that you have “blown it.” We all make mistakes. What matters is how well we recover, not whether we make a mistake. A speech does not have to be perfect. You just have to make an effort to relate to the audience naturally and be willing to accept your mistakes.
  • Audiences are out to get you. An audience’s natural state is empathy, not antipathy. Most face-to-face audiences are interested in your material, not in your image. Watching someone who is anxious tends to make audience members anxious themselves. Particularly in public speaking classes, audiences want to see you succeed. They know that they will soon be in your shoes, and they identify with you, most likely hoping you’ll succeed and give them ideas for how to make their own speeches better. If you establish direct eye contact with real individuals in your audience, you will see them respond to what you are saying, and this response lets you know that you are succeeding.
  • You will look as nervous as you feel. Empirical research has shown that audiences do not perceive the level of nervousness that speakers report feeling (Clevenger, 1959). Most listeners judge speakers as less anxious than the speakers rate themselves. In other words, the audience is not likely to perceive accurately your anxiety level. Some of the most effective speakers will return to their seats after their speech and exclaim they were so nervous. Listeners will respond, “You didn’t look nervous.” Audiences do not necessarily perceive our fears. Consequently, don’t apologize for your nerves. There is a good chance the audience will not notice that you’re nervous if you do not point it out to them.
  • TRUE. A little nervousness helps you give a better speech. This myth is true! Professional speakers, actors, and other performers consistently rely on their nervous heightened arousal to channel extra energy into their performance. People would much rather listen to a speaker who is alert and enthusiastic than one who is relaxed to the point of boredom. Many professional speakers say that the day they stop feeling nervous is the day they should stop public speaking. The goal is to control those nerves and channel them into your presentation.

as a means of managing speech anxiety the communication orientation

Common yet unexpected difficulties can increase speech anxiety: how do we cope?

The following sections are adapted from Stand up, Speak out: The Practice and Ethics of Public Speaking ,  CC BY-NC-SA 4.0 .

Speech Content Issues

Nearly every experienced speaker has gotten to the middle of a presentation and realized that a key notecard is missing or that he or she skipped important information from the speech’s beginning. When encountering these difficulties, a good strategy is to pause for a moment to think through what you want to do next. Is it important to include the missing information, or can it be omitted without hurting the audience’s ability to understand the rest of your speech? If it needs to be included, do you want to add the information now, or will it fit better later in the speech? It is often difficult to remain silent when you encounter this situation, but pausing for a few seconds will help you to figure out what to do and may be less distracting to the audience than sputtering through a few “ums” and “uhs.”

Technical Difficulties

Technology has become a very useful public speaking aid, allowing us to use audio or video clips, presentation software, or direct links to websites. However, one of the best-known truisms about technology is that it can and does break down. Web servers go offline, files will not download in a timely manner, and media are incompatible with the presentation room’s computer. It is important to always have a backup plan, developed in advance, in case of technical difficulties. As you develop your speech, visual aids, and other presentation materials, think through what you will do if you cannot show a particular graph or if your presentation slides are hopelessly garbled. Although your beautifully prepared chart may be superior to the oral description you can provide, your ability to provide a succinct oral description when technology fails can give your audience the information they need.

External Distractions

Although many public speaking instructors directly address audience etiquette, you’re still likely to experience an audience member walking in late, a cell phone ringing, or even a car alarm blaring outside your room. If you are distracted by external events like these, it is often useful, and sometimes necessary—as in the case of the loud car alarm—to pause and wait so that you can regain the audience’s attention and be heard.

Whatever the unexpected event, as the speaker, your most important job is to maintain your composure. It is important not to get upset or angry because of these glitches—and, once again, the key is to be fully prepared. If you keep your cool and quickly implement a plan B for moving forward with your speech, your audience is likely to be impressed and may listen even more attentively to the rest of your presentation.

as a means of managing speech anxiety the communication orientation

Anticipate Your Body’s Reactions

There are various steps you can take to counteract stress’ negative physiological effects on the body. You can place words and symbols in your notes that remind you to pause and breathe during points in your speech, such as “slow down” or ☺.

It is also a good idea before you get started to pause a moment to set an appropriate pace from the onset. Look at your audience and smile. It is a reflex for some of your audience members to smile back. Those smiles will reassure you that your audience members are friendly.

Physical movement helps to channel some of the excess anxiety-induced energy that your body produces. If at all possible, move around the front of the room rather than remaining imprisoned behind the lectern or gripping it for dear life; however, avoid pacing nervously from side to side. Move closer to the audience and then stop for a moment. If you are afraid that moving away from the lectern will reveal your shaking hands, use note cards rather than a sheet of paper for your outline. Note cards do not quiver like paper, and they provide you with something to do with your hands.

Vocal warm-ups are also important to do before speaking. Just as athletes warm up before practice or competition and musicians warm up before playing, speakers need to get their voices ready to speak. Talking with others before your speech or quietly humming to yourself can get your voice ready for your presentation. You can even sing or practice a bit of your speech out loud while you’re in the shower, where the warm, moist air is beneficial for your vocal mechanism. Gently yawning a few times is also an excellent way to stretch the key muscle groups involved in speaking.

Immediately before you speak, you can relax your neck and shoulder muscles by gently rolling your head from side to side.

Focus on the Audience, Not on Yourself

During your speech, make a point of establishing direct eye contact with your audience members. By looking at individuals, you establish a series of one-to-one contacts similar to interpersonal communication.

The Magic of Science

Now for some scientific managing-speech-anxiety magic. You are welcome to use what you hear in your own plan if you choose. Take a listen to Harvard Professor Amy Cuddy and a surprising two-minute strategy that many students find very effective. It is worth watching the full twenty-minute video, Your Body Language May Shape Who You Are.

Amy Cuddy: Your Body Language May Shape Who You Are , by TEDGlobal 2012, CC BY-NC-ND 4.0

Yes, two minutes, two minutes, two minutes. Remember the audience is more interested in learning about what you have to say than in judging you. So, forget yourself and be there for the audience.

Note: Are you a good people watcher? I hope you are because it will aid your progress as a speaker. You will be viewing video clips of speakers throughout the course. Pay attention to what went well in a speech and what you would recommend a speaker change to make their speech better.

For example, In Amy Cuddy’s speech, her data visual aids helped in better understanding the speech. Did you notice where her hair was? Would you recommend she do something different with it? Notice, notice, notice. It will help you know what you want to do and not do in your own speeches.

Ackrill, C. (2012, October 5). 6 thought patterns of the stressed: No. 3 – catastrophizing. American Institute of Stress. Retrieved from http://www.cynthiaackrill.com/6-thought-patterns-of-the-stressed-no-3-catastrophizing-lions-and-tigers-and-bears-oh-my/

Allen, M., Hunder, J.E., & Donohue, W.A. (2009). Meta-analysis of self-report data on the effectiveness of public speaking anxiety treatment techniques. Communication Education , 38, 54–76.

Ayres, J. (2005). Performance visualization and behavioral disruption: A clarification. Communication Reports , 18 55–63.

Ayres, J., & Hopf, T. (1995). Coping with speech anxiety . Norwood, NJ: Ablex

Bodie, G.D. (2010). A racing heart, rattling knees, and ruminative thoughts: Defining, explaining, and treating public speaking anxiety. Communication Education , 59, 70–105.

Boyes, A. (2013a, March 13). 6 tips for overcoming anxiety-related procrastination. Psychology Today . Retrieved from https://www.psychologytoday.com/blog/in-practice/201303/6-tips-overcoming anxiety-related-procrastination

Boyes, A. (2013b, January 10). What is catastrophizing? Cognitive distortions. Psychology Today . Retrieved from https://www.psychologytoday.com/blog/in-practice/201301/what-is-catastrophizing-cognitive-distortions

Cunningham, V., Lefkoe, M., & sechrest, L. (2006). Eliminating fears: An intervention that permanently eliminates the fear of public speaking. Clinical Psychology and Psychotherapy , 13, 183–193

Dean, J. (2012, October 10). The illusion of transparency. PsyBlog . Retrieved from http://www.spring.org.uk/2012/10/the-illusion-of-transparency.php

Ellis, A. (1995). Thinking processes involved in irrational beliefs and their disturbed consequences. Journal of Cognitive Psychotherapy , 9, 105 –116.

Ellis, A. (1996). How I learned to help clients feel better and get better. Psychotherapy , 33, 149–151.

Finn, A.N., Sawyer, C.R, & Schrodt, P. (2009). Examining the effect of exposure therapy on public speaking state anxiety. Communication Education , 58, 92–109.

Grohol, J.M. (2013). What is catastrophizing? Psych Central . Retrieved from http://psychcentral.com/lib/what-is-catastrophizing/1276/

Holmes, E.A., & Mathews, A. (2005). Mental imagery and emotion: A special relationship? Emotion , 5, 489–497.

Horowitz, B. (2002). Communication apprehension: Origins and management . Albany, NY: Singular.

Jones, C.R., Fazio, R.H., & Vasey, M.W. (2012). Attention control buffers the effect of public-speaking anxiety on performance. Social Psychology & Personality Science , 3, 556–561.

Lucas, S. E. (2012). The art of public speaking . (11th ed.). McGrawHill.

MacInnis, C.C., MacKinnon, S.P., & MacIntyre, P.D. (2010). The illusion of transparency and normative beliefs about anxiety during public speaking. Current Research in Social Psychology , 15(4). Retrieved from http://www.uiowa.edu/~grpproc/crisp/crisp15_4.pdf

Motley, M.T. (1995). Overcoming your fear of public speaking: A proven method . New York, NY: McGraw-Hill

Motley, M.T. (1997). COM Therapy. In J.A. Daly, J.C. McCroskey, J.Ayres, T. Hopf, & D.M. Ayres (Eds.) Avoiding communication . Creskill, NJ: Hampton Press.

Motley, M.T. (2011, January 18). Reducing public speaking anxiety: The communication orientation. YouTube. Retrieved from http://www.youtube.com/watch?v=GYfHQvi2NAg

Noonan, P. (1998). Simply speaking: How to communicate your ideas with style, substance, and clarity . New York, NY: Harper Collins.

O’Donohue, W.T., & Fisher, J.E. (2008). Cognitive behavior therapy: Applying empirically supported techniques in your practice . Hoboken, NJ: John Wiley.

Pertaub, D., Slater, M., & Barker, C. (2002). An experiment on public speaking anxiety in response to three different types of virtual audiences. Presence: Teleoperators and Virtual Environments , 11, 670–678.

Peterson, C. (2000). The future of optimism. American Psychologist , 55, 44–55.

Prochow, H.V. (1944). Great stories from great lives . New York, NY: Harper & Brothers.

Roby, D.E. (2009). Teacher leadership skills: An analysis of communication apprehension. Education , 129, 608–614. Retrieved from http://eric.ed.gov/?id=EJ871611

Sandburg, C. (2002). Abraham Lincoln: The prairie years and the war years . New York, NY: Houghton Mifflin Harcourt.

Savitsky, K., & Gilovich, T. (2003). The illusion of transparency and the alleviation of speech anxiety. Journal of Experimental Social Psychology , 39, 618–625.

Seim, R.W., Waller, S.A., & Spates, R.C. (2010). A preliminary investigation of continuous and intermittent exposures in the treatment of public speaking anxiety. International Journal of Behavioral Consultation and Therapy , 6, 84–94.

Spiegler, M.D., & Guevremont, D.C. (1998). Contemporary behavior therapy . Pacific Grove, CA: Brooks/Cole.

Svoboda, E. (2009, February/March). Avoiding the big choke. Scientific American Mind , pp. 36–41.

Tan Chin Keok, R. (2010, November 25–27). Public speaking: A case study of speech anxiety in L1 and L2. Seminar Penyelidikan Pendidikan Pasca Ijazah .

Witt, P.L., & Behnke, R.R. (2006). Anticipatory speech anxiety as a function of public speaking assignment type. Communication Education , 55, 167–177.

Witt, P.L., Brown, K.C., Roberts, J.B., Weasel, J., Sawyer, C.R., & Behnke, R.R. (2006). Somatic anxiety patterns before, during, and after giving a public speech. Southern Communication Journal , 71, 87–100.

Young, M.J., Behnke, R.R., & Mann, Y.M. (2004). Anxiety patterns in employment interviews. Communication Reports , 17, 49–57.

Media References

(no date). man, portrait, grown up, people, smiling, facial hair, one person, beard, looking at camera, emotion [Image]. pxfuel. https://www.pxfuel.com/en/free-photo-ehnup

Binge Society – The Greatest Movie Scenes. (2020, November 6). Hitch: Albert meets Hitch HD CLIP [Video]. YouTube. https://www.youtube.com/watch?v=MIBzVc3kJAM

Cherise King. (no date). Physiological Symptoms of Communication Apprehension [Image].

Freddie Peña. (2010, 10 July). Nervous? [Image]. flickr. https://www.flickr.com/photos/fixem/4815843665/

TED. (2012, June). Amy Cuddy: Your body language may shape who you are [Video]. TED. https://www.ted.com/talks/amy_cuddy_your_body_language_may_shape_who_you_are?language=en

TED-Ed. (2013, October 8). The science of stage fright (and how to overcome it) – Mikael Cho [Video]. YouTube. https://www.youtube.com/watch?v=K93fMnFKwfI

www.audio-luci-store.it. (2012, 19 June). Speaker at Podium [Image]. flickr. https://www.flickr.com/photos/audiolucistore/7403735392/

Public Speaking Copyright © 2022 by Sarah Billington and Shirene McKay is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

Share This Book

Logo for Florida State College at Jacksonville Pressbooks

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

Chapter 1: The Speech Communication Process

Speech Anxiety

What is it.

Speech anxiety is best defined as the nervousness that a speaker feels before and/or during a presentation.  Sweating palms, a shaky voice, a dry throat, difficulty breathing, and even memory loss are all common symptoms of anxiety. The symptoms you, as an individual, will feel are hard to predict. But it helps if you remember that nearly every speaker has experienced some degree of speech anxiety. Even professional speakers occasionally feel a small amount of apprehension at times. Anxiety levels vary. Some speakers will report little to no anxiety while speaking; others will confess that they are petrified at the thought of speaking in public. Jerry Seinfeld used to joke that “at a funeral, the average person would rather be in the casket than giving the eulogy. ” Now that is fear!

Why Anxiety and Public Speaking?

Scholars at the University of Wisconsin-Stout (“Public Speaking Anxiety,” 2015) explain that anxiety in public speaking can result from one of several misperceptions:

•  “all or nothing” thinking—a mindset that if your speech falls short of “perfection” (an unrealistic standard), then you are a failure as a public speaker;

•     overgeneralization—believing that a single event (such as failing at a task) is a universal or “always” event; and

•     fortune telling—the tendency to anticipate that things will turn out badly, no matter how much practice or rehearsal is done.

Likewise, many new college students operate under the false belief that intelligence and skill are “fixed.” In their minds, a person is either smart or skilled in something, or they are not. Some students apply this false belief to math and science subjects, saying things like “I’m just no good at math and I never will be,” or even worse, “I guess I am just not smart enough to be in college.” As you can tell, these beliefs can sabotage someone’s college career. Also unfortunately, the same kind of false beliefs are applied to public speaking, and people conclude that because public speaking is hard, they are just not “naturally good” at it and have no inborn skill. They give up on improving and avoid public speaking at all costs.

There is more to Dr. Dweck’s research. We would recommend her book Mindset . Many students enter a public speaking class thinking “I’m just no good at this and never will be,” just like some students feel about college algebra or science. Dr. Dweck and other learning psychologists show that learning a new skill might be hard work, but the difficulty is not a sign that learning is impossible. Modern research by Stanford University psychologist Carol Dweck (2007) and others shows that intelligence and related skills are “malleable,” meaning that they are open to change and growth. Understanding and accepting that your intelligence and skill in different areas is not fixed or “stuck,” but open to growth, will have a significant influence on your success in life. It will also help you see that just because learning a subject or task is hard does not mean you are not or cannot be good at it. Obstacles and barriers that make learning hard are opportunities for growth, not “getting off places.”

Along with the wrong way of thinking about one’s learning and growth, two other fears contribute to anxiety in public speaking. The first is fear of failure. This fear can result from several sources: real or perceived bad experiences involving public speaking in the past, lack of preparation, lack of knowledge about public speaking, not knowing the context, and uncertainty about one’s task as a public speaker (such as being thrown into a situation at the last minute).

It is not the goal of this book to belittle that fear. It is real and justified to some extent because you might lack understanding of the public speaking task or lack good speaking experiences upon which to build. One of the goals and fringe benefits of this course is that you are not just going to learn about public speaking, but you are going to do it—at least four or five times—with a real audience. You will overcome some of your fears and feel that you have accomplished something of personal benefit.

The second fear is fear of rejection of one’s self or one’s ideas. This one is more serious in some respects. You may feel rejection because of fear of failure, or you may feel that the audience will reject your ideas, or worse, you as a person. Knowing how to approach the public speaking task and explain your ideas can help. However, you should ask yourself deep and probing questions as to why you believe that your audience will reject you because this fear is rooted in a belief. You should ask yourself what possibly false belief is causing your anxiety.

One of the core attitudes an effective and ethical public speaker must have is respect for and empathy with the audience. Your audience in this class is your peers who want to learn and want to get through the class success- fully (just like you do). Your audience also includes your instructor who wants to see you succeed in the course as well. Believe me, public speaking teachers get a lot of pleasure from hearing successful student speeches!

Your audience wants you to succeed if for no other reason than a good speech is much easier and pleasant to listen to than a poor one. Again, gaining practice in this class with a real, live audience can help you work through the roots of your fear of rejection.

Beyond dealing with the root fears that may cause you to have a “fright or flight” response when it comes to public speaking, there are some practical answers to dealing with fears about public speaking. Of course, fear responses can be reduced if you know how public speaking works, as you will see throughout this textbook. But there are some other strategies, and most of them have to do with preparation.

How Do I Overcome My Fear?

There are many reasons why a speaker might feel anxious, but there are several steps you can take to reduce your anxiety. First, remember that everyone has experienced some level of anxiety during a presentation. Knowing that you are not the only one feeling nervous should help a bit. Keep in mind that most listeners won’t even be aware of your anxiety. They often don’t see what you thought was glaringly obvious; they’re busy preparing themselves for their turn up front. It is perfectly normal to feel nervous when you find yourself in an unfamiliar setting or situation. You probably felt nervous the first time you had to shoot a foul shot in front of a large crowd of basketball fans. Or you might recall the anxiety you felt during your first piano recital as a child, or that first job interview. Think of this nervous feeling as your body readying itself for an important activity.

Also, you might feel anxious if you have not adequately prepared for the presentation. Preparing and practicing your presentation are two of the surest ways to minimize nervousness. No one wants to feel embarrassed in public, but knowing that you have done everything possible to ensure success should help you feel more confident. Do your research and organize your ideas logically. Then practice several times. Try to find someone to listen as you practice -your family, your friends, your roommate -and listen to their feedback. Even if they don’t know your topic, they know you. They may even be able to point out some areas in your presentation that still need improvement. The more you prepare and practice, the more successful your presentation will likely be.

Finally, be optimistic and focus on the positives. Use positive self-talk as you prepare. Don’t tell yourself that you’ll perform horribly or that you can’t do it. Have you ever heard of a self-fulfilling prophecy? What you expect to happen may be exactly what does happen. So tell yourself that you’re well prepared and that you will improve every time you speak. Remind yourself that you are calm and in control of the situation and be sure to take a deep breath whenever necessary. Imagine yourself speaking clearly and effortlessly. Find a couple of friendly faces in the crowd and focus on them. If they’re sending positive energy your way, grab it!

Addressing Public Speaking Anxiety

Mental Preparation

If your neighbor’s house were on fire, getting to the phone to call the fire department would be your main concern. You would want to get the ad- dress right and express the urgency. That is admittedly an extreme exam ple, but the point is about focus. To mentally prepare, you want to put your focus where it belongs, on the audience and the message. Mindfulness and full attention to the task are vital to successful public speaking. If you are concerned about a big exam or something personal going on in your life, your mind will be divided, and that division will add to your stress.

The main questions to ask yourself are “Why am I so anxiety-ridden about giving a presentation?” and “What is the worst that can happen?” For example, you probably won’t know most of your classmates at the beginning of the course, adding to your anxiety. By midterm, you should be developing relationships with them and be able to find friendly faces in the audience. However, very often we make situations far worse in our minds than they actually are, and we can lose perspective. One of the authors tells her students, “Some of you have been through childbirth and even through military service . That is much worse than public speaking!” Your instructor will probably try to help you get to know your classmates and minimize the “unknowns” that can cause you worry.

Physical preparation

The first step in physical preparation is adequate sleep and rest. You might be thinking such a thing is impossible in college, where sleep deprivation and late nights come with the territory. However, research shows the extreme effects a lifestyle of limited sleep can have, far beyond yawning or dozing off in class (Mitru, Millrood, & Mateika, 2002; Walker, 2017). As far as public speaking is concerned, your energy level and ability to be alert and aware during the speech will be affected by lack of sleep.

Secondly, you would be better off to eat something that is protein-based rather than processed sugar-based before speaking. In other words, cheese or peanut butter on whole grain toast, Greek yogurt, or eggs for breakfast rather than a donut and soft drink. Some traditionalists also discourage the drinking of milk because it is believed to stimulate mucus production, but this has not been scientifically proven (Lai & Kardos, 2013).

A third suggestion is to wear clothes that you know you look good in and are comfortable but also meet the context’s requirements (that is, your instructor may have a dress code for speech days). Especially, wear comfort- able shoes that give you a firm base for your posture. Flip- flops and really high heels may not fit these categories.

A final suggestion for physical preparation is to utilize some stretching or relaxation techniques that will loosen your limbs or throat. Essentially, your emotions want you to run away, but the social situation says you must stay, so all that energy for running must go somewhere. The energy might go to your legs, hands, stomach, sweat glands, or skin, with undesirable physical consequences. Tightening and stretching your hands, arms, legs, and throat (through intentional, wide yawns) for a few seconds before speaking can help release some of the tension. Your instructor may be able to help you with these exercises, or you can find some on the Internet.

Contextual preparation

The more you can know about the venue where you will be speaking, the better. For this class, of course, it will be your classroom, but for other situations where you might experience “communication apprehension,” you should check out the space beforehand or get as much information as possible. For example, if you were required to give a short talk for a job interview, you would want to know what the room will be like, if there is equipment for projection, how large the audience will be, and the seating arrangements. If possible, you will want to practice your presentation in a room that is similar to the actual space where you will deliver it.

The best advice for contextual preparation is to be on time, even early. If you have to rush in at the last minute, as so many students do, you will not be mindful, focused, or calm for the speech. Even more, if you are early, you can make sure equipment is working, and can converse with the audience as they enter. Professional speakers often do this to relax themselves, build credibility, and gain knowledge to adapt their presentations to the audience. Even if you don’t want to “schmooze” beforehand, being on time will help you create a good first impression and thus enhance your credibility before the actual speech.

Speech preparation

Procrastination, like lack of sleep, seems to just be part of the college life. Sometimes we feel that we just don’t get the best ideas until the last minute. Writing that essay for literature class at 3:00 a.m. just may work for you. However, when it comes to public speaking, there are some definite reasons you would not want to do that. First, of course, if you are finishing up your outline at 3:00 a.m. and have a 9:00 speech, you are going to be tired and unable to focus. Second, your instructor may require you to turn in your outline several days ahead of the speech date. However, the main reason is that public speaking requires active, oral, repeated practice before the actual delivery.

You do not want the first time that you say the words to be when you are in front of your audience. Practicing is the only way that you will feel confident, fluent, and in control of the words you speak. Practicing (and timing yourself) repeatedly is also the only way that you will be assured that your speech meets the assignment’s time limits, and speaking within the expected time limits is a fundamental rule of public speaking. You may think your speech is five minutes long but it may end up being ten minutes the first time you practice it—or only two minutes!

Your practicing should be out loud, standing up, with shoes on, with someone to listen, if possible (other than your dog or cat), and with your visual aids. If you can record yourself and watch it, that is even better. If you do record yourself, make sure you record yourself from the feet up- or at least the hips up—so you can see your body language. The need for oral practice will be emphasized over and over in this book and probably by your instructor. As you progress as a speaker, you will always need to practice but perhaps not to the extent you do as a novice speaker.

As hard as it is to believe, YOU NEVER LOOK AS NERVOUS AS YOU FEEL.

You may feel that your anxiety is at level seventeen on a scale of one to ten, but the audience does not perceive it the same way. They may perceive it at a three or four or even less. That’s not to say they won’t see any signs of your anxiety and that you don’t want to learn to control it, only that what you are feeling inside is not as visible as you might think. This principle relates back to focus. If you know you don’t look as nervous as you feel, you can focus and be mindful of the message and audience rather than your own emotions.

Also, you will probably find that your anxiety decreases throughout the class (Finn, Sawyer, & Schrodt, 2009). In her Ted Talk video , Harvard Business School social psychologist Amy Cuddy discusses nonverbal communication and suggests that instead of “faking it until you make it,” that you can, and should, “fake it until you become it.” She shares research that shows how our behavior affects our mindsets, not just the other way around. Therefore, the act of giving the speech and “getting through it” will help you gain confidence. Interestingly, Dr. Cuddy directs listeners to strike a “power pose” of strong posture, feet apart, and hands on hips or stretched over head to enhance confidence.

Final Note: If you are an audience member, you can help the speaker with his/her anxiety, at least a little bit. Mainly, be an engaged listener from beginning to end. You can imagine that a speaker is going to be more nervous if the audience looks bored from the start. A speaker with less anxiety is going to do a better job and be more interesting. Of course, do not walk into class during your classmates’ speeches, or get up and leave. In addition to being rude, it pulls their minds away from their message and distracts the audience. Your instructor will probably have a policy on this behavior, too, as well as a dress code and other expectations on speech days. There are good reasons for these policies, so respect them.

Fundamentals of Public Speaking Copyright © by Lumen Learning is licensed under a Creative Commons Attribution 4.0 International License , except where otherwise noted.

Share This Book

Logo for University of Texas Rio Grande Valley Pressbooks Network

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

11.1 Managing Public Speaking Anxiety

Learning objectives.

  • Discuss common sources of public speaking anxiety.
  • Identify strategies for addressing public speaking anxiety.
  • Employ strategies for addressing public speaking anxiety.

If you feel fear, anxiety, or discomfort when confronted with the task of speaking in front of an audience, you are not alone. National polls consistently show that public speaking is among Americans’ top fears (Bodie, 2010). Yet, since we all have to engage in some form of public speaking, this is a fear that many people must face regularly. Effectively managing speaking anxiety has many positive effects on your speech. One major area that can improve with less anxiety is delivery. Although speaking anxiety is natural and normal, it can interfere with verbal and nonverbal delivery, which makes a speech less effective. In this chapter, we will explore causes of speaking anxiety, ways to address it, and best practices of vocal and physical delivery.

Sources of Speaking Anxiety

Aside from the self-reported data in national surveys that rank the fear of public speaking high for Americans, decades of research conducted by communication scholars shows that communication apprehension is common among college students (Priem & Solomon, 2009). Communication apprehension (CA) is fear or anxiety experienced by a person due to real or perceived communication with another person or persons. CA is a more general term that includes multiple forms of communication, not just public speaking. CA can be further broken down into two categories. Trait CA refers to a general tendency to experience anxiety related to communication, in essence incorporating it into a person’s personality. State CA refers to anxiety related to communication that occurs in a particular situation and time (Bodie, 2010). Of college students, 15 to 20 percent experience high trait CA, meaning they are generally anxious about communication. Seventy percent of college students experience some trait CA, which means that addressing communication anxiety in a class like the one you’re taking now stands to benefit the majority of students (Priem & Solomon, 2009). Whether CA is a personal trait or not, we all occasionally experience state CA. Think about the jitters you get before a first date, a job interview, or the first day of school. The novelty or uncertainty of some situations is a common trigger for communication anxiety, and public speaking is a situation that is novel and uncertain for many.

Public speaking anxiety is a type of CA that produces physiological, cognitive, and behavioral reactions in people when faced with a real or imagined presentation (Bodie, 2010). Physiological responses to public speaking anxiety include increased heart rate, flushing of the skin or face, and sweaty palms, among other things. These reactions are the result of natural chemical processes in the human body. The fight or flight instinct helped early humans survive threatening situations. When faced with a ferocious saber-toothed tiger, for example, the body released adrenaline, cortisol, and other hormones that increased heart rate and blood pressure to get more energy to the brain, organs, and muscles in order to respond to the threat. We can be thankful for this evolutionary advantage, but our physiology hasn’t caught up with our new ways of life. Our body doesn’t distinguish between the causes of stressful situations, so facing down an audience releases the same hormones as facing down a wild beast.

10.1.0N

The root of public speaking anxiety is the fight or flight instinct that is triggered when we face a fear. While we can’t completely eliminate anxiety, we can change how we cognitively process it.

Practical Cures – Anxiety – CC BY 2.0.

Cognitive reactions to public speaking anxiety often include intrusive thoughts that can increase anxiety: “People are judging me,” “I’m not going to do well,” and “I’m going to forget what to say.” These thoughts are reactions to the physiological changes in the body but also bring in the social/public aspect of public speaking in which speakers fear being negatively judged or evaluated because of their anxiety. The physiological and cognitive responses to anxiety lead to behavioral changes. All these thoughts may lead someone to stop their speech and return to their seat or leave the classroom. Anticipating these reactions can also lead to avoidance behavior where people intentionally avoid situations where they will have to speak in public.

Addressing Public Speaking Anxiety

While we can’t stop the innate physiological reactions related to anxiety from occurring, we do have some control over how we cognitively process them and the behaviors that result. Research on public speaking anxiety has focused on three key ways to address this common issue: systematic desensitization, cognitive restructuring, and skills training (Bodie, 2010). In addition, it is important to address the physical manifestations of speaking anxiety.

Systematic Desensitization

Although systematic desensitization may sound like something that would be done to you while strapped down in the basement of a scary hospital, it actually refers to the fact that we become less anxious about something when we are exposed to it more often (Bodie, 2010). As was mentioned earlier, the novelty and uncertainty of public speaking is a source for many people’s anxiety. So becoming more familiar with public speaking by doing it more often can logically reduce the novelty and uncertainty of it.

Systematic desensitization can result from imagined or real exposure to anxiety-inducing scenarios. In some cases, an instructor leads a person through a series of relaxation techniques. Once relaxed, the person is asked to imagine a series of scenarios including speech preparation and speech delivery. This is something you could also try to do on your own before giving a speech. Imagine yourself going through the process of preparing and practicing a speech, then delivering the speech, then returning to your seat, which concludes the scenario. Aside from this imagined exposure to speaking situations, taking a communication course like this one is a great way to directly engage in systematic desensitization. Almost all my students report that they have less speaking anxiety at the end of a semester than when they started, which is at least partially due to the fact they were forced to engage with speaking more than they would have done if they weren’t taking the class.

Cognitive Restructuring

Cognitive restructuring entails changing the way we think about something. A first step in restructuring how we deal with public speaking anxiety is to cognitively process through our fears to realize that many of the thoughts associated with public speaking anxiety are irrational (Allen, Hunter & Donohue, 2009). For example, people report a fear of public speaking over a fear of snakes, heights, financial ruin, or even death. It’s irrational to think that the consequences of giving a speech in public are more dire than getting bit by a rattlesnake, falling off a building, or dying. People also fear being embarrassed because they mess up or are evaluated negatively. Well, you can’t literally die from embarrassment, and in reality, audiences are very forgiving and overlook or don’t even notice many errors that we, as speakers, may dwell on. Once we realize that the potential negative consequences of giving a speech are not as dire as we think they are, we can move on to other cognitive restructuring strategies.

Communication-orientation modification therapy (COM therapy) is a type of cognitive restructuring that encourages people to think of public speaking as a conversation rather than a performance (Motley, 2009). Many people have a performance-based view of public speaking. This can easily be seen in the language that some students use to discuss public speaking. They say that they “rehearse” their speech, deal with “stage fright,” then “perform” their speech on a “stage.” I like to remind my students that there is no stage at the front of our classroom; it is a normal floor. To get away from a performance orientation, we can reword the previous statements to say that they “practice” their speech, deal with “public speaking anxiety,” then “deliver” their speech from the front of the room. Viewing public speaking as a conversation also helps with confidence. After all, you obviously have some conversation skills, or you wouldn’t have made it to college. We engage in conversations every day. We don’t have to write everything we’re going to say out on a note card, we don’t usually get nervous or anxious in regular conversations, and we’re usually successful when we try. Even though we don’t engage in public speaking as much, we speak to others in public all the time. Thinking of public speaking as a type of conversation helps you realize that you already have accumulated experiences and skills that you can draw from, so you aren’t starting from scratch.

10.1.1N

Thinking of public speaking as a conversation with an audience rather than a performance for an audience can help reduce speaking anxiety.

The Open University – Speech – CC BY-NC-ND 2.0.

Last, positive visualization is another way to engage in cognitive restructuring. Speaking anxiety often leads people to view public speaking negatively. They are more likely to judge a speech they gave negatively, even if it was good. They’re also likely to set up negative self-fulfilling prophecies that will hinder their performance in future speeches. To effectively use positive visualization, it’s best to engage first in some relaxation exercises such as deep breathing or stretching, which we will discuss more later, and then play through vivid images in your mind of giving a successful speech. This should be done a few times before giving the actual speech. Students sometimes question the power of positive visualization, thinking that it sounds corny. Ask an Olympic diver what his or her coach says to do before jumping off the diving board and the answer will probably be “Coach says to image completing a perfect 10 dive.” Likewise a Marine sharpshooter would likely say his commanding officer says to imagine hitting the target before pulling the trigger. In both instances, positive visualization is being used in high-stakes situations. If it’s good enough for Olympic athletes and snipers, it’s good enough for public speakers.

Skills Training

Skills training is a strategy for managing public speaking anxiety that focuses on learning skills that will improve specific speaking behaviors. These skills may relate to any part of the speech-making process, including topic selection, research and organization, delivery, and self-evaluation. Skills training, like systematic desensitization, makes the public speaking process more familiar for a speaker, which lessens uncertainty. In addition, targeting specific areas and then improving on them builds more confidence, which can in turn lead to more improvement. Feedback is important to initiate and maintain this positive cycle of improvement. You can use the constructive criticism that you get from your instructor and peers in this class to target specific areas of improvement. Self-evaluation is also an important part of skills training. Make sure to evaluate yourself within the context of your assignment or job and the expectations for the speech. Don’t get sidetracked by a small delivery error if the expectations for content far outweigh the expectations for delivery. Combine your self-evaluation with the feedback from your instructor, boss, and/or peers to set specific and measurable goals and then assess whether or not you meet them in subsequent speeches. Once you achieve a goal, mark it off your list and use it as a confidence booster. If you don’t achieve a goal, figure out why and adjust your strategies to try to meet it in the future.

Physical Relaxation Exercises

Suggestions for managing speaking anxiety typically address its cognitive and behavioral components, while the physical components are left unattended. As we learned earlier, we can’t block these natural and instinctual responses. We can, however, engage in physical relaxation exercises to counteract the general physical signs of anxiety caused by cortisol and adrenaline release, which include increased heart rate, trembling, flushing, high blood pressure, and speech disfluency.

I liken confronting the physical aspects of public speaking anxiety to chemical warfare. Some breathing and stretching exercises release endorphins, which are your body’s natural antidote to stress hormones. Deep breathing is a proven way to release endorphins. It also provides a general sense of relaxation and can be done discretely, even while waiting to speak. In order to get the benefits of deep breathing, you must breathe into your diaphragm. The diaphragm is the muscle below your lungs that helps you breathe and stand up straight, which makes it a good muscle for a speaker to exercise. To start, breathe in slowly through your nose, filling the bottom parts of your lungs up with air. While doing this, your belly should pooch out. Hold the breath for three to five full seconds and then let it out slowly through your mouth. After doing this only a few times, many students report that they can actually feel a flooding of endorphins, which creates a brief “light-headed” feeling. I lead my class in breathing exercises before the first few days of speeches. Once you have practiced and are comfortable with the technique, you can do this before you start your speech, and no one sitting around you will even notice. You might also want to try this technique during other stressful situations. Deep breathing before dealing with an angry customer or loved one, or before taking a test, can help you relax and focus.

10.1.2N

Discretely stretching your wrists and calf muscles is a good way to relieve anxiety and get your energy flowing while waiting to speak.

Public Domain Pictures – public domain.

Stretching is another way to quickly and effectively release endorphins. Very old exercise traditions like yoga, tai chi, and Pilates teach the idea that stretching is a key component of having a healthy mind and spirit. Exercise in general is a good stress reliever, but many of us don’t have the time or willpower to do it. We can, however, all take time to do some stretching. Obviously, it would be distracting for the surrounding audience if a speaker broke into some planking or Pilates just before his or her speech. Simple and discrete stretches can help get the body’s energy moving around, which can make a speaker feel more balanced and relaxed. Our blood and our energy/stress have a tendency to pool in our legs, especially when we’re sitting. The following stretch can help manage the physical manifestations of anxiety while waiting to speak. Start with both feet flat on the floor. Raise your back heels off the floor and flex and release your calf muscles. You can flex and release your calves once before putting your heels back down and repeating, or you can flex a few times on each repetition. Doing this three to five times should sufficiently get your blood and energy moving around. Stretching your wrists can also help move energy around in your upper body, since our huge amounts of typing and using other electronic controllers put a lot of stress on this intersection of muscles, tendons, and bones. Point one hand up at the wrist joint, like you’re waving at someone. Then use your other hand to pull, gently, the hand that’s pointing up back toward your elbow. Stop pulling once you feel some tension. Hold the hand there for a few seconds and release. Then point the hand down at the wrist joint like you’re pointing at something on the floor, and use the other hand to push the hand back toward your elbow. Again, stop pushing when you feel the tension, hold the stretch for a few seconds, and release. You can often do this stretch discretely as well while waiting to speak.

Vocal Warm-Up Exercises

Vocal warm-up exercises are a good way to warm up your face and mouth muscles, which can help prevent some of the fluency issues that occur when speaking. Newscasters, singers, and other professional speakers use vocal warm-ups. I lead my students in vocal exercises before speeches, which also helps lighten the mood. We all stand in a circle and look at each other while we go through our warm-up list. For the first warm-up, we all make a motorboat sound, which makes everybody laugh. The full list of warm-ups follows and contains specific words and exercises designed to warm up different muscles and different aspects of your voice. After going through just a few, you should be able to feel the blood circulating in your face muscles more. It’s a surprisingly good workout!

Sample Vocal Warm-Ups

  • Purse your lips together and make a motorboat sound. Hold it for ten seconds and repeat. “BBBBBBBBBBBBBBBBBBBBBBBBBBB.”
  • Clench your teeth and say, “N, N, N, N,” to stretch your cheek muscles.
  • Say “Mum” five times, and open your mouth and eyes wide each time you say it.
  • Say “Puh” five times, making sure to use your diaphragm to enunciate the h .
  • Say “Red Rover” ten times, overenunciating each r .
  • Say “Wilbur” ten times, overenunciating the w and r .
  • Say “Bumblebee” ten times, enunciating each b .
  • Say “Red letter, yellow letter” five times, making sure to distinctly pronounce each word.
  • Say “Selfish shellfish” five times, making sure to distinctly pronounce each word.
  • Say “Unique New York” five times, enunciating the q and k .

Top Ten Ways to Reduce Speaking Anxiety

As you can see in this section, there are many factors that contribute to speaking anxiety, and there are many ways to address it. The following is a list of the top ten ways to reduce speaking anxiety that I developed with my colleagues, which helps review what we’ve learned.

  • Remember, you are not alone. Public speaking anxiety is common, so don’t ignore it—confront it.
  • Remember, you can’t literally “die of embarrassment.” Audiences are forgiving and understanding.
  • Remember, it always feels worse than it looks.
  • Take deep breaths. It releases endorphins, which naturally fight the adrenaline that causes anxiety.
  • Look the part. Dress professionally to enhance confidence.
  • Channel your nervousness into positive energy and motivation.
  • Start your outline and research early. Better information = higher confidence.
  • Practice and get feedback from a trusted source. (Don’t just practice for your cat.)
  • Visualize success through positive thinking.
  • Prepare, prepare, prepare! Practice is a speaker’s best friend.

“Getting Critical”

How Much Emphasis Should We Place on Delivery?

Before you read the rest of the chapter, take some time to think about the balance between the value of content and delivery in a speech. We know it’s important to have solid content and to have an engaging and smooth delivery to convey that content, but how should each category be weighted and evaluated? Most people who have made it to college can put the time and effort into following assignment guidelines to put together a well-researched and well-organized speech. But some people are naturally better at delivering speeches than others. Some people are more extroverted, experience less public speaking anxiety, and are naturally more charismatic than others. Sometimes a person’s delivery and charisma might distract an audience away from critically evaluating the content of their speech. Charismatic and well-liked celebrities and athletes, for example, are used to endorse products and sell things to the public. We may follow their advice because we like them, instead of basing our choice on their facts or content. Aristotle, Cicero, and other notable orators instructed that delivery should be good enough to present the material effectively but not so good or so bad that it draws attention to itself. But in today’s celebrity culture, the bling or packaging is sometimes more valued than the contents. This leads us to some questions that might help us unpack the sometimes tricky relationship between content and delivery.

  • Do you think worries about content or delivery contribute more to speaking anxiety? Explain your choice.
  • How should someone be evaluated who works hard to research, organize, and write a speech, but doesn’t take the time to practice so they have a good delivery? What if they practice, but still don’t deliver the speech well on speech day?
  • How should we evaluate a speaker who delivers an engaging speech that gets the audience laughing and earns a big round of applause but doesn’t verbally cite sources or present well-organized ideas?
  • Is it ethical for someone to use their natural charisma or speaking abilities to win over an audience rather than relying on the merit and strength of their speech content? In what speaking situations would this be more acceptable? Less acceptable?

Key Takeaways

  • Getting integrated: Public speaking anxiety is a form of communication apprehension (CA) that is commonly experienced by many people and can be effectively managed using a variety of strategies. While we most often think of public speaking anxiety as an issue in the classroom and workplace, it can affect communication in personal and civic contexts as well.
  • Systematic desensitization helps lessen public speaking anxiety through repeated exposure to real or imagined public speaking scenarios.
  • Cognitive restructuring addresses public speaking by replacing negative thoughts with more positive thoughts, and COM therapy can help you view public speaking as a conversation rather than a performance.
  • Skills training allows you to focus on improving specific skills related to public speaking, which can increase confidence and lead to further skill development.
  • Physical relaxation exercises like deep breathing and stretching allow us to voluntarily use our bodies to address involuntary bodily reactions to anxiety.
  • Test your speaking anxiety using McCroskey’s “Personal Report of Public Speaking Anxiety” (PRPSA). You can access the scale here: http://www.jamescmccroskey.com/measures/prpsa.htm . Follow the directions to determine your score. Do you agree with the result? Why or why not?
  • Of the strategies for managing public speaking anxiety listed in the chapter (systematic desensitization, cognitive restructuring, skills training, physical relaxation exercises), which do you think would be most useful for you and why?
  • When you take a communication course like this one, you are automatically engaging in some skills training. What are some public speaking skills that you are already good at? What are some skills that you should work on? Write out three goals you would like to accomplish for your next speech that focus on improving your public speaking skills.

Allen, M., John E. Hunter, and William A. Donohue, “Meta-analysis of Self-Report Data on the Effectiveness of Public Speaking Anxiety Treatment Techniques,” Communication Education 38, no. 1 (2009): 54–76.

Bodie, G. D., “A Racing Heart, Rattling Knees, and Ruminative Thoughts: Defining, Explaining, and Treating Public Speaking Anxiety,” Communication Education 59, no. 1 (2010): 70.

Motley, M. T., “COM Therapy,” in Avoiding Communication: Shyness, Reticence, and Communication Apprehension , eds. John A. Daly, James C. McCroskey, Joe Ayres, Tim Hopf, and Debbie M. Ayers Sonandre (Cresskill, NJ: Hampton Press, 2009), 379–400.

Priem, J. S., and Denise Haunani Solomon, “Comforting Apprehensive Communicators: The Effects of Reappraisal and Distraction on Cortisol Levels among Students in a Public Speaking Class,” Communication Quarterly 57, no. 3 (2009): 260.

Communication in the Real World Copyright © 2016 by University of Minnesota is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

  • Reference Manager
  • Simple TEXT file

People also looked at

Mini review article, speech anxiety in the communication classroom during the covid-19 pandemic: supporting student success.

www.frontiersin.org

  • The University of Tennessee, Knoxville, TN, United States

A wealth of literature clearly supports the presence of speech anxiety in the communication classroom, especially in those classes with a focus on public speaking and/or presentations. Over the years, much work has been done on intentional approaches to empowering students to effectively manage their speech anxiety in face-to-face, hybrid, and online communication courses. These research-based findings have led to best practices and strong pedagogical approaches that create a supportive classroom culture and foster engaged learning. Then COVID-19 appeared, and things changed. In an effort to keep campuses safe and save the spring semester, everyone jumped online. Many instructors and students were experiencing online education for the first time and, understandably, anxiety exploded. Between the uncertainty of a global pandemic, the unchartered territory of a midterm pivot to fully online education, and the unknown effects of the situation on our educational system, our stress levels grew. Public speaking and presentations took on new meaning with Zoom sessions and webcams and our speech anxiety, undoubtedly, grew, as well. Reflecting upon the scholarship of the past with an appreciation of our present situation and looking toward the future, we will curate a list of best practices to prepare students to effectively manage their speech anxiety with agency, ability, and confidence.

Introduction

It is impossible for Isabella to catch her breath. Her pulse is racing, she is flushed, and her thoughts are a jumbled mess. She is desperately trying to remember her plan, slow her breathing and visualize success but it is impossible to do anything but panic. She is convinced she will embarrass herself and fail her assignment. Why had she postponed taking her public speaking class? Yes, it would have been bad in a “normal” term but now, amidst the coronavirus pandemic, she had to take the class online. Though it seems unimaginable that the class could be more terrifying, add Zoom sessions, internet connection issues, and little engagement with her teacher or classmate and Isabella’s out of control speech anxiety is completely understandable . If you have been in a college classroom, most likely, you have had to deliver a presentation, lead a discussion, or share a poster presentation. If so, you know what speech anxiety is like. Most of us have experienced the racing heart rate, difficulty concentrating and sensory overload characteristic of speech anxiety ( Dwyer, 2012 ). For some of us, like Isabella, the speech anxiety is almost debilitating. Even if you are one of the rare people who does not experience speech anxiety, you probably witnessed your classmates struggle with the stress, worry and insecurity caused by speech anxiety. It was prevalent before the arrival of COVID-19 and now with the stressors associated with the pandemic, virtual learning, and social distancing it will most likely increase. Fortunately, we have the research, resources, and resolve to intentionally craft classroom culture that will support communication success.

Meeting the Challenges of COVID-19

In the early spring of 2020, the coronavirus pandemic arrived in the United States, and required an unprecedented mid-term pivot. Classes rapidly moved from face-to-face instruction to online platforms in days. Teachers who had never taught online were learning while teaching, managing that additional workload while trying to stay connected with students who were worried and often overwhelmed. In addition to the public and personal health concerns of the virus, there were worries about online learning, the economy, and mental health. The bright spot was that in so many classes, the connections had been established before the pivot and so teachers and students were able to engage with familiar people in new ways. It was not an ideal situation but there was a sense that we were all in this together.

The fall of 2020 found many institutions of higher education and their faculty, staff, and students once again engaged in online instruction and it looks like it will be that way for the near future. We were faced with the new challenge of creating supportive and engaging class spaces completely virtual (in many cases) or in hybrid form with some classes combining online coursework with limited in-person instruction. Experience taught us that our students were speech anxious and that we needed to intentionally design safe and engaging spaces to support their success even before the arrival of COVID-19. Our challenge was to adopt a new skillset and look to the online learning community for resources, suggestions, and best practices.

Pandemic Pedagogy

Articles and emerging research on the response to the pandemic at the institutional, classroom, and individual level provide a glimpse into how we can craft virtual classroom spaces that support learning while meeting the needs created by COVID-19. Common themes for solid pandemic pedagogy include a focus on student mental health and well-being ( Gigliotti, 2020 ; Burke, 2021 ), an appreciation of technology challenges and access issues ( Turner et al., 2020 ; Burke, 2021 ; Singh, 2021 ), and a commitment to engaged teaching and learning ( Turner et al., 2020 ; Jenkins, 2021 ; Lederman, 2021 ). The fundamentals of good teaching are the same regardless of the modality and the foundational pedagogical practices are also similar, yet the primary difference is that solid online education has been designed for a virtual modality, not adapted to fit it (Kelly and Westerman, 2016 ). How can we craft safe and supportive online and virtual spaces for students to find, develop, and then actively share? A good place to start is with wayfinding which can “reinforce ways of knowing and problem solving,” ( Petroski and Rogers, 2020 , p. 125). Wayfinding supports efficacy and empowerment while meeting the challenges of pandemic pedagogy and can be incorporated into online communication classes to reduce speech anxiety and build classroom culture.

Speech Anxiety

The fear of public speaking, known as glossophobia, is a common and real form of anxiety ( Sawchuk, 2017 ) affecting as much as 75% of the population ( Black, 2019 ). In the scholarly literature, it is usually referred to as communication anxiety, communication apprehension, or communication avoidance ( Richmond and McCroskey, 1998 ). In more popular sources, such as Harvard Management Communication Letter, it has been called stage fright ( Daly and Engleberg, 1999 ) and speech anxiety ( Getting over speech anxiety, 2001 ). In this work, we will refer to it as speech anxiety as that term most closely targets the experience we are exploring.

Regardless of the label, it is our innate survival mode of flight, fight, or flee in the face of imminent (real or perceived) danger ( Thomas, 1997 ; Dwyer, 1998 ). Our mind feels a threat from a public speaking situation and our body responds accordingly. Common symptoms can include increased heart rate, blood pressure, and breathing; excessive perspiration, skin flush or blush; shaky voice; trembling hands and feet; or dry mouth and nausea ( Thomas, 1997 ; Dwyer, 1998 ; Black, 2019 ).

There are many tips and techniques that can help those with speech anxiety manage their symptoms and communicate effectively across a variety of modalities. Some common strategies include relaxation, visualization, cognitive restructuring, and skills training ( Motley, 1997 ; Thomas, 1997 ; Richmond and McCroskey, 1998 ; Dwyer, 2012 ).

(1) Typical relaxation tips can include mindfulness, deep breathing, yoga, listening to music, and taking long walks,

(2) Visualization involves inviting the speaker to imagine positive outcomes like connecting with their audience, making an impact, and sharing their presentation effectively ( Thomas, 1997 ; Dwyer, 1998 ). It replaces much of the negative self-talk that tends to occur before a speech opportunity and increases our anxiety.

(3) Cognitive restructuring is a more advanced technique with the goal “to help you modify or change your thinking in order to change your nervous feelings,” ( Dwyer, 2012 , p. 93). In essence, it involves replacing negative expectations and anxious feelings about public speaking opportunities with more positive and self-affirming statements and outlooks.

(4) Skills training is what we do in our classrooms and during professional workshops and trainings. It can include exploring speech anxiety and discussing how common it is as well as ways to effectively manage it ( Dwyer, 2012 ). It also involves analysis of the component parts, such as delivery and content ( Motley, 1997 ) practicing and delivering speeches in low stakes assignments, collaborating with classmates, and engaging in active listening ( Simonds and Cooper, 2011 ).

Ideally, solid skills training introduces the other techniques and encourages individuals to experiment and discover what works best for them. There is no one-size-fits-all solution to speech anxiety.

Classroom Culture

According to the Point to Point Education website, “Classroom culture involves creating an environment where students feel safe and free to be involved. It’s a space where everyone should feel accepted and included in everything. Students should be comfortable with sharing how they feel, and teachers should be willing to take it in to help improve learning,” ( Point to Point Education, 2018 , paragraph 2). Regardless of subject matter, class size, format, or modality, all college classes need a supportive and engaging climate to succeed ( Simonds and Cooper, 2011 ). Yet having a classroom culture that is supportive and conducive to lowering anxiety is especially critical in public speaking courses ( Stewart and Tassie, 2011 ; Hunter et al., 2014 ). Faculty are expected to engage and connect with students and do so in intentional, innovative, and impactful ways. These can be simple practices, like getting to know students quickly and referring to them by their preferred name, such as a middle name or shortened first name ( Dannels, 2015 ), or more elaborate practices like incorporating active learning activities and GIFTS (Great Ideas for Teaching Students) throughout the curriculum ( Seiter et al., 2018 ). We want to create a positive and empowering classroom climate that offers equitable opportunities for all students to succeed. As educators, we can infuse empathy, spontaneity, and equality into our pedagogy while being mindful of different learning styles and committed to supporting diversity and inclusion ( Simonds and Cooper, 2011 ; Dannels, 2015 ). Furthermore, our communication classrooms need to be intentional spaces where challenges, such as anxiety disorders, mental health issues, learning disabilities and processing issues, are supported and accommodated ( Simonds and Hooker, 2018 ).

Ideally, we want to cultivate a classroom culture of inquiry, success, and connection. We also want to foster immediacy, the “verbal and nonverbal communication behaviors that enhance physical and psychological closeness,” ( Simonds and Cooper, 2011 , p. 32). Multiple studies support that teachers who demonstrate immediate behaviors are regarded as more positive, receptive to students, and friendly ( Simonds and Cooper, 2011 ). As teachers and scholars, we want to make a positive impact. Dannels (2015) writes that “teaching is heart work,” (p. 197) and she is right. It demands an investment of our authentic selves to craft a climate of safety and support where comfort zones are expanded, challenges are met, and goals are reached.

Educators need to be mindful of and responsive to the challenges COVID-19 presents to the health and well-being of our students, colleagues, and communities. In May of 2020, the National Communication Association (NCA) devoted an entire issue of its magazine to “Communication and Mental Health on campus 2020,” ( Communication and mental health on campus, 2020 ) highlighting the importance of this issue in our communication education spaces. Suggestions included learning more about mental health issues, engaging in thoughtful conversations, listening intentionally and actively, promoting well-being, and serving as an advocate and ally ( Communication and mental health on campus, 2020 ).

Scholarship about instructional communication, computer mediated communication and online education ( Kelly and Fall, 2011 ) offers valuable insights into effective practices and adaptations as we intentionally craft engaging and supportive spaces, so our students feel empowered to use their voice and share their story, even those with high speech anxiety. Instructional communication scholars focus on the effective communication skills and strategies that promote and support student success and an engaged learning environment ( Simonds and Cooper, 2011 ).

General strategies to teach effectively during the pandemic can be helpful and easily adaptable to our public speaking classrooms. Being flexible with assignments, deadlines and attendance can support student success and well-being as can creativity, engagement activities, and appealing to different learning styles and strengths ( Mahmood, 2020 ; Singh, 2021 ). It seems everyone is presenting virtually now, not just in our communication classrooms and that can take some getting used to. Educators can model and promote effective communication by being conversational and engaging and empathizing with the many challenges everyone is facing ( Gersham, 2020 ; Gigliotti, 2020 ; Jenkins, 2021 ; Singh, 2021 ).

This is also a great opportunity to innovate and cultivate a new classroom climate looking at communication in a new way for a new, digital age. During this time of change we can harness opportunities and encourage our students to develop the skillsets needed to communicate effectively during COVID-19 and after. Preparing them as digital communicators with a focus on transferable and applicable skills would help them in other classes and the job market ( Ward, 2016 ). Innovations to our courses, assessment tools, and learning outcomes can all happen now, too ( Ward, 2016 ). This is the time to innovate our course experiences across all modalities, reinvent what public speaking means in the modern, digital age and intentionally craft learning spaces for all students in which speech anxiety is intentionally addressed and effectively managed.

Best Practices

(1) Be flexible, as a matter of practice not exception. Speech anxiety was experienced by most students to some degree and was debilitating for some pre-pandemic and adds another layer of stress for students who are capable and resilient yet dealing with a lot. Podcasts are a common communication medium and may ease the anxiety of some students while highlighting the importance of word choice, rate, and tone. They also involve less bandwidth and technology and may be easier for many students to create.

(2) Reframe communication as a skill of the many, not just the few. Highly speech anxious students tend to believe they are the only ones who have a fear of presenting and only certain, confident individuals can present well. Neither of these are true. If we reframe presentations as conversations, demystify speech anxiety by discussing how common it is, and empower our students with the knowledge that they can effectively communicate, we can reduce anxiety, build confidence, and develop important skills that transcend disciplines and promote self-efficacy.

(3) Build a community of support and success. When we see our students as individuals, celebrate connection and collaboration, and actively engage to learn and grow, we co-create an impactful and empowering space that supports success not by being rigid and demanding but by being innovative, intentional, and inspiring.

Author Contributions

I am thrilled to contribute to this project and explore ways we can empower our students to effectively manage their speech anxiety and share their stories.

Conflict of Interest

The author declares that the research was conducted in the absence of any commercial or financial relationships that could be construed as a potential conflict of interest.

Black, R. (2019). Glossophobia (Fear of public speaking): are you glossophobic? Psycom. Available at: https://www.psycom.net/glossophobia-fear-of-public-speaking (Accessed December 14, 2020).

Google Scholar

Burke, L. (2021). Inside higher . Available at: https://www.insidehighered.com/news/2021/01/22/survey-outlines-student-concerns-10-months-pandemic (Accessed January 22, 2021).

Communication and mental health on campus [Special focus] (2020). Spectra. NCA 56 (2), 6–27.

Daly, J., and Engleberg, I. (1999). Coping with stagefright . 2nd Edn. Canada, United States: Harvard Management Communication .

Dannels, D. P. (2015). 8 Essential questions teachers ask: a guidebook for communication with students .New York, NY: Oxford University Press .

Dwyer, K. K. (1998). Conquer your speechfright . San Diego, United States: Harcourt, Brace .

Dwyer, K. K. (2012). iConquer speech anxiety . Omaha, NE: KLD publications .

Gersham, S. (2020). Yes, virtual presenting is weird. Harvard Business Review . Available at: https://hbr.org/2020/11/yes-virtual-presenting-is-weird?utm_medium=em (Accessed November 4, 2020).

Getting over speech anxiety (2001). Harvard Management Communication Letter , 14 (2), 1–4.

Gigliotti, R. A. (2020). Sudden shifts to fully online: perceptions of campus preparedness and Implications for leading through disruption. J. Literacy Technology 21 (2), 18–36.

Hunter, K. M., Westwick, J. N., and Haleta, L. L. (2014). Assessing success: the impacts of a Fundamentals of speech course on decreasing public speaking anxiety. Commun. Educ. 63 (2), 124–135. doi:10.1080/03634523.2013.875213

CrossRef Full Text | Google Scholar

Jenkins, R. (2021). What I learned in the pandemic. The Chronicle of Higher Education . Available at: https://www-chronicle-com.article/what-i-learned-in-the-pandemic .

Kelly, S., and Fall, L. T. (2011). An investigation of computer-mediated instructional immediacy. In online education: a comparison of graduate and undergraduate students’ motivation to learn. J. Advertising Education 15, 44–51. doi:10.1177/109804821101500107

Kelly, S., and Westerman, D. K. (2016). New technologies and distributed learning systems. Commun. Learn. 16, 455. doi:10.1515/9781501502446-019

Lederman, D. (2021). Professors assess fall instruction and the impact on students . Insider Higher Ed . Available at: https://www.insidehighered.com/digital-learning/article/2021/01/26/survey-finds-professors-worried-about-dropouts-particularly .

Mahmood, S. (2020). Instructional strategies for online teaching in COVID‐19 pandemic. Hum. Behav. Emerging Tech. 3, 199–203. doi:10.1002/hbe2.218

Motley, M. T. (1997). Overcoming your fear of public speaking: a proven method . Boston,United States: Houghton Mifflin , 140.

Petroski, D. J., and Rogers, D. (2020.). An examination of student responses to a suddenly online Learning environment: what we can learn from gameful instructional approaches. J. Literacy Technology 21 (2), 102–129.

Point to Point Education (2018). Positive classroom culture strategies . Available at: https://www.pointtopointeducation.com/blog/positive-classroom-culture-strategies/ (Accessed January 21, 2021).

Richmond, V. R., and McCroskey, J. C. (1998). Communication apprehension, avoidance, and effectiveness . 5th ed. Boston, MA: Allyn & Bacon .

Sawchuk, C. N. (2017). Fear of public speaking: how can I overcome it? Available at: https://www.mayoclinic.org/diseases-conditions/specific-phobias/expert-answers/fear-of- public-speaking/faq-20058416 (Accessed May 17, 2017).

Seiter, J. S., Peeples, J., and Sanders, M. L. (2018). Communication in the classroom: a collection of G.I.F.T.S. Bedford/St. Martin’s .

Simonds, C. J., and Cooper, P. J. (2011). Communication for the classroom teacher 9th ed. Boston, MA, United States: Allyn & Bacon .

Simonds, C. J., and Hooker, J. F. (2018). Creating a culture of accommodation in the publicspeaking course. Commun. Education , 67 (3), 393–399. doi:10.1080/03634523.2018.1465190

Singh, C. (2021). Why flipped classes often flop. Inside Higher . Available at: https://www.insidehighered.com/advice/2021/01/20/lessons-learned-during-pandemic-about-how-teach-flipped-classes-most-effectively (Accessed January 20, 2021).

Stewart, F., and Tassie, K. E. (2011). Changing the atmos’ fear’in the public speaking classroom. International Journal of Humanities and Social Science 1 (7), 9–13.

Thomas, L. T. (1997). Public speaking anxiety: how to face the fear . Ohio, United States: Wadsworth .

Turner, J. W., Wange, F., and Reinsch, N. L. (2020). How to be socially present when the class Becomes “suddenly distant. J. Literacy Technology 21 (2), 76–101.

Ward, S. (2016). It’s not the same thing: considering a path forward for teaching public Speaking online. Rev. Commun. 16 (2–3), 222–235. doi:10.1080/15358593.2016.1187458/2016

Keywords: speech anxiety, public speaking anxiety, instructional communication, communication pedagogy, Best Practices

Citation: Prentiss S (2021) Speech Anxiety in the Communication Classroom During the COVID-19 Pandemic: Supporting Student Success. Front. Commun. 6:642109. doi: 10.3389/fcomm.2021.642109

Received: 15 December 2020; Accepted: 08 February 2021; Published: 12 April 2021.

Reviewed by:

Copyright © 2021 Prentiss. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

*Correspondence: Suzy Prentiss, [email protected]

This article is part of the Research Topic

Cultural Changes in Instructional Practices Due to Covid-19

Library homepage

  • school Campus Bookshelves
  • menu_book Bookshelves
  • perm_media Learning Objects
  • login Login
  • how_to_reg Request Instructor Account
  • hub Instructor Commons
  • Download Page (PDF)
  • Download Full Book (PDF)
  • Periodic Table
  • Physics Constants
  • Scientific Calculator
  • Reference & Cite
  • Tools expand_more
  • Readability

selected template will load here

This action is not available.

Social Sci LibreTexts

3.4: Reducing Communication Apprehension

  • Last updated
  • Save as PDF
  • Page ID 14623

Learning Objectives

  • Explain steps for managing anxiety in the speech preparation process.
  • Identify effective techniques for coping with anxiety during delivery.
  • Recognize the general options available for stress reduction and anxiety management.

Experiencing some nervousness about public speaking is normal. The energy created by this physiological response can be functional if you harness it as a resource for more effective public speaking. In this section, we suggest a number of steps that you can take to channel your stage fright into excitement and animation. We will begin with specific speech-related considerations and then briefly examine some of the more general anxiety management options available.

3.3.0.jpg

Speech-Related Considerations

Communication apprehension does not necessarily remain constant throughout all the stages of speech preparation and delivery. One group of researchers studied the ebb and flow of anxiety levels at four stages in the delivery of a speech. They compared indicators of physiological stress at different milestones in the process:

  • anticipation (the minute prior to starting the speech),
  • confrontation (the first minute of the speech),
  • adaptation (the last minute of the speech), and
  • release (the minute immediately following the end of the speech) (Witt, et. al., 2006).

These researchers found that anxiety typically peaked at the anticipatory stage. In other words, we are likely to be most anxious right before we get up to speak. As we progress through our speech, our level of anxiety is likely to decline. Planning your speech to incorporate techniques for managing your nervousness at different times will help you decrease the overall level of stress you experience. We also offer a number of suggestions for managing your reactions while you are delivering your speech.

Think Positively

As we mentioned earlier, communication apprehension begins in the mind as a psychological response. This underscores the importance of a speaker’s psychological attitude toward speaking. To prepare yourself mentally for a successful speaking experience, we recommend using a technique called cognitive restructuring . Cognitive restructuring is simply changing how you label the physiological responses you will experience. Rather than thinking of public speaking as a dreaded obligation, make a conscious decision to consider it an exciting opportunity. The first audience member that you have to convince is yourself, by deliberately replacing negative thoughts with positive ones. If you say something to yourself often enough, you will gradually come to believe it.

We also suggest practicing what communication scholars Metcalfe, Beebe, and Beebe call positive self-talk rather than negative self-talk (Metcalfe, 1994; Beebe, 2000). If you find yourself thinking, “I’m going to forget everything when I get to the front of the room,” turn that negative message around to a positive one. Tell yourself, “I have notes to remind me what comes next, and the audience won’t know if I don’t cover everything in the order I planned.” The idea is to dispute your negative thoughts and replace them with positive ones, even if you think you are “conning” yourself. By monitoring how you talk about yourself, you can unlearn old patterns and change the ways you think about things that produce anxiety.

Reducing Anxiety through Preparation

As we have said earlier in this chapter, uncertainty makes for greater anxiety. Nothing is more frightening than facing the unknown. Although no one can see into the future and predict everything that will happen during a speech, every speaker can and should prepare so that the “unknowns” of the speech event are kept to a minimum. You can do this by gaining as much knowledge as possible about whom you will be addressing, what you will say, how you will say it, and where the speech will take place.

Analyze Your Audience

The audience that we imagine in our minds is almost always more threatening than the reality of the people sitting in front of us. The more information you have about the characteristics of your audience, the more you will be able to craft an effective message. Since your stage fright is likely to be at its highest in the beginning of your speech, it is helpful to open the speech with a technique to prompt an audience response. You might try posing a question, asking for a show of hands, or sharing a story that you know is relevant to your listeners’ experience. When you see the audience responding to you by nodding, smiling, or answering questions, you will have directed the focus of attention from yourself to the audience. Such responses indicate success; they are positively reinforcing, and thus reduce your nervousness.

Clearly Organize Your Ideas

Being prepared as a speaker means knowing the main points of your message so well that you can remember them even when you are feeling highly anxious, and the best way to learn those points is to create an outline for your speech. With a clear outline to follow, you will find it much easier to move from one point to the next without stumbling or getting lost.

A note of caution is in order: you do not want to react to the stress of speaking by writing and memorizing a manuscript. Your audience will usually be able to tell that you wrote your speech out verbatim, and they will tune out very quickly. You are setting yourself up for disaster if you try to memorize a written text because the pressure of having to remember all those particulars will be tremendous. Moreover, if you have a momentary memory lapse during a memorized speech, you may have a lot of trouble continuing without starting over at the beginning.

What you do want to prepare is a simple outline that reminds you of the progression of ideas in your speech. What is important is the order of your points, not the specifics of each sentence. It is perfectly fine if your speech varies in terms of specific language or examples each time you practice it.

It may be a good idea to reinforce this organization through visual aids. When it comes to managing anxiety, visual aids have the added benefit of taking attention off the speaker.

Adapt Your Language to the Oral Mode

Another reason not to write out your speech as a manuscript is that to speak effectively you want your language to be adapted to the oral, not the written, mode. You will find your speaking anxiety more manageable if you speak in the oral mode because it will help you to feel like you are having a conversation with friends rather than delivering a formal proclamation.

Appropriate oral style is more concrete and vivid than written style. Effective speaking relies on verbs rather than nouns, and the language is less complex. Long sentences may work well for novelists such as William Faulkner or James Joyce, where readers can go back and reread passages two, three, or even seven or eight times. Your listeners, though, cannot “rewind” you in order to catch ideas they miss the first time through.

Don’t be afraid to use personal pronouns freely, frequently saying “I” and “me”—or better yet, “us” and “we.” Personal pronouns are much more effective in speaking than language constructions, such as the following “this author,” because they help you to build a connection with your audience. Another oral technique is to build audience questions into your speech. Rhetorical questions, questions that do not require a verbal answer, invite the audience to participate with your material by thinking about the implications of the question and how it might be answered. If you are graphic and concrete in your language selection, your audience is more likely to listen attentively. You will be able to see the audience listening, and this feedback will help to reduce your anxiety.

Practice in Conditions Similar to Those You Will Face When Speaking

It is not enough to practice your speech silently in your head. To reduce anxiety and increase the likelihood of a successful performance, you need to practice out loud in a situation similar to the one you will face when actually performing your speech. Practice delivering your speech out loud while standing on your feet. If you make a mistake, do not stop to correct it but continue all the way through your speech; that is what you will have to do when you are in front of the audience.

If possible, practice in the actual room where you will be giving your speech. Not only will you have a better sense of what it will feel like to actually speak, but you may also have the chance to practice using presentation aids and potentially avoid distractions and glitches like incompatible computers, blown projector bulbs, or sunlight glaring in your eyes.

Two very useful tools for anxiety-reducing practice are a clock and a mirror. Use the clock to time your speech, being aware that most novice speakers speak too fast, not too slowly. By ensuring that you are within the time guidelines, you will eliminate the embarrassment of having to cut your remarks short because you’ve run out of time or of not having enough to say to fulfill the assignment. Use the mirror to gauge how well you are maintaining eye contact with your audience; it will allow you to check that you are looking up from your notes. It will also help you build the habit of using appropriate facial expressions to convey the emotions in your speech. While you might feel a little absurd practicing your speech out loud in front of a mirror, the practice that you do before your speech can make you much less anxious when it comes time to face the audience.

Watch What You Eat

A final tip about preparation is to watch what you eat immediately before speaking. The butterflies in your stomach are likely to be more noticeable if you skip normal meals. While you should eat normally, you should avoid caffeinated drinks because they can make your shaking hands worse. Carbohydrates operate as natural sedatives, so you may want to eat carbohydrates to help slow down your metabolism and to avoid fried or very spicy foods that may upset your stomach. Especially if you are speaking in the morning, be sure to have breakfast. If you haven’t had anything to eat or drink since dinner the night before, dizziness and light-headedness are very real possibilities.

Reducing Nervousness during Delivery

Anticipate the reactions of your body.

There are a number of steps you can take to counteract the negative physiological effects of stress on the body. Deep breathing will help to counteract the effects of excess adrenaline. You can place symbols in your notes, like “slow down” or ☺, that remind you to pause and breathe during points in your speech. It is also a good idea to pause a moment before you get started to set an appropriate pace from the onset. Look at your audience and smile. It is a reflex for some of your audience members to smile back. Those smiles will reassure you that your audience members are friendly.

Physical movement helps to channel some of the excess energy that your body produces in response to anxiety. If at all possible, move around the front of the room rather than remaining imprisoned behind the lectern or gripping it for dear life (avoid pacing nervously from side to side, however). Move closer to the audience and then stop for a moment. If you are afraid that moving away from the lectern will reveal your shaking hands, use note cards rather than a sheet of paper for your outline. Note cards do not quiver like paper, and they provide you with something to do with your hands.

Vocal warm-ups are also important before speaking. Just as athletes warm up before practice or competition and musicians warm up before playing, speakers need to get their voices ready to speak. Talking with others before your speech or quietly humming to yourself can get your voice ready for your presentation. You can even sing or practice a bit of your speech out loud while you’re in the shower (just don’t wake the neighbors), where the warm, moist air is beneficial for your vocal mechanism. Gently yawning a few times is also an excellent way to stretch the key muscle groups involved in speaking.

Immediately before you speak, you can relax the muscles of your neck and shoulders, rolling your head gently from side to side. Allow your arms to hang down your sides and stretch out your shoulders. Isometric exercises that involve momentarily tensing and then relaxing specific muscle groups are an effective way to keep your muscles from becoming stiff.

Focus on the Audience, Not on Yourself

During your speech, make a point of establishing direct eye contact with your audience members. By looking at individuals, you establish a series of one-to-one contacts similar to interpersonal communication. An audience becomes much less threatening when you think of them not as an anonymous mass but as a collection of individuals.

A colleague once shared his worst speaking experience when he reached the front of the room and forgot everything he was supposed to say. When I asked what he saw when he was in the front of the room, he looked at me like I was crazy. He responded, “I didn’t see anything. All I remember is a mental image of me up there in the front of the room blowing it.” Speaking anxiety becomes more intense if you focus on yourself rather than concentrating on your audience and your material.

Maintain Your Sense of Humor

No matter how well we plan, unexpected things happen. That fact is what makes the public speaking situation so interesting. When the unexpected happens to you, do not let it rattle you. At the end of a class period late in the afternoon of a long day, a student raised her hand and asked me if I knew that I was wearing two different colored shoes, one black and one blue. I looked down and saw that she was right; my shoes did not match. I laughed at myself, complimented the student on her observational abilities and moved on with the important thing, the material I had to deliver.

Stress Management Techniques

Even when we employ positive thinking and are well prepared, some of us still feel a great deal of anxiety about public speaking. When that is the case, it can be more helpful to use stress management than to try to make the anxiety go away.

One general technique for managing stress is positive visualization . Visualization is the process of seeing something in your mind’s eye; essentially it is a form of self-hypnosis. Frequently used in sports training, positive visualization involves using the imagination to create images of relaxation or ultimate success. Essentially, you imagine in great detail the goal for which you are striving, say, a rousing round of applause after you give your speech. You mentally picture yourself standing at the front of the room, delivering your introduction, moving through the body of your speech, highlighting your presentation aids, and sharing a memorable conclusion. If you imagine a positive outcome, your body will respond to it as through it were real. Such mind-body techniques create the psychological grounds for us to achieve the goals we have imagined. As we discussed earlier, communication apprehension has a psychological basis, so mind-body techniques such as visualization can be important to reducing anxiety. It’s important to keep in mind, though, that visualization does not mean you can skip practicing your speech out loud. Just as an athlete still needs to work out and practice the sport, you need to practice your speech in order to achieve the positive results you visualize.

Systematic desensitization is a behavioral modification technique that helps individuals overcome anxiety disorders. People with phobias, or irrational fears, tend to avoid the object of their fear. For example, people with a phobia of elevators avoid riding in elevators—and this only adds to their fear because they never “learn” that riding in elevators is usually perfectly safe. Systematic desensitization changes this avoidance pattern by gradually exposing the individual to the object of fear until it can be tolerated.

First, the individual is trained in specific muscle relaxation techniques. Next, the individual learns to respond with conscious relaxation even when confronted with the situation that previously caused them fear. James McCroskey used this technique to treat students who suffered from severe, trait-based communication apprehension (McCroskey, 1972). He found that “the technique was eighty to ninety percent effective” for the people who received the training (McCroskey, 2001). If you’re highly anxious about public speaking, you might begin a program of systematic desensitization by watching someone else give a speech. Once you are able to do this without discomfort, you would then move to talking about giving a speech yourself, practicing, and, eventually, delivering your speech.

The success of techniques such as these clearly indicates that increased exposure to public speaking reduces overall anxiety. Consequently, you should seek out opportunities to speak in public rather than avoid them. As the famous political orator William Jennings Bryan once noted, “The ability to speak effectively is an acquirement rather than a gift” (Carnegie, 1955).

Key Takeaways

  • There are many steps you can take during the speech preparation process to manage your communication apprehension, including thinking positively, analyzing your audience, clearly organizing your ideas, adapting your language to the oral mode, and practicing.
  • You can employ a variety of techniques while you are speaking to reduce your apprehension, such as anticipating your body’s reactions, focusing on the audience, and maintaining your sense of humor.
  • Stress management techniques, including cognitive restructuring and systematic desensitization, can also be helpful.
  • Go to http://www.hypknowsis.com and practice a few of the simple beginning visualization exercises presented there.
  • Make a plan for managing your anxiety before and during your speech that includes specific techniques you want to try before your next public speaking assignment.
  • Beebe, S.A., & Beebe, S. J. (2000). Public speaking: An audience centered approach . Boston, MA: Allyn & Bacon.
  • Carnegie, D. (1955). Public speaking and influencing men in business . New York, NY: American Book Stratford Press, Inc.
  • McCroskey, J. C. (1972). The implementation of a large-scale program of systematic desensitization for communication apprehension. The Speech Teacher , 21 , 255–264.
  • Metcalfe, S. (1994). Building a speech . New York, NY: The Harcourt Press.
  • Witt, P. L., Brown, K. C., Roberts, J. B., Weisel, J., Sawyer, C., & Behnke, R. (2006, March). Somatic anxiety patterns before, during and after giving a public speech. Southern Communication Journal , 71 , 89.

Logo for Open Library Publishing Platform

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

18.5: Managing Public Speaking Anxiety

Learning objectives.

as a means of managing speech anxiety the communication orientation

  • Identify strategies for addressing public speaking anxiety.
  • Employ strategies for addressing public speaking anxiety.

If you feel fear, anxiety, or discomfort when confronted with the task of speaking in front of an audience, you are not alone. Polls consistently show that public speaking is among people’s top fears (Bodie, 2010). Yet, since we all have to engage in some form of public speaking, this is a fear that many people must face regularly. Effectively managing speaking anxiety has many positive effects on your speech. One major area that can improve with less anxiety is delivery. Although speaking anxiety is natural and normal, it can interfere with verbal and nonverbal delivery and thus make a speech less effective. In this chapter, we explore some causes of speaking anxiety, ways to address it, and best practices of vocal and physical delivery.

Sources of Speaking Anxiety

18.5.1

Decades of research conducted by communication scholars shows that communication apprehension (towards multiple forms of communication, not just public speaking) is common among college students — in fact, about seventy percent of students report suffering from that (Priem & Solomon, 2009).

Public speaking anxiety  is a type of CA that produces physiological, cognitive, and behavioral reactions in people when faced with a real or imagined presentation (Bodie, 2010). Physiological responses to public speaking anxiety include increased heart rate, flushing of the skin or face, and sweaty palms — the result of natural chemical processes in the human body. The fight or flight instinct helped early humans survive threatening situations: when faced with a tiger, for instance, the body released adrenaline, cortisol, and other hormones that increased heart rate and blood pressure to get more energy to the brain, organs, and muscles in order to respond to the threat. Our physiology hasn’t caught up with our new ways of life. Our body doesn’t distinguish between the causes of stressful situations, so facing an audience may release the same hormones as facing a wild beast.

Cognitive reactions to public speaking anxiety often include intrusive thoughts that can increase anxiety: “People are judging me,” “I’m not going to do well,” and “I’m going to forget what to say.” These thoughts are reactions to the physiological changes in the body but also bring in the social/public aspect of public speaking: speakers fear being negatively judged or evaluated because of their anxiety. Such thoughts may lead speakers to stop and return to their seat or leave the classroom. Anticipating these reactions can also lead to avoidance behavior, where people intentionally avoid situations where they will have to speak in public.

Addressing Public Speaking Anxiety

While we can’t stop the innate physiological reactions related to anxiety from occurring, we do have some control over how we cognitively process them and the behaviors that result. Research on public speaking anxiety has focused on three key ways to address this common issue: systematic desensitization, cognitive restructuring, and skills training (Bodie, 2010). In addition, it is important to address the physical manifestations of speaking anxiety.

Systematic Desensitization

S ystematic desensitization refers to the fact that we become less anxious about something when we are exposed to it more often (Bodie, 2010). The novelty and uncertainty of public speaking causes anxiety in many people. Becoming more familiar with public speaking by doing it more often can logically reduce the novelty and uncertainty of it.

Systematic desensitization can result from imagined or real exposure to anxiety-inducing scenarios. In some cases, an instructor leads a person through a series of relaxation techniques. Once relaxed, the person is asked to imagine a series of scenarios, including speech/ presentation preparation and delivery. This is something you could also try to do on your own. Imagine yourself going through the process of preparing and practicing a speech/ presentation, then delivering it, and then returning to your seat, which concludes the scenario. Aside from this imagined exposure to speaking situations, taking a communication course like this one is a great way to directly engage in systematic desensitization. Most students report that they have less speaking anxiety at the end of a semester than when they started, which is at least partially due to the fact they were forced to engage with speaking more than they would have done if they weren’t taking classes and didn’t have to deliver a presentation at any point.

Cognitive Restructuring

18.5.2

Cognitive restructuring entails changing the way we think about something. A first step in restructuring how we deal with public speaking anxiety is to cognitively process through our fears to realize that many of the thoughts associated with public speaking anxiety are irrational (Allen, Hunter & Donohue, 2009). For example, people report a fear of public speaking over a fear of snakes, heights, financial ruin, or even death. It’s irrational to think that the consequences of giving a speech in public are more dire than getting bitten by a rattlesnake, falling off a building, or dying. People fear being evaluated negatively, but most audiences in fact overlook or do not even notice many errors that we, as speakers, may dwell on. Once we realize that the potential negative consequences of giving a speech are not as dire as we think they are, we can move on to other cognitive restructuring strategies.

Communication-orientation modification therapy (COM therapy) is a type of cognitive restructuring that encourages people to think of public speaking as a conversation rather than a performance (Motley, 2009). Many people have a performance-based view of public speaking. This can easily be seen in the language that some students use to discuss public speaking. They say that they “rehearse” their speech/ presentation, deal with “stage fright,” then “perform” in front of an audience. There is, however, no stage at the front of our classroom — or in most workplaces. To move away from a performance orientation, we can reword the previous statements to say that we “practice” speeches/presentations, deal with “public speaking anxiety,” then “deliver” speeches/presentations from the front of the room. Viewing public speaking as a conversation also helps with confidence. After all, you obviously have some conversation skills, or you wouldn’t have made it to college. We engage in conversations every day. We don’t have to write everything we are going to say on a note card, we don’t usually get nervous or anxious in regular conversations, and we are usually successful when we try. Thinking of public speaking as a type of conversation helps you realize that you already have accumulated experiences and skills that you can draw from, so you aren’t starting from scratch.

Last, positive visualization is another way to engage in cognitive restructuring. Speaking anxiety often leads people to view public speaking negatively. They are more likely to judge a speech they gave negatively, even if it was good. They are also likely to set up negative self-fulfilling prophecies that might hinder their performance in future speeches. To effectively use positive visualization, it’s best to engage first in some relaxation exercises such as deep breathing or stretching, which we will discuss more later, and then play through vivid images in your mind of giving a successful speech. This should be done a few times before giving the actual speech. Students sometimes question the power of positive visualization, thinking that it sounds corny, but people such as Olympic athletes do it all the time. Try it to see if it works for you.

Skills Training

Skills training is a strategy for managing public speaking anxiety that focuses on learning skills that will improve specific speaking behaviors. These skills may relate to any part of the speech-making process, including topic selection, research and organization, delivery, and self-evaluation. Skills training, like systematic desensitization, makes the public speaking process more familiar, which lessens uncertainty. In addition, targeting specific areas and then improving on them builds more confidence, which can in turn lead to more improvement. Feedback is important to initiate and maintain this positive cycle of improvement. You can use the constructive criticism that you get from your instructor and peers in this class to target specific areas of improvement. Self-evaluation is also an important part of skills training. Make sure to evaluate yourself within the context of your assignment or job and the expectations for the speech/ presentation. Don’t get sidetracked by a small delivery error if the expectations for content far outweigh the expectations for delivery. Combine your self-evaluation with the feedback from your instructor, boss, and/or peers to set specific and measurable goals and then assess whether or not you meet them in subsequent experiences. Once you achieve a goal, mark it off your list and use it as a confidence booster. If you don’t achieve a goal, figure out why and adjust your strategies to meet it in the future.

Physical Relaxation Exercises

Suggestions for managing speaking anxiety typically address its cognitive and behavioral components, while the physical components are left unattended. As we learned earlier, we can’t block these natural and instinctual responses. We can, however, engage in physical relaxation exercises  to counteract the general physical signs of anxiety caused by cortisol and adrenaline release, which include increased heart rate, trembling, flushing, high blood pressure, and speech disfluency.

18.5.3

Some breathing and stretching exercises release endorphins, which are your body’s natural antidote to stress hormones. Deep breathing is a proven way to release endorphins. It also provides a general sense of relaxation and can be done discretely, even while waiting to speak. In order to get the benefits of deep breathing, you must breathe into your diaphragm. The diaphragm is the muscle below your lungs that helps you breathe and stand up straight, which makes it a good muscle for a speaker to exercise. To start, breathe in slowly through your nose, filling the bottom parts of your lungs up with air. Hold the breath for three to five full seconds and then let it out slowly through your mouth. After doing this a few times, many students report that they can actually feel a flooding of endorphins, which creates a brief “light-headed” feeling. Once you have practiced and are comfortable with the technique, you can do this before you start your speech/ presentation, and no one sitting around you will even notice. You might also want to try this technique during other stressful situations. Deep breathing before dealing with an angry customer can help you relax and focus.

Stretching is another way to quickly and effectively release endorphins. Very old exercise traditions like yoga, tai chi, and Pilates teach the idea that stretching is a key component of having a healthy mind and spirit. Simple and discrete stretches can energize us and makeus feel more balanced and relaxed. Our blood and our energy/stress have a tendency to pool in our legs, especially while sitting. The following stretch can help manage the physical manifestations of anxiety while waiting to speak. Start with both feet flat on the floor. Raise your heels off the floor and flex and release your calf muscles. You can flex and release your calves once before putting your heels back down and repeating, or you can flex a few times on each repetition. Doing this three to five times should sufficiently get your blood and energy moving around. Stretching your wrists can also help move energy around in your upper body, since our huge amounts of typing and using other electronic devices put a lot of stress on this intersection of muscles, tendons, and bones. Point one hand up at the wrist joint, like you’re waving at someone. Then use your other hand to pull, gently, the hand that’s pointing up back toward your elbow. Stop pulling once you feel some tension. Hold the hand there for a few seconds and release. Then point the hand down at the wrist joint like you’re pointing at something on the floor, and use the other hand to push the hand back toward your elbow. Again, stop pushing when you feel the tension, hold the stretch for a few seconds, and release. You can often do this stretch discretely as well while waiting to speak.

Vocal Warm-Up Exercises

Vocal warm-up exercises are a good way to warm up your face and mouth muscles, which can help prevent some of the fluency issues that occur when speaking. Newscasters, singers, and other professional speakers use vocal warm-ups. Below you can see a list of warm-ups with specific words and exercises meant for different muscles and different aspects of your voice. After going through just a few, you should be able to feel the blood circulating in your face muscles more. It’s a surprisingly good workout! Such exercises can be difficult to do if you are not in a private space before your speech/presentation, but doing them at home before practicing your speech/presentation can still prove helpful.

Sample Vocal Warm-Ups

  • Purse your lips together and make a motorboat sound. Hold it for ten seconds and repeat. “BBBBBBBBBBBBBBBBBBBBBBBBBBB.”
  • Clench your teeth and say, “N, N, N, N,” to stretch your cheek muscles.
  • Say “Mum” five times, and open your mouth and eyes wide each time you say it.
  • Say “Puh” five times, making sure to use your diaphragm to enunciate the h.
  • Say “Red Rover” ten times, overenunciating each r.
  • Say “Wilbur” ten times, overenunciating the w and r.
  • Say “Bumblebee” ten times, enunciating each b.
  • Say “Red letter, yellow letter” five times, making sure to distinctly pronounce each word.
  • Say “Selfish shellfish” five times, making sure to distinctly pronounce each word.
  • Say “Unique New York” five times, enunciating the q and k.

Checklist: Reducing Speaking Anxiety

  • You are not alone. Public speaking anxiety is common, so don’t ignore it—confront it.
  • Audiences are forgiving and understanding.
  • It always feels worse than it looks.
  • Take deep breaths. That releases endorphins, which naturally fight the adrenaline that causes anxiety.
  • Look the part. Dress professionally to enhance confidence.
  • Channel your nervousness into positive energy and motivation.
  • Start your outline and research early. Better information = higher confidence.
  • Practice and get feedback from a trusted colleague.
  • Visualize success through positive thinking.
  • Practice as much as possible.

Spotlight: “Getting Critical”

How Much Emphasis Should We Place on Delivery?

Before you read the rest of the chapter, take some time to think about the balance between the value of content and delivery in a speech/presentation. We know it’s important to have solid content and to have an engaging and smooth delivery to convey that content, but how should each category be weighted and evaluated? Most people who have made it to college can put the time and effort into following assignment guidelines to put together a well-researched and well-organized speech/presentation. But some people are naturally better at delivering speeches than others. Some people are more extroverted, experience less public speaking anxiety, and are naturally more charismatic than others. Sometimes a person’s delivery and charisma might distract an audience away from critically evaluating the content of their speech. Charismatic and well-liked celebrities and athletes, for example, often endorse products and sell things to the public. We may follow their advice because we like them, instead of basing our choice on their facts or content. In today’s celebrity culture, the bling or packaging is sometimes more valued than the contents. This leads us to some questions that might help us unpack the sometimes tricky relationship between content and delivery.

Self-reflection and critical thinking questions:

  • Do you think worries about content or delivery contribute more to speaking anxiety? Explain your choice.
  • How should someone be evaluated who works hard to research, organize, and write a speech but doesn’t take the time to practice to ensure a good delivery? What if that person practices but still offers a poor delivery?
  • How should we evaluate a speaker who delivers an engaging speech that gets the audience laughing and earns a big round of applause but does not verbally cite sources or present well-organized ideas?
  • Is it ethical for speakers to use their natural charisma or speaking abilities to win over an audience rather than relying on the merit and strength of their speech content? In what speaking situations would this be more acceptable? Less acceptable?

Key Takeaways

Key Icon

  • Systematic desensitization helps lessen public speaking anxiety through repeated exposure to real or imagined public speaking scenarios.
  • Cognitive restructuring addresses public speaking by replacing negative thoughts with more positive thoughts, and COM therapy can help us view public speaking as a conversation rather than a performance.
  • Skills training allows us to focus on improving specific skills related to public speaking, which can increase confidence and lead to further skill development.
  • Physical relaxation exercises like deep breathing and stretching allow us to voluntarily use our bodies to address involuntary bodily reactions to anxiety.

Exercise

  • Of the strategies for managing public speaking anxiety listed in the chapter (systematic desensitization, cognitive restructuring, skills training, physical relaxation exercises), which do you think would be most useful for you and why?
  • When you take a communication course like this one, you are automatically engaging in some skills training. What are some public speaking skills that you are already good at? What are some skills that you should work on? Write out three public speaking goals you would like to accomplish through your upcoming presentation.

Allen, M., Hunter, J. E.,  & Donohue, W. A. (2009). Meta-analysis of self-report data on the effectiveness of public speaking anxiety treatment techniques. Communication Education 38 (1), 54–76.

Bodie, G. D. (2010). A racing heart, rattling knees, and ruminative thoughts: Defining, explaining, and treating public speaking anxiety. Communication Education 59 (1), 70-105.

Motley, M. T. (2009). COM Therapy. In J. A. Daly, J. C. McCroskey, J. Ayres, T. Hopf, and D. M. Ayers Sonandre (Eds.), Avoiding communication: Shyness, reticence, and communication apprehension (pp. 379-400). Hampton Press.

Priem, J. S., & Solomon, D. H. (2009). Comforting apprehensive communicators: The effects of reappraisal and distraction on cortisol levels among students in a public speaking class.  Communication Quarterly 57 (3), 259-81.

Advanced Professional Communication Copyright © 2021 by Melissa Ashman; Arley Cruthers; eCampusOntario; Ontario Business Faculty; and University of Minnesota is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

Share This Book

Logo for Achieving the Dream | OER Course Library

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

69 10.1 Managing Public Speaking Anxiety

10.1 managing public speaking anxiety, learning objectives.

  • Discuss common sources of public speaking anxiety.
  • Identify strategies for addressing public speaking anxiety.
  • Employ strategies for addressing public speaking anxiety.

If you feel fear, anxiety, or discomfort when confronted with the task of speaking in front of an audience, you are not alone. National polls consistently show that public speaking is among Americans’ top fears (Bodie, 2010). Yet, since we all have to engage in some form of public speaking, this is a fear that many people must face regularly. Effectively managing speaking anxiety has many positive effects on your speech. One major area that can improve with less anxiety is delivery. Although speaking anxiety is natural and normal, it can interfere with verbal and nonverbal delivery, which makes a speech less effective. In this chapter, we will explore causes of speaking anxiety, ways to address it, and best practices of vocal and physical delivery.

Sources of Speaking Anxiety

Aside from the self-reported data in national surveys that rank the fear of public speaking high for Americans, decades of research conducted by communication scholars shows that communication apprehension is common among college students (Priem & Solomon, 2009). Communication apprehension (CA) is fear or anxiety experienced by a person due to real or perceived communication with another person or persons. CA is a more general term that includes multiple forms of communication, not just public speaking. CA can be further broken down into two categories. Trait CA refers to a general tendency to experience anxiety related to communication, in essence incorporating it into a person’s personality. State CA refers to anxiety related to communication that occurs in a particular situation and time (Bodie, 2010). Of college students, 15 to 20 percent experience high trait CA, meaning they are generally anxious about communication. Seventy percent of college students experience some trait CA, which means that addressing communication anxiety in a class like the one you’re taking now stands to benefit the majority of students (Priem & Solomon, 2009). Whether CA is a personal trait or not, we all occasionally experience state CA. Think about the jitters you get before a first date, a job interview, or the first day of school. The novelty or uncertainty of some situations is a common trigger for communication anxiety, and public speaking is a situation that is novel and uncertain for many.

Public speaking anxiety is a type of CA that produces physiological, cognitive, and behavioral reactions in people when faced with a real or imagined presentation (Bodie, 2010). Physiological responses to public speaking anxiety include increased heart rate, flushing of the skin or face, and sweaty palms, among other things. These reactions are the result of natural chemical processes in the human body. The fight or flight instinct helped early humans survive threatening situations. When faced with a ferocious saber-toothed tiger, for example, the body released adrenaline, cortisol, and other hormones that increased heart rate and blood pressure to get more energy to the brain, organs, and muscles in order to respond to the threat. We can be thankful for this evolutionary advantage, but our physiology hasn’t caught up with our new ways of life. Our body doesn’t distinguish between the causes of stressful situations, so facing down an audience releases the same hormones as facing down a wild beast. The root of public speaking anxiety is the fight or flight instinct that is triggered when we face a fear. While we can’t completely eliminate anxiety, we can change how we cognitively process it.

Cognitive reactions to public speaking anxiety often include intrusive thoughts that can increase anxiety: “People are judging me,” “I’m not going to do well,” and “I’m going to forget what to say.” These thoughts are reactions to the physiological changes in the body but also bring in the social/public aspect of public speaking in which speakers fear being negatively judged or evaluated because of their anxiety. The physiological and cognitive responses to anxiety lead to behavioral changes. All these thoughts may lead someone to stop their speech and return to their seat or leave the classroom. Anticipating these reactions can also lead to avoidance behavior where people intentionally avoid situations where they will have to speak in public.

Addressing Public Speaking Anxiety

While we can’t stop the innate physiological reactions related to anxiety from occurring, we do have some control over how we cognitively process them and the behaviors that result. Research on public speaking anxiety has focused on three key ways to address this common issue: systematic desensitization, cognitive restructuring, and skills training (Bodie, 2010). In addition, it is important to address the physical manifestations of speaking anxiety.

Systematic Desensitization

Although systematic desensitization may sound like something that would be done to you while strapped down in the basement of a scary hospital, it actually refers to the fact that we become less anxious about something when we are exposed to it more often (Bodie, 2010). As was mentioned earlier, the novelty and uncertainty of public speaking is a source for many people’s anxiety. So becoming more familiar with public speaking by doing it more often can logically reduce the novelty and uncertainty of it.

Systematic desensitization can result from imagined or real exposure to anxiety-inducing scenarios. In some cases, an instructor leads a person through a series of relaxation techniques. Once relaxed, the person is asked to imagine a series of scenarios including speech preparation and speech delivery. This is something you could also try to do on your own before giving a speech. Imagine yourself going through the process of preparing and practicing a speech, then delivering the speech, then returning to your seat, which concludes the scenario. Aside from this imagined exposure to speaking situations, taking a communication course like this one is a great way to directly engage in systematic desensitization. Almost all my students report that they have less speaking anxiety at the end of a semester than when they started, which is at least partially due to the fact they were forced to engage with speaking more than they would have done if they weren’t taking the class.

Cognitive Restructuring

Cognitive restructuring entails changing the way we think about something. A first step in restructuring how we deal with public speaking anxiety is to cognitively process through our fears to realize that many of the thoughts associated with public speaking anxiety are irrational (Allen, Hunter & Donohue, 2009). For example, people report a fear of public speaking over a fear of snakes, heights, financial ruin, or even death. It’s irrational to think that the consequences of giving a speech in public are more dire than getting bit by a rattlesnake, falling off a building, or dying. People also fear being embarrassed because they mess up or are evaluated negatively. Well, you can’t literally die from embarrassment, and in reality, audiences are very forgiving and overlook or don’t even notice many errors that we, as speakers, may dwell on. Once we realize that the potential negative consequences of giving a speech are not as dire as we think they are, we can move on to other cognitive restructuring strategies. Communication-orientation modification therapy (COM therapy) is a type of cognitive restructuring that encourages people to think of public speaking as a conversation rather than a performance (Motley, 2009). Many people have a performance-based view of public speaking. This can easily be seen in the language that some students use to discuss public speaking. They say that they “rehearse” their speech, deal with “stage fright,” then “perform” their speech on a “stage.” I like to remind my students that there is no stage at the front of our classroom; it is a normal floor. To get away from a performance orientation, we can reword the previous statements to say that they “practice” their speech, deal with “public speaking anxiety,” then “deliver” their speech from the front of the room. Viewing public speaking as a conversation also helps with confidence. After all, you obviously have some conversation skills, or you wouldn’t have made it to college. We engage in conversations every day. We don’t have to write everything we’re going to say out on a note card, we don’t usually get nervous or anxious in regular conversations, and we’re usually successful when we try. Even though we don’t engage in public speaking as much, we speak to others in public all the time. Thinking of public speaking as a type of conversation helps you realize that you already have accumulated experiences and skills that you can draw from, so you aren’t starting from scratch.

Thinking of public speaking as a conversation with an audience rather than a performance for an audience can help reduce speaking anxiety.

Last, positive visualization is another way to engage in cognitive restructuring. Speaking anxiety often leads people to view public speaking negatively. They are more likely to judge a speech they gave negatively, even if it was good. They’re also likely to set up negative self-fulfilling prophecies that will hinder their performance in future speeches. To effectively use positive visualization, it’s best to engage first in some relaxation exercises such as deep breathing or stretching, which we will discuss more later, and then play through vivid images in your mind of giving a successful speech. This should be done a few times before giving the actual speech. Students sometimes question the power of positive visualization, thinking that it sounds corny. Ask an Olympic diver what his or her coach says to do before jumping off the diving board and the answer will probably be “Coach says to image completing a perfect 10 dive.” Likewise a Marine sharpshooter would likely say his commanding officer says to imagine hitting the target before pulling the trigger. In both instances, positive visualization is being used in high-stakes situations. If it’s good enough for Olympic athletes and snipers, it’s good enough for public speakers.

Skills Training

Skills training is a strategy for managing public speaking anxiety that focuses on learning skills that will improve specific speaking behaviors. These skills may relate to any part of the speech-making process, including topic selection, research and organization, delivery, and self-evaluation. Skills training, like systematic desensitization, makes the public speaking process more familiar for a speaker, which lessens uncertainty. In addition, targeting specific areas and then improving on them builds more confidence, which can in turn lead to more improvement. Feedback is important to initiate and maintain this positive cycle of improvement. You can use the constructive criticism that you get from your instructor and peers in this class to target specific areas of improvement. Self- evaluation is also an important part of skills training. Make sure to evaluate yourself within the context of your assignment or job and the expectations for the speech. Don’t get sidetracked by a small delivery error if the expectations for content far outweigh the expectations for delivery. Combine your self-evaluation with the feedback from your instructor, boss, and/or peers to set specific and measurable goals and then assess whether or not you meet them in subsequent speeches. Once you achieve a goal, mark it off your list and use it as a confidence booster. If you don’t achieve a goal, figure out why and adjust your strategies to try to meet it in the future.

Physical Relaxation Exercises

Suggestions for managing speaking anxiety typically address its cognitive and behavioral components, while the physical components are left unattended. As we learned earlier, we can’t block these natural and instinctual responses. We can, however, engage in physical relaxation exercises to counteract the general physical signs of anxiety caused by cortisol and adrenaline release, which include increased heart rate, trembling, flushing, high blood pressure, and speech disfluency.

I liken confronting the physical aspects of public speaking anxiety to chemical warfare. Some breathing and stretching exercises release endorphins, which are your body’s natural antidote to stress hormones. Deep breathing is a proven way to release endorphins. It also provides a general sense of relaxation and can be done discretely, even while waiting to speak. In order to get the benefits of deep breathing, you must breathe into your diaphragm. The diaphragm is the muscle below your lungs that helps you breathe and stand up straight, which makes it a good muscle for a speaker to exercise. To start, breathe in slowly through your nose, filling the bottom parts of your lungs up with air. While doing this, your belly should pooch out. Hold the breath for three to five full seconds and then let it out slowly through your mouth. After doing this only a few times, many students report that they can actually feel a flooding of endorphins, which creates a brief “light-headed” feeling. I lead my class in breathing exercises before the first few days of speeches. Once you have practiced and are comfortable with the technique, you can do this before you start your speech, and no one sitting around you will even notice. You might also want to try this technique during other stressful situations. Deep breathing before dealing with an angry customer or loved one, or before taking a test, can help you relax and focus.

Discretely stretching your wrists and calf muscles is a good way to relieve anxiety and get your energy flowing while waiting to speak.

Stretching is another way to quickly and effectively release endorphins. Very old exercise traditions like yoga, tai chi, and Pilates teach the idea that stretching is a key component of having a healthy mind and spirit. Exercise in general is a good stress reliever, but many of us don’t have the time or willpower to do it. We can, however, all take time to do some stretching. Obviously, it would be distracting for the surrounding audience if a speaker broke into some planking or Pilates just before his or her speech. Simple and discrete stretches can help get the body’s energy moving around, which can make a speaker feel more balanced and relaxed. Our blood and our energy/ stress have a tendency to pool in our legs, especially when we’re sitting. The following stretch can help manage the physical manifestations of anxiety while waiting to speak. Start with both feet flat on the floor. Raise your back heels off the floor and flex and release your calf muscles. You can flex and release your calves once before putting your heels back down and repeating, or you can flex a few times on each repetition. Doing this three to five times should sufficiently get your blood and energy moving around. Stretching your wrists can also help move energy around in your upper body, since our huge amounts of typing and using other electronic controllers put a lot of stress on this intersection of muscles, tendons, and bones. Point one hand up at the wrist joint, like you’re waving at someone. Then use your other hand to pull, gently, the hand that’s pointing up back toward your elbow. Stop pulling once you feel some tension. Hold the hand there for a few seconds and release. Then point the hand down at the wrist joint like you’re pointing at something on the floor, and use the other hand to push the hand back toward your elbow. Again, stop pushing when you feel the tension, hold the stretch for a few seconds, and release. You can often do this stretch discretely as well while waiting to speak.

Vocal Warm-Up Exercises

Vocal warm-up exercises are a good way to warm up your face and mouth muscles, which can help prevent some of the fluency issues that occur when speaking. Newscasters, singers, and other professional speakers use vocal warm-ups. I lead my students in vocal exercises before speeches, which also helps lighten the mood. We all stand in a circle and look at each other while we go through our warm-up list. For the first warm-up, we all make a motorboat sound, which makes everybody laugh. The full list of warm-ups follows and contains specific words and exercises designed to warm up different muscles and different aspects of your voice. After going through just a few, you should be able to feel the blood circulating in your face muscles more. It’s a surprisingly good workout!

Sample Vocal Warm-Ups

  • Purse your lips together and make a motorboat sound. Hold it for ten seconds and repeat. “BBBBBBBBBBBBBBBBBBBBBBBBBBB.”
  • Clench your teeth and say, “N, N, N, N,” to stretch your cheek muscles.
  • Say “Mum” five times, and open your mouth and eyes wide each time you say it.
  • Say “Puh” five times, making sure to use your diaphragm to enunciate the  h .
  • Say “Red Rover” ten times, overenunciating each  r .
  • Say “Wilbur” ten times, overenunciating the  w  and  r .
  • Say “Bumblebee” ten times, enunciating each  b .
  • Say “Red letter, yellow letter” five times, making sure to distinctly pronounce each word.
  • Say “Selfish shellfish” five times, making sure to distinctly pronounce each word.
  • Say “Unique New York” five times, enunciating the  q  and  k .

Top Ten Ways to Reduce Speaking Anxiety

As you can see in this section, there are many factors that contribute to speaking anxiety, and there are many ways to address it. The following is a list of the top ten ways to reduce speaking anxiety that I developed with my colleagues, which helps review what we’ve learned.

  • Remember, you are not alone. Public speaking anxiety is common, so don’t ignore it—confront it.
  • Remember, you can’t literally “die of embarrassment.” Audiences are forgiving and understanding.
  • Remember, it always feels worse than it looks.
  • Take deep breaths. It releases endorphins, which naturally fight the adrenaline that causes anxiety.
  • Look the part. Dress professionally to enhance confidence.
  • Channel your nervousness into positive energy and motivation.
  • Start your outline and research early. Better information = higher confidence.
  • Practice and get feedback from a trusted source. (Don’t just practice for your cat.)
  • Visualize success through positive thinking.
  • Prepare, prepare, prepare! Practice is a speaker’s best friend.

Key Takeaways

  • Getting integrated: Public speaking anxiety is a form of communication apprehension (CA) that is commonly experienced by many people and can be effectively managed using a variety of strategies. While we most often think of public speaking anxiety as an issue in the classroom and workplace, it can affect communication in personal and civic contexts as well.
  • Systematic desensitization helps lessen public speaking anxiety through repeated exposure to real or imagined public speaking scenarios.
  • Cognitive restructuring addresses public speaking by replacing negative thoughts with more positive thoughts, and COM therapy can help you view public speaking as a conversation rather than a performance.
  • Skills training allows you to focus on improving specific skills related to public speaking, which can increase confidence and lead to further skill development.
  • Physical relaxation exercises like deep breathing and stretching allow us to voluntarily use our bodies to address involuntary bodily reactions to anxiety.

Allen, M., John E. Hunter, and William A. Donohue, “Meta-analysis of Self-Report Data on the Effectiveness of Public Speaking Anxiety Treatment Techniques,”  Communication Education  38, no. 1 (2009): 54–76.

Bodie, G. D., “A Racing Heart, Rattling Knees, and Ruminative Thoughts: Defining, Explaining, and Treating Public Speaking Anxiety,”  Communication Education  59, no. 1 (2010): 70.

Motley, M. T., “COM Therapy,” in  Avoiding Communication: Shyness, Reticence, and Communication Apprehension , eds. John A. Daly, James C. McCroskey, Joe Ayres, Tim Hopf, and Debbie M. Ayers Sonandre (Cresskill, NJ: Hampton Press, 2009), 379–400.

Priem, J. S., and Denise Haunani Solomon, “Comforting Apprehensive Communicators: The Effects of Reappraisal and Distraction on Cortisol Levels among Students in a Public Speaking Class,”  Communication Quarterly  57, no. 3 (2009): 260.

Communication Studies Copyright © by Lumen Learning is licensed under a Creative Commons Attribution 4.0 International License , except where otherwise noted.

Share This Book

Module 01 Introduction to Public Speaking, Speech Anxiety and Ethics

Speech anxiety: classifying communication apprehension (ca).

CA is not the result of a single cause, and so the phenomenon itself comes in many forms. It is important for each person to recognize that their particular sort of CA (we’ll call it a “personal brand”) is a phenomenon that has developed uniquely through each of their lives and experiences. Just as each individual is different, so too is each case of CA. There are specific distinctions between “stage fright”—a term reserved for the common, virtually universal nervousness felt by everyone —and CA—which is essentially “stage fright” with a corresponding emotional trauma attached. Scholars are somewhat divided, however, on whether CA is something inherent in the individual, or if it is the result of experience. In most people, it is very likely a combination of factors.

Trait-anxiety

Some researchers (McCroskey, et al. 1976) describe CA as trait-anxiety , meaning that it is a type of anxiety that is aligned with an individual’s personality. People who would call themselves “shy” often seek to avoid interaction with others because they are uncertain of how they will be perceived. Avoiding such judgment is generally not difficult, and so becomes a pattern of behavior. These folks, according to researchers, are likely view any chance to express themselves publicly with skepticism and hesitation. This personal tendency is what is known as trait-anxiety.

State-anxiety

Other researchers (Beatty, 1988) describe CA as state-anxiety , meaning that it is a type of anxiety that is derived from the external situation which individuals find themselves. While some may fear public speaking due to some personal trait or broader social anxiety, researchers have found that CA more often stems from the fear associated with scrutiny and negative evaluation. Some people may have had a negative experience in public at an early age—they forgot a line in a play, they lost a spelling bee, they did poorly when called on in front of their class—something that resulted in a bit of public embarrassment. Others may have never actually experienced that stress themselves, but may have watched friends struggle and thus empathized with them. These sorts of experiences can often lead to the formation of a state-anxiety in an individual.

A person with their head in their hands

A person with their head in their hands

Scrutiny fear

Still other researchers (Mattick et al., 1989) discuss CA as what is called a scrutiny fear ; which stems from an activity that does not necessarily involve interacting with other people, but is simply the fear of being in a situation where one is being watched or observed, or one perceives him or herself as being watched, while undertaking an activity. When asked to categorize their own type of CA, many people will identify with this phenomenon.

In order for anybody to effectively deal with CA, the first step is to consider what may be its primary cause. CA is what is known as a resultant condition ; and those who are dealing with the challenge will recognize different intensities associated with different situations or triggers. This means that overcoming the condition requires first that you recognize, and then minimize, the cause. Each person is different, and so each case of CA is personal and unique. Trait-anxiety can be one contributing factor to CA, but is often part of a much larger condition. It is important to understand that, while the techniques discussed here would help in improving an individual’s approach to public speaking opportunities, we do not claim that these techniques would work with more significant personality disorders. However, both the presence of state-anxiety, and the appearance of scrutiny fear, can be effectively addressed through the application of cognitive restructuring (CR) and careful, deliberate experience.

How little do they see what is, who frame their hasty judgments upon that which seems. —Robert Southey
  • Chapter 11 Classifying Communication Apprehension (CA). Authored by : Alyssa G. Millner, Ph.D. and Rachel D. Price, Ph.D.. Provided by : University of Central Arkansas, University of Arkansas at Little Rock & University of Kentucky and Southern Illinois University & University of Kentucky. Located at : http://publicspeakingproject.org/psvirtualtext.html . Project : Public Speaking Project. License : CC BY-NC-ND: Attribution-NonCommercial-NoDerivatives
  • Worried. Authored by : Kristin Andrus. Located at : https://www.flickr.com/photos/wiphey/11868944/ . License : CC BY-NC-ND: Attribution-NonCommercial-NoDerivatives

Footer Logo Lumen Candela

Privacy Policy

IMAGES

  1. 6 Tips for Managing Speaking Anxiety

    as a means of managing speech anxiety the communication orientation

  2. Managing Speech Anxiety

    as a means of managing speech anxiety the communication orientation

  3. PPT

    as a means of managing speech anxiety the communication orientation

  4. How to Manage Public Speaking Anxiety

    as a means of managing speech anxiety the communication orientation

  5. 6 tips for dealing with speaking anxiety

    as a means of managing speech anxiety the communication orientation

  6. The Skill Collective- Public speaking anxiety symptoms and treatment

    as a means of managing speech anxiety the communication orientation

VIDEO

  1. Managing Speech Anxiety

  2. How to Overcome Social Anxiety

  3. Chapter 3 SummaryManaging Speech Anxiety

  4. Managing Speech Anxiety

  5. Managing Speech Anxiety

  6. Overcoming anxiety in public speaking

COMMENTS

  1. Chapter 3: Managing Speech Anxiety

    As we have explained, speaking anxiety is a normal reaction. Good speakers can get nervous, too, just as poor speakers do. Telling a joke or two is always a good way to begin a speech. Humor is some of the toughest material to deliver effectively because it requires an exquisite sense of timing.

  2. Speech Anxiety

    Speech anxiety is best defined as the nervousness that a speaker feels before and/or during a presentation. Sweating palms, a shaky voice, a dry throat, difficulty breathing, and even memory loss are all common symptoms of anxiety. The symptoms you, as an individual, will feel are hard to predict. But it helps if you remember that nearly every ...

  3. 11.1 Managing Public Speaking Anxiety

    Public speaking anxiety is a type of CA that produces physiological, cognitive, and behavioral reactions in people when faced with a real or imagined presentation (Bodie, 2010). Physiological responses to public speaking anxiety include increased heart rate, flushing of the skin or face, and sweaty palms, among other things.

  4. Frontiers

    A wealth of literature clearly supports the presence of speech anxiety in the communication classroom, especially in those classes with a focus on public speaking and/or presentations. Over the years, much work has been done on intentional approaches to empowering students to effectively manage their speech anxiety in face-to-face, hybrid, and online communication courses. These research-based ...

  5. Speech Anxiety

    Speech Anxiety. Most people experience some level of speech anxiety when they have to speak in front of a group; in fact, public speaking is many people's greatest fear. Speech anxiety can range from a slight feeling of "nerves" to a nearly incapacitating fear. Some of the most common symptoms of speech anxiety are: shaking, sweating ...

  6. 3.7: Speech Anxiety

    Speech anxiety is best defined as the nervousness that a speaker feels before and/or during a presentation. Sweating palms, a shaky voice, a dry throat, difficulty breathing, and even memory loss are all common symptoms of anxiety. The symptoms you, as an individual, will feel are hard to predict. But it helps if you remember that nearly every ...

  7. 3.4: Reducing Communication Apprehension

    Explain steps for managing anxiety in the speech preparation process. ... some of us still feel a great deal of anxiety about public speaking. When that is the case, it can be more helpful to use stress management than to try to make the anxiety go away. ... J. C. (1972). The implementation of a large-scale program of systematic desensitization ...

  8. PDF Practice helps relieve anxiety about speaking.

    Managing Speech Anxiety 49 OBJECTIVES After reading this chapter and reviewing the learning resources on your CD-ROM and at the Online Learning Center, you should be able to: • Explain the relationship between arousal and anxiety. • Distinguish speech anxiety from communication apprehension. • Define anxiety and distinguish it from ...

  9. PDF Managing Communication Anxiety

    A picture of communication anxiety—Your pulse rate is a good measure of communication anxiety. Researchers—led by the interna-tionally recognized communication scientist Dr. Theodore Clevenger— measured hundreds of speakers' pulses: executives, students, and top television performers. Speakers were evaluated in business meetings,

  10. Chapter 2 Flashcards

    Adopt a noncompetitive communication orientation. As a means of managing speech anxiety, the communication orientation. emphasizes making the message clear and interesting to listeners. Anxiety that occurs when you face the audience and begin to speak is.

  11. Public Speaking Anxiety: What It Is, Signs, and More

    Some psychological symptoms you might have include: feelings of intense worry and nervousness. fear, stress, and panic in public speaking situations. feelings of dread and fear before speaking in ...

  12. Speech Anxiety: Cognitive Restructuring

    Cognitive Restructuring is a three-step, internal process: These steps are easy to understand, but perhaps may be a bit difficult to execute! The first step is to identify objectively what you are thinking as you approach a public speaking opportunity. Recall your habitual frame of reference. The first step in CR is to shine a bright light ...

  13. PDF Speech Anxiety: Improper Communication & Fear of Public Speaking

    deliver a speech on a public platform. Speech anxiety can also be termed as "Glossophobia" derived from Greek words glōssa meaning tongue and phobos meaning fear or dread. Whether you call it speech anxiety, communication apprehension, fear of public speaking, or just plain fear, one thing is certain, the majority of people experience the ...

  14. 18.5: Managing Public Speaking Anxiety

    Communication-orientation modification therapy ... Skills training is a strategy for managing public speaking anxiety that focuses on learning skills that will improve specific speaking behaviors. These skills may relate to any part of the speech-making process, including topic selection, research and organization, delivery, and self-evaluation ...

  15. 10.1 Managing Public Speaking Anxiety

    A first step in restructuring how we deal with public speaking anxiety is to cognitively process through our fears to realize that many of the thoughts associated with public speaking anxiety are irrational (Allen, Hunter & Donohue, 2009). For example, people report a fear of public speaking over a fear of snakes, heights, financial ruin, or ...

  16. The role of cognitive "performance orientation" in communication anxiety

    This study examined cognitive patterns involved in communication anxiety, particularly in public speaking situations. The cognitive patterns were represented by Motley's (1990) theoretical‐clinical conceptualization of either a "performance" or a "communication" orientation to public presentations.

  17. Speech Anxiety: Classifying Communication Apprehension (CA)

    This personal tendency is what is known as trait-anxiety. State-anxiety. Other researchers (Beatty, 1988) describe CA as state-anxiety, meaning that it is a type of anxiety that is derived from the external situation which individuals find themselves. While some may fear public speaking due to some personal trait or broader social anxiety ...

  18. Speech Chapter 2 Test Flashcards

    7.As a means of managing speech anxiety, the communication orientation A)emphasizes the performance aspects of a speech B)emphasizes making the message clear and interesting to listeners C)focuses on avoiding errors D)focuses on the evaluation of the speech by listeners

  19. Chapter 02 of DMACC Class Flashcards

    Which of the following are causes of dysfunctional speech anxiety? d. All of the above. Which of the following are effective and productive strategies for managing speech anxietyy. b. Adopt a noncompetitive communication orientation. You experience high anxiety before giving a speech. Which of the following indicate that your anxiety has ...

  20. Practically speaking Chapter 2 Flashcards

    True. Study with Quizlet and memorize flashcards containing terms like Which of the following are causes of dysfunctional speech anxiety?, Which of the following are effective and productive strategies for managing speech anxiety?, As a means of managing speech anxiety, the communication orientation and more.

  21. 8.2 Managing Public Speaking Anxiety

    Key Terms. Speaking Anxiety is a natural and normal fear, it can interfere with verbal and nonverbal delivery, which makes a speech less effective.; Communication Apprehension (CA) is fear or anxiety experienced by a person due to real or perceived communication with another person or persons.; Systematic Desensitization refers to the fact that we become less anxious about something when we ...

  22. Public speaking Flashcards

    This claim is principally based on. Study with Quizlet and memorize flashcards containing terms like As a means of managing speech anxiety, the communication orientation, As you become more experienced as a public speaker you can expect, You experience high anxiety before giving a speech. Which of the following indicate that your anxiety has ...

  23. Week 1 Quiz Flashcards

    the who, what, where, when, why, and how of the communication event. "Public speaking is a transactional process" means. the speaker and audience members are both senders and receivers of messages simultaneously. Uncertainty reduction theory posits that as you gain speaking experience the novelty wears off and anxiety consequently diminishes.